Tag: HBO

  • Bella Ramsey Makes Emmy History as First Openly Non-binary Actor with Multiple Nominations

    Bella Ramsey Makes Emmy History as First Openly Non-binary Actor with Multiple Nominations

    Bella Ramsey continues to break boundaries in Hollywood. The 20-year-old star of HBO’s The Last of Us received their second Primetime Emmy nomination on Tuesday morning, making history as the first openly nonbinary performer to earn more than one nomination from the Television Academy.

    Ramsey is nominated in the Outstanding Lead Actress in a Drama Series category for their performance as Ellie in the hit series’ second season. They were previously nominated in the same category at the 75th Emmy Awards in 2023 for their work in Season 1 of the postapocalyptic drama.

    Ramsey’s back-to-back recognition signals a powerful moment for visibility and representation in an industry that has long struggled to make room for gender-diverse performers. While the Television Academy continues to separate acting categories by gender, Ramsey’s consistent presence among nominees underscores the need for broader inclusion in award show structures.

    HBO’s The Last of Us earned 16 nominations this year, bringing the series’ total to 40 across its two seasons. The critically acclaimed show took home eight awards at the 2024 ceremony and remains one of the most lauded video game adaptations in television history.

    Based on the bestselling PlayStation game developed by Naughty Dog, The Last of Us is set two decades after a deadly fungal outbreak collapses modern society. Ramsey stars as Ellie, a teenage girl believed to hold the key to humanity’s survival. Pedro Pascal co-stars as Joel, a smuggler tasked with escorting Ellie across a devastated United States. Over time, their bond deepens, transforming their mission into a deeply emotional and often harrowing journey of survival.

    Season 2 of the series picks up five years after the events of the first season. Joel and Ellie now find themselves in an even more dangerous world, grappling with new enemies, evolving threats, and emotional rifts that challenge the strength of their relationship.

    Ramsey’s nomination highlights not only their compelling performance but also the continued conversations around how award shows categorize talent. Though Ramsey identifies as nonbinary and uses they and them pronouns, the Emmy categories remain gendered, forcing performers like them to choose between submitting under “actor” or “actress.”

    In 2023, Yellowjackets star Liv Hewson, who is also nonbinary, declined to submit for Emmy consideration, citing the lack of gender-inclusive categories. At the time, they shared that their decision was rooted in the desire for industry change. “There’s not a place for me in the acting categories,” Hewson told Variety.

    Despite the challenges, Ramsey has spoken openly about their views on the current awards system. In a previous interview, they acknowledged the need for more inclusive recognition but also emphasized the importance of maintaining a platform to honor women’s achievements in entertainment. “I don’t want the recognition for women in the industry to be lost,” Ramsey said.

    Their comments reflect the nuance and complexity of an evolving conversation in Hollywood, where visibility and recognition often intersect with institutional inertia. While some award shows and festivals have begun exploring or implementing gender-neutral categories, the major awards including the Emmys have yet to take that step.

    Still, Ramsey’s nomination represents a crucial step forward, especially in a landscape where gender nonconforming and transgender performers remain significantly underrepresented. Their performance in The Last of Us has drawn praise for its emotional depth, vulnerability, and resilience, all qualities that have made Ellie an iconic character in both gaming and television.

    As the Emmy conversation continues, Ramsey’s historic nomination adds to the growing momentum of LGBTQ+ visibility in mainstream media. It also serves as a powerful reminder that diverse stories and the people who tell them deserve to be seen, celebrated, and remembered.

    The 77th Primetime Emmy Awards will air this fall.

  • Queer Art That Sparked a Revolution: A Celebration of Radical Expression

    Queer Art That Sparked a Revolution: A Celebration of Radical Expression

    Queer art has never been just about aesthetics, it’s protest, it’s love, it’s fury, and it’s legacy. Across decades and disciplines, queer creators have made bold statements through performance, music, visual art, and stage, often at great personal cost. These works not only transformed culture but also carved out space for LGBTQ+ people to be seen, heard, and remembered.

    Below, we highlight some of the most potent and pivotal queer art performances, each one a milestone in a timeline of resistance, visibility, and unapologetic expression.

    Punk, Prayer, and Prison: Pussy Riot’s Sacred Rebellion

    When Russian punk collective Pussy Riot stormed Moscow’s Cathedral of Christ the Savior in 2012 for a guerrilla protest, it was over in minutes. But the global conversation it ignited lasted years. Their performance-turned-music-video “Punk Prayer – Mother of God, Chase Putin Away!” condemned both Vladimir Putin’s authoritarian regime and the Orthodox Church’s complicity.

    Arrested and charged with “hooliganism motivated by religious hatred,” three members, Nadezhda Tolokonnikova, Maria Alyokhina, and Yekaterina Samutsevich, were thrown into a heavily publicized trial. The subsequent 2013 HBO documentary Pussy Riot: A Punk Prayer spotlighted the absurdity of the state’s crackdown and became an instant rallying cry for artists, feminists, and LGBTQ+ advocates worldwide.

    From Madonna to Amnesty International, support poured in. Yet in Russia, public opinion remained divided. As the band’s name surged across headlines, it served as a reminder: punk can still shake the church, and the state.

    Sinéad O’Connor’s Tear Heard Around the World

    Before #MeToo and well before the Catholic Church’s abuse scandals were widely acknowledged, Irish musician Sinéad O’Connor pulled no punches. On Saturday Night Live in 1992, she tore up a photo of Pope John Paul II and declared, “Fight the real enemy.”

    The backlash was swift and ruthless. From celebrities to religious groups, condemnation rained down. But O’Connor stood by her act, revealing that her protest was personal, she had been a victim of abuse, and the Church, she believed, enabled it.

    Years later, after her 2023 passing, many revisited the moment with fresh eyes. Time even retroactively honored her as the most influential woman of 1992. Her protest wasn’t a publicity stunt, it was prophecy.

    @consequence

    R.I.P Sinéad O’Connor, who never held back from speaking her truth. 🕊️ #sineadoconnor #snl

    ♬ original sound – consequence

    Art on the Edge: John S. Boskovich’s Electric Fan (Feel It Motherfuckers)

    When artist John S. Boskovich lost his partner Stephen Earabino to AIDS, he also lost nearly every trace of their shared life. Earabino’s family cleared out their apartment, erasing their relationship, except for a single object: an electric fan.

    Boskovich transformed that object into art. Encased in Plexiglas and marked with the phrase, “Only unclaimed item from the Stephen Earabino estate,” the piece slices through grief, rage, and queer erasure. With air flowing through holes in the glass, the fan still hums with life, a stark metaphor for memory that refuses to disappear.

    Lipstick and Labor Strikes: The Cockettes’ Elevator Girls in Bondage

    San Francisco’s glitter-drenched drag troupe The Cockettes brought psychedelic camp to new heights in the ‘70s. But their avant-garde film Elevator Girls in Bondage was more than a spectacle, it was satire with teeth.

    Framed as a low-budget protest, the film tells the story of underpaid hotel elevator girls who go on strike. The result is a technicolor fever dream of anti-capitalist, pro-queer performance art.

    From Hibiscus to Sylvester, The Cockettes birthed a generation of gender-fabulous icons. Their work continues to influence drag, theater, and the joyful chaos of queer resistance.

    Footage from 'Elevator Girls in Bondage'
    Photo: David Wise

    Footage from 'Elevator Girls in Bondage'
    Photo: David Wise

    Kate Nash vs. TERF Island

    British singer-songwriter Kate Nash doesn’t just sing about heartbreak, she takes aim at hate. In her track “GERM,” released in response to U.K. transphobic policies and rhetoric, Nash dismantles trans-exclusionary feminism with a blend of biting lyrics and bulletproof facts.

    Originally drafted as an essay, the song became a musical manifesto against J.K. Rowling’s public crusade against trans rights. Nash isn’t subtle: she calls Rowling out by name and dubs her ideology “a load of bollocks.”

    As far as feminist anthems go, “GERM” feels like a necessary cleanse for a movement long overdue for intersectional accountability.

    @katenashyeah

    GERM performed live at Mighty Hoopla festival! #katenash #transrights🏳️‍⚧️ #songofthesummer #viral #livemusic #pride2025🏳️‍🌈 shot by Jude Harrison

    ♬ GERM – I Feel No Threat – Kate Nash

    Keith Haring’s Unfinished Painting: Silence and Survival

    Few images capture the loss of a generation quite like Keith Haring’s Unfinished Painting. A white canvas, three-fourths blank, features just a flash of Haring’s iconic doodled figures in one corner. The rest is hauntingly untouched.

    Created in 1989, the piece was among Haring’s last before his 1990 death from AIDS-related complications. The drips and smears that bleed from the finished section seem to mourn what could have been, had AIDS not stolen so many voices too soon.

    It’s not just a painting, it’s a eulogy.

    Keith Haring, Unfinished Painting (1989). Photo: © Keith Haring Foundation
    Keith Haring, Unfinished Painting (1989). Photo: © Keith Haring Foundation

    Jane Chambers’ Last Summer at Bluefish Cove

    In a time when lesbians were either jokes or tragedies on stage, playwright Jane Chambers did something radical: she wrote them as real people. Her 1980 play Last Summer at Bluefish Cove was the first American work to portray lesbian relationships with depth, humor, and humanity.

    Set in a women-only beach retreat, the story explores love, grief, and friendship through a lens that was, at the time, unthinkably tender. Revived across decades, Chambers’ work remains a touchstone for queer theater and representation.

    Last Summer at Bluefish Cove Production
    Photo: Last Summer at Bluefish Cove Production

    Last Summer at Bluefish Cove Production
    Photo: Last Summer at Bluefish Cove Production

    Last Summer at Bluefish Cove Production
    Photo: Last Summer at Bluefish Cove Production

    Kissing Isn’t the Problem

    In the late ’80s and early ’90s, as AIDS hysteria gripped the nation, artist collective Gran Fury launched a media-savvy art action that was impossible to ignore. Their “Kissing Doesn’t Kill: Greed and Indifference Do” campaign plastered cities with images of interracial, same-sex couples kissing, styled to look like ads from major fashion labels.

    Beneath the glamour, the message was clear: the real killer wasn’t intimacy, but apathy. The art doubled as activism, turning billboards and bus ads into battlegrounds for awareness and accountability.

    Gran Fury's 'Kissing Doesn't Kill' Campaign
    Photo: Gran Fury

    Loie Fuller: The Original Light Show

    Before Beyoncé twirled under lasers or Lady Gaga donned projection dresses, there was Loie Fuller. The late 19th-century dance pioneer fused fabric, light, and movement into her signature Serpentine Dance, dazzling audiences in France and beyond.

    Working alongside her partner Gabrielle Bloch, Fuller created mesmerizing visual effects and pioneered stage lighting techniques that are still used today. Queer, collaborative, and unabashedly experimental, her work paved the way for generations of performance artists to come.

    Loie Fuller in her gown equipped with concealed rods to allow her to wield a pair of enormous wings, 1901
    Loie Fuller in her gown equipped with concealed rods to allow her to wield a pair of enormous wings, 1901. Photo: Internet Archive

    Loie Fuller photographed by Isaiah West Taber, 1897
    Loie Fuller photographed by Isaiah West Taber, 1897. Photo: Internet Archive

    Queer Icons in Ink: Lesley Gore and Liz Smith

    Sometimes activism looks like a handwritten letter. In an affectionate note from queer gossip columnist Liz Smith to singer Lesley Gore, the two share thoughts on a film and sign off with love and laughter.

    Gore, known for feminist anthem “You Don’t Own Me,” came out publicly in 2005, though she had spent decades in a devoted partnership with Lois Sasson. Together, they championed LGBTQ+ visibility and women’s rights, quietly but powerfully.

    Letter to Lesley Gore from Liz Smith, c.1996.
    Letter to Lesley Gore from Liz Smith, c.1996. Photo: New York Public Library

  • Arnold Schwarzenegger Hilariously Reacts to Seeing His Son’s ‘Weenie’ on ‘The White Lotus’

    Arnold Schwarzenegger Hilariously Reacts to Seeing His Son’s ‘Weenie’ on ‘The White Lotus’

    Patrick Schwarzenegger is no stranger to the Hollywood spotlight, but lately, he’s been making waves for reasons that go beyond his famous last name. The son of action legend Arnold Schwarzenegger has long battled the “nepo baby” label, striving to prove his chops  as a serious actor. His latest role in Season 3 of HBO’s The White Lotus may be his most daring yet, including a scene that left viewers, and especially his dad, utterly speechless…

    When Hollywood Royalty Gets Real: Arnold’s Priceless Reaction

    In a recent Variety “Actors on Actors” interview, father and son got candid about everything from nepotism to nudity on screen, and Arnold’s reaction was nothing short of hilarious. The former Terminator star confessed that he was unprepared for the full frontal moment featuring Patrick.

    “I couldn’t believe it,” Arnold shared with a chuckle. “I’m watching your show, and I see your butt sticking out there, and then, all of a sudden, I see the weenie. What is going on here? This is crazy.”

    @varietymagazine

    Arnold Schwarzenegger jokes about seeing Patrick naked on screen: “I saw your weenie!” #ActorsOnActors

    ♬ original sound – Variety – Variety

    I had thought the days of me hearing “weenie” in reference to anything besides a hot dog was long over!

    The moment prompted some self-reflection from Arnold, who jokingly reminded himself he’d done the same in his prime. “Then I said to myself, ‘Well, Arnold, hello. You did the same thing in Conan and Terminator, so don’t complain about it.’”

    Patrick wasn’t going to let his dad off the hook that easily, firing back, “Well, Arnold, hello. You did the same thing, so don’t complain.”

    Arnold laughed, admitting he was genuinely impressed by his son’s performance. “Your acting surprised the hell out of me. Not that I didn’t know you were good. But it was just unbelievable, the kind of stuff you did in the show.”

    Mom’s Take: No Saxon Shenanigans Here

    Patrick’s mom, Maria Shriver, also weighed in during an April 2025 TODAY show interview. She was quick to distinguish her son from the somewhat reckless character he portrays on The White Lotus, Saxon.

    “Patrick is not like Saxon. I just want to clear that up,” she said with a laugh. “Because people say, ‘Is Patrick like Saxon?’ I’m like, ‘Do you think I would have raised a Saxon?’” Shriver added that she’s thrilled her son found his breakout role in the series.

    Patrick Schwarzenegger as Saxton on 'The White Lotus' Season 3
    Patrick Schwarzenegger as Saxton on ‘The White Lotus’ Season 3

    Patrick Schwarzenegger as Saxton on 'The White Lotus' Season 3
    Patrick Schwarzenegger as Saxton on ‘The White Lotus’ Season 3

    Beyond the Name: Patrick’s Rise on His Own Terms

    While Patrick Schwarzenegger’s famous family name undoubtedly opens some doors, the actor is making it clear that he’s here to stay on his own terms. His unapologetic vulnerability in The White Lotus, including that unforgettable nude scene, shows his commitment to fully inhabiting challenging roles and defying expectations.

    For a young actor navigating Hollywood’s tricky waters, stepping out from under Arnold’s huge shadow isn’t easy. But Patrick’s bold choices and heartfelt performances are helping rewrite the narrative around nepotism and legacy.

    Fan Reactions: Cheers, Laughs, and a Little Secondhand Embarrassment

    Fans of the show quickly took to social media to share their reactions to the father-son nudity chat and Patrick’s candid new role.

    One Twitter user quipped, “Arnold’s just being a dad—hilarious and awkward in the best way.“The weenie” comment got me.” Another chimed in, “Patrick out here taking nudity to a whole new level while dad’s over here trying to keep it cool 😂.”

    Others praised Patrick’s dedication: “This is so adorable. Father and son interviewing each other and talking about weenies 😂”

    The lighthearted, funny exchange between Arnold and Patrick has also sparked affectionate jokes about Hollywood dads reacting to their kids’ on-screen choices. Proof that sometimes, even legendary action heroes get caught off guard.

  • Reneé Rapp Joins Jennifer Lopez and Troye Sivan at WorldPride Music Festival in DC

    Reneé Rapp Joins Jennifer Lopez and Troye Sivan at WorldPride Music Festival in DC

    The “It’s Not My Fault” singer will also serve as a grand marshal at the WorldPride Parade on June 7.

    Pop powerhouse, Broadway breakout, and queer icon Reneé Rapp is turning up the volume for WorldPride 2025 in Washington, D.C.

    Fresh off the release of her fiery new single, “Leave Me Alone,” Rapp is set to light up the stage at the WorldPride Music Festival, taking place June 6 and 7 at the RFK Festival Grounds. She joins an electrifying lineup that includes Jennifer Lopez, Troye Sivan, Paris Hilton, Kim Petras, Zedd, RAYE, Galantis, Purple Disco Machine, Tinashe, Sofi Tukker, Rita Ora, and more.

    But that’s not all—Rapp will also serve as a grand marshal for the city’s iconic WorldPride Parade on June 7, cementing her place as one of Pride’s most visible and vocal champions.

    A Star with Something to Say

    Known for her breakout performances in Mean Girls and HBO’s The Sex Lives of College Girls, Rapp has also carved out a space in pop music with bold, emotionally raw hits like “It’s Not My Fault” and “Talk Too Much.”

    She brings that same unfiltered energy to Pride.

    “Pride is everything. It is protection, it is visibility, it is intersectional. But most importantly, it is a celebration of existence and protest,” Rapp said in a statement shared by WorldPride.

    Her presence at both the parade and festival isn’t just another appearance—it’s a declaration.

    Reneé Rapp joins Jennifer Lopez, Troye Sivan, and more at WorldPride Music Festival and Parade in D.C., June 6–7.
    Photo: WorldPride

    The Biggest LGBTQ+ Music Festival in History?

    This year’s WorldPride Music Festival is on track to be the largest LGBTQ+ music event ever, with more than 3 million people expected to attend WorldPride events across the city.

    The two-day festival will feature four immersive stages, art installations, live performances across genres (pop, techno, house, drag, and more), and some of the most vibrant queer experiences ever assembled on the East Coast.

    Produced by Dreamland’s Jake Resnicow, one of OUT100’s Most Influential LGBTQ People of the Year, in partnership with Capital Pride and Club Glow, the event blends entertainment with empowerment.

    “WorldPride is about amplifying LGBTQ+ voices on a global stage,” said Resnicow. “Reneé Rapp represents everything this moment is about — authenticity, empowerment, and fearless queer joy.”

    What’s New This Year?

    In addition to Rapp’s must-see set, this year’s festival is debuting several exciting features:

    • The Unity Stage: Showcasing local and international LGBTQ+ performers

    • The Drag District: Hosted by RuPaul’s Drag Race winner Symone, with performances from Derrick Barry, Jimi The Kween, and glam courtesy of JLo Beauty

    • Official After-Parties: 11 epic events across D.C., including sets by Zedd and Purple Disco Machine at the legendary Echostage

    • The Pier Dance at The Wharf (June 8): Back-to-back sunset sets from Sofi (of Sofi Tukker) and LP Giobbi against the backdrop of D.C.’s stunning Southwest waterfront

    Don’t Miss Out

    Tickets—including General Admission, GA+, and VIP packages—are selling fast. For more information or to purchase tickets, head to WorldPride25.com.

    Proceeds from the festival support Capital Pride Alliance and other local LGBTQ+ nonprofits.

    For live updates and behind-the-scenes moments, follow @WorldPrideMusicFestival on Instagram.

    Whether you’re dancing under the stars or marching in the streets, this year’s WorldPride celebration is shaping up to be unforgettable—and Reneé Rapp is ready to bring the house down.

  • Queer Love and Emotional Stakes Rise as Ellie and Dina Connect in ‘The Last of Us’

    Queer Love and Emotional Stakes Rise as Ellie and Dina Connect in ‘The Last of Us’

    Season 2 of The Last of Us has already delivered emotional punches, none more resonant than those in Episode 4. Directed by Loki alum Kate Herron, the episode marks a significant turning point for the HBO series, not only in narrative but in the emotional and relational stakes for its central characters.

    Fans are still processing the early loss of Joel (Pedro Pascal), but the story has quickly pivoted to focus on Ellie (Bella Ramsey), Dina (Isabela Merced), and newcomer Isaac Dixon (Jeffrey Wright). This episode forces each character to confront choices that could alter the course of their lives—and in the case of Dina, a surprise pregnancy reveals new emotional territory.

    Herron spoke with Out about crafting this deeply personal chapter, which explores queer love, identity, and found family in the midst of a violent and uncertain world. Her direction brings a sense of intimacy and emotional nuance rarely seen in apocalyptic storytelling.

    A Story of Survival and Identity

    Episode 4 opens with a young soldier forced by Isaac to choose a side. Herron says that moment establishes the tone for the entire episode.

    “For me, it was all about grounding the story emotionally,” Herron said. “Whether it’s the military pressure, Ellie and Dina’s romance, or the trauma these characters carry, it was crucial to track the emotional arcs and make the audience feel like they’re right there with them.”

    The character of Isaac, introduced for the first time this season, adds thematic weight to the episode. While Herron deferred to series co-creator Craig Mazin on Isaac’s broader role, she emphasized that showing human threats—beyond the infected—was essential.

    “In Seattle, people are as dangerous, if not more so, than the infected,” she said. “That sets the stage for what’s coming.”

    Queer Love in a Genre Landscape

    Known for bringing queer representation into mainstream genre television, Herron believes that science fiction and horror offer unique avenues to explore universal themes.

    “The best genre stories make us feel something real,” she said. “Ellie and Dina’s love story is so relatable, even in this fantastical setting.”

    One of the most poignant scenes occurs when Ellie plays “Take On Me” on guitar—an act of emotional vulnerability that deepens her connection with Dina. Herron worked closely with Ramsey to explore different shades of shyness and confidence.

    Ellie playing 'Take on Me' in an emotional scene during Season 2, Episode 4. Photo: HBO
    Ellie playing ‘Take on Me’ in an emotional scene during Season 2, Episode 4. Photo: HBO

    “It’s such a human moment—Ellie playing for someone she cares about,” she said. “And of course, there’s a shadow of Joel in that, too, since he taught her guitar.”

    Trust, Secrets, and Intimacy

    Later in the episode, tension builds as Dina learns of Ellie’s bite. At the same time, Dina is grappling with her own secret—her pregnancy with ex-boyfriend Jesse’s child. Herron used pacing and setting to emphasize emotional stakes.

    “It was important that the kiss felt earned,” she said. “We don’t give viewers a moment to catch their breath, which mirrors how the characters feel.”

    The morning-after conversation between Ellie and Dina stands as one of the episode’s most intimate moments. When Ellie offers to raise the child as a parent figure, Herron said it was vital to present that moment with authenticity.

    Photo: HBO
    Photo: HBO

    “It’s a quiet act of radical love,” she explained. “Ellie’s willingness to step into that role shows how deep their bond is. I just wanted the audience to feel like they were witnessing something private and deeply human.”

    Reimagining Family in a Harsh World

    As queer family structures face increased scrutiny in today’s political climate, Herron believes portraying chosen family onscreen is a powerful form of resistance.

    “It’s a grounded conversation that could happen between any two people,” she said. “But because it’s between two queer characters, it challenges what some people think family has to look like.”

    Herron credits Mazin and co-creator Neil Druckmann for allowing space to tell that story authentically.

    A Future for Ellie and Dina?

    Though Herron declined to speculate on where the story is headed, she shared her hope that Ellie and Dina find lasting happiness.

    “For one brief moment, they realize the person they love feels the same way,” she said. “That kind of joy is rare in their world—and it’s what makes it so powerful.”

    As Herron transitions from Doctor Who and The Last of Us to her next project set in The Sims universe, one theme remains constant in her work: empathy.

    “I’m drawn to imperfect characters,” she said. “Storytelling helps us understand people we don’t always agree with—and maybe, along the way, we find a bit more connection.”

    The Last of Us airs Sundays on Max.

  • Jerrod Carmichael Returns to HBO With Bold New Comedy Special ‘Don’t Be Gay’

    Jerrod Carmichael Returns to HBO With Bold New Comedy Special ‘Don’t Be Gay’

    Comedian and Emmy-winning writer Jerrod Carmichael is bringing his signature honesty and wit back to HBO with a brand-new stand-up special, Don’t Be Gay, premiering Saturday, May 24 at 10 p.m. ET/PT. The special will also be available to stream on Max.

    Following the critical success of his groundbreaking 2022 special Rothaniel, in which Carmichael came out as gay, Don’t Be Gay promises to continue his deeply personal and unfiltered comedic exploration of identity, vulnerability, and truth — all delivered with his trademark dry humor and charm.

     

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    A post shared by HBO (@hbo)

    Building on a Legacy of Raw Honesty

    Not much has been revealed about the content of the upcoming special, but HBO is already calling it a powerful continuation of Carmichael’s evolving storytelling. Nina Rosenstein, Executive Vice President of HBO Programming, Late Night and Specials, praised the special in a statement, saying Don’t Be Gay “continues to build” on the “raw,” “intimate,” and “emotionally honest” tone of Rothaniel and Carmichael’s recent unscripted series, The Jerrod Carmichael Reality Show.

    In Rothaniel, Carmichael spoke candidly about his struggle to embrace his sexuality, revealing to the audience, “I thought I’d never, ever come out. At many points I thought I’d rather die than confront the truth of that, to actually say it to people.”

    The powerful special struck a chord with audiences and critics alike, earning Carmichael an Emmy for Outstanding Writing for a Variety Special. “I made something that was of great personal consequence to me,” he said in his acceptance speech, adding, “this definitely contributes to the meaning of it.”

    A Continuation of Candid Conversations

    Carmichael didn’t stop at stand-up. He followed up with The Jerrod Carmichael Reality Show, a comedy docuseries that offered even more intimate (and often awkward) moments from his real life. One headline-making episode featured a surprising conversation with rapper Tyler, the Creator, during which Carmichael confessed a crush.

    “Getting news like that and then avoiding it is a way to avoid change,” Tyler said in the moment. “That was a lot to download… and I still don’t know how to respond.”

    Fans and critics alike are eager to see how Carmichael continues to push boundaries with his fourth HBO special. With a title as provocatively tongue-in-cheek as Don’t Be Gay, expectations are high for another vulnerable, funny, and unflinchingly honest hour of comedy.

    Don’t Be Gay premieres Saturday, May 24 at 10 p.m. ET/PT on HBO and will be available for streaming on Max.

  • Walton Goggins Sets the Internet Ablaze With Cheeky New Photoshoot

    Walton Goggins Sets the Internet Ablaze With Cheeky New Photoshoot

    Walton Goggins is breaking the internet—and not just with his killer performance in The White Lotus. The 53-year-old actor has everyone talking after posing in a revealing new photoshoot for Cultured magazine’s Cult100 list, which celebrates figures “shaping our culture in real time.”

    Known for playing intense, layered characters—from Boyd Crowder in Justified to his recent turn as Rick Hatchett in the third season of The White Lotus—Goggins is now showing off a different kind of range: Speedo-clad, cigarette-wielding, cowboy-boot-wearing energy.

    Photo: CULTURED's CULT100 Issue
    Photo: CULTURED’s CULT100 Issue

    Cultured, Clothed (Barely), and Completely Iconic

    In one of the standout shots from the Cultured cover shoot, Goggins lounges seductively inside a Ferris wheel pod on the Santa Monica Pier, wearing nothing but a canary-yellow pair of Speedos and a mustard-colored jacket. Another image ups the ante: he’s ditched the jacket, kept the trunks, and slipped into a pair of rugged cowboy boots, because why not?

    Photo: CULTURED's CULT100 Issue
    Photo: CULTURED’s CULT100 Issue

    Photo: CULTURED's CULT100 Issue
    Photo: CULTURED’s CULT100 Issue

    One of the most talked-about photos shows the actor in a bathroom stall—pants down, boots on, cigarette dangling effortlessly from his lips—serving a look that feels somewhere between high fashion and chaotic good.

    Fans were quick to respond with memes, thirst tweets, and deeply relatable commentary.

    Goggins: From Gritty Drama to Cultural Icon

    While the photoshoot may have left little to the imagination, Goggins’ acting chops are just as buzzworthy. His character in The White Lotus Season 3, Rick Hatchett, was out for revenge following his father’s death—but let’s just say things didn’t exactly end well for him. No spoilers, but if you’ve seen the finale, you know.

    Whether he’s going full cowboy in Django Unchained, hunting aliens in Predators, or unraveling emotionally complex men on HBO, Goggins consistently proves he’s more than just a character actor—he’s a cultural chameleon.

    And if this shoot is any indication, he’s also a late-in-life sex symbol. The man can rock a Speedo and cowboy boots simultaneously. That’s talent.

    If all this talk has you craving more of Goggins—clothed or otherwise—Season 3 of The White Lotus is currently streaming on Max.

    Until then, we’ll be scrolling through that Cultured shoot and reconsidering our summer swimwear plans.

  • Bella Ramsey Reflects on Publicly Coming Out as Non-Binary: ‘It’s Been a Mixed Bag’

    Bella Ramsey Reflects on Publicly Coming Out as Non-Binary: ‘It’s Been a Mixed Bag’

    Actor Bella Ramsey, widely recognized for their acclaimed role as Ellie in HBO’s The Last of Us, is opening up about the emotional complexity of coming out as non-binary and how life has changed since sharing that part of their identity with the world.

    Ramsey, 21, came out publicly in 2023, joining a growing number of public figures who have chosen to speak candidly about their gender identity. In a new interview with The Guardian, published Sunday (April 20), the British actor spoke about the personal and public impact of that announcement, describing it as both liberating and overwhelming. “Part of me looks back and I wish that I didn’t [come out], because I didn’t want it to become a headline and a big thing,” Ramsey said. “And obviously it was going to, and I didn’t really understand that at the time. And I wasn’t really prepared for that.”

    Their honesty about the challenges of being a non-binary person in the spotlight shines a light on the pressure celebrities face when their private identities become public narratives. For Ramsey, the journey to visibility came with both positive affirmation and moments of doubt. “But on the other hand, people have said to me that it’s been very helpful for them seeing some representation,” they added. “So it’s been a mixed bag, but overall, I think it was a good thing, just for me living more freely, without feeling like I’m keeping a secret.”

    While Ramsey is glad their story has helped others, they also expressed a desire for their gender identity to become less of a central focus in media coverage. “Now I’m like, ‘I’ll talk about it, but I don’t want it to be the focus anymore,’” they explained. “I guess I’m just quite chill with it. And I want everyone else to be as chill with it basically.”

    A Voice for Authenticity in Hollywood

    Ramsey first rose to fame as the fierce Lady Lyanna Mormont in Game of Thrones before taking on the groundbreaking role of Ellie in The Last of Us, a post-apocalyptic series that quickly became a critical and commercial success. The show, based on the popular video game of the same name, has been widely praised for its LGBTQ+ representation, with Ramsey’s portrayal of a young lesbian survivor earning acclaim from fans and critics alike.

    Bella Ramsey
    Bella Ramsey. Photo: HBO

    The actor’s openness about their non-binary identity has resonated with audiences, especially young people seeking representation in mainstream media. By using they/them pronouns and embracing their gender fluidity publicly, Ramsey is helping to expand the visibility of non-binary individuals in entertainment — an industry where authentic representation has often lagged behind.

    Navigating Autism in the Spotlight

    In addition to speaking about gender identity, Ramsey has also been candid about being diagnosed with autism while filming the first season of The Last of Us. In an earlier interview with Vogue, they described the diagnosis as “freeing,” explaining that it gave them a deeper understanding of themselves. “It allows me to walk through the world with more grace towards myself for not being able to do the easy, everyday tasks that everyone else seems to be able to do,” they shared.

    This dual revelation — of being both non-binary and autistic — has made Ramsey a rare and powerful voice in Hollywood, representing a broader spectrum of neurodiversity and gender diversity than is typically visible in film and television.

    Their willingness to speak about these aspects of their identity has not only provided comfort and connection to fans but also helped to chip away at longstanding stigmas in the industry and beyond.

    First Love and Growing Up in the Public Eye

    In March 2025, Ramsey also revealed another personal milestone: they are in love for the first time. Though they chose not to name their partner, the actor shared that this new emotional experience has been both grounding and joyful. “It’s scary and beautiful,” they said during the Vogue interview. “Love opens you up in ways you didn’t know were possible.”

    As someone who has grown up in front of the camera, Ramsey’s personal evolution — from child star to global LGBTQ+ and neurodiversity advocate — has unfolded in real time. Their maturity, vulnerability, and self-awareness continue to inspire fans who see themselves reflected in Ramsey’s story.

    The Importance of Representation

    For many LGBTQ+ and neurodiverse fans, Ramsey’s candidness serves as a lifeline. While visibility doesn’t solve systemic inequality, it does offer a sense of belonging and validation — something Ramsey is keenly aware of.

    Even though the attention surrounding their coming out was, at times, overwhelming, Ramsey recognizes the value of being a visible figure for those who often feel unseen. “People have told me it’s helped them feel like they’re not alone, and that matters to me,” Ramsey said.

    Their decision to live openly and authentically — even under the scrutiny of global media — is a testament to the power of representation and resilience. It’s a reminder that celebrities, despite their fame, experience the same vulnerabilities and fears as anyone else when it comes to identity, acceptance, and self-love.

    With season two of The Last of Us currently in production and several upcoming film projects on the horizon — including a deeply personal feature centered around eating disorders — Ramsey shows no signs of slowing down.

    They are carving out space in the industry not just as a talented performer, but as a person whose presence challenges norms and uplifts others.

    As they continue to navigate fame, identity, and adulthood, Ramsey hopes for a future where gender labels are less scrutinized, and people are free to exist as they are — quietly, confidently, and without headlines.

  • ‘The Last of Us’ Season 2: Isabela Merced Teases ‘Undeniable’ Chemistry and LGBTQ+ Representation

    ‘The Last of Us’ Season 2: Isabela Merced Teases ‘Undeniable’ Chemistry and LGBTQ+ Representation

    As anticipation builds for the second season of HBO’s critically acclaimed series “The Last of Us,” new cast member Isabela Merced, who portrays Dina, is offering insights into the burgeoning relationship between her character and Ellie, played by Bella Ramsey. The series returns to HBO and streams on Max beginning April 13.

    In a recent interview with IMDb, Merced spoke candidly about the connection she shares with Ramsey on screen, hinting at a storyline that will resonate deeply with LGBTQ+ viewers. Reflecting on what drew her to the show, Merced expressed admiration for Ellie’s past relationship with Riley, a character portrayed in the first season by Storm Reid.

    Looking ahead to season two, Merced emphasized the commitment to authenticity in portraying the bond between Dina and Ellie. “Bella’s extremely charming. Our chemistry is sort of undeniable, and the gays are going to be fed,” Merced told IMDb. “Like, they’re going to be so happy. I love it.”

    Merced also shared her enthusiasm after viewing early footage of her scenes with Ramsey. “I’ve been in the editing room when they’re like, ‘Oh, what scenes do you want to watch?’ I was like, ‘All Dina-Ellie scenes only, please. I want to see it all.’ And it was wonderfully edited, edited by a gay woman, Emily [Mendez]. Yeah, they’re just going as authentic as possible, and I really love that.”

    The introduction of Dina as a significant character in Ellie’s life has been long-awaited by fans of “The Last of Us” video game franchise, upon which the series is based. In the games, Dina becomes Ellie’s romantic partner, a relationship that is expected to be a key focus of the upcoming season.

    A lingering question among some viewers has been the identity of “the Staring Girl,” an unnamed character who briefly appeared in the sixth episode of the first season when Joel (Pedro Pascal) and Ellie arrive in Jackson, Wyo. The character, played by Paolina Van Kleef, was seen intently observing Ellie, leading to fan theories that she might be a younger Dina.

    Merced addressed this speculation in a separate interview with Entertainment Weekly. “I did see that,” Merced said, noting the similarity in the character’s outfit to Dina’s. However, she has not yet had the opportunity to confirm this with showrunners Craig Mazin and Neil Druckmann.

    Based on her understanding of Dina’s personality, Merced expressed some doubt about the “Staring Girl” being her character. “In my opinion, and the Dina that I’ve witnessed and seen, Dina wouldn’t run away. Dina would be like, ‘Who are you?’” Merced explained. “I don’t think she would be scared of Ellie…. I don’t think Dina would run away, scared with her tail between her legs.”

    Adding another layer to Ellie’s romantic life in Jackson, the season will also introduce Noah Lamanna as Kat, described as Ellie’s first girlfriend in the community. This suggests that the series may explore different facets of Ellie’s relationships before fully delving into her connection with Dina.

    “The Last of Us” season 2 will pick up the narrative five years after the conclusion of the first season. Joel and Ellie are living in the Jackson community, navigating a strained relationship. Their relative peace is shattered by the arrival of a mysterious group led by a soldier named Abby (Kaitlyn Dever).

    Merced emphasized that the new season will delve deeper into Dina’s backstory compared to her initial portrayal in “The Last of Us Part II” video game. She also praised Shannon Woodward, who originated the role of Dina in the game, for providing a strong foundation for her performance. “She also gave me a stamp of approval after the premiere, which is freaking awesome, because that’s all I needed to hear as a performer,” Merced said. “It’s amazing, and she didn’t have to do that.”

    With Merced’s comments highlighting the “undeniable” chemistry between Dina and Ellie and the commitment to authentic LGBTQ+ representation, “The Last of Us” season 2 is poised to further explore complex character dynamics and resonate with a broad audience when it premieres next week.

  • Sam Rockwell’s ‘White Lotus’ Monologue Inspires Hat That Fans Can Now Buy

    Sam Rockwell’s ‘White Lotus’ Monologue Inspires Hat That Fans Can Now Buy

    A monologue delivered by Sam Rockwell on HBO‘s “The White Lotus” has captivated viewers, and now that speech is available for fans to wear in the form of a trucker hat.

    In episode 5 of “The White Lotus” season 3, Rick, played by Walton Goggins, visits an old friend in Bangkok, portrayed by Rockwell. Rick expects a reunion filled with drinking and partying, but instead finds his friend has embraced sobriety and Buddhism.

    Rockwell’s character delivers a four-and-a-half-minute monologue that has generated significant online discussion. The speech covers a range of topics, including his experiences moving to Thailand, sexual encounters, identity and gender exploration, cross-dressing, and his journey to find peace.

     

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    The monologue includes references to his desire for ladyboys, pegging, identity and gender crises, cross-dressing, and an escape from the “never ending carousel of lust and suffering.”

    TheGoodShirts.com, an online store, is selling a black trucker hat featuring the full monologue printed in white type on the front panel and down the bill. The design includes the segment where Rockwell’s character describes wearing lingerie, finding men who resemble him, and engaging in sexual activity while looking at an Asian woman.

     

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    The hat’s back is made of black mesh, making it suitable for various climates.

    “The White Lotus” season 3 streams new episodes every Sunday on Max.