Koch was recognized for Outstanding Lead Actor in a Limited or Anthology Series or Movie at the 2025 Emmy Awards, marking a major breakthrough in a rising career already marked by buzzworthy performances, and a certain shirtless viral moment that fans won’t soon forget.
Photo: Netflix
A Standout Performance in a Haunting Story
The nine-episode Netflix limited series, part of Ryan Murphy’s Monsters anthology, revisits the infamous 1989 Beverly Hills murders committed by the Menendez brothers, who claimed years of parental abuse in their defense. Koch played Lyle, the elder brother, with unnerving precision and unexpected emotional depth, earning him earlier accolades, including a Golden Globe nomination.
His co-stars Javier Bardem and Chloë Sevigny also received Emmy nods for their supporting roles, while the series itself landed a nomination for Outstanding Limited or Anthology Series.
From Screen to Courtroom: A Real-Life Impact
The Emmy buzz arrives on the heels of renewed legal developments in the Menendez case. Just nine months after Monsters debuted, a California judge responded to a resentencing petition by reducing the brothers’ sentences to 50 years to life, making them eligible for parole. The decision followed mounting public interest sparked by the show and a subsequent Netflix documentary.
Lyle and Erik Menendez are expected to appear before the California Parole Board this August. The show’s resonance with viewers and lawmakers alike is a reminder of the power scripted drama can wield beyond entertainment, particularly in revisiting stories of justice and trauma through a modern lens.
Monsters: The Lyle And Erik Menendez Story. (L to R) Nicholas Chavez as Lyle Menendez, Cooper Koch as Erik Menendez in episode 202 of Monsters: The Lyle And Erik Menendez Story. Photo: Netflix Monsters: The Lyle And Erik Menendez Story. (L to R) Cooper Koch as Erik Menendez, Nicholas Chavez as Lyle Menendez in episode 202 of Monsters: The Lyle And Erik Menendez Story. Photo: Netflix
What’s Next for Koch?
While Emmy voters are finally paying attention to Koch’s work, so is the film world. The actor has reportedly joined the cast of Artificial, the next project from celebrated queer director Luca Guadagnino (Call Me By Your Name, Challengers). Deadline reports Koch will appear alongside Andrew Garfield and Yura Borisov in the upcoming film, though plot details remain tightly under wraps.
If Koch continues his current trajectory, balancing prestige TV, festival-circuit cinema, and the occasional cheeky viral moment, he’s set to become a fixture in Hollywood’s next generation of leading men. And now, with an Emmy nomination under his belt, that ascent is officially in motion.
Bowen Yang has once again made Emmy history. The Saturday Night Live cast member received his fourth nomination for Outstanding Supporting Actor in a Comedy Series, solidifying his place as the most-nominated Asian male performer in the history of the Emmy Awards.
Yang earned the nod for his standout work on the iconic NBC sketch comedy show. He joins an impressive list of fellow nominees this year, including Ike Barinholtz for The Studio, Colman Domingo for The Four Seasons, Harrison Ford for Shrinking, Jeff Hiller for Somebody Somewhere, Ebon Moss-Bachrach for The Bear, and Michael Urie also for Shrinking.
The 2025 nomination marks a major milestone not just for Yang personally but for broader Asian representation in Hollywood. Actress Sandra Oh still holds the overall record for the most Emmy nominations by an Asian performer, with a total of 14 nominations and one win. Yang, now with four nominations, continues to pave the way for male Asian representation in comedy and beyond.
Yang first joined Saturday Night Live in 2018 as a staff writer. A year later, he broke new ground when he became the show’s first Asian American cast member. In 2021, he made further history by becoming the first featured player on the series to receive an acting nomination at the Emmys.
His work on SNL continues to receive acclaim for both his comedic timing and versatility. Some of his most talked-about sketches this past season include “Charades With Mom,” in which he reunited with Wicked co-star Ariana Grande. Another fan favorite was “One Uppers,” where Yang and Jack Black play old college friends who constantly try to outdo one another during a dinner conversation. “Shrek the Musical” was also a viral hit, but perhaps the most memorable sketch of the year featured Yang as Moo Deng, a fictional celebrity baby hippo who became an instant sensation.
Bowen Yang and Matt Rogers attend the 97th Annual Oscars at Dolby Theatre on March 02, 2025 in Hollywood, California
Reflecting on the show’s cultural legacy, Yang said one of his proudest moments this season was participating in the SNL 50 specials. “I think getting to be a part of the SNL 50 specials this year was something I’ll reflect on for the rest of my life,” he said.
In addition to his ongoing success on SNL, Yang was recently named to Variety’s 2025 Comedy Impact List, an annual roundup recognizing the most influential comedic voices working today. His accomplishments extend far beyond sketch comedy.
Bowen Yang, Lady Gaga, and Matt Rogers for ‘Las Cultaristas.’
Yang is also the co-host of the Las Culturistas podcast alongside longtime collaborator and friend Matt Rogers. The podcast has gained a loyal following for its smart and satirical takes on pop culture, queerness, and life in the entertainment industry.
On the big screen, Yang recently starred in the highly anticipated film adaptation of Wicked, directed by Jon M. Chu. He plays Pfannee, a loyal and flashy confidante to Glinda, portrayed by Ariana Grande. The film also stars Cynthia Erivo as Elphaba and Jeff Goldblum as the Wizard. Wicked is the first installment of a two-part adaptation of the beloved Broadway musical. The second part, titled Wicked: For Good, is scheduled to be released on November 21.
Yang’s Emmy recognition arrives at a time when conversations around diversity, inclusion, and representation remain at the forefront of the entertainment industry. His continued success not only reflects his own talent but also symbolizes meaningful progress for queer and Asian performers who are often underrepresented in mainstream media.
As he adds yet another nomination to his already historic career, Yang stands as a testament to what authenticity, originality, and resilience can achieve in a landscape that is still evolving. For fans of comedy, queer representation, and breaking barriers, Bowen Yang’s story is far from over.
The 77th Primetime Emmy Awards will be held later this year, and all eyes will be on whether Yang takes home the golden statue. Regardless of the outcome, his presence on the nominee list marks a victory for inclusive storytelling and a celebration of the communities he proudly represents.
Bella Ramsey continues to break boundaries in Hollywood. The 20-year-old star of HBO’sThe Last of Us received their second Primetime Emmy nomination on Tuesday morning, making history as the first openly nonbinary performer to earn more than one nomination from the Television Academy.
Ramsey is nominated in the Outstanding Lead Actress in a Drama Series category for their performance as Ellie in the hit series’ second season. They were previously nominated in the same category at the 75th Emmy Awards in 2023 for their work in Season 1 of the postapocalyptic drama.
Ramsey’s back-to-back recognition signals a powerful moment for visibility and representation in an industry that has long struggled to make room for gender-diverse performers. While the Television Academy continues to separate acting categories by gender, Ramsey’s consistent presence among nominees underscores the need for broader inclusion in award show structures.
HBO’s The Last of Us earned 16 nominations this year, bringing the series’ total to 40 across its two seasons. The critically acclaimed show took home eight awards at the 2024 ceremony and remains one of the most lauded video game adaptations in television history.
Based on the bestselling PlayStation game developed by Naughty Dog, The Last of Us is set two decades after a deadly fungal outbreak collapses modern society. Ramsey stars as Ellie, a teenage girl believed to hold the key to humanity’s survival. Pedro Pascal co-stars as Joel, a smuggler tasked with escorting Ellie across a devastated United States. Over time, their bond deepens, transforming their mission into a deeply emotional and often harrowing journey of survival.
Season 2 of the series picks up five years after the events of the first season. Joel and Ellie now find themselves in an even more dangerous world, grappling with new enemies, evolving threats, and emotional rifts that challenge the strength of their relationship.
Ramsey’s nomination highlights not only their compelling performance but also the continued conversations around how award shows categorize talent. Though Ramsey identifies as nonbinary and uses they and them pronouns, the Emmy categories remain gendered, forcing performers like them to choose between submitting under “actor” or “actress.”
In 2023, Yellowjackets star Liv Hewson, who is also nonbinary, declined to submit for Emmy consideration, citing the lack of gender-inclusive categories. At the time, they shared that their decision was rooted in the desire for industry change. “There’s not a place for me in the acting categories,” Hewson told Variety.
Despite the challenges, Ramsey has spoken openly about their views on the current awards system. In a previous interview, they acknowledged the need for more inclusive recognition but also emphasized the importance of maintaining a platform to honor women’s achievements in entertainment. “I don’t want the recognition for women in the industry to be lost,” Ramsey said.
Their comments reflect the nuance and complexity of an evolving conversation in Hollywood, where visibility and recognition often intersect with institutional inertia. While some award shows and festivals have begun exploring or implementing gender-neutral categories, the major awards including the Emmys have yet to take that step.
Still, Ramsey’s nomination represents a crucial step forward, especially in a landscape where gender nonconforming and transgender performers remain significantly underrepresented. Their performance in The Last of Us has drawn praise for its emotional depth, vulnerability, and resilience, all qualities that have made Ellie an iconic character in both gaming and television.
As the Emmy conversation continues, Ramsey’s historic nomination adds to the growing momentum of LGBTQ+ visibility in mainstream media. It also serves as a powerful reminder that diverse stories and the people who tell them deserve to be seen, celebrated, and remembered.
The 77th Primetime Emmy Awards will air this fall.
In Season 2 of Netflix’s The Ultimatum: Queer Love, six LGBTQ+ couples were faced with one question: marriage or move on? After an emotional trial marriage period with new partners, some walked away engaged, while others walked away for good.
When AJ Blount joined the reality show, she wasn’t the one asking the big question. That came from her partner, Britney Thompson—a 27-year-old registered nurse and entrepreneur—who felt their long-term relationship had hit a standstill.
“I issued AJ an ultimatum because after years of loving and building [a life] with her, I am ready for the next chapter,” Britney shared in her cast bio. “I want clarity on where we are going and if she sees forever the same way I do.”
AJ, 28, works as an administrative assistant and MC in Orlando. While she loved Britney deeply, she hesitated to commit—unsure whether they were aligned on the same future. She later explained, “It’s not about love. It’s about whether we’re truly ready to prioritize the same future.”
By the end of the season, the couple had survived trial marriages, their first-ever breakup, and of course – being in the public eye.
“Honestly, I’m not really planning too much,” AJ told Gayety about navigating reactions to the show. “The world will have what they want to say… But really what’s important to me is my relationship and keeping close with a relationship with God right now.”
Reality TV as Bootcamp
One metaphor helped AJ frame the experience: basic training.
“My dad, he would always say it’s like bootcamp,” she said. “Bootcamp is tough. You might have to put on a gas mask and go in a gas chamber, and then you might have to learn how to combat. But it is tough and it’s unjust and it’s rurally, but you’ll make it.”
That intensity colored every moment—from navigating public opinion to sleeping next to someone who wasn’t her partner.
“It is hard. I wouldn’t use the word traumatic,” she clarified. “I would say anything like life, it can be difficult. I think it just was a very difficult experience to process, to navigate.”
Here’s how it all started for AJ and Britney. AJ was celebrating her birthday at a club when Britney approached her.
“She came up to me in the club. She said she saw me from afar, knew I was gay, lost me, saw me again, then came up to me and tapped me on the shoulder,” AJ recalled. “Now mind you, at this point in time, I’m a little lit—or a lot of lit.
“The question was, ‘Hey, I think you’re cute,’ or the statement. And I told her, ‘Cute or cute-cute?’ And she’s like, ‘I think you’re cute-cute.’
“I didn’t really get that she was gay. I just think some girls sometimes be experimenting, and I didn’t know which one she was.”
She then joked, “I’ll have to probably put that on a T-shirt.” And honestly? I need one. Normalize walking up to strangers at bars and asking, “Cute? Or cute-cute?”
Showing Up—Even When It Hurts
Through all the chaos, AJ held firm to her values.
“Sometimes you could end up being the villain in other people’s stories regardless of how much you show up,” she said. “But I realized how much I showed up in love, how much I show up as a trial marriage partner, how much I show up in everyday life.
“Even when you’re showing up as your best self… I’m not going to stop showing up. Whether you take it good, bad, ugly, red flag, burgundy flag, green flag—whatever you want to take that as—I’m not going to stop showing up.”
The Bigger Picture: Queer Visibility
AJ also spoke candidly about the importance of representation, especially for masculine-presenting queer women and people of color.
“I think the representation is important,” she said. “Sometimes people can get hung up on every little thing that they want to see in a show. But we just had the first show of this literally two years ago.
“They could have easily canceled it after season one,” she added. “More representation is on the horizon, but let’s take it day by day, step by step, show by show.”
The Ultimatum: Queer Loveis streaming now on Netflix. Watch our interview with AJ, Britney, and Marita here:
Chip and Joanna Gaines, the powerhouse duo behind the Magnolia Network, are under fire from conservative evangelicals following the premiere of their latest reality series, Back to the Frontier, which features a same-sex couple raising two sons.
The series, which debuted on HBO Max on July 10, follows three modern families as they trade 21st-century comforts for the rugged life of 1800s homesteaders. Among them are Jason and Joe Hanna-Riggs, a married couple from Texas raising their two children.
Their inclusion in the show has sparked both praise for LGBTQ+ representation and outrage from prominent conservative figures, exposing a growing cultural divide within the Gaineses’ once-loyal evangelical fanbase.
In an interview with Realtor.com, Jason Hanna-Riggs shared the significance of the opportunity. “What really inspired me was when I saw the flyer on social media, and I saw a gay couple on the front of that flyer,” he said. “I initially thought it would be a great opportunity for representation for same-sex couples.”
For many viewers, the casting choice is a much-needed reflection of modern American families. But to some evangelical leaders, the move represents a betrayal of so-called “biblical values.”
Franklin Graham, president of the Billy Graham Evangelistic Association and one of the most vocal critics, condemned the show in a post on X (formerly Twitter), stating:
“It is very disappointing. While we are to love people, we should love them enough to tell them the truth of God’s Word. His Word is absolute truth. God loves us, and His design for marriage is between one man and one woman. Promoting something that God defines as sin is in itself sin.”
The American Family Association (AFA), a longtime voice in conservative Christian activism, also weighed in.
“This is sad and disappointing, because Chip and Joanna Gaines have been very influential in the evangelical community,” the AFA wrote on X. “Moreover, in the past, they have stood firm on the sanctity of marriage regardless of the personal cost that has entailed. We aren’t sure why the Gaines have reversed course, but we are sure of this: Back to the Frontier promotes an unbiblical view of human sexuality, marriage, and family—a view no Christian should embrace,” added AFA vice president Ed Vitagliano.
In the face of this backlash, Chip Gaines took to X to defend the series and call out the hypocrisy within American Christian culture.
“Talk, ask questions, listen… maybe even learn. Too much to ask of modern American Christian culture,” he wrote. “Judge first, understand later/never. It’s a sad Sunday when ‘non-believers’ have never been confronted with hate or vitriol until they are introduced to a modern American Christian.”
His response sparked further criticism, with some longtime fans expressing disappointment in the couple’s stance. One user replied, “We are extremely sad because of how much we have grown to admire and appreciate you both.”
Gaines responded personally:
“Well I appreciate that.. sincerely. So if you admire and appreciate us so much, any chance there’s more to this? But that’s my point… no one knows. But the ‘Christians’ have certainly come out in full force as if they do know. ‘Judge not…’ ‘Love one another’—it’s not difficult.”
The exchange has become a flashpoint in the ongoing conversation about faith, media representation, and the LGBTQ+ community’s place in family-centered content.
For LGBTQ+ audiences and allies, the Gaineses’ decision to highlight a queer couple in Back to the Frontier represents a long-overdue step toward visibility—especially in genres historically dominated by heteronormative narratives. The inclusion of Jason and Joe Hanna-Riggs not only reflects the reality of countless American families but also challenges outdated stereotypes about who “belongs” in traditional lifestyle or faith-adjacent media.
While the couple’s presence on the show may have shocked conservative viewers, many see their representation as vital for normalization and acceptance.
“Families like ours exist—and thrive,” said Joe Hanna-Riggs in a social media post after the premiere. “We’re proud to be part of a show that challenges outdated ideas about what makes a family.”
Though Chip and Joanna Gaines have previously been associated with evangelical values—and have faced scrutiny in the past for their silence on LGBTQ+ issues—the couple’s latest project signals a potential shift in their media philosophy: one that embraces inclusivity over ideology.
Their Magnolia Network has gradually broadened its scope over the years, producing content that blends rustic charm with contemporary storytelling. Back to the Frontier is emblematic of this approach—pairing nostalgia for pioneer life with the diverse realities of today’s families.
The controversy underscores a larger truth: representation is not just a buzzword—it has real-world implications. LGBTQ+ inclusion in mainstream, family-friendly spaces can make all the difference for queer viewers who rarely see themselves portrayed in such environments.
As online debates continue to swirl, one thing remains clear: Back to the Frontier has pushed a long-overdue conversation about faith, family, and visibility to the forefront. And for many in the LGBTQ+ community, that’s a step worth celebrating.
Back to the Frontier is currently streaming on HBO Max.
HGTV is expanding its lineup with a brand-new reality TV series titled “Junk or Jackpot?”, featuring interior design expert Bobby Berk as host and WWE superstar John Cena as executive producer. The announcement arrives on the heels of several recent program cancellations within the network, signaling its effort to refresh content. The six-episode inaugural season will premiere later this year, offering viewers a blend of quirky collections and heartfelt home transformations.
Series Concept and Format “Junk or Jackpot?” delves into the lives of collectors whose homes have been overtaken by their passionate pursuits. Whether it’s superhero figurines stacked from floor to ceiling, rare dolls, vintage puppets, or elaborate miniatures, these collections—while meaningful—leave little room for everyday living. Each episode follows a collector as they collaborate with Bobby Berk to assess the true monetary value of their stash and determine whether some items should be sold to fund a much-needed home makeover.
HGTV’s official description encapsulates the series’ blend of wit and warmth:
“From an overwhelming stash of superhero figurines to cramped spaces stuffed with rare puppets and dolls and miniature sets that leave no room for actual, life-size furniture – these homes are begging for professional help, and the collectors must decide whether they are willing to sell some of their items to pay for the much-needed renovation. With a combination of humor, compassion and a celebration of the passionate collector in all of us, Bobby will support the homeowners through the process of sorting through, appraising and letting go of their stockpile, discovering the ‘found money’ along the way to achieving their dream makeover.”
Creative Team and Production Produced by 44 Blue Productions—a company known for its non-fiction storytelling—the show is part of HGTV’s parent company, Warner Bros. Discovery. Executive producers from 44 Blue include Stephanie Noonan Drachkovitch, David Hale, and Jill Dickerson, with Brian Robel serving as showrunner and executive producer. Pricey heavyweight John Cena and network executive Dan Baime also lend production oversight.
On-camera, however, is its charismatic host, Bobby Berk, whose design-first perspective anchors the format. In commentary provided to the network, Berk explained:
“Collecting is a personal pastime that brings joy and inspiration, but it’s easy to get carried away which can negatively impact your living conditions. I’m excited to help passionate people sift through their cherished items and give them reimagined spaces that will best honor what they hold dear.”
John Cena, stepping into the TV realm as an executive producer, echoed the sentiment with a personal anecdote:
“The idea for ‘Junk or Jackpot?’ was born out of a conversation I had with friends. People often wonder if their collections are trash or treasure, and this show will help them find out.”
Series Context and Network Strategy “Junk or Jackpot?” joins a roster of home-focused reality programming on HGTV, albeit with a twist: it taps into consumer curiosity around hoarding, value, and personal identity, while remaining rooted in the network’s core genre of design and renovation.
The show arrives amid a broader shakeup at HGTV. In recent months, titles like Driven by Design, Home Rules, and Renovation Happy Hour were retired following flagging viewership and strategic budget cuts. Internally, executives acknowledged the need to recalibrate programming toward fresh voices and concepts. “Junk or Jackpot?” aligns with that strategy, introducing a stylized competition element, emotional resonance, and a celebrity-host partnership designed to attract broader audiences beyond traditional design show enthusiasts.
Audience Appeal and Anticipated Reception Experts predict the series’ emotional core—helping owners redefine their homes while preserving sentimental collections—has the potential to resonate widely. The interplay of humor, self-discovery, and practical transformation mirrors popular trends in reality TV, leaning into moments of personal revelation and lifestyle recalibration.
Fans of Bobby Berk, known for his role as the design expert on Netflix’s Queer Eye, may find additional appeal in his approach to design wellness. Although Junk or Jackpot? is decidedly less about identity transformation and more about physical space, Berk’s candid nature and design philosophy are expected to offer a similar uplift.
John Cena’s 2025 pivot from wrestling icon to executive producer also adds an intriguing layer: his influence may serve to elevate the show’s profile, particularly among audiences unfamiliar with HGTV’s typical fare.
Next Steps HGTV has confirmed that “Junk or Jackpot?” will air later this year, with exact dates and episode details to be announced. The promotional rollout is expected to include digital-first teasers featuring behind-the-scenes interviews with collectors and design previews.
As viewers await the debut, HGTV’s gamble on celebrity-led, emotionally resonant design content will serve as a barometer for future programming decisions. If the series succeeds, it could spark a wave of niche renovation formats tailored to subcultures—comics, vintage toys, collectibles—blending personal storytelling with home staging.
Summary With “Junk or Jackpot?”, HGTV taps into a compelling mix of budget-savvy design, emotional storytelling, and celebrity cachet. Bobby Berk’s empathy and expertise, paired with John Cena’s unexpected but strategic role as executive producer, promise a fresh dynamic in a crowded reality-TV landscape. Whether each episode’s “junk” becomes “jackpot” may be the defining question—and potentially, the show’s greatest draw.
Streaming giant Netflix and social platform Meta joined forces Wednesday night at San Vicente Bungalows for a glittering LGBTQ+ celebration dubbed “Toasting Too Much With Most,” honoring Meg Stalter, the breakout star of Lena Dunham’s new series Too Much. The evening featured a private screening of the show, a cozy dinner among queer creatives and allies, and a portrait studio capturing guests in full celebratory mode.
Lukas Gage attends Netflix’s A TOO MUCH Toast with Most at San Vicente Bungalows on July 09, 2025 in Los Angeles, California. Photo: Presley Ann/Getty Images for Netflix
Leading the honoree list was Meg Stalter, already earning buzz for her portrayal of Jessica – a self-described New York workaholic navigating heartbreak and sudden loneliness, only to crash-land in London and find unlikely connection with a quirky stranger, Felix (played by Will Sharpe).
Carlita Landrum, Ashlee Kim and Naomi Hearts attend Netflix’s A TOO MUCH Toast with Most at San Vicente Bungalows on July 09, 2025 in Los Angeles, California. Photo: Presley Ann/Getty Images for NetflixMackenzie Barmen attends Netflix’s A TOO MUCH Toast with Most at San Vicente Bungalows on July 09, 2025 in Los Angeles, California. Photo: Presley Ann/Getty Images for Netflix
Attendees included a dazzling lineup of queer and queer-aligned talent: Euphoria star Barbie Ferreira; comedians Chelsea Peretti, Sandy Honig and Chris Fleming; actors Lukas Gage, Becca Moore, Naomi Hearts and Ashley Kim; and LGBTQ+ creatives such as Emily Uribe and Kelz Washington. Industry insiders praised the event as a vibrant representation of queer solidarity and artistic celebration.
Sarah Lugor, Tyris Winter, Carlita Landrum and Kelz Washington attend Netflix’s A TOO MUCH Toast with Most at San Vicente Bungalows on July 09, 2025 in Los Angeles, California. Photo: Presley Ann/Getty Images for Netflix
During the evening, Meta sponsored an interactive portrait studio, where guests – under the lens of photographer Lindsey Byrnes – posed in joyful and heartfelt expressions.
Lukas Gage and Barbie Ferreira attend Netflix’s A TOO MUCH Toast with Most at San Vicente Bungalows on July 09, 2025 in Los Angeles, California. Photo: Presley Ann/Getty Images for Netflix
Meg Stalter has been outspoken about queer identity and mental health in interviews. Her role in Too Much – a dramedy about life, love, and cross-continental linguistic confusion – adds a fresh dimension to queer storytelling on streaming platforms. The show premieres July 10 and features an expansive ensemble cast including Will Sharpe, Richard E. Grant and Naomi Watts.
Zach Noe Towers, Julian Burzynski and Kevin Sullivan attend Netflix’s A TOO MUCH Toast with Most at San Vicente Bungalows on July 09, 2025 in Los Angeles, California. Photo: Presley Ann/Getty Images for NetflixBen Evans and Barbie Ferreira attend Netflix’s A TOO MUCH Toast with Most at San Vicente Bungalows on July 09, 2025 in Los Angeles, California. Photo: Presley Ann/Getty Images for NetflixMegan Stalter, Lukas Gage and Kate Berlant attend Netflix’s A TOO MUCH Toast with Most at San Vicente Bungalows on July 09, 2025 in Los Angeles, California. Photo: Presley Ann/Getty Images for Netflix
When it comes to queer representation on television, non-binary characters are finally stepping into the frame, not just as sidekicks or stereotypes, but as fully realized leads, heroes, and scene-stealers. In the last several years, we’ve seen an inspiring shift as shows across genres have introduced groundbreaking non-binary roles, many portrayed by non-binary actors themselves.
These characters are not only providing representation but actively helping viewers explore and understand the diverse experiences of gender-nonconforming people. Here’s a round-up of standout non-binary characters who are pushing television into a more inclusive future.
Cal Bowman – Sex Education
Cal crashed into Sex Education’s third season with confidence, clarity, and a mission. Played by non-binary artist Dua Saleh, Cal immediately challenged the show’s new gendered dress code, mentored the shy and questioning Layla, and served as a vibrant symbol of self-assured identity. Despite facing pushback at school, Cal never backs down from expressing who they are, making them not just a character, but a guidepost for queer youth still figuring things out.
Photo: Netflix
Jerrie Kennedy – Big Sky
Jesse James Keitel made history as the first non-binary actor to play a non-binary series regular on primetime TV with their role as Jerrie in Big Sky. In a show packed with danger and intrigue, Jerrie held her own while navigating a storyline that never reduced her character to her gender identity.
Photo: ABC
Bishop – Deputy
Fox’s short-lived Deputy gave us Bishop, played by Bex Taylor-Klaus, a sarcastic and whip-smart officer who called the shots without needing validation. Though the series only lasted one season, Bishop marked a major moment for non-binary representation on network television, and proved that genderqueer characters can be tough, funny, and authoritative all at once.
Photo: Fox
Mae – Feel Good
Mae Martin’s semi-autobiographical series Feel Good may have started with stand-up comedy and awkward romance, but its second season took a deeper dive into gender identity. As Mae explored being “trans or non-binary or whatever,” the show charted a raw, honest journey, one that mirrors many real-world experiences.
Photo: Netflix
Taylor Mason – Billions
Billions didn’t just break the mold, it rewrote it. Taylor Mason, played by Asia Kate Dillon, introduced themself with their pronouns and proceeded to outsmart every suit in the room. As a high-powered financial wizard, Taylor showed that non-binary characters don’t just belong in emotional dramas—they can thrive in cutthroat business environments, too.
Photo: Showtime
Adira Tal – Star Trek: Discovery
A non-binary character in the Star Trek universe was long overdue, and Adira Tal delivered. Portrayed by Blu del Barrio, Adira is a cerebral and compassionate addition to Discovery’s crew. The role also marked a personal turning point for del Barrio, who used the opportunity to come out publicly. Sci-fi just got a whole lot more inclusive.
Photo: Paramount+
Mo – Zoey’s Extraordinary Playlist
Mo doesn’t just steal the scene, they belt it. Played by Alex Newell, Mo is a genderfluid neighbor with a powerhouse voice and a heart to match. Through song, sass, and serious growth, Mo shows that gender-nonconforming characters can carry joy, struggle, and glam all in one performance.
Photo: NBC
Kai Bartley – Grey’s Anatomy
With Grey’s Anatomy embracing its first non-binary doctor, the medical drama continues its tradition of queer inclusion. E.R. Fightmaster plays Kai Bartley, a brilliant neuroscientist who quickly captured fans’ hearts, especially with their chemistry alongside Amelia Shepherd. Kai’s presence proves that even long-running shows can evolve with the times.
Photo: ABC
Klaus Hargreeves – The Umbrella Academy
Klaus is chaos incarnate, and we love him for it. Played with magnetic energy by Robert Sheehan, Klaus uses both they/them and he/him pronouns, floats between timelines, communes with the dead, and rocks a wardrobe that screams queer liberation. Amid the weirdness, their relationship with Dave added a layer of emotional depth that hit fans right in the feels.
Photo: Netflix
Why This Representation Matters
What ties all these characters together is not just their non-binary identity, but the fact that they’re written as complex, vibrant people. They fall in love, mess up, lead revolutions, crack jokes, and save lives. In other words, they reflect real people.
With more shows spotlighting non-binary characters and hiring non-binary talent, the small screen is becoming a more honest mirror of the world we live in, and that’s something worth binge-watching.
After nearly a decade of uplifting transformations and heartwarming journeys, Queer Eye will air its final season on Netflix. The streaming giant announced Wednesday that the beloved reboot — its longest-running reality series — will conclude after Season 10, which is set in Washington, D.C. The show’s finale marks the end of a major chapter in LGBTQ+ representation and reality TV history. “First day of the FINAL season of Queer Eye. It’s been a long, beautiful journey…thank you! Thank you!!!!!” co-host Tan France posted on Instagram, reflecting on the show’s impact and legacy.
A Decade of Transformation and Celebration
Since debuting in 2018, Queer Eye — featuring the charismatic Fab Five: Karamo Brown, Tan France, Antoni Porowski, Jonathan Van Ness, and originally Bobby Berk — captured the hearts of millions worldwide. With each episode, the group ventured across the United States — and occasionally overseas — to help individuals rediscover confidence, style, wellness, cuisine, and self-worth.
In Season 10, the team will set up shop in the nation’s capital, bringing its signature mix of style makeovers, emotional breakthroughs, and life-affirming advice to D.C.’s unique and vibrant communities. The location is especially fitting as Queer Eye has long served as a platform for social progress, equality, and joy.
While the show reshaped the lives of its “heroes,” it also left an indelible mark on queer culture. From heartfelt conversations about identity and acceptance to viral moments that inspired millions, Queer Eye became one of the most significant LGBTQ+ media events of the 21st century.
Not without its seasonal shifts, Queer Eye adapted over time. In Season 9, designer Bobby Berk departed, making way for Jeremiah Brent, who had already guest-starred in several makeover episodes. Brent brought his own energy and perspective, helping to maintain the show’s sense of inclusivity and evolution.
The Fab Five are:
Karamo Brown (culture and emotional wellness guru)
Tan France (fashion expert and style strategist)
Antoni Porowski (food and wine connoisseur)
Jonathan Van Ness (grooming and self-care advocate)
Bobby Berk (home design aficionado, Seasons 1–8) — succeeded by Jeremiah Brent (home design expert, Seasons 9–10)
This team dynamic proved key to Queer Eye’s appeal. Each cast member brought professional expertise, authenticity, and lived experience that resonated with both LGBTQ+ viewers and mainstream audiences. Their diverse backgrounds – queer and ally – underscored the show’s ethos of acceptance and understanding.
(L to R) Karamo Brown, Jonathan Van Ness, Tan France, Bobby Berk, Antoni Porowski in Queer Eye. Photo: Ilana Panich-Linsman/Netflix
From Personal Growth to Culture-Changer
The series has earned critical acclaim and cultural significance. In 2023, Queer Eye won its sixth consecutive Emmy for Outstanding Structured Reality Program, a run that lasted from 2018 to 2023. The achievement signaled more than just industry recognition; it reflected the growing appetite for queer-affirming programming.
Queer Eye. (L to R) Tan France, Jonathan Van Ness, Karamo Brown, Bobby Berk, Antoni Porowski in Queer Eye. Photo: Iiana Panich-Linsman/Netflix
A 2012 Hollywood Reporter survey noted that 27% of viewers said shows like Queer Eye and Glee had made them more supportive of marriage equality — evidence of the power these programs wield in shaping hearts and minds around LGBTQ+ issues.
Season 10: A Farewell to Remember
With filming underway in Washington, D.C., the final season of Queer Eye promises to lean into intersectionality and social impact. The city’s historical and political backdrop offers a fertile ground for the show’s mission: to mentor individuals, nurture community, and foster social unity through upliftment. “Season 10, the final season,” quipped Jonathan Van Ness on social media, acknowledging the close of a chapter yet inviting fans to celebrate the journey.
Beyond individual makeovers, Queer Eye has always lent its platform to broader dialogues: mental health awareness, trans acceptance, racial equity, and family reconciliation. The upcoming farewell season is expected to continue this tradition – while offering the emotionally satisfying send-offs that have earned it such loyalty from viewers.
What the Final Season Means for LGBTQ+ Media
As Queer Eye bows out, its absence will be deeply felt. Network TV and streaming alike may struggle to fill the gap left by a format that married heart-tugging storytelling with high-fashion aesthetics. But the show’s lasting legacy may be even more significant.
By celebrating queer joy and normalizing vulnerability, Queer Eye helped redefine queer narratives – no longer relegated to trauma or exclusion, but celebrated for authenticity, culture, and community.
Queer Eye. (L to R) Karamo Brown, Antoni Porowski, Jeremiah Brent, Tan France, and Jonathan Van Ness. Photo: Bronson Farr / Netflix
For many queer viewers, seeing themselves reflected on-screen – whether through Karamo’s emotional openness, Tan’s sartorial flair, Jon’s self-love mantra, Antoni’s heartfelt cooking sessions, Bobby’s nurturing design solutions, or Jeremiah’s blend of modern aesthetics and queer resilience – offered validation and pride.
Beyond the Final Curtain
Even after the final episode airs, Queer Eye‘s influence will endure. Its hosts are branching into new ventures:
Karamo Brown continues his work as a motivational speaker, author, and advocate for emotional well-being.
Tan France has launched a fashion brand and a Netflix competition series, Next in Fashion.
Jonathan Van Ness maintains their podcast and champions mental health awareness.
Antoni Porowski has hosted cooking shows and authored a cookbook, inspiring home cooks everywhere.
Bobby Berk and Jeremiah Brent continue to influence home design with accessible and inclusive aesthetics.
Rumors swirl about reunion specials, international spin-offs, or seasonal specials centered on specific themes like trans care or chosen families. While no official announcements have been made, the magnitude of their cultural impact suggests the Queer Eye brand will live on in new forms.
(L to R) Karamo Brown, Antoni Porowski, Jeremiah Brent, Tan France, Jonathan Van Ness. Photo: Netflix
The official reason behind Queer Eye’s conclusion remains unclear. Netflix has not specified whether the decision was creative, contractual, or strategic. But in the streaming world, where data-driven metrics often determine a show’s fate, the warm farewell seems fitting for a series that never lost its authenticity or impact.
For now, fans can look forward to Season 10, which will premiere later this year and land squarely in a city synonymous with political change. It’s an apt setting for the show’s final mission: transforming lives, one person and one city at a time.
Reality TV star Magan Mourad has revealed she was hospitalized during filming for Season 2 of Netflix’sThe Ultimatum: Queer Love, saying the emotional intensity of the process led to what she described as a physical collapse. On the What’s the Reality? podcast, Mourad and her fiancé, Dayna Mathews, discussed the profound psychological and physical toll of the show’s experimental format, which involved couples separating and forming trial marriages with other participants.“I just f—— felt so depleted. I couldn’t handle it anymore,” Mourad recalled, describing how an emotional breakdown and suspected low blood pressure led to her being rushed to the hospital.
The show challenges committed couples to pause their current relationships and take a “trial marriage” with fellow cast members. For Mourad and Mathews, both paused their long-term partnership to explore relationships with others – Magan with Haley Drexler, and Dayna with Mel Vitale. Despite the difficulties, the couple ultimately returned to each other, reuniting and becoming engaged under dramatic and emotionally charged circumstances.
The Toll of Emotional Separation
Mourad emphasized that the heartbreak she experienced stemmed from watching someone she deeply loved forge an intimate connection with another person. “It’s just hard because you love someone so much, and it’s the first time you want to spend your life with someone,” she said, her voice cracking. “I don’t want to let you go… you’re dating other people… it hurts, you know?”
The couple described the strangeness of finding freedom during a week-long stay in a hotel without their phones—an enforced disconnection from their world and each other. “I worked out at 11 at night, every night, just to remind myself who I am,” Magan shared. “I would basically walk with a buddy for every mundane thing—going to the gym, even using the bathroom.”
Dayna Mathews and Magan Mourad in episode 209 of ‘The Ultimatum: Queer Love’.
The physical consequences became severe. Magan reported feeling faint and dizzy after pushing herself through grueling workouts designed to keep her centered. Eventually, the film crew called for medical attention, and she was hospitalized overnight as a preventable but alarming health scare.
Queer Visibility in Reality TV
The Ultimatum: Queer Love breaks new ground by placing LGBTQ+ relationships at its center. Unlike the original Ultimatum series, which primarily represented straight couples, the Queer Love installment places queer identities at the forefront, reflecting a broader push in reality television to diversify relationship narratives and spotlight underrepresented communities.
Magan and Dayna’s story embodies many stressors unique to LGBTQ+ couples—queer identity stress, societal pressures, and navigating a heterosexual-centric relationship model. Their willingness to open up about mental and physical health consequences marks a rare moment of vulnerability in reality TV, where dramatic revelations are often superficial.
Stripped Down, Raw, and Real
Podcaster-host Amber Desiree “AD” Smith described the challenges participants face when phones are taken away and judgment is deferred to the production environment. For queer participants, that stripped-down isolation can exacerbate the emotional weight of separation and reinvention. “It’s not what you imagined it to be,” Dayna admitted, echoing Magan’s struggles. “It isn’t easy.”
Magan recalled that part of what tipped her was the loss of what she called “identity anchors”—the routines and touchstones that kept her mental health stable. “I didn’t realize how much energy I was expending,” she said. “I started freaking out.”
Moments like this highlight ongoing conversations around mental health support for reality TV participants. The rapid pace and emotional intensity are often discomforting at best and damaging at worst—particularly for queer individuals who may already feel vulnerable.
Love Rekindled, Engagement Announced
Despite the heartbreak posed by experimental relationships, Magan and Dayna ultimately returned to each other and became engaged. The podcast preview showcases their reflections on growth, communication, and emotional evolution. “When Dayna and I come together, we have a certain type of energy together,” she said. “Now we’re just understanding how to be better partners and what we need individually.”
Their engagement – set against the backdrop of Netflix’s emotionally rigorous environment – emphasizes queer resilience. The couple, like other queer participants, is rewriting the template of televised romance, where happy endings are too often reserved for straight couples.
Beyond the Screen: A Beacon for Queer Communities
Magan’s candid account brings queer narratives closer to authentic experience. While LGBTQ+ characters are increasing in scripted shows, queer representation in reality television remains rare. When it does appear, it often glosses over emotional complexity, sanitizing narratives to avoid controversy.
By sharing the unscripted high and low points of their relationship, including a trip to the hospital, Magan Mourad is humanizing queer love. She aligns with advocacy efforts that encourage nuanced inclusion rather than narrative tokenism. “I hope people who watch us understand that being queer in love isn’t always rainbow-bright,” Magan said. “It’s messy, it’s real, and it can be overwhelming –but it’s still worth it.”
Moving Forward in Health and Healing
Magan revealed that following her hospitalization, she and Dayna focused on rebuilding their lives with new emotional tools. Therapy, mindfulness, and establishing daily wellness rituals are all part of their life-as-podcast—practices meant to support long-term relationship health.
The couple’s honesty is significant, offering lessons to queer viewers about mental-health self-care in the context of emotional upheaval. “For queer folks in relationships—it’s okay to feel broken by love,” Dayna said. “It’s in the rebuilding that you discover your resilience.”
Finale and Reflection
The Ultimatum: Queer Love Season 2 dropped on Netflix on July 2, featuring six same-sex and queer couples at various stages of commitment. Magan and Dayna may have captured headlines, but the series as a whole is a watershed moment in LGBTQ+ reality TV—amplifying love, identity, challenge, and growth in equal measure.
Their story speaks to a universal truth—that love, especially under scrutiny and separation, can cause profound emotional pain, but also imaging that same love can spring forward stronger. “We came back to each other,” Magan said. “And we’re trying to do better, for us and for queer visibility in love.”
