Category: Theater

At Gayety, we celebrate the vibrant world of LGBTQ+ theater, spotlighting performances, artists, and events that resonate with our community. Stay updated with upcoming events, insightful reviews, and features on influential LGBTQ+ performers and playwrights, as we continue to champion diversity and representation in the theater world.

  • Ginger Minj Summons a Star-Studded Drag Coven for Hokus Pokus Live! Tour

    Ginger Minj Summons a Star-Studded Drag Coven for Hokus Pokus Live! Tour

    Witches, drag lovers, and theater kids unite because Ginger Minj is casting her most ambitious spell yet. The RuPaul’s Drag Race icon and Hocus Pocus 2 scene-stealer has announced the return of her spellbinding stage production Hokus Pokus Live!, and this time, she’s bringing a cauldron full of drag royalty along for the ride.

    This all-new theatrical experience will tour 22 U.S. cities from Sept. 4 to Oct. 6, co-starring Drag Race darlings Jujubee and Sapphira Cristál, along with Dragula champion Landon Cider.

    A Wickedly Starry Lineup

    Ginger Minj, known affectionately as “The Glamour Toad”, isn’t just performing; she wrote, directed, and co-produced Hokus Pokus Live! through her Fruit Wine Productions. This marks the show’s third iteration, but don’t expect a rehash. Each performance promises a fresh blend of iconic characters, new songs, and supernatural sass tailored to the talents of this all-star cast.

    “It’s more than just a drag show,” Minj said in a statement. “It’s a magical theatrical experience that will leave audiences spellbound.”

    That magic comes in no small part thanks to her cast:

    • Sapphira Cristál, the operatic powerhouse and runner-up of Drag Race Season 16.
    • Jujubee, fan-favorite multi-season queen with Broadway chops from DRAG: The Musical.
    • Landon Cider, a trailblazing drag king whose theatrical flair made him a Dragula winner.

    The Bette Midler Blessing

    The origins of Hokus Pokus Live! are as iconic as the show itself. Ginger credits Hocus Pocus 2 co-star Bette Midler for planting the spellbinding seed. “I just really love the way that you do me,” Midler reportedly told Ginger. “I would like to see you take this and run with it and turn it into something.”

    Consider it done, Divine Miss M.

    Tour Dates & Ticket Info

    The tour kicks off Sept. 4 in Orlando, FL, and hits major cities like NYC, Chicago, San Francisco, and Los Angeles before wrapping Oct. 6 at The Novo. Tickets go on presale July 16 (Code: SPELLBOOK) and general sale July 18 at hokuspokuslive.com, with VIP packages available for those who want to hex it up with the cast.

    VIP Packages That Slay

    Whether you’re looking for a spooky meet-and-greet or some exclusive glam swag, there’s a VIP tier for every witchy wallet.

    • Coven Ultra VIP includes front-row seats, Q&A sessions, exclusive merch, and a group photo with the cast.
    • RIP (Really Important Person) includes premium seats, a supernatural meet-and-greet, signed posters, and more.

    Final Spell

    From Broadway-worthy vocals to drag transformations that defy reality, Hokus Pokus Live! promises a theater experience with a high-glam twist. And with a cast like this? The spell is already cast.

  • Terry Hu on Sleeping In, Queer Joy, and Serving Drag in ‘Trophy Boys’

    Terry Hu on Sleeping In, Queer Joy, and Serving Drag in ‘Trophy Boys’

    It’s been two years since we last caught up with Terry Hu—then fresh off making history as the first nonbinary character in a Disney live-action project (Zombies 3). This time, we reunited on the Pride Podcast during a very fitting month: June. “Exactly. Only we have one month a year that we can reunite,” they joked. “I’m glad we’re getting it.”

    But this Pride month, Terry is trading in parades for rehearsals for their latest project: Trophy Boys, a new off-Broadway black comedy and drag spectacle directed by Tony winner Danya Taymor (The Outsiders). The play, running now through July 27 at MCC Theater in New York City, follows four prep school boys forced to debate the statement: “Feminism has failed women.” As Terry puts it, “It starts kind of there, and they’re just like, ‘what?,’ pretty much, but then it evolves. I don’t want to give spoilers… but it’s so packed and so good.”

    Terry plays one of the four characters—each written for men but performed by women and nonbinary actors in drag. And while they didn’t give away much more about the plot, they made one thing clear: this isn’t your typical takedown of masculinity. “It’s not like a man-hating show. We’re not making fun of the boys. It comments on everything in such a delicate and intelligent way—but also it’s very funny.”

    Tickets to Trophy Boys are available now and moving fast: Book here.

    Trophy Boys poster

    From Disney to Drag

    Hu made headlines when they joined the Zombies franchise as Aspen, an alien character who uses they/them pronouns. “It was the first live action nonbinary [character],” they said. “That’s what they told me.” Since then, they’ve worked on Prom Dates (Hulu) and are eyeing new kinds of roles, including voiceover. “It’d be fun to have that in my legacy, like a Disney cool animated project,” they said. “That’s what I’m manifesting.”

    Despite the state of the entertainment industry being “a little bit wild” lately, Hu remains grateful. “I feel very, very grateful to be doing this for sure—especially in a time when I think things are really quiet, and a lot of people are feeling down. I am there with them too.”

    The Gayest Thing They’ve Done in New York (So Far)

    Hu is currently passing time in New York City for Trophy Boys. So of course, we had to ask them what the gayest thing over there is. “Honestly, I think this play.” Before that? “Paying so much money to sublet this literal box of an apartment with no kitchen, pretty much no bathroom door… so that I could get a nice romantic spot for me and my girlfriend. It was not the romantic experience we thought, but the energy is there—the U-Haul energy almost.”

    Hu also confirmed their first Disney crush was Meg from Hercules (“Are you kidding me? Meg? She gives me bi energy”), came out as “a major sleeper,” and gushed over Paris Hilton’s Pride performances. “She’s just only gotten cooler and better.”

    Where to Find Terry Hu

    You can catch Terry in Trophy Boys at MCC Theater now through July 27. “We just got extended two weeks by popular demand,” they said. “Find me in New York City at the moment.”

    And online? “Find me on Instagram @huisterry,” they said, adding, “and find me after the show when you come.”

  • Cynthia Erivo, Cole Escola and Rainbow-Studded Chorus Boys: The Queerest Moments from The 2025 Tony Awards

    Cynthia Erivo, Cole Escola and Rainbow-Studded Chorus Boys: The Queerest Moments from The 2025 Tony Awards

    At this point, asking whether the Tony Awards are queer is like asking if Broadway has ever met a jazz square. The answer is a resounding yes, darling. But even by its own rhinestone-encrusted standards, the 78th Annual Tony Awards delivered a sparkling showcase of LGBTQ+ excellence, drama, and cheeky acceptance speeches that had us cheering louder than a stage mom on opening night.

    From historic wins and glittering gowns to impromptu dating app shoutouts and numbers choreographed “for the gaze” (not the gaze, the gays), this year’s Tonys offered a masterclass in fabulousness. Let’s pull back the curtain on the most iconic queer moments that had us tossing roses at our screens.

    Cynthia Erivo Hosted, and Her Wardrobe Deserved Its Own Tony

    Let’s get one thing straight, Cynthia Erivo is not. But also, she’s not just a host. She’s a moment. Fresh off a WorldPride concert, an album drop, and promoting Wicked: For Good, Erivo moonwalked into Radio City Music Hall and somehow made ten outfit changes look easy.

    No opening monologue, no faux comedy routine, just pure star power, powerhouse vocals, and couture worthy of a museum. One look in particular, a glimmering red gown with white satin trim, gave heavy Annie-meets-Elphaba energy. It was co-designed by Zac Posen and Jason Bolden, but the real magic was Erivo’s calm, commanding presence.

    Someone give her dresser a Lifetime Achievement Award. Stat.

    https://www.youtube.com/watch?v=IP8YtvXHxAw

    Jonathan Groff Straddles Keanu, Remains Dry

    Groff may not have taken home a trophy this year (Darren Criss beat him for Maybe Happy Ending), but he still delivered a high-octane tribute to Bobby Darin in Just in Time. Known for sweat-soaked performances that require a splash zone warning, Groff miraculously stayed dry while serenading, then straddling, Keanu Reeves.

    Waterproof Groff is still gay rights.

    Cole Escola Makes Tony History, Thanks Grindr

    Cole Escola, comedian, playwright, wig enthusiast, stole the show and the Tony for Best Leading Actor in a Play for Oh, Mary!, becoming the first non-binary actor to do so. Dressed in a custom silver Wiederhoeft gown with enough sparkle to blind George Clooney (who was also nominated), Escola offered the queerest acceptance speech of the night.

    “Hi Mom. I love you. I’ll call when I can. Oh, and thank you to T-Bone from Grindr,” Escola quipped, casually cementing their legacy and their contact list in Tony history.

    Oh, Mary! also snagged Best Direction for Sam Pinkleton and delivered a delightfully deranged take on Mary Todd Lincoln’s inner turmoil. It’s queer. It’s weird. It’s wonderful.

    Hue Park Winsand Announces He’s Single

    Maybe Happy Ending swept the Tonys with six wins, including Best Musical and Best Score, thanks to the writing duo of Will Aronson and Hue Park. During one of many acceptance speeches, Park charmingly let the world know he’s single. That tidbit echoed through the evening, with presenters and winners giving it playful shoutouts.

    Cue the DM flood.

    Jinkx Monsoon Pirates the Stage

    Drag legend and two-time Drag Race winner Jinkx Monsoon took to the stage as a pirate wench in Pirates! A Penzance Musical alongside David Hyde Pierce. Was the show snubbed? Sadly, yes. Was Jinkx playing a washboard in full swashbuckler drag a peak moment of the night? Absolutely.

    Death Becomes Her Gives a Dazzling Queer-Encapsulated Performance and Paul Tazewell is on a Roll!

    While we didn’t get BOOP! The Musical (justice for Betty!), we were gifted the gloriously camp spectacle of Death Becomes Her’s number “For the Gaze.” Picture Liza Minnelli doing a costume-change challenge with backup dancers in rainbow sequins and you’re still only halfway there.

    Madeline Ashton, multiple wigs, and a final tableau that probably left several straight viewers emotionally unprepared, Broadway’s never been more in on the joke. Choreographer Christopher Gattelli really said, “Subtlety? Never met her.”

    Costume designer Paul Tazewell earned a Tony for his breathtaking work on the show, adding to a trophy shelf that already includes a BAFTA and an Oscar for Wicked. Tazewell made history as the first Black man to win an Academy Award for Costume Design and remains a trailblazer in every sense.

    https://www.youtube.com/watch?v=t_S_JjZh76s

    Harvey Fierstein Finally Gets His Flowers

    Harvey Fierstein already had four Tonys, but the Special Lifetime Achievement Award was long overdue. Though his award wasn’t televised (rude!), the moment was still monumental. Fierstein’s decades of blazing trails, be it with Torch Song Trilogy, La Cage aux Folles, or simply existing unapologetically, paved the yellow brick road for this new queer wave of thespians and theater connoisseurs.

    Tears were shed were definitely shed in this poignant moment.

    Branden Jacobs-Jenkins and Francis Jue Round Out the Rainbow

    Branden Jacobs-Jenkins’ Purpose won Best Play, adding to his Pulitzer Prize haul. Meanwhile, veteran actor Francis Jue won hearts (and critical acclaim) for his role in Yellow Face, reminding us all that queer Asian excellence has always been part of Broadway’s DNA.

    Curtain Call

    From Cynthia’s 10 looks to Cole’s historic win and Jinkx’s pirate couture, the 2025 Tony Awards proved once again that queerness isn’t just part of Broadway, it is Broadway. And as long as we have chorus boys in sequins and monologues that end with “I’d like to thank Grindr,” the theater will be in fabulous hands.

    https://www.youtube.com/watch?v=TBtzq3C-Wlc

    Full List of Winner Below

    Best Musical

    • Maybe Happy Ending

    Best Performance by an Actress in a Leading Role in a Musical

    • Nicole Scherzinger, Sunset Blvd.

    Best Performance by an Actor in a Leading Role in a Musical

    • Darren Criss, Maybe Happy Ending

    Best Revival of a Musical

    • Sunset Blvd.

    Best Performance by an Actor in a Leading Role in a Play

    • Cole Escola, Oh, Mary!

    Best Direction of a Musical

    • Michael Arden, Maybe Happy Ending

    Best Direction of a Play

    • Sam Pinkleton, Oh, Mary!

    Best Revival of a Play

    • Eureka Day, Jonathan Spector

    Best Play

    • Purpose

    Best Performance by an Actress in a Featured Role in a Musical

    • Natalie Venetia Belcon, Buena Vista Social Club

    Best Performance by an Actress in a Featured Role in a Play

    • Kara Young, Purpose

    Best Performance by an Actor in a Featured Role in a Musical

    • Jak Malone, Operation Mincemeat: A New Musical

    Best Performance by an Actor in a Featured Role in a Play

    • Francis Jue, Yellow Face

    Best Performance by an Actress in a Leading Role in a Play

    • Sarah Snook, The Picture of Dorian Gray

    Best Original Score (Music and/or Lyrics) Written for the Theatre

    • Maybe Happy Ending, Will Aronson (music and lyrics) and Hue Park (lyrics)

    Best Costume Design of a Musical

    • Paul Tazewell, Death Becomes Her

    Best Costume Design of a Play

    • Marg Horwell, The Picture of Dorian Gray

    Best Scenic Design of a Musical

    • Dane Laffrey and George Reeve, Maybe Happy Ending

    Best Scenic Design of a Play

    • Miriam Buether and 59, Stranger Things: The First Shadow

    Best Lighting Design of a Musical

    • Jack Knowles, Sunset Blvd.

    Best Lighting Design of a Play

    • Jon Clark, Stranger Things: The First Shadow

    Best Choreography

    • Patricia Delgado and Justin Peck, Buena Vista Social Club

    Best Orchestrations

    • Marco Paguia, Buena Vista Social Club

    Best Sound Design of a Musical

    • Jonathan Deans, Buena Vista Social Club

    Best Book of a Musical

    • Maybe Happy Ending, Will Aronson and Hue Park

    Best Sound Design of a Play

    • Paul Arditti, Stranger Things: The First Shadow
  • Sir Ian McKellen to Star in All-Trans and Nonbinary ‘Twelfth Night’ Production in London

    Sir Ian McKellen to Star in All-Trans and Nonbinary ‘Twelfth Night’ Production in London

    In a groundbreaking move that merges the timelessness of Shakespeare with the urgency of contemporary LGBTQ+ representation, Sir Ian McKellen will take the stage this summer in a one-night-only production of Twelfth Night featuring an all-trans and nonbinary cast.

    The 86-year-old acting legend, best known for his iconic roles in The Lord of the Rings and X-Men franchises, will join the innovative theatre group Trans What You Will for a staged reading of Shakespeare’s gender-fluid comedy on July 25, 2025. The performance will be held at The Space Theatre in East London and livestreamed globally for audiences around the world.

    A Queer Reimagining of a Shakespeare Classic

    Shakespeare’s Twelfth Night has long played with themes of gender, identity, and love in all its forms. With its classic elements of mistaken identity, cross-dressing, and fluid romantic entanglements, the play has become a favorite among queer audiences and scholars alike.

    Now, Trans What You Will seeks to reclaim the story through an explicitly trans and nonbinary lens—recasting the Bard’s vision through lived queer experience.

    “This production makes that queerness explicit, reclaiming the story through the lived experiences of trans and nonbinary artists,” a press release from the theatre group stated. “With mistaken identities, cross-dressing, and declarations of love across shifting gender roles, Twelfth Night has long explored the complexity of identity.”

    By placing trans and nonbinary performers at the center of the narrative, the production becomes both a celebration and a protest—a vibrant act of visibility in a time when trans rights and representation are increasingly under threat across the UK and globally.

    McKellen Joins Forces With Trans Creators

    Sir Ian McKellen’s involvement adds gravitas and visibility to the project. A long-time LGBTQ+ rights advocate, McKellen came out publicly in 1988 and has spent decades using his platform to promote queer visibility in the arts.

    Phoebe Kemp, who is directing the reading, emphasized the symbolic and emotional significance of the production.

    Twelfth Night already toys with gender and performance—it feels like Shakespeare wrote it for us,” Kemp said. “This reading is about joy, solidarity, and showing what’s possible when trans and nonbinary artists are at the center of the story.”

    Kemp described the event as “a joyful act of protest and pleasure activism,” intentionally aligning the reading with the themes of celebration and resistance that define Pride season. The show will take place just ahead of London Trans+ Pride, further cementing its role as a beacon of empowerment for the trans and nonbinary community.

    Supporting Trans Lives Through Art

    All profits from the production will be donated to Not A Phase, a UK-based charity dedicated to uplifting the lives of trans adults through community outreach, education, and support services. The organization works closely with grassroots movements to offer resources and build safer, more inclusive spaces.

    Ticketing has been made accessible through a pay-what-you-can model, reinforcing the group’s commitment to inclusivity. Both in-person and livestream tickets are now available through The Space Theatre’s official site.

    This global broadcast aims to open the performance to trans and queer viewers far beyond London, extending the event’s reach to those in regions where queer representation remains limited or under attack.

    A Theatrical Act of Resistance

    The announcement of this performance arrives at a politically charged time for LGBTQ+ people in the UK. Recent policies and legal rulings—such as those affecting access to healthcare, public facilities, and media representation for trans individuals—have spurred backlash and renewed calls for trans-inclusive storytelling.

    “This is more than just theatre,” said Kemp. “It’s a statement about the kind of world we want to live in—one where trans and nonbinary people are celebrated, not silenced.”

    For many involved, Twelfth Night – A Rehearsed Reading isn’t just a reinterpretation of Shakespeare—it’s a testament to how classical works can evolve to reflect contemporary truths. It’s also a reminder that trans joy and creativity are as enduring as any literary canon.

    Representation That Matters

    By centering trans and nonbinary performers in one of Shakespeare’s most beloved and gender-fluid plays, Trans What You Will offers a rare but vital moment of inclusion on the professional stage. It challenges long-standing norms in classical theatre and invites audiences—queer and otherwise—to reimagine what inclusive storytelling can look like.

    While McKellen’s star power brings widespread attention to the project, the spotlight remains firmly on the community it aims to celebrate.

    “Seeing ourselves in these roles, on this stage, changes everything,” said one performer involved in the production. “It’s not just about representation. It’s about liberation.”

    Tickets for both the in-person and online events are now available via The Space Theatre website. Viewers are encouraged to reserve early, as demand is expected to be high, especially with McKellen’s involvement and the production’s relevance during Pride season.

  • Pedro Pascal’s Viral Premiere Moment Proves He’s Still the Internet’s Favorite Daddy

    Pedro Pascal’s Viral Premiere Moment Proves He’s Still the Internet’s Favorite Daddy

    Pedro Pascal continues to reign as Hollywood’s favorite effortlessly cool zaddy—and he just gave fans another reason to adore him. The beloved actor made headlines again after his delightfully relatable quip at the premiere of From the World of John Wick: Ballerina quickly went viral.

    A Red Carpet, A Viral Moment

    At the buzzy Los Angeles premiere of Ballerina, the newest spin-off in the John Wick universe, Pascal stole the show without even trying. Influencer Sam Cornforth captured the viral clip as Pascal walked through the theater. When asked something off-camera, he responded—without missing a beat—“Hell no! I’m a lazy 50-year-old bougie b*tch…”

    @samcornforth

    Replying to @PixieDustedPossum this has BLOWN up the internet & being stolen left right & centre with no credit so here is the ORIGINAL uncut video for your enjoyment! 🤘 #pedropascal #pedro #hellno #lazy50yearoldbougie #comedy #viral #trending #audio

    ♬ original sound – Sam Cornforth

    And just like that, the Internet had its next catchphrase.

    It’s unclear exactly what sparked the comment, but one thing’s for sure: the delivery, the timing, the vibe? 10/10. The moment served as yet another reminder that Pedro Pascal is not only supremely talented but also hilariously self-aware—and deeply relatable.

    An Unexpected Reunion on the Carpet

    Pascal didn’t stop at the viral one-liner. Inside the premiere, he shared warm moments with Ballerina lead Ana de Armas and longtime franchise favorite Keanu Reeves. Cameras caught Pascal surprising de Armas and enthusiastically greeting Reeves, who seemed equally delighted by the encounter.

    The actor’s laid-back look—a khaki jacket paired with his signature easy confidence—stood out among the sea of black ties, adding to his ever-growing list of “cool uncle” fashion moments.

    What to Expect From Ballerina

    Slated for release on June 6, 2025, From the World of John Wick: Ballerina follows the story of Eve Macarro (played by de Armas), a ballerina-turned-assassin on a mission of vengeance. The film marks the first female-led entry in the action-packed John Wick universe, and yes—Keanu Reeves is back as the iconic Mr. Wick.

    While Pascal’s involvement with Ballerina remains unconfirmed, his premiere appearance certainly stirred excitement among fans of both him and the franchise. Could he be making a cameo? Only time will tell.

    Pedro Pascal: Internet’s Forever Favorite

    From Narcos to The Last of Us, Pedro Pascal’s rise has been meteoric, and his off-screen personality continues to capture hearts. Whether he’s making audiences cry on screen or cracking up red carpets, one thing remains clear: the world is still deeply obsessed with Pedro Pascal.

    And if being a “lazy 50-year-old bougie b*tch” is the vibe of 2025, we’re absolutely here for it.

  • Cynthia Erivo to Star in Bold One-Woman Dracula Adaptation on West End

    Cynthia Erivo to Star in Bold One-Woman Dracula Adaptation on West End

    A Gothic Classic Reimagined

    Cynthia Erivo is set to sink her teeth into a new challenge as she takes on 23 characters in a solo adaptation of Dracula for London’s West End. Directed and adapted by Kip Williams, best known for his “cine-theatre” approach in The Picture of Dorian Gray, this one-woman show promises to blend live performance with pre-recorded video, offering a fresh, modern twist on Bram Stoker’s gothic masterpiece.

    The production will debut at the Noël Coward Theatre on February 4, 2026, and will run for a limited 16-week engagement through May 31, 2026. Williams’ adaptation explores fear, desire, and the monster lurking within us all, with Erivo playing every role—from the infamous Count Dracula to Jonathan Harker, Mina Murray, and even Professor Van Helsing. If there’s anyone who can pull off 23 personalities and still leave the audience begging for more, it’s Erivo.

    Erivo’s Grand Return to the Stage

    This marks Erivo’s first major return to the stage since her Tony-winning performance in The Color Purple. Reflecting on the role, she described the opportunity as a “rare gift,” acknowledging the challenge and excitement of embodying so many characters.

    “Returning to the stage feels like a homecoming, one that I’ve been craving for a long time. To do so with a story as rich, complex, and haunting as Dracula offers a beautiful opportunity to delve into character, into myth, and into the heart of what makes us human,” Erivo said in a statement.

    “From the moment I was asked, I could not get the role out of my mind. Kip’s vision is thrilling, terrifying, and deeply resonant, offering a chance to sit with not only the darkness in the world, but also the light we fight to hold onto.

    “It’s a rare gift for an actor to inhabit so many voices and perspectives in one piece, and I’m honoured to do it for West End audiences in this extraordinary production. The prospect of doing this show scares me and I know it will be a huge challenge. This show will ask everything of me — and I’m ready to give it.”

    A Singular Theatrical Experience

    The Dracula adaptation also features an original song composed by Clemence Williams, adding a haunting musical element to the show. The creative team includes several collaborators from Dorian Gray, promising a seamless blend of innovative visuals and gripping storytelling.

    Tickets for Dracula are expected to go on sale later this year. With Erivo’s magnetic presence and Williams’ visionary direction, this is set to be one of the most talked-about theatrical events of 2026.

    Mark your calendars now—this is one bite you won’t want to miss.

  • Musical Based on Accused Killer Luigi Mangione Sells Out Before Premiere in San Francisco

    Musical Based on Accused Killer Luigi Mangione Sells Out Before Premiere in San Francisco

    A musical comedy inspired by alleged murderer Luigi Mangione is set to premiere next month—and if you were hoping to snag a ticket, you’re already too late.

    Luigi: The Musical has completely sold out all five of its scheduled performances at the Taylor Street Theatre, ahead of its June 13 debut in San Francisco. The show, described by its creators as a “satirical comedy,” aims to spark laughter—and questions—about internet fame, media obsession, and the collapse of public trust in American institutions.

    Why This Story Turned Into a Stage Show

    Luigi Mangione, 26, was thrust into the national spotlight after he was arrested and charged with the December 2024 murder of UnitedHealthcare CEO Brian Thompson outside a Manhattan hotel. Prosecutors allege the killing was politically motivated, adding 11 felony charges including first-degree murder “in furtherance of an act of terrorism,” stalking, and firearms offenses.

    Mangione has pleaded not guilty to all state and federal charges, including terrorism counts. Federal prosecutors have said they intend to pursue the death penalty.

    Photo: Luigi Mangione/Facebook
    Photo: Luigi Mangione/Facebook

    Despite the severity of the accusations, Mangione’s case has become a bizarre cultural phenomenon online. Social media users have dubbed him a “sex symbol,” “folk hero,” even a “martyr” for those critical of the healthcare system. The hashtag #FreeLuigi has trended repeatedly, with some supporters framing him as a symbol of rebellion against corporate greed.

    A Musical About Murder…But Make It Satire

    According to its official synopsis, Luigi: The Musical is not a glorification of violence. Instead, it uses satire to explore why Mangione’s story caught fire online—and what it says about society.

    “This show is not a celebration of violence of any kind, nor is it an attempt to pass judgment on an ongoing legal matter,” the production team wrote. “We’re here to explore, with humor and heart, how it feels to live through a time when the systems we’re supposed to trust have stopped feeling trustworthy.”

    The 60-minute show is written by songwriter Arielle Johnson and directed by Nova Bradford, featuring original music performed live by pianist Dani Marci. The production is recommended for audiences aged 16 and older.

    From Headlines to Footlights

    Portraying Mangione on stage is Jonny Stein, while Janée Lucas will take on the role of Sean “Diddy” Combs—currently facing charges in an unrelated case—and André Margatini will play disgraced crypto mogul Sam Bankman-Fried. Both men, like Mangione, are currently housed at the Metropolitan Detention Center in Brooklyn and will appear as fictionalized characters in the show.

    The creators say the show draws inspiration from musicals like Chicago, another darkly comedic look at celebrity criminals and media spectacle.

    “Our characters reflect three institutions of modern disillusionment: healthcare, tech, and Hollywood,” the synopsis reads. “Each represents a pillar of American life where public trust has eroded and where people increasingly feel betrayed, exploited, or abandoned.”

    What’s Next for Luigi? (The Musical, That Is)

    With five shows sold out and demand skyrocketing, producers have teased that additional dates may be announced soon. For now, Luigi: The Musical is shaping up to be one of the most unexpected—and talked-about—theatrical events of the summer.

    Whether you view it as comedy, commentary, or cultural litmus test, one thing’s certain: Luigi has officially taken the stage.

    Would you like a social media caption or headline to go with this as well?

  • LGBTQ+ Artists Shine in 2025 Tony Award Nominations, with Cole Escola and Queer Playwrights Leading the Pack

    LGBTQ+ Artists Shine in 2025 Tony Award Nominations, with Cole Escola and Queer Playwrights Leading the Pack

    The 2025 Tony Award nominations were announced this week, and LGBTQ+ talent is taking center stage in one of the most diverse and queer-inclusive lineups in Broadway history.

    Among the biggest standouts is Oh, Mary!, the offbeat historical comedy written by and starring Cole Escola. The play, which imagines Mary Todd Lincoln as a chaotic figure on the edge of emotional collapse, earned five Tony nominations. Escola received dual nods as both the playwright and lead actor, while director Sam Pinkleton and featured actor Conrad Ricamora picked one up as well.

    Escola, who is nonbinary and uses they/them pronouns, is nominated in the category of Best Performance by a Leading Actor in a Play. According to a November 2024 decision by the Tony Awards Administration Committee, Escola was deemed eligible in a male-designated category despite portraying a female character. The decision echoes recent developments around gendered award categories and the growing calls to make room for nonbinary and trans performers.

    If Escola wins, they would become the third nonbinary performer to take home a Tony in a male-designated category, following Shucked‘s Alex Newell and Some Like It Hot‘s J. Harrison Ghee, who made history in 2023. That same year, nonbinary performer Justin David Sullivan withdrew from Tony consideration over the gendered structure of the categories, calling for meaningful change in how the American Theatre Wing recognizes gender-diverse talent.

    Queer Voices Dominate Best Play Category

    This year’s Best Play category is a triumph for queer representation. Alongside Escola, playwrights Branden Jacobs-Jenkins (Purpose) and Kimberly Belflower (John Proctor Is the Villain) received nominations for their groundbreaking works.

    Jacobs-Jenkins’ Purpose explores themes of legacy, identity, and generational tension within a prominent Black family in Chicago. The play earned a total of six nominations, including Best Play and acting nods for Jon Michael Hill and LaTanya Richardson Jackson in the lead roles. Supporting actors Glenn Davis, and Tony Award-winner Kara Young also received nominations.

    Belflower’s John Proctor Is the Villain reimagines Arthur Miller’s The Crucible through the lens of a modern-day high school English class, tackling issues of consent, power, and patriarchy. The production tied for the most nominations of any play this year, earning seven in total. Sadie Sink, known for her role in Netflix’s Stranger Things, was nominated for Best Leading Actress in a Play for her performance in John Proctor. Gabriel Ebert, who previously starred alongside Harvey Fierstein in Gently Down the Stream, also picked up a nomination for his work in the show.

    More Queer and Trans Talent Recognized

    Jonathan Groff, a recent Tony winner and longtime Broadway favorite, is nominated again for his portrayal of singer Bobby Darin in the new jukebox musical Just In Time. Out actor Grey Henson also joins the leading actor category for his performance as Buddy in the revival of Elf the Musical.

    In the featured acting categories, Brooks Ashmanskas was recognized for his comedic work in Smash!, the Broadway adaptation of the NBC series. Francis Jue was nominated for his role in Yellow Face, which revisits the debate around racial representation in casting through a semi-autobiographical lens.

    Audra McDonald Breaks Records

    While not part of the LGBTQ+ community herself, Broadway icon and queer favorite Audra McDonald made history this year by becoming the most Tony-nominated performer of all time. She picked up her 11th nomination for her portrayal of Mama Rose in a bold new production of Gypsy. McDonald will compete in the Lead Actress in a Musical category against other queer fan favorites, including Megan Hilty (Death Becomes Her) and Nicole Scherzinger (Sunset Boulevard).

    Calls for Inclusivity in Awards

    The continued use of gendered acting categories has sparked ongoing debate within the theater industry. Advocates are calling on the American Theatre Wing and Tony Awards producers to reimagine the awards structure in a way that recognizes nonbinary and trans performers without forcing them into binary categories.

    While some progress has been made in allowing nonbinary performers to choose which category they wish to compete in, critics argue this solution still reinforces outdated binaries. For Escola and others, their nominations signal both a celebration and a call to action for a more inclusive future.

    “I’m honored and also very aware of how much further we still need to go,” Escola said in a recent interview. “I want everyone—no matter how they identify—to feel seen, valued, and represented on stage and in recognition.”

    What’s Next

    The 2025 Tony Awards will be broadcast live on Sunday, June 8, on CBS. For a complete list of nominees and ticketing information, visit TonyAwards.com.

    The stage is set, the curtains are drawn, and one thing is clear: the future of Broadway is queer, bold, and unapologetically creative.

    Correction: A previous version of this article did not include Harry Lennix’s nomination, and stated that Michael Urie, Jim Parsons, and Grey Henson received nominations.

  • What Orville Peck Discovered by Ditching the Mask in Broadway’s ‘Cabaret’

    What Orville Peck Discovered by Ditching the Mask in Broadway’s ‘Cabaret’

    Orville Peck, known for his haunting baritone voice, signature fringe mask, and genre-bending approach to country music, is stepping into a new spotlight — and leaving the mask behind. The enigmatic artist is currently starring as the Emcee in the Broadway revival of Cabaret at the Kit Kat Club in New York City, a limited engagement running through July 20, 2025.

    While fans may know him best from his critically acclaimed music, including his 2024 duet album Stampede featuring Willie Nelson, Elton John, and Kylie Minogue, Peck is now revealing another side of himself: the trained stage actor. Many were surprised to learn of his musical theater background, but Cabaret marks a long-awaited return to the world of live performance that first sparked his love of storytelling.

    “This has been a dream of mine — to do this show, to do this role,” Peck said in a recent interview with Out Magazine. “I just end up having the best time of my life every single time I’m out there.”

    From Honky-Tonks to the Kit Kat Club

    The Canadian-born singer, who debuted his masked persona in 2019 with Pony, has since cultivated a devoted fanbase with his emotionally resonant lyrics, queer visibility in country music, and stylized performances. His songs have appeared in HBO’s Euphoria and major fashion campaigns, solidifying his place as a crossover icon. Yet, behind the fringed mask was always a performer shaped by the stage.

     

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    “I grew up loving musicals,” Peck shared. “I started acting as a kid, and because I sang and danced, musical theater became a natural path.” He recalled watching the 1972 film version of Cabaret as a formative experience. “It was probably the first musical I ever saw. It had a darker tone, characters who were underdogs — it just spoke to me.”

    Peck’s connection to Cabaret runs deep. “It’s my favorite musical of all time,” he said. “It’s a story full of complexity, of people who are ‘othered’ and trying to survive in a crumbling world. That always resonated with me.”

    Stepping Into Darkness

    Set in 1930s Berlin, Cabaret tells the story of a nightclub and its performers against the ominous rise of the Nazi Party. As the Emcee, Peck navigates the show’s transition from glittering excess to chilling political reality — a journey he finds particularly relevant today.

    “There are more than a few parallels with the world right now,” he said. “It really made me think about how someone marginalized — someone queer, like the Emcee — could end up aligning with hate or power to feel safe or accepted.”

    Peck pointed to the phenomenon of so-called “MAGA gays,” LGBTQ+ individuals who support anti-LGBTQ+ political movements, as a modern counterpart to his character’s journey. “It’s been a fascinating part of the process — understanding the psychology of choosing conformity or assimilation, even when it means turning on your own identity.”

     

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    In this revival, Peck brings a uniquely human perspective to a role that is often played as flamboyant or detached. “I didn’t want the Emcee to be a villain or just a metaphor,” he explained. “I wanted him to be someone you recognize. Someone who could be you — if you took a different path.”

    The Physical Demands of Broadway

    Performing in eight shows a week is no small feat, even for someone with Peck’s performance background. Now 37, he admitted the rigorous schedule has been a shock to the system.

    “I haven’t done this in over 15 years,” he said. “I wake up sore every day. But honestly, the love I have for this role, for this show — it carries me through. Even when I’m about to do a second show in one day and feel like I’ve been hit by a bus, I get out there and it’s magic.”

    Despite the intensity, Peck calls the experience “hard but easy — in the best way.”

    Unmasking Vulnerability

    Perhaps one of the most talked-about elements of Peck’s performance is his decision to appear on stage without his trademark mask — a symbolic shedding of persona that took emotional courage.

    “It was never a question for me whether I’d wear the mask or not. I knew I wouldn’t,” he said. “But I started to feel nervous before opening night. It felt incredibly vulnerable.” Still, once he stepped on stage, the nerves faded. “I’m just so focused on telling this story. I don’t even think about the mask until the show is over.”

    The reaction from audiences has been overwhelmingly positive — and surprised. “People didn’t know I had this kind of performance in me,” Peck said. “There was a lot of chatter about ‘stunt casting.’ But I approached this role with focus and integrity. People have responded to that.”

    New Music on the Horizon

    Despite his busy Broadway schedule, Peck is already back in the studio working on new music. Performing in Cabaret, he said, is reigniting his creativity and theatrical instincts.

    “It’s reminding me of the freedom that comes from being brave enough to express yourself,” he said. “It’s definitely inspiring the new music.”

    While he remained tight-lipped about the direction of his upcoming work, fans can expect his signature blend of drama, soul, and showmanship to carry through.

    A Full-Circle Moment

    Peck’s portrayal of the Emcee is more than just a role — it’s a homecoming. Years ago, he appeared in a different production of Cabaret as one of the Kit Kat Boys and even played the character in the iconic gorilla costume. “Now I get to dance with the gorilla,” he laughed. “It’s all come full circle.”

    As he brings fresh depth and heart to one of Broadway’s most iconic characters, Orville Peck is once again proving that he’s not just a voice behind a mask — he’s a multifaceted artist unafraid to evolve, to challenge, and to bare it all.

    For tickets and performance information, visit CabaretMusical.com. Orville Peck’s run in Cabaret continues through July 20, 2025, at the Kit Kat Club in New York City.

  • Chappell Roan Takes a Star-Studded Trip to DRAG: The Musical in NYC

    Chappell Roan Takes a Star-Studded Trip to DRAG: The Musical in NYC

    Chappell Roan made a glamorous entrance at the Off-Broadway hit DRAG: The Musical this past weekend, joining the glittering world of drag at New World Stages in New York City. The Grammy Award-winning singer, known for her bold musical style and advocacy for drag culture, was spotted enjoying the performance on Sunday, April 6, surrounded by some of the biggest drag stars in the world, including RuPaul’s Drag Race All Stars winner Alaska Thunderf—, Jujubee, Jan Sport, Luxx Noir London, and Lagoona Bloo.

    Photo: Matthew Murphy
    Photo: Matthew Murphy

    Roan Goes Incognito at the Theater

    Roan, a global superstar, was determined to experience the show without drawing attention, arriving at the theater dressed in a cloak and with her signature red locks hidden under a hood. A source at the scene described her entrance as “totally incognito,” adding, “It was like something out of The Traitors!” The pop sensation made sure her arrival was discreet, but once inside, she wasted no time mingling with the cast and crew, who couldn’t have been more thrilled by her presence.

    Chappell Roan’s Backstage Love and Support

    After the show, Roan showed her true colors by visiting the DRAG: The Musical cast backstage, where she shared warm interactions with everyone involved in the production. According to People, “There was so much love in the room,” as Roan was “very personable with the cast” and even recited lines and moments from the show, showing her deep appreciation for the performance.

    Roan’s connection with the cast was especially evident in her interaction with Nick Laughlin, who plays the bearded drag queen Puss Puss DuBois. The two share a long-standing friendship, and Roan was joined at the show by her musical collaborator, Kyle Goold. It was a perfect evening of celebration and support for the drag community, which Roan has consistently championed.

    DRAG: The Musical – A Show About Family, Fashion, and Fierce Competition

    DRAG: The Musical has been a hit since its October 2024 opening, with the show set to run until April 27. The musical tells the comedic story of two rival drag clubs competing for supremacy in an outrageous, wig-snatching battle of wit and style. The drag queens, played by a stellar cast, embark on a journey of fashion, family, and, ultimately, forgiveness. Directed and choreographed by Spencer Liff, who is known for his work on Hedwig and the Angry Inch and So You Think You Can Dance, the production is as heartwarming as it is hilarious.

    In addition to Alaska Thunderf—, who stars in the show, she also co-wrote the musical’s book and music alongside multi-platinum songwriter Tomas Costanza and chart-topping artist Ashley Gordon. Legendary performer Liza Minnelli lends her voice to the production by providing the pre-show announcement.

    A Long-Time Drag Supporter

    Roan’s connection to drag is no secret—she’s been an outspoken advocate for the art form and the LGBTQ+ community throughout her career. Her debut album, The Rise and Fall of a Midwest Princess, was also heavily influenced by drag culture, with Roan describing the LP as “just daydreams in drag.” The album features the hit single “HOT TO GO!” which has earned praise for its vibrant energy and captivating lyrics.

    DRAG: The Musical continues to dazzle audiences with its all-star cast and fantastic production. The show runs through April 27, with tickets available for purchase now.