Tag: The White Lotus

  • Sydney Sweeney’s American Eagle Campaign Sparks Backlash Over ‘Great Genes’ Tagline

    Sydney Sweeney’s American Eagle Campaign Sparks Backlash Over ‘Great Genes’ Tagline

    Sydney Sweeney is facing social media backlash after the debut of her new denim campaign with American Eagle, which some critics have accused of invoking racially insensitive messaging.

    The fall 2025 campaign, which launched last week, features the Euphoria and White Lotus star posing in American Eagle’s latest denim line. The central tagline? “Sydney Sweeney has great jeans.” But the cheeky pun, playing off “great genes,” hasn’t landed well with everyone.

    The Wordplay That Sparked Controversy

    In one clip posted to American Eagle’s Instagram, Sweeney stands in front of a sign reading “Sydney Sweeney has great genes,” with “genes” crossed out and replaced by “jeans.” Another video shows Sweeney explaining, “Genes are passed down from parents to offspring, often determining traits like hair color, personality, and even eye color.” The camera then zooms in on her own blue eyes. She finishes with, “My jeans are blue.”

    While the wordplay may have been intended as clever and lighthearted, many online users didn’t see it that way. Across TikTok, Threads, and X (formerly Twitter), some commenters accused the brand of leaning into messaging that echoes eugenics or white supremacist ideology, especially in its framing of inherited beauty traits.

    Sweeney and American Eagle Stay Silent

    As of Tuesday morning, neither American Eagle nor Sweeney has responded publicly to the controversy. A representative for the actress declined to comment, and American Eagle has not issued a statement despite mounting criticism.

    Still, the campaign has continued to roll out across AE’s platforms and in stores, with no visible changes.

    Behind the Denim: The Sydney Jean

    Controversy aside, the campaign is tied to a philanthropic effort. The centerpiece is a limited-edition denim jacket and “The Sydney Jean,” designed in collaboration with Sweeney herself. The jeans feature a butterfly embroidery, meant to symbolize growth, transformation, and domestic violence awareness, a cause close to Sweeney, who has previously spoken about supporting mental health resources.

    All proceeds from the jeans will benefit Crisis Text Line, a nonprofit providing 24/7 text-based mental health support.

    “Sweeney’s girl-next-door charm and main character energy, paired with her ability to not take herself too seriously, is the hallmark of this bold, playful campaign,” American Eagle wrote in a press release.

    Stock Up, Comments Down

    While the comments section has filled with critiques, American Eagle’s stock is experiencing the opposite effect. Since the campaign launched, shares of the company have jumped by 21%, suggesting that the backlash hasn’t hurt business, at least not yet.

    The Internet Remains Divided

    On one side, critics are calling for more accountability from the brand and questioning how the messaging made it past multiple rounds of approval. On the other, some fans argue the campaign was meant to be playful and has been misinterpreted.

    Regardless of intent, the moment highlights how a single word, especially one with loaded historical implications, can derail even the most fashion-forward marketing efforts.

    Whether the brand chooses to respond or let the conversation die down naturally, one thing’s for certain: this campaign is being talked about far beyond the dressing room.

  • Megan Stalter Brings Unfiltered Chaos and Comedy to ‘The Late Show’ Wig, Merch Corset and All

    Megan Stalter Brings Unfiltered Chaos and Comedy to ‘The Late Show’ Wig, Merch Corset and All

    Megan Stalter may be promoting a new Netflix series, but when she showed up on The Late Show With Stephen Colbert, it quickly became clear she brought more than just talking points. The Too Much and Hacks star transformed her segment into a comedic fever dream filled with absurd anecdotes, questionable fashion choices, and the kind of chaotic energy that only she can master.

    The Art of the Entrance

    Stalter arrived on Colbert’s stage sporting a floor-grazing, butter-yellow wig that could double as a vintage mop, crimped in places, fraying at the ends, and anchored by a choppy fringe that barely grazed her brows. Paired with her DIY-style strapless top emblazoned with “Meg Stalter. Prettiest Girl in America” and flared denim, the look screamed kitschy Americana meets late-night surrealism.

    While there’s no confirmation whether celebrity stylist Clayton Hawkins (known for working with Olivia Rodrigo and Rachel Zegler) was behind this particular hair moment, the two recently teamed up for the Too Much premiere, where Stalter rocked a 1960s-inspired ponytail with flipped ends. Their collaborations clearly embrace a maximalist, anything-goes approach, and Tuesday night was no exception.

    Breakfast in London and a One-Table Waitress

    What followed was less of an interview and more of a ride. Stalter and Colbert barely touched down on any topic for longer than 30 seconds. She talked about her new life in London, where her character Jessica relocates in the Netflix series after a breakup, and offered her take on being a server with just one table.

    “That’s how I like to waitress,” she deadpanned. “You give more attention. You really get to know them. Sometimes too well.”

    The two veered into stories about her self-designed corset made from tour merch, the perils of carrying a purse with ombré acrylic nails, and how her publicist was probably having a meltdown backstage.

    All Eyes on Too Much

    While the interview may have spiraled in every direction, it still served its purpose: drumming up buzz for Too Much, the Lena Dunham-created romantic dramedy now streaming on Netflix. In the show, Stalter plays Jessica, a heartbroken workaholic who accepts a job in London only to fall for Felix (played by The White Lotus’s Will Sharpe). The cast also includes Emily Ratajkowski, Michael Zegen, Rhea Perlman, Adèle Exarchopoulos, and Andrew Rannells, with Dunham pulling double duty as both creator and supporting actor.

    From Chicago improv stages to viral Instagram reels, Stalter has long played characters who thrive in awkwardness, and Too Much seems like a natural next step. But her Colbert appearance makes one thing clear: no matter the platform, she’s going to keep things weird, and we wouldn’t want it any other way.

  • Megan Stalter Escapes to London and Swaps Spit with Will Sharpe in Netflix’s ‘Too Much’

    Megan Stalter Escapes to London and Swaps Spit with Will Sharpe in Netflix’s ‘Too Much’

    Turns out, running off to London might not be the fix-all fantasy it looks like in the movies. In Netflix’s new rom-com series Too Much, Megan Stalter plays an American export hoping for a fresh start, but what she gets instead is a crash course in culture clashes, heartbreak hangovers, and one very confusing British man.

    The series premieres July 10, and if the trailer is any indication, it’s less Love Actually and more Emotional Luggage Actually.

    A Hot Mess Abroad

    Jessica (Stalter), a New York career girl in emotional freefall, jets off to London to escape the debris of a relationship she thought was it. Her coping plan? Become a Brontë-style recluse with good bangs and bad Wi-Fi. Instead, she meets Felix (played by The White Lotus scene-stealer Will Sharpe), a brooding Brit who has red flags fluttering like bunting at a royal wedding.

    Their connection is electric. Their timing? Tragic. And the result is a transatlantic slow-burn that’s equal parts messy, magnetic, and mildly unhinged.

    Created by Lena Dunham and her husband Luis Felber, Too Much puts a modern, millennial spin on the classic expat rom-com complete with cringe texts, awkward hookups, and a cameo from Dunham herself. Yes, she’s in the trailer. No, she’s not playing a therapist (though that might help).

    A Cast as Chaotic as It Is Iconic

    The cast lineup reads like a fever dream in the best way. Alongside Stalter and Sharpe, you’ll spot Naomi Watts, Jessica Alba, Kit Harington, Andrew Scott, Rhea Perlman, Michael Zegen, Richard E. Grant, Emily Ratajkowski, Dean-Charles Chapman, and Andrew Rannells.

    It’s giving “British Vogue afterparty meets queer indie cinema,” and we’re into it.

    Executive-produced by the teams behind Girls and Love Actually, the show blends sharply written comedy with the kind of emotional realism that makes you feel seen… and slightly exposed.

    Andrew Scott in 'Too Much'
    Andrew Scott in ‘Too Much.’ Photo: Netflix

    Jessica Alba in 'Too Much'
    Jessica Alba in ‘Too Much.’ Photo: Netflix

    Kit Harington in 'Too Much'
    Kit Harington in ‘Too Much.’ Photo: Netflix

    Rita Ora in 'Too Much'
    Rita Ora in ‘Too Much.’ Photo: Netflix

    What the Internet Is Saying (Hint: Screaming)

    The moment Megan Stalter’s casting was announced, the Internet let out a collective yas. Twitter stans, TikTok theorists, and even your favorite meme pages are already obsessing over what promises to be Stalter’s most chaotic role yet.

    One fan wrote, “Megan Stalter and Will Sharpe look like a hilariously chaotic duo – can’t wait!” while another declared, “Looks hilarious! I shall be watching! I LOVE her and I’m not surprised she has her own show now. I finished watching Hacks this week, took me 1 week to watch all 4 seasons and she stood out so much!”

    If the trailer is anything to go by, Too Much is about to become the new gold standard in comedy for the romantically unwell. And let’s be honest, those are our people.

    From NYC Meltdown to London Breakdown

    While Too Much plays with genre tropes, Americans abroad, slow-burn romance, Bridget Jones-style social flailing, it’s also brutally honest about what it means to fall apart in your 30s and try to build something new from the wreckage.

    It asks: Can two emotionally stunted people from wildly different worlds figure out love without blowing everything up? Probably not. But watching them try looks like just the kind of disaster we can’t wait to binge.

  • Arnold Schwarzenegger Hilariously Reacts to Seeing His Son’s ‘Weenie’ on ‘The White Lotus’

    Arnold Schwarzenegger Hilariously Reacts to Seeing His Son’s ‘Weenie’ on ‘The White Lotus’

    Patrick Schwarzenegger is no stranger to the Hollywood spotlight, but lately, he’s been making waves for reasons that go beyond his famous last name. The son of action legend Arnold Schwarzenegger has long battled the “nepo baby” label, striving to prove his chops  as a serious actor. His latest role in Season 3 of HBO’s The White Lotus may be his most daring yet, including a scene that left viewers, and especially his dad, utterly speechless…

    When Hollywood Royalty Gets Real: Arnold’s Priceless Reaction

    In a recent Variety “Actors on Actors” interview, father and son got candid about everything from nepotism to nudity on screen, and Arnold’s reaction was nothing short of hilarious. The former Terminator star confessed that he was unprepared for the full frontal moment featuring Patrick.

    “I couldn’t believe it,” Arnold shared with a chuckle. “I’m watching your show, and I see your butt sticking out there, and then, all of a sudden, I see the weenie. What is going on here? This is crazy.”

    @varietymagazine

    Arnold Schwarzenegger jokes about seeing Patrick naked on screen: “I saw your weenie!” #ActorsOnActors

    ♬ original sound – Variety – Variety

    I had thought the days of me hearing “weenie” in reference to anything besides a hot dog was long over!

    The moment prompted some self-reflection from Arnold, who jokingly reminded himself he’d done the same in his prime. “Then I said to myself, ‘Well, Arnold, hello. You did the same thing in Conan and Terminator, so don’t complain about it.’”

    Patrick wasn’t going to let his dad off the hook that easily, firing back, “Well, Arnold, hello. You did the same thing, so don’t complain.”

    Arnold laughed, admitting he was genuinely impressed by his son’s performance. “Your acting surprised the hell out of me. Not that I didn’t know you were good. But it was just unbelievable, the kind of stuff you did in the show.”

    Mom’s Take: No Saxon Shenanigans Here

    Patrick’s mom, Maria Shriver, also weighed in during an April 2025 TODAY show interview. She was quick to distinguish her son from the somewhat reckless character he portrays on The White Lotus, Saxon.

    “Patrick is not like Saxon. I just want to clear that up,” she said with a laugh. “Because people say, ‘Is Patrick like Saxon?’ I’m like, ‘Do you think I would have raised a Saxon?’” Shriver added that she’s thrilled her son found his breakout role in the series.

    Patrick Schwarzenegger as Saxton on 'The White Lotus' Season 3
    Patrick Schwarzenegger as Saxton on ‘The White Lotus’ Season 3

    Patrick Schwarzenegger as Saxton on 'The White Lotus' Season 3
    Patrick Schwarzenegger as Saxton on ‘The White Lotus’ Season 3

    Beyond the Name: Patrick’s Rise on His Own Terms

    While Patrick Schwarzenegger’s famous family name undoubtedly opens some doors, the actor is making it clear that he’s here to stay on his own terms. His unapologetic vulnerability in The White Lotus, including that unforgettable nude scene, shows his commitment to fully inhabiting challenging roles and defying expectations.

    For a young actor navigating Hollywood’s tricky waters, stepping out from under Arnold’s huge shadow isn’t easy. But Patrick’s bold choices and heartfelt performances are helping rewrite the narrative around nepotism and legacy.

    Fan Reactions: Cheers, Laughs, and a Little Secondhand Embarrassment

    Fans of the show quickly took to social media to share their reactions to the father-son nudity chat and Patrick’s candid new role.

    One Twitter user quipped, “Arnold’s just being a dad—hilarious and awkward in the best way.“The weenie” comment got me.” Another chimed in, “Patrick out here taking nudity to a whole new level while dad’s over here trying to keep it cool 😂.”

    Others praised Patrick’s dedication: “This is so adorable. Father and son interviewing each other and talking about weenies 😂”

    The lighthearted, funny exchange between Arnold and Patrick has also sparked affectionate jokes about Hollywood dads reacting to their kids’ on-screen choices. Proof that sometimes, even legendary action heroes get caught off guard.

  • King Princess Tackles Toxic Queer Romance in ‘Nine Perfect Strangers’

    King Princess Tackles Toxic Queer Romance in ‘Nine Perfect Strangers’

    Nicole Kidman is back in the wellness game—this time with a queer twist and a dangerously sharp bob.

    Season 2 of Nine Perfect Strangers premiered May 22 on Prime Video, and it’s bringing more chaos, more drama, and a lot more queerness. Set in the snowy Austrian Alps, this new installment follows nine new guests lured into an exclusive wellness retreat led by the mysterious and mesmerizing Masha (Kidman). Over the course of a week, the strangers are pushed to their emotional limits—healing, unraveling, and possibly hallucinating their way to transformation.

    The cast is stacked—and yes, it’s very gay

    This season’s cast is serving prestige TV with a side of camp. Alongside Kidman, viewers will recognize familiar faces like Murray Bartlett (The White Lotus), Henry Golding (Monsoon), Annie Murphy (Schitt’s Creek), Christine Baranski (The Good Fight), Lena Olin (Alias), Lucas Englander (Transatlantic), Dolly de Leon (Triangle of Sadness), Mark Strong (Cruella), and Aras Aydin (Kiraz Mevsimi).

    The real show-stealers, however, are Maisie Richardson-Sellers and King Princess, who portray Wolfie and Tina—musicians, romantic partners, and walking definitions of “toxic lesbian couple.”

    Wolfie and Tina: A queer couple in crisis

    The second season leans into emotional turmoil, especially through the dynamic between Wolfie and Tina. Tina, a former prodigy, has stepped away from music after hitting a wall of burnout and self-doubt. Wolfie, a professional violinist, wants to reignite her partner’s passion, but instead fuels tension and resentment.

    In an interview with GAY TIMES, Richardson-Sellers described their relationship as “heartbreaking” and “fun” to explore. “There’s no communication or honesty, and they’re butting heads,” they said. King Princess was a little more blunt: “It’s lesbian bed death.”

    Tina and Wolfie’s bond is tightly intertwined with their shared creative identity—a reality that resonates hard for anyone in both love and art. “We not only work together, we have this shared passion,” said King Princess. “Our romantic relationship is basically held together by music.”

    Representation beyond the rainbow

    What makes their dynamic feel refreshing is that it’s not sugar-coated. The show allows queer characters to be messy and human—without making their queerness the focal point of every plot line.

    “Yes, we’re celebrating it—but it’s not their whole personality or identity,” Richardson-Sellers said. “It’s just a dysfunctional relationship, and we happen to be queer.”

    King Princess added that both she and her co-star pulled from their personal lives and community to bring authenticity to the roles: “I live in an incredibly toxic lesbian community. They’re insane!”

    Maisie Richardson-Sellers and King Princess in 'Nine Perfect Strangers.'
    Maisie Richardson-Sellers and King Princess in ‘Nine Perfect Strangers.’

    Creative burnout hits hard—even on TV

    For King Princess, stepping into Tina’s shoes hit close to home—not because of her sexuality, but because of her history with music. Since her debut single “1950” in 2018, she’s dropped two acclaimed albums (Cheap Queen and Hold On Baby), so portraying an artist who’s lost her love for music was an unexpected challenge.

    “We’ve all been there at some point,” she said. “When you have a creative passion, naturally there are moments where you’re like, ‘Do I even like this anymore?’ And then you find your way.”

    Nicole Kidman’s bob is the 10th queer character

    We’d be remiss not to mention the unspoken icon of the season: Nicole Kidman’s haircut. Sleek, short, and aggressively severe, it’s already generating memes and admiration across social media. The cast agrees—it’s art.

    @gaytimes

    Did you just say WIG? Stars of Nine Perfect Strangers, King Princess and Maisie Richardson-Sellers discuss Nicole Kidman’s infamous bob ✂️ #nicolekidman #tvshow #hulu #funnytiktok #bob #wig #kingprincess

    ♬ original sound – GAY TIMES

    Nine episodes. Nine strangers. Infinite drama.

    With bold performances, grounded queer storytelling, and a wild ride of emotional (and psychedelic) breakthroughs, Season 2 of Nine Perfect Strangers is anything but subtle. It’s rich with heart, tension, and a delicious dose of gay drama. Catch new episodes Thursdays on Prime Video.

  • Adam DiMarco Admits Trio from The ‘White Lotus’ ‘Never Worked Together’ Despite Being on ‘Overcompensating’

    Adam DiMarco Admits Trio from The ‘White Lotus’ ‘Never Worked Together’ Despite Being on ‘Overcompensating’

    Adam DiMarco isn’t new to playing emotionally complex characters in worlds that toe the line between comedy and chaos. But in his latest role in Overcompensating, the actor takes on something entirely different—a loud, theatrical personality with no fear of going over the top. It’s a character that, as DiMarco describes, was “just so fun” to bring to life.

    Dressed in sharp pinstripes at the Los Angeles premiere, DiMarco was relaxed and warm as he chatted about his performance in the new series, which has already sparked buzz for its sharp writing and eclectic ensemble cast—including fellow White Lotus alum Connie Britton.

    “Just getting to go fully in and not worry too much about chewing the scenery—just enjoying it—it was a blast,” DiMarco told Gayety during a red carpet interview. Known for his more subtle, emotionally nuanced roles in series like The White Lotus and The Order, DiMarco relished the chance to dive headfirst into a character who embraces excess. “It’s freeing to just let loose and not second-guess your instincts.”

    A White Lotus Reunion… Sort Of

    Overcompensating has become a meeting ground of sorts for some White Lotus alumni. DiMarco and Britton and Lukas Gage, all beloved for their roles in different seasons of the HBO anthology, found themselves on the same project again—sort of.

    “Connie and I just saw each other on the curb outside,” DiMarco laughed. “She was like, ‘It’s so crazy—we did The White Lotus together, but never worked together,’ and I was like, ‘Right—and now we’ve done this show together and still haven’t worked together!’”

    Though they didn’t share any scenes in Overcompensating, DiMarco clearly holds admiration for Britton. “She’s just lovely. We’d be sitting in the cast tent and talking about our White Lotus experiences. You connect through those shared chaotic environments.”

    Comedy Meets Campus Life

    The new series is set against a satirical backdrop of college life—fraternity dramas, self-discovery, overblown egos, and all the beautiful messiness in between. DiMarco plays a character that’s both self-important and self-destructive, a walking contradiction who’s impossible to ignore.

    Asked if he had any hot takes about college culture—what’s in and what should definitely be out—DiMarco didn’t hesitate. “Me. I should leave. Other people can stay in,” he joked. “But honestly? Stay hydrated. That’s in. And make sure you actually like what you’re studying. If you’re not passionate about it, that’s out.”

    It’s a subtle nod to the overarching theme of Overcompensating—the pressure to perform and succeed even when you’re unsure of who you are. The series follows a cast of young adults navigating identity, relationships, and unrealistic expectations in an academic pressure cooker. DiMarco’s role, while exaggerated, taps into something deeply relatable for anyone who’s ever felt lost while trying to be perfect.

    A Reluctant Viewer

    Despite his impressive performance, DiMarco admits he’s not a fan of watching himself on screen. “I find it really hard, like a lot of actors do,” he said. “But I love seeing what everyone else did—their ad-libs, how things were cut together, the music. It’s actually really emotional. Each episode ends on a cliffhanger, and I found myself thinking, ‘Well, I have to watch the next one.’”

    The show’s rhythm, stylized aesthetic, and emotionally raw performances have turned it into a must-watch for queer viewers and beyond. Created by Benito Skinner (aka Benny Drama), Overcompensating blends camp with catharsis, serving as both a parody and an earnest exploration of what it means to grow up in an image-obsessed world.

    “Benny got my ass on this one,” DiMarco laughed. “He really did.”

    Connie Britton’s Graceful Power

    While DiMarco brings the chaotic energy, Connie Britton offers her signature poise and emotional intelligence. Though she and DiMarco don’t share scenes in the series, their presence under the same roof feels significant—a multigenerational nod to the legacy of queer-adjacent storytelling on TV.

    “Connie is one of those actors you immediately trust when she’s on screen,” DiMarco said. “Even when we were just chatting off-camera, it’s like she brings this sense of calm that elevates everything around her.”

    Britton, known for her Emmy-nominated roles in Friday Night Lights, Nashville, and of course The White Lotus, continues to prove her range in Overcompensating, where she plays a high-powered administrator with a secret. The role is layered with quiet intensity, serving as a counterbalance to the more frantic energy of younger characters.

    More Than a Satire

    While the show is wrapped in glitter and gut-punch humor, Overcompensating also carries a powerful message about authenticity, identity, and what it means to overcompensate in a society that demands perfection—especially from queer individuals.

    “There’s something freeing about embracing the mess,” DiMarco said. “I think a lot of queer people, myself included, grew up feeling like we had to overachieve, overperform, just to be taken seriously. This show flips that on its head.”

    What’s Next for DiMarco?

    Following the acclaim of The White Lotus, DiMarco continues to prove he’s not just a one-note heartthrob. His role in Overcompensating allows him to flex his comedic chops while maintaining emotional depth—a combination that could land him in even bigger projects down the line.

    Though he’s modest about his own viewing habits, DiMarco’s fans are likely to replay his scenes more than once. With a natural charm and a fearless approach to storytelling, Adam DiMarco is carving a path that balances substance with style, vulnerability with bravado.

    As for what’s next? He’s keeping it close to the vest. “Right now I’m just enjoying the ride,” he said, flashing a grin. “But I’d love to actually get a scene with Connie next time.”

  • Theo James Is Dripping in Desire in New Dolce & Gabbana ‘Light Blue’ Campaign

    Theo James Is Dripping in Desire in New Dolce & Gabbana ‘Light Blue’ Campaign

    Sparks fly and temperatures rise as The White Lotus star Theo James and supermodel Vittoria Ceretti team up in a sultry new Dolce & Gabbana campaign celebrating the 25th anniversary of the brand’s iconic Light Blue fragrances. Shot by renowned photographer Gordon von Steiner along Italy’s dreamy Faraglioni coastline, the campaign delivers heat, chemistry, and a fresh take on a classic love story — the Mediterranean way.

    A Nod to an Iconic Past

    Dolce & Gabbana’s new campaign is more than a steamy summer fantasy — it’s a modern homage to the unforgettable 2010 Light Blue commercial directed by Mario Testino, which starred model David Gandy and Anna Jagodzinska. That campaign made waves across fashion and fragrance circles and set the tone for what sexy, sun-drenched elegance could look like.

    Now, James and Ceretti are stepping into those same waves — literally — bringing an updated flair and magnetic chemistry to the brand’s most recognizable scent.

    Star Power and Serious Sizzle

    Theo James, 40, best known for his roles in The White Lotus, the Divergent film series, HBO’s The Time Traveler’s Wife, and Netflix’s The Gentlemen, brings effortless charm and confidence to the campaign. His smoldering presence complements that of Vittoria Ceretti, 26, a global modeling force who has graced over two dozen Vogue covers and is currently making headlines for her relationship with Leonardo DiCaprio.

    Together, the duo radiates timeless sensuality and luxury, perfectly embodying the spirit of Light Blue.

    Theo James for Dolce & Gabbana.
    Theo James for Dolce & Gabbana. Photo: Dolce & Gabbana

    Theo James and Vittoria Ceretti for Dolce & Gabbana.
    Theo James and Vittoria Ceretti for Dolce & Gabbana. Photo: Dolce & Gabbana

    Behind the Lens

    With Gordon von Steiner directing, the visuals are nothing short of cinematic. Shot against the backdrop of Italy’s Faraglioni rock formations and sparkling blue waters, the campaign immerses viewers in a sun-soaked fantasy of romance and desire. Von Steiner’s signature style — moody, evocative, and undeniably glamorous — breathes new life into this milestone celebration for Dolce & Gabbana.

    Light Blue at 25: Still a Summer Staple

    Celebrating a quarter-century since Light Blue first hit shelves, the campaign is both a reflection on the scent’s enduring appeal and a bold step forward in visual storytelling. Whether you’re drawn in by nostalgia for the 2010 original or captivated by the chemistry of this new pairing, one thing’s clear: Light Blue still knows how to turn heads.

    Theo James for Dolce & Gabbana.
    Theo James for Dolce & Gabbana. Photo: Dolce & Gabbana

    Theo James for Dolce & Gabbana.
    Theo James for Dolce & Gabbana. Photo: Dolce & Gabbana

  • Jennifer Coolidge Celebrates ‘Excited Gay Students’ in Heartfelt Commencement Speech

    Jennifer Coolidge Celebrates ‘Excited Gay Students’ in Heartfelt Commencement Speech

    Jennifer Coolidge, the Emmy-winning actress known for her roles in The White Lotus and Legally Blonde, delivered an inspiring commencement address at her alma mater, Emerson College, in Boston. Addressing the graduating class, Coolidge shared personal anecdotes and expressed her deep appreciation for the LGBTQ+ community.

    A Warm Welcome to the LGBTQ+ Community

    As she began her speech, Coolidge acknowledged the presence of LGBTQ+ students in the audience. “I’m excited that I’m speaking with some very excited gay students,” she said, pausing as the crowd erupted in cheers. She added with a smile, “And some less excited hetero students.” The lighthearted remark set a tone of inclusivity and warmth for the ceremony.

    Sharing Personal Stories and Life Lessons

    Coolidge recounted a childhood experience during a first-grade field day, where she participated in an obstacle course and, feeling elated after winning, was disqualified for skipping some obstacles. She used this story to illustrate the importance of setting high expectations and remaining resilient in the face of challenges. “I decided then to have insane expectations and believe they’re going to come true,” she shared.

    Later, Coolidge revealed that the obstacle course story was a metaphor for life’s journey. “It doesn’t really matter what anyone thinks or says. When it comes to the obstacle course of your life, you have to find your own path,” she advised the graduates.

    A Longstanding Ally to the LGBTQ+ Community

    Coolidge’s support for the LGBTQ+ community is well-documented. In a 2023 GLAAD Media Awards speech, she humorously remarked, “Here I am again, surrounded by gays. It’s the story of my life.” She went on to express her gratitude, stating, “I want to give back, you know. I believe we all have the right to be who we are and to love the people that we love and tell our stories and celebrate that in every way that we can.”

    At the same event, Coolidge was honored with GLAAD’s Special Recognition Award, presented by her longtime friend and co-star Jane Lynch. Lynch praised Coolidge, saying, “This wonderful woman here was pro-gay before it was cool to be pro-gay.” She added, “She is one of us, ladies and gentlemen. And I have always said that the world has to catch up to Jennifer Coolidge – and the world has caught up to Jennifer Coolidge!”

    Embracing the LGBTQ+ Community

    Coolidge’s connection with her LGBTQ+ fans is evident in her public statements. At the opening night party Tristan Schukraft’s new queer resort, Tryst Puerto Vallarta, Coolidge expressed her admiration for the LGBTQ+ community. She described them as a “superior group of people” who are unselfconscious, original, and know how to have a good time.

    Jennifer Coolidge’s commencement address at Emerson College was a testament to her enduring support for the LGBTQ+ community and her commitment to inspiring others. Through personal stories and heartfelt messages, she encouraged graduates to embrace their unique paths and remain true to themselves. Her presence at the ceremony underscored the importance of inclusivity and the celebration of diverse identities in all aspects of life.

  • Sebastian Stan and Leo Woodall to Star in Queer-Led True Story ‘Burning Rainbow Farm’

    Sebastian Stan and Leo Woodall to Star in Queer-Led True Story ‘Burning Rainbow Farm’

    Sebastian Stan (Thunderbolts) and Leo Woodall (The White Lotus) are teaming up for a powerful new film that blends political rebellion, counterculture history, and queer love. Titled Burning Rainbow Farm, the film is directed by Justin Kurzel (The Order) and based on the true story of Tom Crosslin and Rollie Rohm—two lovers who turned their rural Michigan land into a cannabis-friendly utopia before it all ended in a tragic and fiery standoff with the state.

    Leo Woodall 'The White Lotus' Season 2. Photo: HBO
    Leo Woodall ‘The White Lotus’ Season 2. Photo: HBO

    The project, adapted from Dean Kuipers’ nonfiction book and written by Holding the Man screenwriter Tommy Murphy, is poised to make waves not just for its dramatic plot, but for centering a love story rarely explored in American cinema: one that’s both radical and queer.

    A Real-Life Romance on the Frontlines

    At its core, Burning Rainbow Farm is a political love story. Crosslin and Rohm weren’t just partners in life—they were partners in building something extraordinary. Rainbow Farm, as it was known, became a symbol of peaceful protest, cannabis legalization, and queer visibility in the early 2000s Midwest. The film follows the couple as they create their dream community, only to have it ripped apart by legal battles, the loss of their son, and a government siege that captured national attention.

    Director Kurzel describes the project as “a love story about two outliers who raise their middle finger to hate and declare, ‘This is who we are, and we dare you to take it from us.’” With Stan and Woodall portraying the star-crossed lovers, the emotional gravity is expected to hit hard—and queer audiences are likely to see reflections of resilience, resistance, and tenderness often left out of similar genre films.

    Queer History Meets Mainstream Cinema

    For a generation raised on sanitized Hollywood romances, Burning Rainbow Farm offers something refreshingly real. Not only does it revisit an overlooked chapter in queer and drug policy history, but it also places a same-sex relationship at the emotional center of a major cinematic release. And with Murphy—the writer behind the beloved gay romance Holding the Man—penning the script, the intimacy and complexity of the couple’s bond is in thoughtful hands.

    This is not just another crime drama. It’s an elegy for queer love under siege, and a warning about how far state power will go to crush what it doesn’t understand.

    A-Listers Behind the Scenes

    The film is being produced by Nicole O’Donohue, Kurzel, and Alexandra Taussig for Thirdborn, alongside Adam Shulman of Anonymous Content, Alix Madigan of Mad Dog Films, and Justin Lothrop and Brent Stiefel of Votiv. Rocket Science will present the project to international buyers at the Cannes Film Market, while CAA Media Finance is handling North American rights.

    Sebastian Stan, hot off his Oscar-nominated turn in The Apprentice and starring in Thunderbolts, brings both depth and star power to the project. Leo Woodall, meanwhile, has continued to rise with roles in Prime Target, One Day, and the upcoming Bridget Jones: Mad About the Boy. With this film, both actors are taking on roles that demand emotional nuance and social weight.

    Sebastian Stan in 'Thunderbolts*.' Photo: Marvel
    Sebastian Stan in ‘Thunderbolts*.’ Photo: Marvel

    Representation That Matters

    In a media landscape where queer stories are often sidelined or sanitized, Burning Rainbow Farm arrives like a Molotov cocktail of truth and tenderness. It’s a film that dares to explore what it means to love radically, live authentically, and stand your ground—even when the odds are stacked against you.

    Burning Rainbow Farm is currently in pre-production. Keep your eyes on Cannes, and your hearts open for what might be one of the most essential queer films of the year.

  • Dylan O’Brien Praises Queer Community and Sibling, Stars in Upcoming LGBTQ+ Dramas ‘Ponyboi’ and ‘Twinless’

    Dylan O’Brien Praises Queer Community and Sibling, Stars in Upcoming LGBTQ+ Dramas ‘Ponyboi’ and ‘Twinless’

    Actor Dylan O’Brien is stepping into bold new territory this year with not one, but two LGBTQ+ films—and he’s doing it with heartfelt purpose and pride.

    The Teen Wolf and Maze Runner alum will appear in the upcoming queer drama Ponyboi, a groundbreaking feature starring and co-written by intersex actor and filmmaker River Gallo. O’Brien plays Vinny, a shady drug dealer entangled in a secret affair with the film’s title character, all while dating Ponyboi’s best friend Angel—played by The Haunting of Bly Manor star Victoria Pedretti.

    Set in gritty New Jersey and bursting with heart, Ponyboi follows a young intersex sex worker and laundromat employee who is forced to go on the run after a drug deal goes sideways. What follows is a surreal journey of self-discovery and survival, all underpinned by the film’s unapologetically queer lens.

    “I have a trans, nonbinary sibling and I know people in my personal life who are queer, and I am so grateful for how much it deepens my experience in this world,” O’Brien told Vulture in a recent joint interview with Gallo and other cast members. “It was really important to me to be a part of something like this as an ally.”

    O’Brien’s sibling, Julz O’Brien, is nonbinary and uses they/them pronouns. On social media, Julz often shares moments with their brother, calling Dylan their “very first best friend” and proudly celebrating their LGBTQIA+ identity.

    In a separate interview with Adobe, O’Brien admitted that working on Ponyboi opened his eyes to the lived experiences of intersex people, a community he previously knew little about. “Going in, I was extremely uneducated on intersex and the intersex community,” he said. “This was such an enlightening experience to me. River is someone I’ll carry with me for life.”

    Ponyboi made its world premiere at the Sundance Film Festival on January 20, 2024, earning critical acclaim for its bold storytelling and Gallo’s standout performance. The cast also includes Murray Bartlett (The White Lotus) as a mysterious cowboy and Indya Moore (Pose) as Charlie.

    For Gallo, the film marks a historic milestone. “Girl, Ponyboi prevailed,” they wrote in a statement. “We made this movie for the intersex baddies, dolls, misfits, and outsiders, and for it to finally be out in the world is nothing less than revolutionary.”

    Ponyboi opens in theaters June 27, distributed by Fox Entertainment Studios and Gathr.

    But O’Brien’s queer cinema journey doesn’t end there. Later this year, he also stars in Twinless, a tender, offbeat drama from James Sweeney (Straight Up), who writes, directs, and co-stars in the film.

    Twinless follows two young men who meet in a support group for people grieving the loss of a twin. As they navigate sorrow and identity, their bond evolves into a deep and unexpected connection.

    The film is set for theatrical release on September 5.

    Whether he’s playing a sleazy drug dealer or a grieving twin-seeker, O’Brien’s commitment to queer storytelling—and his personal connection to the LGBTQIA+ community—has never been clearer.

    For updates on Ponyboi, visit ponyboifilm.com, and for more on Twinless, check out twinlessfilm.com.