As WorldPride 2025 approaches, one of the most exciting names on the music festival’s bill is none other than Purple Disco Machine—the German DJ and producer who’s become a global ambassador for modern disco. Known for his infectious grooves and dazzling collaborations, he’s long had a special connection with LGBTQ+ audiences. And now, as he prepares to take the stage at one of the world’s largest celebrations of queer identity, that connection feels more powerful than ever.
Expanding Paradise, Expanding Horizons
Fresh off the release of the Bonus Edition of his acclaimed album Paradise, Purple Disco Machine—real name Tino Piontek—is in a moment of reflection and evolution. “There were a number of tracks I really loved that didn’t make the original release,” he says. “I wanted to close this chapter with something extraordinary.”
Among those additions is “Dream Machine,” which he calls “the ultimate Italo Disco-inspired track,” tying together the shimmering soundscapes that have defined not just Paradise, but also its predecessor Exotica. Another new cut, “Next to You,” marks his first-ever ballad—a heartfelt departure that hints at fresh directions. “It’s out of my comfort zone, but a signal of what could be next for me creatively.”
Queer Voices at the Heart of the Sound
Over the years, Purple Disco Machine has worked with a who’s who of queer icons and allies—Jake Shears, Alison Goldfrapp, Agnes, Sophie and the Giants, to name a few. These collaborations aren’t just stylistic; they’re deeply intentional.
“With Jake and Alison, I’ve been a fan for years. It was a dream to work with them,” he explains. “And with Agnes and Sophie, as soon as I heard their voices on demos, I knew they were perfect for the Purple Disco Machine sound.”
These partnerships have helped cement his music as a staple of queer dance floors across the world. But they also speak to his genuine commitment to uplifting LGBTQ+ artistry—not just as an ally, but as someone inspired by the community’s creativity and resilience.
Honoring the Roots of Disco at WorldPride
Purple Disco Machine is quick to acknowledge the queer legacy at the heart of disco. “I carry ‘disco’ in my name,” he says, “so I can never forget the roots. If it weren’t for the community’s struggles and triumphs in the early days, I don’t think I’d be doing this.”
This year’s performance at the WorldPride Music Festival is more than just another festival gig—it’s a homecoming of sorts. “The community has been so welcoming to me and my music,” he says. “Even though I don’t identify as LGBTQ+, being part of this celebration of identity and joy is an incredible honor.”
He gives special thanks to promoter Jake Resnicow, a longtime supporter and friend who’s helped bring Purple Disco Machine to some of his most iconic stages. “I’m just grateful I can make people happy with my music and be part of something so meaningful.”
The Power of Joy and Visibility
Disco, as Purple Disco Machine sees it, is more than a genre—it’s an emotional force. When he plays for queer audiences, the energy is electric. “They’re so enthusiastic, and I’ve learned what records push their buttons,” he laughs.
A key part of his live show is the unforgettable presence of Bob’s Dance Shop, his troupe of high-energy dancers. “They’re the living embodiment of joy and liberation. They talk as loud as the music—sometimes louder!”
From remixing icons like Kylie Minogue and Lady Gaga to surprise stage moments with Billy Porter (yes, that New York Pride performance in Central Park), Purple Disco Machine’s career is a kaleidoscope of queer moments. “It’s insane,” he says, still in awe. “I’m just a straight guy from Dresden, and yet here I am, part of this world.”
A Community That Believed From the Start
Before he ever played a major Pride festival, it was queer spaces that championed his music. From Glitterbox parties in London and Ibiza to underground hotel raves in LA and Miami, LGBTQ+ promoters gave him a platform when few others did.
“When no one else was that interested in what I was doing, it was these parties that gave me a chance,” he reflects. “I really want to thank those early believers. They were instrumental in building what Purple Disco Machine has become.”
Pride, Now and Always
As he prepares to take the WorldPride stage, Purple Disco Machine remains focused on what matters: the music, the joy, the connection. “Queer audiences understand what disco is about—freedom, fun, visibility, and liberation. I just try to create the soundtrack for that.”
And with his infectious beats, heartfelt gratitude, and undeniable stage presence, it’s clear that Purple Disco Machine isn’t just playing at Pride—he’s part of it.
Critically acclaimed Slovakian artist Karin Ann is back with a striking new single, and this time she’s paying tribute to one of music’s most iconic figures. Her haunting reinterpretation of David Bowie’s legendary song “Heroes” is out today on all major streaming platforms—ushering in what she describes as a “bold new chapter” in her ever-evolving artistic journey.
Produced by Bowie’s longtime collaborator Mark Plati, Karin’s version of “Heroes” is more than just a cover—it’s an homage. With contributions from members of Bowie’s original band, the track pulses with history, reverence, and Karin Ann’s own unmistakable voice. The release also arrives with a behind-the-scenes music video, capturing intimate moments from the studio sessions that brought this one-of-a-kind project to life.
A New Sound Rooted in Emotional Truth
Known for her fearless blend of genres and her commitment to storytelling, Karin Ann has built a name for herself through music that’s as thoughtful as it is boundary-pushing. Whether it’s brutalist folk or gothic disco-rock, her songs are anchored by themes that deeply resonate—mental health, queerness, identity, heartbreak, and defiance.
With “Heroes,” Karin departs from the purely original material she’s known for, but remains just as emotionally potent. Her version strips the track down, turning Bowie’s triumphant anthem into something more introspective and tender.
“Every song I choose or write has to have meaning,” she said in a statement. “I don’t believe in singing just for the sake of melody. It has to be a story I feel connected to, and ‘Heroes’ was that for me.”
A Star on the Rise
Karin Ann has spent the last few years establishing herself as one of Central Europe’s most fearless musical exports. In February, she released the emotionally charged duet “choking on my words” with Eurovision winner Duncan Laurence, a track praised for its vulnerability and sonic richness. The single followed her critically acclaimed debut album, through the telescope, released in 2024.
That album—spanning themes like gender equality, mental health, and the LGBTQ+ experience—was heralded as one of the most ambitious debuts in recent memory. NME called it “a confident and unflinching debut,” applauding its existential lyricism and genre-blending production.
With her new Bowie cover, Karin is doubling down on emotional storytelling while showcasing a deeper, more folk-driven sound. It’s not just a tribute to a musical hero—it’s a signpost for where she’s headed next.
From the Stage to the Screen
Karin’s creative ambitions don’t end with music. Her artistry stretches into film, television, and visual storytelling—mediums she blends with ease.
She made a memorable cameo as Maria in the critically acclaimed miniseries The Tattooist of Auschwitz, and has continued to produce cinematic music videos that feel like short films. Standouts include a two-part visual series for her singles “a stranger with my face” and “favorite star,” co-starring Ashley Moore and Olympian Gus Kenworthy. Directed by the acclaimed duo TUSK, the visuals were lauded for their emotional weight and won Best Music Video at the 2023 Top Shorts Film Festival.
In another standout collaboration, Karin partnered with iconic musician Imogen Heap for the bold and poetic video for “i don’t believe in God,” blending themes of existentialism and identity with arresting visuals.
A Voice for the LGBTQ+ Community
Karin Ann’s influence extends far beyond her music and visuals—especially within queer spaces. Open about her identity, she’s become a voice for young LGBTQ+ fans across Europe and beyond. Her work doesn’t simply represent queerness; it centers it with depth and care.
With songs that unpack toxic love, gender norms, and self-discovery, Karin offers more than visibility—she provides solidarity. Her concerts and videos are often described by fans as “safe spaces,” where queerness is not only welcomed, but celebrated.
That message continues to resonate in “Heroes.” In Karin’s hands, the song transforms into a queer anthem of quiet strength—a reminder that being a hero doesn’t always mean saving the world. Sometimes, it just means surviving another day, loving honestly, or simply being yourself in a world that doesn’t always make that easy.
As Karin Ann continues to evolve as a songwriter, performer, and actor, she remains rooted in the same core values: authenticity, vulnerability, and bold creative vision.
Later this year, fans can expect more original music that draws on her Central European and Middle Eastern heritage, incorporating traditional elements into her modern sound. These cultural touchstones deepen the emotional texture of her work, reinforcing her status as one of the most dynamic and genre-defying artists on the rise today.
Until then, “Heroes” stands as a poignant bridge between where she’s been and where she’s going—a fearless reinterpretation of a classic, filtered through the lens of a storyteller with something urgent to say.
For the first time in her career, Trisha Paytas—YouTuber, mother, pop provocateur, and unexpected queer icon— is stepping onto the global stage at WorldPride, delivering a performance that can only be described as pure, unfiltered queer euphoria.
“I’ve never even been to a festival, not even Coachella,” Paytas confessed exclusively to Gayety. “And now I’m performing for 35,000 people at WorldPride? It’s surreal.” And surreal it was—equal parts drag fantasy, glittered gospel, and internet meme made flesh.
A Pop Culture Icon Steps Into the Queer Spotlight
Paytas, 37, has been an omnipresent figure in online pop culture for over a decade, bouncing between viral memes, YouTube vlogs, podcast appearances, and TikTok transformations. But her appearance at WorldPride DC 2025 marks something different: a real-world affirmation of her place in LGBTQ+ culture—not as an outsider peering in, but as someone celebrated by the community she’s long adored.
“I’ve always felt chosen by the queer community,” she shared. “You can’t just call yourself a gay icon—they choose you. And I’ve always felt that love, even when the rest of the world didn’t get me.”
Pride, Identity, and Becoming “Just Me”
While Paytas has weathered criticism and confusion over the years for her fluid approach to identity and expression, her evolving relationship with herself has resonated with many LGBTQ+ fans. “Pride means being your authentic self—even if you don’t fully know what that is yet,” she said. “I used to feel like I was cosplaying life, doing what I thought I was supposed to do. Now, I just try to live authentically and stay open.”
Paytas, who identifies as sexually fluid and continues to explore her gender identity, emphasized how important it is to offer space for questioning and growth. “Whether you’re confident, questioning, or struggling—Pride is for you,” she said. “It’s about being accepted exactly where you are.”
The WorldPride Set: Glitter, Gyrations, and Gospel
Paytas’ performance was tailor-made for the queer community—deliberately over-the-top, deeply camp, and full of heart. Her set was a 15-minute mega-mix of her cult hits like “I Love You Jesus,”“Freaky,” and new unreleased material, backed by six professional dancers who’ve graced the stages with Beyoncé and Britney Spears.
“You’re not going to need poppers,” she joked. “There’s going to be so much stimulation—you’ll be gagged and gorged and widened by the visuals alone.”
Wearing three separate costumes in just 15 minutes—including pink sequins and retro diva wigs—Paytas embodied a queer fantasia built for the TikTok generation. From belly jiggling to full-on sex kitten choreography, she gave it her all.
“This show is for the gays. No filter. No holding back,” she said. “I went full pop star fantasy for the crowd that gets me the most.”
A Community That Reflects Her
Despite the glitz and spectacle, the emotional core of Paytas’ relationship with the LGBTQ+ community remains earnest. “They were the first to accept me when no one else did,” she said. “The memes, the videos, the edits—those weren’t just jokes, they were love letters. And they helped me love myself too.”
From iconic kitchen-floor breakdowns to viral audio clips like “Huh? What?” and “No no no thank you,” Paytas has unintentionally supplied the queer community with a decade’s worth of shareable, relatable content. And she sees it all. “How they find some of this stuff—I don’t even know where it came from,” she laughed. “But the captions? The remixing? Genius. It’s like performance art at this point.”
NEW YORK, NEW YORK – FEBRUARY 03: Trisha Paytas lights the Empire State Building in partnership with the Entertainment Community Fund in celebration of Trisha Paytas’ Broadway debut at The Empire State Building on February 03, 2025 in New York City. (Photo by Roy Rochlin/Getty Images for Empire State Realty Trust)
From YouTube Chaos to Safe Space Celebration
For Paytas, Pride is about joy, acceptance, and creating spaces where everyone feels seen—something she strives for not just in her online presence, but in her live shows as well. “My concerts are safe spaces. They’re full of laughter, camp, body positivity, weirdness, whatever you’re into,” she explained. “It’s like a Pink Pony Club—but for everyone.”
Her message to fans is simple: “Just be yourself in whatever stage of the journey you’re on. That’s enough.”
The Legacy of Love
While Paytas admits she doesn’t know what the future holds for her identity—or even her career—she’s clear about one thing: this moment at WorldPride is among the most meaningful of her life.
“It hasn’t even sunk in yet,” she said, glowing with excitement. “My mom, my sister—they can’t believe it. I was always told I couldn’t sing or dance, and now I’m on the main stage of WorldPride. It’s everything.”
And even though she’s currently pregnant and couldn’t bring her husband or child to the show due to limited passes, she smiled while saying, “Technically, my baby is coming with me.”
Whether it’s through laughs, live performances, or late-night meme material, Trisha Paytas has carved a unique—and cherished—place within queer culture. And now, with WorldPride behind her and a baby on the way, she’s redefining what it means to be a pop icon: unapologetically chaotic, endlessly expressive, and, most of all, deeply loved by the LGBTQ+ community.
“I’m honored to be part of this,” she said. “And I hope I make the gays proud.”
For most people, the loss of a home is enough to send life into a tailspin. For queer filmmaker, actor, and activist Max Emerson, it was only the beginning of a whirlwind of personal transformation. In late 2024, Emerson and his longtime partner, Andrés Camilo, were already navigating a mutual separation when disaster struck: a massive fire swept through Los Angeles, destroying their shared home—and much more than just physical belongings.
Now, six months later, Emerson is opening up exclusively to Gayety about the losses, the lessons, and the major career pivot that’s taking him halfway around the world—and further than ever into purpose-driven work.
“The Fire Forced a Lot of Change Very Quickly”
“The fire turned out to be a catalyst,” Emerson says, reflecting on the destruction of the home he and Camilo once shared. “We were already beginning to separate. This just accelerated everything.”
Rather than dwell on the chaos, Emerson turned inward—and then outward. Shortly after the fire, he accepted a new role as Head of Media at Acasus, a global consultancy that works with governments in low-income countries to improve public health and education outcomes. It was, as he describes, “a huge opportunity” and one that came at just the right moment.
“I’m focusing entirely on work this year,” he explains. “Half my time is spent helping Acasus find its voice. The other half is spent co-founding a production company with my new boss to create media for the aid-delivery industry.”
Max Emerson and Andrés Camilo
Emerson’s new base? Switzerland—though he travels frequently for work. His dog, Sarge, now thrives in alpine nature. “It’s my barometer for whether a place is healthy or not,” Emerson laughs.
On Loss, Art, and the Cost of Starting Over
While Emerson has long embraced a minimalist, nomadic lifestyle—often joking that he’s the most “equipped” of his friends to handle homelessness—the loss of the house brought deeper emotional wounds.
Max Emerson and Andrés Camilo’s house after the LA Fires.
“I really miss my plants and my garden,” he says. But the hardest part wasn’t his own loss—it was losing the physical art created by Camilo, who left his consulting job in 2021 to become a full-time visual artist. “Everything he created is gone,” Emerson says. “Even six months later, I could still cry if I think about it too long.”
Despite his detachment from materialism, Emerson admits the fire did reshape his relationship with comfort and routine. “I’ve noticed a strong desire for normalcy, for rest,” he shares. “Luckily, my new job comes with a furnished apartment. It has this incredibly healing energy.”
Redefining Rebuilding—and the Meaning of “Home”
Rather than trying to reconstruct what was lost, Emerson is embracing reinvention. “I’m not focused on rebuilding what’s gone,” he says. “I’m starting fresh.”
Max Emerson and Andrés Camilo’s house after the LA Fires.
He’s also processing heartbreak with the kind of intentionality that often eludes public figures. “I’m proud of myself for not rushing through the grief,” Emerson says. “After the tears, I feel grateful for the clean start.”
That honesty extends to how he talks about the end of his nearly decade-long relationship. “Relationships almost always include breaking up,” he says. “Why would you teach someone how to fly a plane but not how to land?”
From Center Stage to Behind the Scenes
While many fans know Emerson for his online presence, film projects, or personal podcast (Stuff Every Queer Kid Should Know), he’s now focused on stories that don’t center him. “I’m decentralizing myself,” he says. “I want to focus on people who dedicate their lives to helping others in their communities.”
That mission is already taking form in a documentary he’s currently producing. “The tagline is ‘When things fall apart, look for the helpers,’” Emerson reveals. “The fil
Max Emerson
m will also have a podcast component—we’ve recorded six to ten episodes so far.”
This pivot also means a hiatus for his previous podcast, but the evolution feels natural. “My audience is aging with me,” he notes. “They’re ready for deeper stories—beyond the survival guides and coming-out narratives.”
Finding Humor and Heart in a New Chapter
Despite the heavy topics he’s been navigating, Emerson says humor and vulnerability remain the core of his creative ethos. “Without humor, the story feels stale. Without vulnerability, it isn’t authentic,” he says.
Still, some things are off-limits now. “I’ve decided to keep my love life private moving forward,” he says. “But I’ll always bring my full self to the work.”
The decision marks a conscious boundary in a career that has often included personal transparency. For a generation of fans who admired the relationship between Emerson and Camilo—often cited as a beacon of queer love—this next phase may come as a surprise.
But Emerson is adamant that public perception shouldn’t dictate personal happiness.
“People change,” he says. “And truly loving someone means wanting them to be their happiest self—regardless of your own attachment.”
A New Kind of Legacy
When asked what advice he has for queer people navigating breakups, Emerson doesn’t hesitate. “It’s a fallacy to assume that a relationship that doesn’t last until death is a failure,” he says. “There’s not a second I regret my time with Andrés. If I had a time machine, I wouldn’t change a thing.”
As he looks toward the future, Emerson seems energized, if not a bit humbled. “I’ve never actually had a full-time job before,” he confesses. “This is the first time I’ve worked on long-term projects with a team to accomplish something truly significant. As boring as that may sound, I couldn’t be more excited.”
For someone whose life once played out on red carpets and Instagram stories, this quieter, purpose-driven chapter might surprise longtime fans. But if Emerson has shown us anything, it’s that reinvention isn’t just possible—it’s necessary.
After all, when things fall apart, Max Emerson looks for the helpers. And now, he’s becoming one of them.
Someone grab a fan—and maybe a fire extinguisher—because Zane Phillips is burning up our feeds again, and he’s not even pretending to be subtle about it. The Fire Island breakout and Glamorous scene-stealer is back with a new role, a new photo shoot, and a new reminder that gym memberships really do pay off.
In a Variety exclusive, it was confirmed that Phillips will star alongside Fellow Travelers heartthrob Jelani Alladin in an upcoming queer erotic thriller titled Strangers On a Beach. And yes, it sounds exactly like what you’re hoping for—equal parts steamy and suspenseful, the cinematic equivalent of an erotic novel found tucked under your beach towel.
Zane Phillips poses for his rodeo photos. Photo: @zanethan, @owen_devalk
But Zane didn’t wait for the trailer to start making waves. To celebrate the casting news—and maybe just because he felt generous—he dropped a series of thirst-trap photos that feel less like promo and more like a public service. Shot by photographer Owen Devalk, the images are part rodeo fantasy, part locker room fever dream, and fully the reason your phone battery is at 4%.
Let’s review the evidence, shall we?
In one frame, Zane wears a cowboy hat cocked just so, sleeves rolled up with intention, and boxer briefs that are doing overtime. His legs? More defined than your ex’s boundaries. He captioned the post: “Hey it’s me, your favorite rodeo’s favorite clown.” Well, saddle up and call us the main act, because we’ve never been so ready to get trampled.
Zane Phillips poses for his rodeo photos. Photo: @zanethan, @owen_devalk
And speaking of getting trampled: those arms. Those abs. The pecs that seem less like body parts and more like finely sculpted works of modern queer art. There’s one shot—yes, that shot—where he’s cinched in leather straps that make you question both physics and your emotional stability. His chest is squeezed together in a way that looks like it could smother your problems. Or your hopes. Or just, you know, your entire existence.
A New Era of Queer Leading Men
While the photos are certainly doing numbers on social media—and for good reason—it’s Zane’s trajectory as an actor that’s equally worth watching. After captivating audiences in Fire Island, where he channeled gay Austen-era elitism into a steamy modern rom-com, Phillips took on Glamorous, flexing his range with a character that was as emotionally complex as he was visually arresting.
Zane Phillips poses for his rodeo photos. Photo: @zanethan, @owen_devalk
With Strangers On a Beach, we’re in for something new: a queer psychological thriller that leans into eroticism without apology. Think The Talented Mr. Ripley meets Call Me By Your Name—but with murder, and better lighting.
Jelani Alladin, his co-star, has already proven his dramatic chops with layered roles and a Broadway-caliber charisma. Paired with Zane’s screen presence and, frankly, his audacity, we’re looking at what might become one of queer cinema’s most anticipated duos of 2025.
Cowboy Camp and CrossFit Confessions
Back to the shoot for a second, because it really is that good. One photo features Zane in a mesh shirt so transparent it could qualify as a window. Another has him staring directly into the camera like he knows what he’s doing to us. And let’s not ignore the thighs—those glorious, Greek-statue thighs—that seem less like a fitness goal and more like a safety hazard.
It’s giving gay rodeo. It’s giving queer Marlboro Man. It’s giving… “I will never look at leather straps the same again.”
But beyond the aesthetics, what makes Zane’s content resonate is his ability to be cheeky, sexy, and self-aware all at once. The caption alone—“your favorite rodeo’s favorite clown”—isn’t just flirtation. It’s performance art. A wink, a smirk, and a subtle reminder that queer desire has room for humor, camp, and cowboy boots.
Sex Appeal With Substance
Phillips is not just a thirst trap with a jawline that could cut glass. He’s part of a growing wave of queer performers redefining what it means to be a leading man in Hollywood—intelligent, emotionally open, and unafraid of being desired.
And while the internet may love him shirtless (as it should), Zane brings more to the screen than abs. In Glamorous, he played the kind of role that could’ve easily slipped into stereotype but instead brought nuance and vulnerability. His characters don’t just smolder—they feel. And in an industry that often reduces queer characters to comic relief or tragic plot points, Zane plays his roles with pride, complexity, and enough charisma to short-circuit a ring light.
Hot Boy Summer, But Make It Cinematic
So what’s next for Zane Phillips? Strangers On a Beach begins filming later this summer, and if the title’s any indication, we’re in for tension, temptation, and maybe a body or two (the dramatic kind, not just the gym-sculpted kind).
Until then, we’ll be refreshing his feed, admiring his calves, and planning a group trip to wherever that rodeo is.
Because in a world full of cowboys, Zane Phillips is the ringmaster. And we are all very willing participants.
This Pride Month, Pressed Juicery is raising the bar on hydration — and giving back — with the launch of a limited-edition version of its fan-favorite Hydration+ Dragon Fruit Juice. In partnership with drag icon, entrepreneur, and TV personality Trixie Mattel, the special-edition bottle celebrates both vibrant wellness and LGBTQ+ pride, all while supporting a vital cause.
Unveiled on June 2, the exclusive Pride-themed bottle is available now in-store and online at Pressed.com through the end of June. A portion of proceeds from each bottle sold will directly benefit the Los Angeles LGBT Center — a cornerstone institution in the fight for LGBTQ+ health, equality, and social support.
“This is more than just a juice—it’s a statement,” said Trixie Mattel in a statement shared by Pressed. “I’m proud to partner with a brand like Pressed that shares my passion for wellness, authenticity, and lifting up our community.”
The collaboration’s Hydration+ Dragon Fruit Juice isn’t just dressed up in glitter and rainbow hues. Each bottle is packed with powerful ingredients designed to support hydration and gut health, including electrolytes, vitamin C, zinc, and probiotics. It’s a functional beverage with flair, combining wellness benefits with the visual boldness Trixie Mattel is known for.
A Juicy Partnership for a Purpose
Beyond the striking design and health-forward formulation, the juice serves a larger mission: giving back to the LGBTQ+ community. Proceeds will aid the Los Angeles LGBT Center, which has provided life-saving services for over 50 years, including medical care, mental health support, housing assistance, and legal advocacy.
“The Center is doing work that saves lives and builds futures,” said a spokesperson for Pressed Juicery. “We’re proud to be able to support that mission, especially during a time when LGBTQ+ rights and access to essential services continue to be challenged across the country.”
The collaboration reflects a broader cultural shift toward inclusivity and representation within the wellness space. Both Trixie Mattel and Pressed Juicery emphasize the importance of using their platforms to advocate for equality, intersectionality, and visibility—values at the heart of Pride Month.
Known for her wit, glamor, and entrepreneurial spirit, Trixie Mattel has become a multi-hyphenate force in entertainment and beauty. From winning RuPaul’s Drag Race All Stars to launching her cosmetics line and co-owning a Palm Springs motel, her brand continues to blur the lines between pop culture and progressive activism.
“Trixie is not only a beloved figure in the LGBTQ+ community, but also a powerful advocate for wellness and representation,” said Megan Fuller of Azione PR, who helped coordinate the launch. “This collaboration brings together style, substance, and purpose in a truly celebratory way.”
Where to Find It
The limited-edition Pride bottle of Hydration+ Dragon Fruit Juice is available at all Pressed Juicery retail locations and online at Pressed.com through June 30, 2025, or while supplies last. Whether you’re a longtime fan or trying Pressed for the first time, this is an opportunity to hydrate with purpose — and glow with pride.
In addition to being visually stunning, the juice is also Pressed’s take on what it means to show up for the LGBTQ+ community: tangibly and tastefully.
More Than a Trend
Pride Month has become a time when brands across industries roll out rainbow packaging and flashy campaigns. But this collaboration stands out for its emphasis on sustained impact. With a track record of supporting mental and physical health, Pressed Juicery is committed to ensuring that their efforts go beyond surface-level symbolism.
“The rainbow is not just a marketing tool,” said Fuller. “It represents real lives, real identities, and real struggles. We wanted this campaign to reflect that.”
That sentiment is echoed by Trixie Mattel, whose own career has been built on self-expression, inclusivity, and empowerment. “We’re not just here to celebrate Pride,” she said. “We’re here to support people—365 days a year.”
How to Get Involved
In addition to purchasing the limited-edition juice, fans can support the campaign by donating directly to the LA LGBT Center. The center offers over 100 programs and services, ranging from transgender health care to youth mentorship and elder housing. Every dollar raised goes toward building a world where LGBTQ+ individuals can thrive—healthy, empowered, and equal.
To learn more or donate, visit lalgbtcenter.org or go directly to the campaign’s donation page here.
Final Sip
With the Pressed Juicery x Trixie Mattel collaboration, Pride Month gets a powerful boost of color, community, and care. Whether you’re sipping for wellness or solidarity, each bottle is a reminder that hydration can be an act of love — for yourself and for the world around you.
Akbar Hamid is making a powerful entrance onto the film festival circuit with “PORELESS,” a poignant and comedic short film set to premiere at the Tribeca Festival on June 7. More than just a lead actor, Hamid also steps into his first co-producing role for the project, which he describes as deeply personal and a testament to the power of authentic storytelling. “The film, directed by Harris Doran and co-written with Fawzia Mirza, promises to resonate deeply, particularly within the LGBTQ+ and AAPI communities as it unpacks themes of queerness, beauty standards, and cultural identity. Doran even directed on the project as well.
“Storytelling has always been part of my life,” Hamid told Gayety, reflecting on his journey to “PORELESS.” He recounted a childhood in Karachi, Pakistan, filled with homemade movies and pretend talk shows, a creative outlet that was later stifled by a more conservative environment. His passion for narrative eventually found a new avenue in brand building with his agency, The 5th Column, which celebrates its 10th anniversary this year. However, the urge to act and tell stories on screen remained.
‘PORELESS’ set to debut at Tribeca.
A pivotal moment came with his meeting Fawzia Mirza, a highly acclaimed storyteller and director. “We met just as her debut feature, Queen of My Dreams (about to have US Theatrical release June 20th!!), was premiering at TIFF, and we connected not only as creatives but as queer South Asian Muslims with shared experiences,” Hamid shared. Mirza encouraged him to pursue his “delulu dreams” of acting, introducing him to Harris Doran, a Juilliard-trained talent behind films like Kokomo City. Doran became both his acting coach and co-producer on “PORELESS.”
“Over the past two-plus years, I’ve worked hard on my craft,” Hamid stated, explaining how Mirza and Doran crafted a story “loosely inspired by my journey, a story about reclaiming your identity, being your most authentic self, and doing it all fabulously.” Taking on both acting and co-producing roles was a deliberate choice for Hamid, who is also the founder of The 5th Column, a gaming startup, and the host of the new podcast, “The SafeTea.” “Because one role is never enough for me,” he joked, “I wanted to dive deep into every part of the process, from fundraising to location scouting to crisis-solving on set. It became a true crash course in acting and filmmaking, and I’m forever grateful to the entire cast and crew, every single person was essential to the experience and my growth.”
“PORELESS” centers on Akram, a queer Muslim beauty entrepreneur, whose pitch for a lifetime opportunity is jeopardized by a nut-induced facial meltdown. With the “help—and hindrance—from his gay Muslim siblings,” Akram confronts not only his allergies but also deeper wounds related to self-worth, representation, and internalized beauty myths.
Hamid revealed the profound connection between Akram’s story and his own. “Akram’s experience is deeply tied to my own. His struggle with identity, being gay, Muslim, brown, South Asian, yet also American and a first-generation son of immigrants, mirrors so much of what I’ve wrestled with,” he shared. Playing the character proved to be a “truly healing and transformative” experience. “As someone who spent years rejecting parts of myself, feeling like my Muslim and South Asian identities had rejected me, it was beautiful to reclaim them through this character. It’s a reminder that you don’t have to choose, you can be all those things at once. And honestly, who makes the rules? Being gay, Muslim, South Asian is absolutely f*ing fabulous.”
The film also delves into the often-overlooked internal struggles within the LGBTQ+ community regarding beauty standards. “The film explores the layers of queerness and beauty standards not just in the world or the beauty industry, but within the LGBTQ+ community itself, which can be incredibly ostracizing,” Hamid explained. He touched on the pressure to conform, even within queer spaces, and the “constant striving for perfection: to fit in, to be desired, to be loved.” He candidly admitted, “As queer people, many of us have faced rejection all our lives, so we often chase validation and belonging, and sometimes that spirals into an unhealthy, endless pursuit. That’s been very real in my own journey; it took me a long time to find true belonging within my queer community. This film gave me the chance to revisit those painful moments, rewrite old narratives, and in many ways, finally reclaim myself.”
Hamid hopes “PORELESS” offers a powerful message, especially for queer and Muslim viewers. “We are all searching for self-worth, validation, love, but so often we look everywhere except within ourselves,” he observed. “What I hope people take away, especially queer and Muslim viewers, is that you are worthy. You always have been. You don’t need to look outward to know your worth; it’s within you. The most important acceptance, the most powerful validation, the most unshakeable relationship is the one you have with yourself.” He stressed the importance of self-love as a foundation for all other connections, adding, “Until we love and accept ourselves fully, no external love will ever feel like enough.”
The collaborative process behind “PORELESS” was marked by creativity and trust. “We had SO much fun! Harris and Fawzia are pure creative geniuses, and they had me laughing from the moment they handed me the script,” Hamid said. He noted the rigorous nature of filmmaking, where even beloved moments can be cut for the sake of the story. “It was a huge learning experience for me, learning to trust their vision completely and then seeing in the final cut, oh wow, they were right. Every snip, every adjustment made the film tighter, funnier, sharper.”
‘PORELESS’ set to debut at Tribeca.
Hamid specifically highlighted a “Mean Girls”-esque hallway walk scene involving beauty executives as a suggestion he made that Harris Doran ran with, adding to the film’s “fun and campy” tone. He proudly mentioned that Bill Kirstein, the cinematographer from the “Mean Girls” remake, shot “PORELESS,” calling it “wow!” He also praised the “incredibly talented actors” Lucy Owen, Sophie von Haselberg, Gia Crovatin, and Allyce Beasley for their performances.
The film’s authenticity stems from its diverse creative team. “The reason the story feels so authentic and layered is because we had such a strong collaborative vision. Fawzia brought South Asian, queer Muslim authenticity; Harris brought the queer male perspective; and together, they infused it all with their signature humor and genius,” Hamid explained. “We were constantly punching up, punching down, and fine-tuning moments to truly capture the queer South Asian and Muslim experience on screen.”
Bringing “PORELESS” to the Tribeca stage is a momentous occasion for Hamid. “I honestly can’t believe I’m even doing this interview for the Tribeca premiere of Poreless. It’s such a pinch-me moment, not just for me as a first-time filmmaker and actor, but for the queer, queer Muslim, and South Asian communities at large. This isn’t just my moment; it’s a moment for all of us,” he stated passionately. “It’s a powerful reminder that our stories matter, that they’re not just niche, they’re human stories everyone can connect to. Believe it or not, other communities are interested in us! We’re not just here watching ourselves; we’re part of the global conversation, and our stories deserve to stand front and center alongside everyone else’s.”
Receiving the news of Tribeca’s acceptance was overwhelming. “When Harris and Fawzia called to tell me we got into Tribeca, it was one of the absolute highlights of my life. I was in shock, I cried, I laughed, I screamed,” Hamid recounted. “And mostly, I felt this deep joy, thinking about that little kid inside me who had been ostracized for so long. What would he say if he knew that one day, his story, or a version of it, would be shared on one of the biggest global stages, so that no one else has to feel that alone?”
Beyond identity, “PORELESS” also explores universal themes of family and support. “This is a story about family, about showing up for each other. The love Akram’s siblings, Asma and Arif, have for him is so pure and beautiful. It shows how crucial family support is, even when navigating all the complexities and tensions that come with it. That, too, is something I hope resonates far beyond any single community.” Hamid extended his gratitude to Ben Thompson, Vice President of Shorts Programming at Tribeca Festival, and his team for “giving us the opportunity of a lifetime to share Poreless with the world.”
As a queer Muslim immigrant from Pakistan, Hamid acknowledges the pressure to represent certain facets of his identity. “Absolutely, there’s always pressure, both internal and external, to amplify certain parts of my identity more than others,” he admitted. “Sometimes the world wants you to be ‘queer enough,’ ‘Muslim enough,’ or ‘immigrant enough,’ depending on the audience. And at the same time, you’re not American enough, not white enough, but also not brown enough or queer enough within your own communities. It creates this constant tension, this deep feeling of not knowing exactly where you sit or who you are.” He revealed moments of feeling “ashamed” of his Muslim or Pakistani identity due to societal perceptions. “But over time, I’ve realized I can’t be reduced to one label, nor do I want to perform or erase parts of myself just to make others comfortable. My work is about embracing that messy, layered intersection, showing that we can hold multiple truths at once and that none of us should have to shrink, split, or silence ourselves to fit expectations.”
On navigating vulnerability and maintaining ownership of his narrative, Hamid emphasized intentionality. “Vulnerability doesn’t mean giving everything away,” he said. “I’ve learned that maintaining ownership over my narrative means being intentional: sharing the parts of my story that serve a purpose, that connect, that heal, but keeping space for myself, too. For me, sharing vulnerability has to come with purpose, I share to heal, to uplift, to inspire, and to help others feel less alone.” He highlighted his new podcast, “The SafeTea,” as a platform for these unfiltered conversations. “Vulnerability can be powerful, but only when you’re the one setting the terms, and for me, the most important thing is telling my story on my own terms, not just for others’ consumption.”
Akbar Hamid
Hamid’s background in luxury branding has significantly influenced his filmmaking. “I have a deep understanding of what audiences want to see,” he stated, attributing this to both his lived experience and his work with The 5th Column. “In luxury branding, you learn how to craft desire, how to create narratives that feel authentic, aspirational, and emotionally charged. That translates directly into film: knowing how to shape a story that pulls people in, that makes them feel seen, that leaves an impact.” He also noted the practical advantages, explaining his “producer’s mindset” in marketing and positioning a film, securing sponsorships and partnerships. “In today’s landscape, that strategic, brand-driven approach is essential to getting indie films seen and celebrated. And in my opinion brand partnerships like this are going to be a big part of the future funding and filmmaking process for indies.”
The 10th anniversary of The 5th Column this year coincides with the debut of “PORELESS,” which Hamid sees as a reflection of his evolution. “Over the past two decades, I’ve helped brands navigate identity, authenticity, and cultural relevance, but this film let me apply that same lens to my own story. It’s where my personal evolution and professional skill set collided.” He firmly believes in living a multidimensional life. “Honestly who says you can’t do it all? Why can’t you own a marketing and brand-building agency, run a production company, act, and host a podcast? For me, all of it feeds together; it’s a symbiotic ecosystem where creativity sparks more creativity. Every path I pursue strengthens the others, and I believe we’re allowed to live multidimensional, expansive lives. Poreless is both deeply personal and highly intentional, a project that draws on everything I’ve learned about storytelling, community, and the power of representation.”
For queer creatives, especially those from marginalized backgrounds, Hamid offers a powerful message: “Stop waiting for permission, no one’s going to hand it to you. Your story matters right now, exactly as you are.” He asserts, “We are already enough, and our voices are powerful because they break through spaces that were never built for us. Tell your story on your own terms, the world needs it, and you don’t need anyone’s approval to take up that space.” He hopes “PORELESS” serves as an example that “anything is possible.” “I had a vision and a dream, and I made it real through sheer determination, hard work, and refusing to take no for an answer.”
With “PORELESS” premiering between AAPI Heritage Month and Pride Month, Hamid finds profound significance in the timing. “This moment feels incredibly full-circle… It’s a chance to reflect on how far I’ve come, not just as a queer, South Asian, Muslim creative, but as someone who’s spent years helping others tell their stories and now finally telling my own. It’s emotional honestly, I’m celebrating the richness of these identities, the resilience it’s taken to get here, and the responsibility I feel to use this platform to uplift others.”
This year, Pride holds a particularly personal meaning for Hamid. “With Poreless out in the world, I feel a new sense of visibility — not just as a queer person, but as a storyteller owning my narrative on my own terms. My relationship to the community has also deepened; I’m more aware than ever of how vital it is to lift each other up, create space, and ensure no one is left behind. Pride, to me, isn’t just about celebration; it’s about responsibility, using whatever platform or privilege I have to amplify others, push for representation, and remind us all that we are worthy, seen, and enough. I also feel a deep sense of pride in reclaiming all my identities, Pakistani, queer, Muslim, and it feels incredibly powerful to stand in my full authenticity and celebrate every part of who I am.”
Regarding the evolution of queer cinema, Hamid believes “queer cinema still has a long way to go.” While acknowledging the importance of trauma and coming-out narratives, he asserts, “They can’t be the only ones we tell. What makes Poreless feel both timely and timeless is that it leans into the absurdity, the humor, the messiness of identity; it’s not just about pain, it’s about joy, ambition, and reinvention. Queer cinema needs more space for that kind of richness, and I’m excited to help push that forward.”
Looking ahead, Hamid plans to continue “All of it!” – acting, producing, and cultural strategy. He revealed he recently completed an acting masterclass with Bob Krakower and is currently auditioning for features while developing his own projects. He also looks forward to expanding his podcast, “The SafeTea.”
His ultimate dream project? “A Monsoon Wedding 2 or a spin-off inspired by Varun, the unofficially gay younger brother, and his big, fabulous gay South Asian wedding.” He envisions a “Moulin Rouge-esque, Baz Luhrmann-style spectacle bursting with color, music, drama, joy, and theatricality.” He sees it as “a big fat gay South Asian wedding on screen would be such a celebration, not just of love, but of cultural reinvention and queer joy. It’s like ‘Bombay Dreams’ the musical meets Mamma Mia the movie. Ok, one can dream!”
Hamid succinctly described “PORELESS” in three words: “Joyful. Fearless. Healing.” The film is set to debut at the Tribeca Festival on June 7, a pivotal moment for Akbar Hamid and for the continued expansion of authentic, intersectional queer narratives in cinema.
More than 100 of the world’s most prominent celebrities — including Pedro Pascal, Ariana Grande, Dua Lipa, and Sabrina Carpenter — have signed an open letter urging the administration to preserve $50 million in federal funding for LGBTQ+ youth suicide prevention.
The letter, released in collaboration with The Trevor Project, comes in response to an April report detailing a leaked draft of the U.S. Department of Health and Human Services (HHS) budget. The draft reportedly proposed eliminating all funding for suicide prevention services targeting LGBTQ+ youth within the national 988 Suicide & Crisis Lifeline.
The 988 Lifeline, launched in 2022, is a critical, federally supported program providing 24/7 mental health and suicide prevention support, including specialized services for LGBTQ+ youth in crisis.
“We Will Not Stay Silent”
“As artists, creators, and public figures, our platforms come with responsibility,” the open letter begins. “And today, that responsibility is clear: we must speak out to protect the mental health and lives of LGBTQ+ youth. We will not stay silent.”
The letter goes on to state that since the program’s inception, nearly 1.3 million LGBTQ+ youth have been connected with life-saving, affirming care during moments of extreme vulnerability.
“Suicide among LGBTQ+ youth is a public health crisis, and it should be treated as such,” the letter declares.
The signatories include a wide and diverse group of entertainers and public figures who have long been vocal about LGBTQ+ rights and mental health. Among them are Jamie Lee Curtis, Sarah Paulson, Troye Sivan, Daniel Radcliffe, Orville Peck, Alan Cumming, Bob the Drag Queen, Margaret Cho, Kelsea Ballerini, Paul Feig, Dylan Mulvaney, David Archuleta, Colton Underwood, Frankie Grande, Sutton Stracke, Benito Skinner, Nathan Lane, and Hunter Doohan of Netflix’s Wednesday.
“This Is About People, Not Politics”
The letter calls out the politicization of mental health services, emphasizing that suicide prevention transcends partisanship and ideology.
“This is about people, not politics,” the celebrities write. “At a time of deep division, let this be something we as people can all agree on: no young person should be left without help in their darkest moment.”
They argue that removing the LGBTQ+ specialized care feature from 988 is not just a budget cut — it sends a dangerous message: “Stripping away this lifeline leaves LGBTQ+ youth with the message that their lives are not worth saving. We refuse to accept that message.”
Trevor Project CEO Speaks Out
Jaymes Black, CEO of The Trevor Project, the nation’s leading organization for LGBTQ+ youth suicide prevention, praised the celebrities for using their voices to support queer youth.
“I am deeply grateful to the influential voices in entertainment who are speaking out and reminding the public that suicide prevention is about people — not politics,” Black said in a statement. “It is clinical best practice for highly trained counselors to provide competent care to high-risk communities, including LGBTQ+ youth and veterans.”
Black also pointed out the unique challenges LGBTQ+ youth face: “These young people disproportionately experience rejection, stigma, and discrimination, and are navigating a world that too often tells them they don’t belong.”
According to The Trevor Project’s 2024 National Survey, 41% of LGBTQ+ youth seriously considered suicide in the past year — with even higher rates among trans and nonbinary youth.
What’s at Stake
The $50 million at risk specifically funds LGBTQ+-affirming care within the 988 Lifeline. It supports training, hiring, and retaining counselors equipped to offer culturally competent, trauma-informed support to queer youth in crisis.
LGBTQ+ advocacy groups warn that removing this funding would not only reduce access to essential support but also undo years of progress in recognizing and addressing the mental health needs of queer communities.
Ariana Grande, one of the most vocal allies, has previously used her platforms to raise millions for LGBTQ+ organizations and mental health services. Pedro Pascal, whose sister is transgender, has been outspoken in defending trans youth rights and has become a symbol of solidarity in Hollywood.
The open letter urges the public to treat this issue with the seriousness it deserves. “LGBTQ+ youth need support, not silence. They need to know they are seen, they are loved, and they are never alone,” the letter reads.
How You Can Help
The full letter can be read at TheTrevorProject.org. Advocates are encouraging the public to contact lawmakers and voice their support for continued and expanded funding for LGBTQ+ mental health resources.
Individuals can also donate directly to The Trevor Project and similar organizations or share the letter online to amplify awareness.
As Pride Month begins, the call to protect LGBTQ+ youth resonates louder than ever.
As the world turns its spotlight on Washington, D.C. for WorldPride 2025, YOTEL DC is raising the bar—and the rooftop—for a celebration that’s as vibrant as the community it honors. To mark 50 years of Pride, the sleek and stylish hotel is going all out with a weekend packed full of rooftop drag, DJ-fueled dance parties, limited-edition cocktails, and charitable partnerships. Whether you’re a local, a visitor, or somewhere in between, YOTEL DC is offering a uniquely elevated experience for Pride weekend.
The Ultimate Rooftop Kick-Off: June 6 at Deck 11
Pride weekend officially kicks off in spectacular style at Deck 11, YOTEL DC’s rooftop lounge, on Friday, June 6. Beginning at 6 p.m., guests will be welcomed to an immersive evening of celebration, featuring panoramic views of the city, poolside cocktails, and a lineup of drag royalty.
The evening unfolds in three fabulously curated acts:
6:00 PM – 7:00 PM: A glamorous Meet & Greet with drag queens Arrietty and Acacia Forgot ($79.50), complete with introductions, photos, and a chance to mingle with the stars before the show.
7:00 PM – 9:00 PM: A high-energy Live Drag Show featuring Arrietty, Acacia Forgot, and the unforgettable Washington Heights.
9:00 PM – Midnight: The night ramps up with a Rooftop Dance & Pool Party, soundtracked by some of the city’s hottest DJs, blending music, lights, and water into an unforgettable celebration under the stars.
General admission tickets are priced at $53.00, which includes your first drink and a curated menu of food options. Guests can enhance their experience with VIP lounge access or book private cabanas through ResortPass, offering the perfect mix of luxury and leisure for those wanting a premium experience.
Tickets are available now via Eventbrite: Purchase Here
Limited-Edition Gay Icons Pride Menu: Cocktails With a Cause
YOTEL DC’s celebration isn’t just confined to the dance floor. Deck 11 is also unveiling a limited-edition Gay Icons Pride Menu, offering bold, colorful cocktails and Pride-themed bites crafted to honor the legends of LGBTQ+ culture.
Among the standout creations is the “Raining Glitter”, a sparkling, Kylie Minogue-inspired cocktail that pays homage to the pop diva’s anthemic status among queer audiences. The full menu, designed to be as photogenic as it is flavorful, is perfect for Instagram moments and mid-party refuels alike.
The Yotel Washington, DC.
Whether you’re sipping under the sun or toasting under the stars, every item on the menu is designed with celebration—and visibility—in mind.
Stay Where the Party Lives: Exclusive WorldPride Hotel Packages
Why end the night early when the afterglow can be your check-in time? YOTEL DC is offering two WorldPride-themed packages designed for guests who want to stay close to the heart of the action.
WorldPride Special Rates: Standard rooms starting at $139/night, allowing guests to experience sleek, tech-forward accommodations at an unbeatable price.
WorldPride Package: Includes two canned cocktails from queer-owned brand So Gay and a $25 food & beverage credit, making it the ideal staycation or travel weekend solution for revelers looking to go all in.
Both offers are now live and can be booked via YOTEL’s website. Availability is limited, so early booking is strongly recommended.
Pride With Purpose: Supporting LGBTQ+ Initiatives with Gay For Good
In addition to being one of the most festive spots in D.C. this June, YOTEL DC is also putting its money where its heart is. The hotel has partnered with Gay For Good, a nonprofit organization that mobilizes LGBTQ+ volunteers to support social welfare and environmental causes across the country.
This collaboration underscores YOTEL’s ongoing commitment to equality, inclusion, and community impact. Proceeds from Pride programming will help fund Gay For Good’s initiatives throughout the year, ensuring that the celebration extends beyond a single weekend.
“Pride is more than a party—it’s about progress, unity, and showing up for each other,” a YOTEL DC spokesperson said. “We’re honored to partner with Gay For Good to create real impact while celebrating the strength and joy of our community.”
The Rooftop Where Queer Joy Reigns Supreme
YOTEL DC’s WorldPride lineup is more than an event—it’s a statement. As the LGBTQ+ community continues to face cultural and political challenges nationwide, safe, inclusive, joy-filled spaces are more necessary than ever.
From its dazzling drag lineup to its purpose-driven partnerships, YOTEL DC is inviting guests to celebrate Pride unapologetically, with flair, flavor, and meaning. Whether you’re there to dance by the pool, toast with friends, or reflect on 50 years of progress, Deck 11 is the place to be.
Don’t just mark your calendar—book your ticket, grab your glam, and meet us on the roof. The city skyline is calling, and Pride season is officially in full swing.
The viral rap duo Flyana Boss brought their high-speed energy and unapologetically queer vibes to the heart of West Hollywood Pride this weekend, taking the stage and the streets with infectious music, unstoppable charisma—and a playful vow to “beat up homophobes,” all in good fun.
Performing in front of a roaring crowd at WeHo Pride and speaking exclusively to Gayety, members Folayan and Bobbi proved why they’ve become Gen Z icons for individuality, empowerment, and LGBTQ+ visibility. From TikTok fame to a breakout set at one of the nation’s most beloved Pride festivals, Flyana Boss delivered what they jokingly called their “takeover of the gay world.”
“We wake up, stretch, and ask ourselves, ‘What do we do today?’” Folayan quipped in a Pride interview with journalist Andy Lalwani. “Then we say, ‘We gotta rule the gay world today.’ So we painted our faces red and came to slay.”
The duo, best known for their viral “running” music videos soundtracked by hits like “You Wish,” took their fast-paced, performative flair straight to the WeHo Pride stage. But the moment meant more than music—it was a full-circle dream come true.
“We’ve wanted to play Pride since day one,” Bobbi shared. “Every year, we would tell our managers, ‘Can we do Pride? Can we do Pride?’ This year, it finally happened—and it’s an honor.”
Their performance was equal parts party and protest, with tracks like You Wish and Candyman getting the crowd moving, laughing, and celebrating love in all forms. When asked what the “gayest” song of the set was, Folayan gave a confident nod to their own track. “Definitely You Wish—it’s our song, it’s a banger, and it’s hella gay.”
Bobbi added with a grin, “Candyman, too. There were just so many sweet men out there.”
But Flyana Boss didn’t just show up to sing—they showed up to stand up. When asked how they ride for the LGBTQ+ community beyond the stage, the duo responded with their trademark humor and fierce loyalty.
“We tend to beat up homophobic people,” Folayan deadpanned.
“We punch them in the face,” Bobbi chimed in with a laugh. “And say, ‘If you don’t like gay people, you deserve to be punched in the face.’”
“Then we just deck them right in the face,” Folayan added with mock seriousness.
The moment, though clearly a tongue-in-cheek exaggeration, was also a powerful reflection of the duo’s ethos: protect queer joy at all costs, with humor and heart. The two identify as queer women and see their music not just as entertainment, but as representation.
“We support because we are queer,” Folayan said. “So we wake up, be gay. It’s just another gay day.”
Bobbi nodded. “Today, tomorrow, always.”
Known for their playful viral videos, Flyana Boss also opened up about how their now-signature “running” videos came to be—a stroke of DIY brilliance and chaotic creativity.
“At first we thought about getting bikes to show movement,” Folayan said. “Then we decided to run. But our videographer didn’t have a car, and he was like, ‘I played lacrosse—I’ll run backwards.’ That’s how it started. Shoutout to Evan Blum, aka Dr. Clips, the short-form Scorsese.”
Their energy offstage was just as electric. Between cracking jokes and breaking into laughter mid-interview, the duo revealed they have a new track titled “CUNT” dropping June 6 at midnight—just in time to keep Pride Month shaking.
“We don’t know why we’re so silly right now,” Bobbi laughed. “It’s you,” she told Lalwani, as Folayan giggled in agreement.
If WeHo Pride is about celebrating freedom, identity, and chosen family, then Flyana Boss is its ultimate hype duo: queer, unapologetic, and completely in on the joke—especially when that joke involves fake-punching bigotry in the face.
They came. They ran. They rapped. And with each beat, they reminded the crowd: Pride is about joy, and joy is power.
