Tag: Wicked

  • Ethan Slater Admits ‘Wicked: For Good’ Will Give Marissa Bode’s Nessarose Her Long-Awaited Moment

    Ethan Slater Admits ‘Wicked: For Good’ Will Give Marissa Bode’s Nessarose Her Long-Awaited Moment

    As anticipation builds for Wicked: For Good, the second installment of Jon M. Chu’s ambitious two-part film adaptation of the Broadway smash Wicked, more details are emerging about what audiences can expect when the movie hits theaters on November 21. While the spotlight will undoubtedly shine on Ariana Grande’s Glinda and Cynthia Erivo’s Elphaba, co-star Ethan Slater promises that another character will finally get her due on the big screen.

    In an exclusive interview with PEOPLE during San Diego Comic-Con, Slater – who plays the charming and conflicted Munchkin Boq – teased that Marissa Bode’s Nessarose will be given a powerful moment that fans of the original musical have never seen in any official recording.

    “This is not a spoiler, I promise,” Slater said with a smile. “There’s something that never made it onto the original Broadway cast recording. And that’s a really special moment that I remember filming and just being like, ‘I cannot wait for people to see Marissa do this.’”

    While he didn’t mention the song by name, fans of Wicked can reasonably guess Slater is referencing the emotional number “The Wicked Witch of the East.” The song, originally included in the stage show, was never featured on the original cast recording – and as a result, has remained something of a hidden gem within the Wicked universe.

    Bode, who makes her film debut in the role of Nessarose – Elphaba’s sister who becomes the tragic Wicked Witch of the East – is poised to bring new depth to a character often overshadowed by her more glamorous or rebellious counterparts. Slater’s comments suggest that her role will expand in Wicked: For Good, giving her both a narrative and musical spotlight that audiences have long waited to experience.

    Expanding the World of Oz

    Wicked: For Good will pick up where Wicked: Part One left off – with Elphaba fleeing Oz in the wake of being labeled “wicked” by her former mentor, Madame Morrible, played by Academy Award winner Michelle Yeoh. Glinda, now ascending in power and public adoration, is left to navigate a kingdom divided by fear, magic, and misinformation.

    While the first film featured a host of beloved show tunes such as “Defying Gravity,” “Popular,” “No One Mourns the Wicked,” and “Dancing Through Life,” the second installment will dive even deeper into the emotional arcs of each character, including those whose stories were more peripheral in the stage production.

    The trailer for ‘Wicked: For Good’ is here featuring Glinda, Elphaba, and a bittersweet final chapter in Oz.
    Photo: Universal Pictures

    Director Jon M. Chu confirmed in interviews late last year that Wicked: For Good will feature two original songs written exclusively for the film. While he stopped short of naming specific tracks, Chu hinted that “The Wicked Witch of the East” could finally get its time in the spotlight.

    Speaking with CinemaBlend in December 2024, Chu said, “I don’t know what I’m allowed to say or not say at this point, because it’s still pretty early, but I will say it’s a great number. And I think it’s due time that people do get it so they can hear it over and over and over again.”

    Marissa Bode: A Star on the Rise

    For Marissa Bode, Wicked: For Good is more than a career debut – it’s a meaningful breakthrough in representation. Bode, who uses a wheelchair in real life, brings authentic visibility to a character often portrayed as fragile or voiceless. The film is expected to provide her with a performance platform that challenges stereotypes and reclaims power for a character who has long been misunderstood.

    Marissa Bode attends the NYC premiere of "Wicked" at Museum of Modern Art on November 14, 2024 in New York City.
    Marissa Bode attends the NYC premiere of “Wicked” at Museum of Modern Art on November 14, 2024 in New York City. (Photo by Taylor Hill/FilmMagic)

    The musical number in question could be a turning point for Bode’s Nessarose, giving her character a voice that speaks to longing, loss, and agency – a major departure from her previously limited storyline.

    Ethan Slater, who has described his time on Wicked as “life-changing,” has repeatedly praised his castmates and the collaborative energy of the film. In past interviews, he’s emphasized how transformative it was to work with such a diverse and passionate team, both in front of and behind the camera.

    Photo: Universal Pictures

    Building Toward an Epic Conclusion

    Rounding out the cast are Jonathan Bailey as Fiyero, Jeff Goldblum as the Wizard, and Bowen Yang as Pfannee. With high expectations set by the success of Wicked: Part One, Universal Pictures is positioning Wicked: For Good as one of the year’s most anticipated blockbusters.

    The first film grossed over $800 million worldwide and was praised for its dazzling visuals, heartfelt performances, and inclusive casting. Chu’s direction was particularly celebrated for translating the magic of the stage to screen while also expanding the emotional landscape of the story.

    Photo: Universal Pictures

    The decision to split the adaptation into two films has allowed for deeper storytelling, particularly when it comes to underdeveloped characters like Nessarose and Boq. Slater’s recent remarks suggest that Wicked: For Good will not only provide closure but also give space to previously unheard voices in the land of Oz.

    A New Chapter in Queer-Positive Fantasy

    While Wicked is not an explicitly LGBTQ+ story, it has long resonated with queer audiences. The narrative of being misunderstood, vilified, or “othered” — especially in Elphaba’s arc — has made it a powerful metaphor for queer identity and resilience. The addition of performers like Slater and Bode, who have been embraced by LGBTQ+ communities for their visibility and advocacy, only deepens that connection.

    Photo: Universal Pictures

    As the November 21 release date approaches, Wicked: For Good is shaping up to be more than just a sequel — it’s a celebration of complexity, compassion, and long-overdue spotlight moments. And thanks to performers like Marissa Bode, those moments are finally being heard.

  • Jonathan Bailey Plays His Own ‘Jurassic World Rebirth’ Theme on Clarinet… Yes, Really

    Jonathan Bailey Plays His Own ‘Jurassic World Rebirth’ Theme on Clarinet… Yes, Really

    The Bridgerton heartthrob, currently starring in Jurassic World Rebirth and soon to appear in the sequel, Wicked: For Good, recently revealed he did more than just act in the blockbuster dino flick. While promoting the film on The Tonight Show, Bailey shared the ultimate theater-kid-meets-Hollywood-composer story: he played a clarinet solo in the actual score of the movie, and yes, it made it into the final cut.

    A Nerdy Dream Comes True

    “It really was the highlight of my career,” Bailey told Fallon, adding, “The nerd in me erupted like Vesuvius.”

    While rehearsing Richard II in London, Bailey got word from Jurassic World Rebirth director Gareth Edwards that composer Alexandre Desplat would be recording the score at Abbey Road Studios, just a short walk away. Naturally, Bailey stopped by to geek out over the 105-piece orchestra, which was incorporating elements of John Williams’ original Jurassic Park music.

    @fallontonight

    Jonathan Bailey plays the clarinet on the @Jurassic World score! #FallonTonight #JonathanBailey #JurassicWorldRebirth #JurassicWorld #JimmyFallon

    ♬ original sound – FallonTonight

    “As the week progressed,” Bailey recalled, “I came back and I was like, ‘Can I bring my clarinet?’” He admitted he hadn’t played since school, but just wanted to hit a single note, even if it was “slightly sharp,” to feel part of the magic.

    From Spectator to Soloist

    That innocent ask turned into an actual contribution. After shadowing professional clarinetists during the sessions, Bailey was invited to play small background notes. Then came a pivotal moment: a clarinet solo meant to introduce his character, Dr. Henry Loomis, as he sees a dinosaur for the first time.

    “I said I couldn’t do it,” Bailey confessed, recalling the intimidation of playing alongside world-class musicians. But when the solo came back around, Desplat told him, “It’s now or never.”

    “I just went, ‘Okay, let’s do it.’” And just like that, the Bridgerton beau picked up his clarinet and played the official theme of his own Jurassic World character, now immortalized in the score.

    A Full Circle Moment

    Bailey’s emotional connection to the clarinet dates back to 1993, the same year the original Jurassic Park film premiered, when his grandfather gifted him his very first clarinet. That childhood spark came roaring back to life in the most unexpected way.

    “It just shows that if you find something you love and you commit to it, you never know how it comes full circle,” Bailey reflected. “But honestly, it was so emotional.”

    @classicfm

    If you needed any more proof of his talent… 🦖 While in London performing the titular role in ‘Richard II’ at the Bridge Theatre, actor Jonathan Bailey paid a visit to Abbey Road Studios, where Alexandre Desplat was recording the score for the new ‘Jurassic World: Rebirth’ film with a 105-strong orchestra. Originally happy enough just to sit in on the session, Bailey was invited by Desplat to play the clarinet solo for his character in the film. 🎥 Universal Studios

    ♬ original sound – classicfm

    Glasses, Dinosaurs, and a Side of Talent

    While fans are already swooning over Bailey’s dashing performance as the dino-loving Dr. Loomis, many are also thirsting over his “slutty little glasses,” a nickname affectionately coined by the internet during the Jurassic World press tour. And now, knowing he can slay a clarinet solo and a slow-motion dinosaur gaze? Yeah, we’re all doomed.

    Jurassic World Rebirth is now playing in theaters. Bailey stans, assemble, and bring your clarinets.

  • Cynthia Erivo, Cole Escola and Rainbow-Studded Chorus Boys: The Queerest Moments from The 2025 Tony Awards

    Cynthia Erivo, Cole Escola and Rainbow-Studded Chorus Boys: The Queerest Moments from The 2025 Tony Awards

    At this point, asking whether the Tony Awards are queer is like asking if Broadway has ever met a jazz square. The answer is a resounding yes, darling. But even by its own rhinestone-encrusted standards, the 78th Annual Tony Awards delivered a sparkling showcase of LGBTQ+ excellence, drama, and cheeky acceptance speeches that had us cheering louder than a stage mom on opening night.

    From historic wins and glittering gowns to impromptu dating app shoutouts and numbers choreographed “for the gaze” (not the gaze, the gays), this year’s Tonys offered a masterclass in fabulousness. Let’s pull back the curtain on the most iconic queer moments that had us tossing roses at our screens.

    Cynthia Erivo Hosted, and Her Wardrobe Deserved Its Own Tony

    Let’s get one thing straight, Cynthia Erivo is not. But also, she’s not just a host. She’s a moment. Fresh off a WorldPride concert, an album drop, and promoting Wicked: For Good, Erivo moonwalked into Radio City Music Hall and somehow made ten outfit changes look easy.

    No opening monologue, no faux comedy routine, just pure star power, powerhouse vocals, and couture worthy of a museum. One look in particular, a glimmering red gown with white satin trim, gave heavy Annie-meets-Elphaba energy. It was co-designed by Zac Posen and Jason Bolden, but the real magic was Erivo’s calm, commanding presence.

    Someone give her dresser a Lifetime Achievement Award. Stat.

    https://www.youtube.com/watch?v=IP8YtvXHxAw

    Jonathan Groff Straddles Keanu, Remains Dry

    Groff may not have taken home a trophy this year (Darren Criss beat him for Maybe Happy Ending), but he still delivered a high-octane tribute to Bobby Darin in Just in Time. Known for sweat-soaked performances that require a splash zone warning, Groff miraculously stayed dry while serenading, then straddling, Keanu Reeves.

    Waterproof Groff is still gay rights.

    Cole Escola Makes Tony History, Thanks Grindr

    Cole Escola, comedian, playwright, wig enthusiast, stole the show and the Tony for Best Leading Actor in a Play for Oh, Mary!, becoming the first non-binary actor to do so. Dressed in a custom silver Wiederhoeft gown with enough sparkle to blind George Clooney (who was also nominated), Escola offered the queerest acceptance speech of the night.

    “Hi Mom. I love you. I’ll call when I can. Oh, and thank you to T-Bone from Grindr,” Escola quipped, casually cementing their legacy and their contact list in Tony history.

    Oh, Mary! also snagged Best Direction for Sam Pinkleton and delivered a delightfully deranged take on Mary Todd Lincoln’s inner turmoil. It’s queer. It’s weird. It’s wonderful.

    Hue Park Winsand Announces He’s Single

    Maybe Happy Ending swept the Tonys with six wins, including Best Musical and Best Score, thanks to the writing duo of Will Aronson and Hue Park. During one of many acceptance speeches, Park charmingly let the world know he’s single. That tidbit echoed through the evening, with presenters and winners giving it playful shoutouts.

    Cue the DM flood.

    Jinkx Monsoon Pirates the Stage

    Drag legend and two-time Drag Race winner Jinkx Monsoon took to the stage as a pirate wench in Pirates! A Penzance Musical alongside David Hyde Pierce. Was the show snubbed? Sadly, yes. Was Jinkx playing a washboard in full swashbuckler drag a peak moment of the night? Absolutely.

    Death Becomes Her Gives a Dazzling Queer-Encapsulated Performance and Paul Tazewell is on a Roll!

    While we didn’t get BOOP! The Musical (justice for Betty!), we were gifted the gloriously camp spectacle of Death Becomes Her’s number “For the Gaze.” Picture Liza Minnelli doing a costume-change challenge with backup dancers in rainbow sequins and you’re still only halfway there.

    Madeline Ashton, multiple wigs, and a final tableau that probably left several straight viewers emotionally unprepared, Broadway’s never been more in on the joke. Choreographer Christopher Gattelli really said, “Subtlety? Never met her.”

    Costume designer Paul Tazewell earned a Tony for his breathtaking work on the show, adding to a trophy shelf that already includes a BAFTA and an Oscar for Wicked. Tazewell made history as the first Black man to win an Academy Award for Costume Design and remains a trailblazer in every sense.

    https://www.youtube.com/watch?v=t_S_JjZh76s

    Harvey Fierstein Finally Gets His Flowers

    Harvey Fierstein already had four Tonys, but the Special Lifetime Achievement Award was long overdue. Though his award wasn’t televised (rude!), the moment was still monumental. Fierstein’s decades of blazing trails, be it with Torch Song Trilogy, La Cage aux Folles, or simply existing unapologetically, paved the yellow brick road for this new queer wave of thespians and theater connoisseurs.

    Tears were shed were definitely shed in this poignant moment.

    Branden Jacobs-Jenkins and Francis Jue Round Out the Rainbow

    Branden Jacobs-Jenkins’ Purpose won Best Play, adding to his Pulitzer Prize haul. Meanwhile, veteran actor Francis Jue won hearts (and critical acclaim) for his role in Yellow Face, reminding us all that queer Asian excellence has always been part of Broadway’s DNA.

    Curtain Call

    From Cynthia’s 10 looks to Cole’s historic win and Jinkx’s pirate couture, the 2025 Tony Awards proved once again that queerness isn’t just part of Broadway, it is Broadway. And as long as we have chorus boys in sequins and monologues that end with “I’d like to thank Grindr,” the theater will be in fabulous hands.

    https://www.youtube.com/watch?v=TBtzq3C-Wlc

    Full List of Winner Below

    Best Musical

    • Maybe Happy Ending

    Best Performance by an Actress in a Leading Role in a Musical

    • Nicole Scherzinger, Sunset Blvd.

    Best Performance by an Actor in a Leading Role in a Musical

    • Darren Criss, Maybe Happy Ending

    Best Revival of a Musical

    • Sunset Blvd.

    Best Performance by an Actor in a Leading Role in a Play

    • Cole Escola, Oh, Mary!

    Best Direction of a Musical

    • Michael Arden, Maybe Happy Ending

    Best Direction of a Play

    • Sam Pinkleton, Oh, Mary!

    Best Revival of a Play

    • Eureka Day, Jonathan Spector

    Best Play

    • Purpose

    Best Performance by an Actress in a Featured Role in a Musical

    • Natalie Venetia Belcon, Buena Vista Social Club

    Best Performance by an Actress in a Featured Role in a Play

    • Kara Young, Purpose

    Best Performance by an Actor in a Featured Role in a Musical

    • Jak Malone, Operation Mincemeat: A New Musical

    Best Performance by an Actor in a Featured Role in a Play

    • Francis Jue, Yellow Face

    Best Performance by an Actress in a Leading Role in a Play

    • Sarah Snook, The Picture of Dorian Gray

    Best Original Score (Music and/or Lyrics) Written for the Theatre

    • Maybe Happy Ending, Will Aronson (music and lyrics) and Hue Park (lyrics)

    Best Costume Design of a Musical

    • Paul Tazewell, Death Becomes Her

    Best Costume Design of a Play

    • Marg Horwell, The Picture of Dorian Gray

    Best Scenic Design of a Musical

    • Dane Laffrey and George Reeve, Maybe Happy Ending

    Best Scenic Design of a Play

    • Miriam Buether and 59, Stranger Things: The First Shadow

    Best Lighting Design of a Musical

    • Jack Knowles, Sunset Blvd.

    Best Lighting Design of a Play

    • Jon Clark, Stranger Things: The First Shadow

    Best Choreography

    • Patricia Delgado and Justin Peck, Buena Vista Social Club

    Best Orchestrations

    • Marco Paguia, Buena Vista Social Club

    Best Sound Design of a Musical

    • Jonathan Deans, Buena Vista Social Club

    Best Book of a Musical

    • Maybe Happy Ending, Will Aronson and Hue Park

    Best Sound Design of a Play

    • Paul Arditti, Stranger Things: The First Shadow
  • ‘Wicked: For Good’ Trailer Teases a Bittersweet Finale in Oz

    ‘Wicked: For Good’ Trailer Teases a Bittersweet Finale in Oz

    The witches of Oz are back, and they’re bringing all the heartbreak, high notes, and high drama in the first trailer for Wicked: For Good. Universal Pictures dropped the spellbinding teaser during a one-day theatrical event, giving fans their long-awaited look at the final act of the beloved Broadway adaptation.

    Set to land in theaters Nov. 21, Wicked: For Good marks the final chapter in director Jon M. Chu’s dazzling two-part cinematic take on the iconic musical. Picking up where Wicked: Part One left off, the trailer hints at deep emotional stakes, soaring performances, and a friendship that could reshape the very soul of Oz.

    A Rift as Wide as a Tornado

    If Part One gave us a friendship in bloom, For Good shows us its fallout. Cynthia Erivo’s Elphaba is now a hunted figure, demonized as the “Wicked Witch” and forced into exile deep within the forests of Oz. But she’s far from silent. Fueled by truth and fury, Elphaba’s fight continues as she works to free Oz’s voiceless Animal citizens and unmask the Wizard’s lies.

    Meanwhile, Ariana Grande’s Glinda is all shimmer and status, living it up in the Emerald City as the new face of “goodness.” Polished and poised, Glinda is under the watchful eye of Madame Morrible (played by Michelle Yeoh) and adored by a city desperate for reassurance.

    But even with a fairytale wedding to Prince Fiyero (Jonathan Bailey) on the horizon, Glinda can’t shake the ache of her shattered bond with Elphaba. The trailer teases a fateful attempt at reconciliation, one that threatens to break them apart for good.

    A Familiar Storm Brews

    As the forces of The Wizard of Oz swirl closer, fans will notice familiar shadows creeping in. There’s Nessarose (Marissa Bode), Elphaba’s sister, now teetering on a tragic fate. Boq (Ethan Slater) appears increasingly entangled in Oz’s political games. And yes, the trailer closes with a very iconic swirl of gingham: Dorothy has arrived.

    This time, the stakes aren’t just personal, they’re mythic. With an angry mob on her heels and the Emerald City in a frenzy, Elphaba’s destiny looms. But so does a final reckoning with Glinda, one that will require honesty, vulnerability, and possibly even forgiveness.

    As the title promises, everything is about to change…for good.

    Fan Reactions: “Chills. Just chills.”

    The trailer’s release sent the internet into a collective squeal:

    • “I have watched the Wicked: For Good trailer.” wrote one fan on X (formerly Twitter), complete with a teary-eyed Ariana Grande GIF from her press tour last year.

    • Another added, “THE CHILLS I JUST GOT WITH WICKED’s TRAILER OMG AND FOR GOOD STARTED PLAYING

    The buzz is palpable, and for good reason. Chu’s return to Oz is packed with promise and glitter.

  • Cynthia Erivo and Ariana Grande Reveal ‘Wicked: For Good’ Trailer Date with One-Night-Only Event

    Cynthia Erivo and Ariana Grande Reveal ‘Wicked: For Good’ Trailer Date with One-Night-Only Event

    Oz fans, prepare to fly. Academy Award nominees Cynthia Erivo and Ariana Grande have announced a magical event that’s sure to send Ozians everywhere into a full-on Glinda twirl.

    In a joint announcement on Wednesday, May 14, the duo revealed that the Wicked movie will return to theaters across the U.S. and Canada for one night only on Wednesday, June 4—and this special re-release comes with a long-awaited bonus: the debut of the first official trailer for Wicked: For Good, the highly anticipated second installment of the two-part film adaptation.

    A Tease Worth Melting For

    “We know you’ve been waiting for this, and it’s finally coming,” Erivo says in a teaser video, dressed in classic Elphaba green glamour.

    “You will be changed,” adds Grande, alluding to one of the musical’s most iconic lines.

    “…For good!” Erivo finishes with a wink.

    The short video sent fans spiraling into full Broadway-fandom mode, trending across social media within hours. With over a year still to go before the sequel premieres, the trailer release marks the first major peek at what’s to come in Wicked: For Good.

    A Spellbinding Theatrical Experience

    Fans will be able to relive the magic of Wicked: Part One—which enchanted box offices in 2024—and be the first to witness the next chapter on the big screen. The limited-time theatrical return of the first Wicked film serves as a lead-up to Wicked: For Good, which is set to hit theaters on Friday, November 21, 2025.

    Tickets for the June 4 event are available now through WickedMovie.com, and seats are expected to sell fast.

    Photo: Universal Pictures

  • Lea Michele Imagines Rachel Berry in 2025 And ‘Glee’ Fans Have Opinions

    Lea Michele Imagines Rachel Berry in 2025 And ‘Glee’ Fans Have Opinions

    Lea Michele is putting her own Glee-ful spin on the future.

    The Funny Girl star and Glee alum is currently dazzling audiences across the country on her Straight from Carnegie Hall Tour. Alongside Broadway hits, solo originals, and fan-favorite show tunes, Michele is treating fans to a quirky and nostalgic segment: imagining what songs her Glee character Rachel Berry would perform in 2025.

    And naturally, the internet has plenty to say about it.

    Pop Covers, Broadway Belts, and Berry Vibes

    During a performance on Thursday, May 8, in Orlando, Florida, Michele pulled out all the stops. As part of the Rachel Berry “2025 set,” she belted out a lineup of modern pop hits with full theatrical flair. Songs included Miley Cyrus’ empowering anthem “Flowers,” Ariana Grande’s emotional “We Can’t Be Friends (Wait For Your Love),” and not one, but two Olivia Rodrigo hits: “Vampire” and “Drivers License.”

    She also tackled Billie Eilish’s haunting ballad “What Was I Made For?”—a performance that had fans leaning in closer, tissues in hand.

    But it was her cover of Chappell Roan’s campy, cult-favorite track “Pink Pony Club” that really got Gleeks talking.

    @christopherjd

    RACHEL BERRY SINGING PINK PONY CLUB IN 2025!!!! — Orlando May 8th @leamichele #leamichele #glee #gleecast #rachelberry #leamichelelive #broadway // @ryan benjamin

    ♬ original sound – christ🛟pher

    A Pink Debate in the Comment Section

    Michele delivered the performance in full Rachel Berry fashion, complete with power notes, dramatic pauses, and signature vocal slides. However, fans on social media quickly chimed in with a bold take: “Pink Pony Club” might be better suited for Kurt Hummel, played by Michele’s former co-star Chris Colfer.

    “That would 100% be a Kurt song!!!” one user wrote. Another chimed in, “Sorry, this is for Kurt.”

    “I want Chris Colfer to sing it in the OG key ‘cause I know he can,” another fan commented, while one added, “I can only hear Kurt singing this.”

    Kurt vs. Rachel: The Duet That Could’ve Been

    Some fans didn’t want to choose sides. Instead, they envisioned a “Glee”-style duet featuring Rachel and Kurt, reminiscent of the show’s iconic “Defying Gravity” showdown.

    “Rachel and Kurt would have ate down on this in Glee,” one comment read. Another echoed the sentiment: “We need Kurt and Rachel to do a sing-off to this like the Wicked one.”

    Glee Nostalgia Meets Pop Fantasy

    While Michele’s tour is clearly a celebration of her solo artistry, it’s also a heartfelt wink to her Glee roots—one that’s resonating with longtime fans. Whether you think “Pink Pony Club” belongs to Rachel, Kurt, or both, one thing’s for sure: the Glee spirit is alive and well in 2025—and still sparking debates online.

    Stay tuned. Knowing this fandom, the next duet fantasy might already be in the works

     

  • Marissa Bode Urges Met Gala to ‘Do the Work’ Toward True Disability Inclusion These Days

    Marissa Bode Urges Met Gala to ‘Do the Work’ Toward True Disability Inclusion These Days

    Marissa Bode, the prominent star of Wicked, is calling for greater inclusivity at the Met Gala and within the fashion industry at large. In a TikTok video posted on May 8, Bode, who uses a wheelchair, criticized the event for its lack of accessibility and representation of disabled individuals.

    “Disabled people have been screaming for years to be included,” Bode said. She emphasized that true inclusion involves more than occasional representation. “Doing the work,” she argued, “comes not only from being consistent, but also the quality of opportunities available to people with disabilities.” She called for regular inclusion, not just token appearances.

    Bode also urged industry leaders to hire more people with disabilities, noting that they often exist in the same spaces in real life. “We do often exist in the same spaces, in real life, together,” she said. She emphasized that the disabled community does not need a “savior,” but rather to be heard, listened to, and included.

    @marissa_edob

    Care more about disabled people!!!! If you don’t care now, once again: you could become disabled tomorrow. This is a universal fight. #marissasthoughtoftheday

    ♬ original sound – Marissa

    She concluded her video with a call to action: “I am begging others and non-disabled people to uplift those voices and question those within your spaces, and more people within power to step it up. If you are truly allies, do the work. Help us all get there because we cannot do this on our own.”

    Bode’s comments add to a growing chorus of voices advocating for greater inclusivity at the Met Gala. In 2024, activist Hannah Diviney wrote an open letter to Anna Wintour, editor-in-chief of Vogue and chair of the Met Gala, highlighting the inaccessibility of the event. Diviney, who uses a wheelchair, pointed out that the iconic Met Gala steps are a “no greater signal that people like me are not all that welcome in the worlds of fashion.”

    Diviney also criticized the practice of disabled individuals entering the Met Museum through the back, rather than the front entrance. “It left me wondering – if a disabled person was ever deemed high-profile enough by you and the powers that be, to attend the Met Gala, would they have to enter through the back as well?” she wrote. “Robbed of the red carpet that sits as the beating heart of an event, built entirely on the value of seeing and being seen?”

    She concluded her letter by urging Wintour to take a risk on disabled individuals, stating, “With our inclusion, not only would you be transforming ALL of those industries forever, but you’d transform how the world looked at anyone who opened Instagram or used the Internet on the first Monday in May.”

    The Met Gala, established in 1948, has evolved from a fundraiser for the Costume Institute into a high-profile event that sets fashion trends and garners global attention. However, its inaccessibility remains a significant issue. Despite the museum’s wheelchair accessibility, the Gala’s iconic steps present a barrier for wheelchair users, effectively excluding them from the central photo opportunity.

    Activists like Diviney and Bode argue that the fashion industry must move beyond token gestures and make meaningful changes to ensure true inclusivity. This includes reimagining events like the Met Gala to accommodate individuals with disabilities, not just in terms of physical access but also in representation and participation.

    The #YourMoveMET campaign, initiated by Diviney and fellow activist Daphne Frias, calls for the Met Gala to implement ramps and other infrastructure to make the event accessible to all attendees. The campaign emphasizes that inclusion should not compromise the event’s aesthetic but should enhance it by embracing diversity.

    As the fashion industry continues to evolve, the push for greater inclusivity reflects a broader societal shift toward recognizing and valuing diversity in all its forms. The Met Gala, as a cultural touchstone, has the opportunity to lead by example and set a new standard for inclusivity in the fashion world.

    For now, advocates like Bode and Diviney remain steadfast in their mission to ensure that the fashion industry, and events like the Met Gala, are truly inclusive spaces where everyone is seen, heard, and celebrated.

  • ‘RuPaul’s Drag Race All Stars 10’ Drops Star-Studded Trailer Featuring Ariana Grande, Chappell Roan, and a Brand New Format

    ‘RuPaul’s Drag Race All Stars 10’ Drops Star-Studded Trailer Featuring Ariana Grande, Chappell Roan, and a Brand New Format

    Start your engines—and make room in the werkroom. RuPaul’s Drag Race All Stars is returning for its 10th season on May 9, and this time it’s bigger, queerer, and witchier than ever.

    With a star-studded guest judge lineup and the largest cast in All Stars herstory, All Stars 10 promises high-stakes glamour, jaw-dropping performances, and a brand-new “Tournament of All Stars” format that could shake up the franchise forever.

    Grande, Erivo, and Roan… Oh My!

    In a teaser trailer that sent fans into a glittery meltdown, Wicked stars Cynthia Erivo and Ariana Grande storm the werkroom with the line: “The witches will see you now!” Queens lose it (as they should), and honestly, so did we.

    Meanwhile, queer pop icon Chappell Roan makes her entrance in a wig cap and robe, dryly asking the queens, “Do any of you queers have something sexy I can slip into?” Consider the bar for guest judge entrances raised.

    Buffy Is Back—and She Brought Ice Spice

    The judging panel this season reads like a who’s who of queer icons, Oscar nominees, viral hitmakers, and cult TV legends.

    Joining RuPaul and resident judges Michelle Visage, Ross Matthews, Carson Kressley, Ts Madison, Jamal Sims, and Law Roach are a diverse slate of guest judges, including:

    Meet the Queens

    Season 10 features a jaw-dropping 18 returning queens—making it the most packed All Stars season yet. Competing queens include:

    This diverse cast spans fan favorites, controversial queens, early outs, and redemption-seekers—all bringing a mix of charisma, uniqueness, nerve, and talent back to the main stage.

    New Format: The Tournament of All Stars

    Drag Race All Stars 10 will debut a brand-new structure known as the Tournament of All Stars. According to a press release from Paramount+:

    “The queens will be divided into three groups of six, each competing in their own bracket across three episodes. At the end of each bracket, the top three queens with the highest point totals will then advance to the semi-finals.”

    From there, it’s a high-stakes dash to the crown. The finalists will face off in an epic Lip Sync Smackdown for the Crown, with one queen ultimately earning a coveted spot in the Drag Race Hall of Fame.

    And yes, Untucked will be back too—because if you’re not watching Untucked, you’re only getting half the tea.

    How to Watch

    RuPaul’s Drag Race All Stars 10 premieres May 9 exclusively on Paramount+ in the U.S. and WOW Presents Plus internationally.

    Watch the full trailer now and get ready for the ultimate drag battle royale—glamour, chaos, and glitter bombs included.

  • Cynthia Erivo to Narrate Wicked Audiobook After Playing Elphaba in the Queerest Fantasy Saga of the Year

    Cynthia Erivo to Narrate Wicked Audiobook After Playing Elphaba in the Queerest Fantasy Saga of the Year

    Cynthia Erivo isn’t done with Oz just yet. After flying high as Elphaba in the record-breaking Wicked movie, the powerhouse actress and vocal LGBTQ+ advocate is stepping back into character to narrate the official audiobook of Gregory Maguire’s cult-favorite novel Wicked: The Life and Times of the Wicked Witch of the West. Yes, the original queer-coded fantasy that started it all. And yes — she is making us cry again.

    The award-winning actress and singer, who plays Elphaba in Universal Pictures’ two-part film adaptation of Wicked, will lend her voice to the upcoming audiobook release of Gregory Maguire’s beloved 1995 novel Wicked: The Life and Times of the Wicked Witch of the West, Variety reported Monday.

    Set to release on July 1, the audiobook marks a full-circle moment for Erivo, who has spent the past several years immersed in the world of Oz. The novel, a dark and politically charged reimagining of the classic Wizard of Oz story, serves as the original source material for both the hit Broadway musical and the big-screen films. It tells the story of Elphaba, the misunderstood girl born with emerald-green skin who would eventually become known as the Wicked Witch of the West.

    In a statement released with the announcement, Erivo expressed deep personal resonance with the role. “I feel deeply connected to Elphaba. We have been on quite the journey together,” Erivo said. “And now I’m eager to begin an adventure with her whilst exploring the full world of Wicked and its myriad of other characters in the audiobook. I’m looking forward to bringing this incredible story to life in a new way for listeners, and I hope it resonates as deeply with them as I know it will with me.”

    Revisiting the Origins

    Gregory Maguire’s Wicked has captivated readers for nearly three decades with its exploration of power, prejudice, and identity. Set in the land of Oz long before Dorothy’s arrival, the novel follows Elphaba from childhood through adulthood as she grapples with being labeled an outcast in a society that fears difference.

    The story delves into themes of political unrest, discrimination, and moral complexity, offering a far more nuanced portrait of Oz than audiences remember from the 1939 film. It was this rich, layered material that inspired the acclaimed 2003 Broadway musical starring Idina Menzel and Kristin Chenoweth — and later, the two-part cinematic adaptation directed by Jon M. Chu.

    Erivo’s return to Maguire’s text as narrator brings added depth to the character she’s already portrayed on screen. Fans of the book and musical alike are expected to welcome this unique opportunity to hear Elphaba’s inner voice interpreted by an actress who has embodied her so completely.

    An Unforgettable Transformation

    Erivo’s commitment to the role of Elphaba has been widely praised. During a screening of Wicked on December 12, 2024, the British-born actress revealed the intense physical and emotional preparation required to portray the iconic character.

    To prepare for the film’s demanding stunts — including flying scenes that relied on wire work — Erivo began training months in advance, focusing on core strength and endurance. On set, her days often started before dawn.“I had never flown before. I just knew I wanted to,” she said. “And that requires your core to be the strongest you could possibly be, because the wires will take you from one place to another.”

    Her mornings would start with rigorous workouts, followed by two hours in the makeup chair to apply the character’s signature green complexion before the crew’s 5 a.m. call time. “No days were small,” Erivo added. “There were no small days. None.”

    A Lasting Impact

    Erivo’s physical transformation extended beyond makeup. She made the bold decision to shave her head for the role — a move she described as both freeing and vulnerable.

    Speaking at an event earlier this month, she recalled the moment she removed Elphaba’s green paint after filming wrapped and saw her bare scalp. “I felt vulnerable when there was nothing there,” she said. “But I ended up loving it. I felt more in my body, in myself.”

    Erivo’s dedication to the role didn’t stop when the cameras did. She and her co-star Ariana Grande, who portrays Glinda, got matching tattoos on their palms featuring the phrase “For Good,” a reference to the emotional duet sung by the characters in the musical. Director Jon M. Chu, who helms both Wicked films, praised the pair for their commitment, calling them “hardcore” for how deeply they connected with their roles and the film’s enduring message.

    A Franchise Built on Legacy

    The first installment of the Wicked film, released on November 22, 2024, received widespread acclaim, earning multiple accolades including two Academy Awards and a Golden Globe. The film reimagined the beloved Broadway production with stunning visual effects, elaborate musical numbers, and nuanced performances from its lead cast.

    The sequel, Wicked: For Good, is scheduled for release on November 21, 2025. It is expected to explore the latter half of Elphaba and Glinda’s intertwined journeys, concluding the saga that has enchanted fans for decades.

    As anticipation builds for the second film, Erivo’s narration of the original novel offers audiences a fresh way to experience the Wicked universe. The audiobook provides new depth and context to Elphaba’s character, voiced by someone who has lived, breathed, and quite literally flown in her shoes.

    With this latest project, Erivo continues to redefine what it means to bring a character to life — not just on screen, but through every medium she touches.

  • Cynthia Erivo Announces New Album I Forgive You, Teases Heartfelt New Era

    Cynthia Erivo Announces New Album I Forgive You, Teases Heartfelt New Era

    Cynthia Erivo is trading broomsticks for ballads with the announcement of her highly anticipated sophomore album, I Forgive You, set for release on June 6. While she continues to wow audiences as Elphaba in Wicked and Wicked: For Good, the Tony, Grammy, and Emmy Award winner is proving once again that her talents are anything but one-note.

    With a voice as powerful as her presence, Erivo is ready to pour her heart into a new chapter—one filled with emotional storytelling, vulnerability, and personal growth.

    A New Era Begins

    Erivo announced the project on social media Thursday, giving fans an emotional peek behind the curtain. “I Forgive You, my second album, will be out June 6th,” she wrote. “Over the last 2+ years, between all the flights, the filming, the interviews, and the awards shows, I went to the studio with my dear friend Will Wells and created this project for you and me.”

     

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    She went on to describe the album as a deeply personal body of work. “This album, this collection of songs, is something I’m so proud to share with you,” Erivo added. “First with ‘Replay,’ and now with ‘Worst of Me.’ I gave you one chapter with the first album, and now I have a couple more for you.”

    From Stage to Studio

    Though Erivo is captivating the big screen in one of the most iconic musical roles of all time, she’s no stranger to the recording studio. Her debut album Ch. 1 Vs. 1 gave fans an intimate look into her inner world—and I Forgive You promises to dig even deeper.

    Back in February, Erivo released the album’s lead single, “Replay,” teasing the emotional depth that fans can expect. “If you know me, you know it’s pour-my-heart-out time,” she wrote in a previous post. “Music is my love. Music is my second language… Over the next few months you are going to get pieces of my heart.”

    Now, she’s following it up with a second track, “Worst of Me,” which drops Friday, April 11.

    A Message for the Heart-Full and the Heartbroken

    Erivo’s words surrounding the album have already struck a chord with her fans—particularly those seeking comfort in their own healing journeys.

    “For my sweethearts who are in their heads. For the babies whose thoughts are sometimes too loud. For my anxious angels. For all of you who are trying to work it all out. We are all a work in progress,” she wrote. “This is for you. For us.”

    The messages are clear: self-love, forgiveness, and growth are front and center on I Forgive You. And in true Cynthia fashion, it’s wrapped in rich vocals, emotional honesty, and a whole lot of soul.

    Fans can pre-save I Forgive You now on all major streaming platforms. With the album officially dropping on June 6, and “Worst of Me” available Friday, April 11, Erivo is inviting everyone to come along for the ride—messy feelings, healing anthems, and all.

     

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