As Pride Month continues to shine a spotlight on LGBTQ+ creativity and entrepreneurship, a new queer-led skincare brand is making waves with its inclusive approach and clinically-backed formulations. Meet Grimoire, a luxury skincare label founded by Vincent Branchesi and Karim Fadel, aiming to disrupt the beauty space with products that nourish both the skin and a sense of self-expression.
Officially launched in early June, Grimoire is more than just another skincare brand—it’s a celebration of identity, self-care, and scientific innovation. With a debut collection of four carefully crafted products, the brand combines high-performance ingredients with a commitment to diversity and authenticity.
Grimoire Skincare. Photo: Grimoire
Here’s a closer look at Grimoire’s launch lineup:
Vanity Monday ($85): A rejuvenating daily serum, formulated with Wild Indigo Extract, Sea Buckthorn, and Lemon Myrtle. Designed to brighten and smooth the skin, this energizing product is ideal for morning routines, offering a refreshing boost that supports a more radiant complexion.
Beach Guise ($85): With summer in full swing, this soothing serum is perfectly timed. Containing Gotu Kola, Bisabolol, and Beta-Glucan, Beach Guise helps calm redness and irritation—making it an excellent post-sun or post-beach treatment. Its lightweight texture and calming properties make it a standout for warmer weather skincare.
Nightmare Away ($55): Nighttime care is essential, and this restorative cream is up to the task. Packed with Lavender Extract, Shea Butter, and Helianthus Annuus (Sunflower Seed), Nightmare Away provides deep overnight hydration and supports skin recovery while you sleep.
Eye Roll ($65): The delicate under-eye area gets special attention with this targeted serum. Featuring acetyl hexapeptide-1 (a gentle, retinol-alternative peptide), caffeine, and tamarind seed gum, Eye Roll helps smooth fine lines and reduce puffiness for a firmer, brighter look.
What sets Grimoire apart isn’t just its high-quality formulations—it’s the mission behind the brand. As a queer-owned and operated business, Grimoire stands at the intersection of beauty and representation. Every aspect of the brand, from product naming to visual design, embraces individuality and breaks free from conventional beauty norms.
As Pride Month celebrates diversity and self-expression across the globe, Grimoire’s launch arrives at the perfect moment. The brand’s commitment to inclusivity extends beyond its products, as it seeks to build a community that celebrates the spectrum of queer identity year-round—not just in June.
Consumers looking to support LGBTQ+-owned businesses and invest in effective, luxury skincare have a new name to know. Grimoire is currently available online, with samples available upon request.
As LGBTQIA+ communities continue to face increased digital surveillance, online harassment, and systemic discrimination, the simple act of browsing the internet can become fraught with risk. From anonymous self-discovery to public activism, queer individuals rely on digital spaces not just for entertainment or connection—but often for survival.
That’s exactly why Mozilla, the non-profit behind the Firefox browser, is leaning into its mission of digital agency and privacy, especially for vulnerable communities. Chatting with Gayety, Anthony Enzor-DeMeo, Senior Vice President of Firefox & Web at Mozilla, opens up on how the company is responding to online threats against LGBTQIA+ users, how its products are built for inclusion—not just intention—and why the fight for digital safety is inseparable from the fight for queer rights.
When Privacy Is More Than a Feature—It’s Protection
“The most urgent online threats facing LGBTQIA+ communities today are invasive tracking, misuse of personal data, and harassment,” Enzor-DeMeo says. “Firefox is built to protect private, unmonitored exploration, because when you’re questioning your identity or seeking support online, privacy shouldn’t be optional.”
That simple statement speaks volumes. For many LGBTQIA+ users, particularly youth or those not yet out to their families or employers, online privacy isn’t a luxury—it’s lifesaving. Yet most major websites routinely collect data, track browsing habits, and sell user profiles to advertisers, often without fully informing the user.
Firefox counters this norm with features like Enhanced Tracking Protection and Total Cookie Protection, both enabled by default. These tools block third-party trackers and prevent advertisers from following users across websites, making it far harder for companies—or bad actors—to build a behavioral profile without consent.
When Data Can Be Weaponized
“Chats, photos, search history, and site visits can be exposed without consent,” Enzor-DeMeo adds, citing the disproportionate risk of doxxing and targeted harassment that queer users face online.
A recent report from GLAAD found that 66% of LGBTQIA+ people have experienced online harassment, more than any other demographic. The threats range from slurs and intimidation to full-blown doxxing—where someone’s personal details like home address or phone number are maliciously posted online.
Firefox’s privacy-first design addresses this through features like Private Browsing Mode, which automatically clears history after use, and a built-in password manager to help prevent account hacks.
For deeper protection, Mozilla offers services like Mozilla VPN to shield your IP address and Firefox Relay, which lets users create email and phone number aliases—keeping their real contact info hidden from prying eyes.
Tips for Staying Safe Right Now
So what can LGBTQIA+ users do today to safeguard their digital lives?
Enzor-DeMeo offers clear, practical advice:
Use unique, strong passwords for every account and enable two-factor authentication.
Limit mobile app tracking. On iPhones, toggle “Ask App Not to Track,” and on Android, delete your Advertising ID in settings.
Remove personal data from people search sites. Mozilla Monitor is one service that scans for your exposed information and automates the takedown process.
These actions are often the first line of defense in an increasingly hostile digital landscape.
Respecting Privacy While Building the Future
Balancing privacy and innovation isn’t always easy—especially in an era dominated by cloud computing, personalized AI tools, and ever-expanding user data pipelines.
“At Mozilla, we believe privacy and security aren’t optional—they’re fundamental,” Enzor-DeMeo says. “Some features—like syncing bookmarks or history across devices—do require server support, but we design them so even Mozilla can’t see what you’re doing.”
Transparency is baked into the company’s ethos. Mozilla’s data practices are publicly documented, and Firefox is fully open-source, meaning anyone can inspect the code. That level of visibility is rare—and critical.
The team is also experimenting with cloud-based AI features, but all are optional and designed to preserve user control. “You stay in control of what you use, and what you share,” Enzor-DeMeo emphasizes.
Designing for Everyone, Not Just the Majority
One powerful analogy shared by Enzor-DeMeo underscores Mozilla’s design philosophy: “Assuming every user is straight is like designing a product only for right-handed people.”
It’s a simple but pointed reminder of how easily tech can fall into heteronormative patterns unless queerness is actively considered in the design process.
“We design Firefox for everyone—regardless of identity, background, or how they show up online,” Enzor-DeMeo explains. “That means being thoughtful about the language we use, the privacy defaults we set, and how we support people navigating deeply personal spaces on the internet.”
Central to that mission is building diverse teams. “When you bring together different perspectives and backgrounds, you’re able to create better products that serve many, rather than just a few,” he says.
Inclusion Without Stereotypes
When asked how Mozilla avoids the trap of superficial inclusion or token representation, Enzor-DeMeo is clear: “We focus on designing for needs, not identities.”
In other words, the team starts by asking what users are trying to accomplish—whether it’s researching hormone therapy, finding a safe community, or simply watching a queer film without being targeted by advertisers. Then, they build tools to support those needs with dignity and care.
“Everyone deserves to feel safe, protected, and in control of their online experience—whether they’re exploring something personal, managing multiple parts of their life, or just trying to avoid being tracked across the web.”
What Tech Leaders Can Learn from Mozilla
As the tech industry grapples with mounting pressure to be more inclusive and user-focused, Enzor-DeMeo has advice for others in leadership roles:
“Surround yourself with people who are different from you. Some of the most thoughtful, useful products come from having a range of perspectives at the table—people who bring different lived experiences, identities, and ways of thinking.”
Inclusion, he notes, isn’t just the ethical choice—it’s a competitive advantage.
Queer Futures Require Safe Digital Spaces
From laws targeting trans youth to algorithms suppressing queer content, the internet is increasingly a frontline in the fight for LGBTQIA+ rights. Companies like Mozilla—and products like Firefox—are proving that ethical tech is possible. But it requires intention, transparency, and a fierce commitment to those most at risk.
“At Mozilla, we want people to feel empowered, not exposed,” Enzor-DeMeo says. “And for some, that control isn’t a luxury—it’s essential.”
A self-proclaimed celebration of “family values,” the “Hetero Awesome Fest” in Boise concluded this past weekend with a notably sparse turnout and a musical protest that momentarily disrupted its programming. Organized by Mark Fitzpatrick, owner of the Old State Saloon, the two-day event, held June 20-21 at Cecil D. Andrus Park, aimed to present an “alternative” to LGBTQ+ Pride festivities. Meanwhile, Boise’s LGBTQ+ community responded with a humorous and purposeful satirical drag show, “But, What About Straight Pride,” highlighting the ongoing fight for queer rights.
Fitzpatrick, who also heads the nonprofit Heterosexual Awesomeness Inc., had promoted the festival as a “family values festival” following his saloon’s launch of “Heterosexual Awesomeness Month” last year. He reportedly stated that the concept had garnered support from individuals nationwide who felt “things have just gotten so far and enough is enough.” Instead of traditional drag shows, the festival featured a “swag show,” booths, and various activities.
However, attendance at the “Hetero Awesome Fest” was reportedly light, with estimates indicating roughly 30 to 50 people present on-site at any given time throughout the weekend. This sparse turnout stood in stark contrast to the event’s vocal promotion.
Musical Protest Disrupts “Hetero Awesome Fest”
The most significant moment of the “Hetero Awesome Fest” occurred Saturday afternoon when Boise singer-songwriter Daniel Hamrick took to the stage. Hamrick began performing a pro-trans song after allegedly misleading event staff about the nature of his performance. Video footage, shared widely on platforms like Instagram, showed Hamrick performing for approximately one minute before Fitzpatrick intervened, reportedly grabbing the microphone.
An attendee, seemingly unaware of Fitzpatrick’s role as the event organizer, confronted him, leading to a brief scuffle before security personnel stepped in. Hamrick was then escorted from the park by security and was later seen speaking with Boise Police officers. As of publication, no arrests were made, and no charges have been reported in connection with the incident.
Fitzpatrick later confirmed to KTVB that no further violence ensued, attributing the scuffle to a “misunderstanding.” “He [the attendee] wasn’t aware of what was happening and thought I might have been a random guy pulling the mic,” Fitzpatrick reportedly said. “Just a misunderstanding from a good citizen who had never met me yet.”
In a statement following the incident, Fitzpatrick publicly labeled Hamrick a “deceiver” and controversially suggested that the LGBTQ+ community employs similar tactics to “victimize children.” These inflammatory comments quickly drew criticism across social media, yet they remained consistent with the anti-LGBTQ+ messaging Fitzpatrick has previously promoted through his bar and his newly formed nonprofit organization.
Old State Saloon: A History of Controversy
The Old State Saloon, located in nearby Eagle, Idaho, has gained a reputation for hosting events that have often sparked public debate. These have included “Beers for Breeders” nights, gatherings for flat-earth enthusiasts, Christian singles mixers, and even trivia contests where participants could win AR-15 assault rifles. The establishment garnered national attention last year when it declared June “Heterosexual Awesomeness Month,” a direct counter to Pride Month celebrations.
Despite Fitzpatrick’s vocal and widespread promotion of the “Hetero Awesome Fest,” the event conspicuously lacked public sponsors and failed to attract significant community support from other local organizations or businesses. Both Boise Pride and Canyon County Pride, while declining specific comments on the “Hetero Awesome Fest” prior to its staging, issued brief statements wishing the organizers well, a diplomatic stance amidst the prevailing tensions.
LGBTQ+ Community Responds with Humor and Purpose
In contrast to the “Hetero Awesome Fest,” Boise’s LGBTQ+ community responded with a blend of humor, resilience, and a clear message. The Balcony, Boise’s sole LGBTQ+ nightclub, hosted a satirical drag show titled “But, What About Straight Pride?” on Friday night. The event’s aim was to cleverly poke fun at the frequently asked, often derisive question “When’s straight pride?” while simultaneously underscoring the serious and ongoing struggles for queer rights and acceptance.
Aunt Tifa, co-producer of “But, What About Straight Pride,” explained the inspiration behind their show. “We realize that there’s been a lot of outcry, especially around pride last year, where people were claiming, ‘When’s straight pride month? When’s this? When’s that?’ and we thought it would be fun to put on an event and call it, What About Straight Pride?,” she stated.
Aunt Tifa also highlighted the deeper purpose of the satirical performance, noting its role as a comedic vehicle to spark essential conversations about critical LGBTQ+ issues. “Queer people were thrown in prisons. Queer people were murdered just for being queer. In a lot of places, this is still happening. In 72 different countries it’s illegal to be queer. This is a huge reason why we do our pride events, [which] is to really celebrate those that we lost but also remembering our spaces and remembering where we came from,” she powerfully articulated.
Pride Continues in Boise and Beyond
While the “Hetero Awesome Fest” was strategically scheduled during June’s national Pride Month, Boise’s official Pride celebration is slated for September. This later date is a holdover from rescheduling necessitated by the pandemic. Earlier in June, Canyon County Pride successfully drew a significantly larger and reportedly peaceful crowd, showcasing the vibrant and inclusive spirit of the local LGBTQ+ community.
As for the future of Fitzpatrick’s “Hetero Awesome Fest,” organizers have not yet confirmed if the event will return in 2026. Given the low attendance, apparent lack of broader community buy-in, and the public incident that overshadowed much of its planned programming, the festival’s longevity remains highly uncertain.
The Boise Police Department had not issued an official statement regarding the musical protest incident at the time of publication. The weekend’s events in Boise underscored the contrasting approaches to celebrating and defining identity within the city, pitting a sparsely attended traditional values festival against the resilient and humor-infused spirit of the LGBTQ+ community.
In today’s LGBTQ+ culture, few topics stir up as much online discourse as when a famous lesbian reveals she’s dating a man. From pop stars like Fletcher and Billie Eilish to social media influencers and even everyday queer folks, the internet has opinions—and they’re not always kind. But as Pride Month prompts deeper conversations about identity, community, and change, one message is clear: sexuality is fluid, and labels aren’t prisons.
During a recent interview with Gayety nonbinary journalist and content creator V Spehar weighed in on the phenomenon, humorously dubbed “lesbians getting boyfriends.” “As a lesbian who used to have a boyfriend—girl, I get it,” said Spehar. “Sexuality is fluid. The idea that you were a lesbian for a period of time, and now maybe you identify as queer or even straight—it doesn’t make your past invalid. It just means you’re trying something else.”
This idea isn’t new to the LGBTQ+ community, but the conversation has gained renewed urgency as celebrity dating headlines clash with long-held identity expectations. What happens when someone who’s built their brand—or their personal life—around lesbianism starts dating a man? Are they “betraying” the community, or just exploring their truth?
Queer Twitter—and TikTok—often lights up with concern or skepticism anytime a public figure “switches teams.” But as Spehar pointed out, these shifts don’t necessarily signal erasure or inauthenticity. “I felt that way when Ani DiFranco married a man,” Spehar confessed. “You’ll get over it.”
The backlash often stems from a mix of protectiveness and fear of erasure. For many lesbians, especially those who’ve fought for visibility and respect in a heteronormative world, seeing someone “leave” for a man can feel like a loss. But queer leaders like Spehar argue that this reaction needs reframing—not condemnation. “We have trained very good-looking men to have bisexual wives. That’s what we wanted,” Spehar joked. “We want them to meet us where we’re at.”
Dating as a Journey—Not a Definition
For many, having a boyfriend isn’t a political statement—it’s part of their personal evolution. Spehar shared that for some people, particularly those who later come out as transgender or nonbinary, dating men might be a stepping stone to understanding themselves more fully. “Sometimes you get a boyfriend to learn how to be a boyfriend,” they said. “That’s all that it is.”
This sentiment echoes a growing understanding that gender and sexual identities aren’t fixed points, but rather ongoing processes. For many, the term “lesbian” once fit perfectly—until it didn’t. That doesn’t invalidate past relationships or the joy those identities brought at the time.
Pride, Every Day and at Home
In the same interview, Spehar explained that their Pride celebration looks a little different—more cozy couch than parade float. “I’m like a stay-at-home gay,” they laughed. “Be with my wife and watch reruns of Greek and Hart of Dixie. But I wear the merch every day—new merch made by queer artists.”
For Spehar, Pride isn’t confined to June or rainbow-filled streets. It’s about authenticity, comfort, and showing up every day in ways that feel right for you. And that message extends to how we treat one another, especially those navigating new labels or relationships.
A Bigger Picture: Fluidity in Queer Identity
The debate over lesbians dating men often stems from a discomfort with ambiguity. But in reality, queerness has always encompassed fluidity, experimentation, and personal change. Identity isn’t a static marker; it evolves with experience, love, and self-discovery. “Sexuality isn’t a one-way street,” Spehar noted. “People are going to explore different connections, and that doesn’t mean they were lying before.”
Public figures often bear the brunt of these conversations. When someone like JoJo Siwa or Billie Eilish is seen with a male partner after identifying as queer, the response can be swift and judgmental. But for many queer people, especially Gen Z, identity is a spectrum, not a binary. “You don’t have to worry about JoJo or Fletcher or Billie Eilish,” Spehar said. “They’re just trying something else. And I support that.”
“Gay Baiting” or Just Living?
One of the loudest critiques lobbed at queer women dating men is the accusation of “gay baiting”—that someone used queerness for clout only to return to heterosexuality when convenient. But this accusation overlooks how nuanced sexuality truly is.
Spehar pushed back on that framing. “Sexuality is fluid, and in many cases it doesn’t mean they were wrong about everything they experienced before,” they said. “It just means they’re trying something else.”
Trying something else isn’t betrayal. It’s human.
Empathy Over Judgment
Ultimately, the lesson here is about grace. Pride is a time to celebrate liberation, but also to embrace the complexity of identity. That includes people who once identified as lesbians now exploring new relationships.
Spehar offered a final piece of advice: let people live—and grow. “Sometimes the jeans don’t fit, and you want to try a new pair,” Lalwani joked. “That’s it.”
And if you come back to your favorite pair? That’s fine too.
It’s been 10 years since Will Jardell sashayed onto national television in a pair of 6-inch patent leather heels and made reality TV history onAmerica’s Next Top Model Cycle 21. At just 24 years old, he was fresh out of college in Texas and still navigating his identity when he stepped into the ANTM house — unknowingly stepping into a transformative decade of self-discovery, queer visibility and viral representation.
Now 34, Jardell is a husband, a reality TV champion (The Amazing Race, anyone?), a fashion trailblazer and a proud voice for LGBTQ+ authenticity. In an exclusive interview with Gayety, he reflects on what a decade of living out loud has meant for him — and for the queer people inspired by his journey.
From Small-Town Texas to High-Heeled Fame
“When I filmed America’s Next Top Model in 2014, I had no clue what was next for me,” Jardell said. “I had just graduated from college and was this small-town kid who suddenly found myself on a show I grew up loving. It changed everything.”
Following his time on ANTM, Jardell moved to Los Angeles — and never looked back.
“ANTM brought me my husband, a new understanding of myself, and completely rerouted where my life was going,” he said. “When I watch my season now, I can see my growth in real time — especially in my confidence and self-acceptance.”
While some former contestants have since criticized their time on the show, Jardell remains grateful, even acknowledging the complexities of the experience.
“America’s Next Top Model” Cycle 21 finalists Denzel Wells, Adam Smith, Ben Schreen, Romeo Tostado, Will Jardell, Matthew Smith and Keith Carlos attend the premiere party for Cycle 21 of “America’s Next Top Model” presented by NYLON magazine and the LINE messaging app at SupperClub Los Angeles on August 20, 2014 in Los Angeles, California. Photo: Michael Tullberg/Getty Images
“It was wild. There were definitely pros and cons — quite a few cons,” he added with a laugh. “But for me, it was powerful and rewarding overall.”
Coming Out, On Camera
One of Jardell’s most memorable ANTM moments wasn’t just a fashion statement — it was a personal revolution.
“I’d only come out to a handful of people before filming,” he said. “When I stepped onto the judging panel in heels that first time, it wasn’t just for drama. It was me stepping into who I wanted to be, not who I’d been pretending to be.”
Behind the scenes, a casting director actually told Jardell not to wear the heels. He ignored the advice, asked a PA to grab them off the bus, and walked out as his full self.
“That moment changed my life. If I was going to promise myself I’d show up authentically, why let someone else tell me otherwise?”
The vulnerability he brought to the screen resonated far beyond the Top Model audience. LGBTQ+ fans, particularly young queer people wrestling with their own identities, saw themselves in Jardell.
“I don’t know if I ever truly accepted myself as a gay man before the show. But getting that encouragement from the judges, other contestants and even the crew? That was the beginning.”
The Unexpected Echoes of ANTM
Though the runways and eliminations are long behind him, Jardell admits that certain things still linger — like the very specific scent of the Top Model house.
Model Will Jardell attends America’s Next Top Model Cycle 21 premiere party presented by NYLON and LINE at SupperClub Los Angeles on August 20, 2014 in Los Angeles, California. Photo: Rachel Murray/Getty Images for NYLON
“I know it sounds weird, but I still remember what the house smelled like,” he said. “Lights, cameras, all of us crammed in there — maybe it’s trauma, but it’s definitely unforgettable.”
He also treasures the unplugged connections he made while filming.
“We didn’t have phones. So you really got to know people,” he said. “Some of those relationships became deeper than ones I had in real life at the time.”
Becoming a Public Figure — And Staying Grounded
While ANTM gave Jardell visibility, the sudden spotlight was a challenge.
“I didn’t feel qualified to be a public figure,” he said. “I was still figuring out who I was, and suddenly people had all these opinions.”
He leaned on his Texas roots and LA support system — and chose authenticity over image.
“This was 2014, when YouTubers were just becoming a thing and Instagram was blowing up,” Jardell said. “I’ve always tried to present my most honest self online. I had to get comfortable with people not liking me, and I had to protect my own self-worth.”
His approach to social media and public life remains the same: stay kind, stay real, and never compromise who you are.
Fashion Then vs. Now: Breaking Gender Norms in Style
One of Jardell’s most lasting contributions to pop culture is how he helped push boundaries around gender expression and fashion — something he continues to embrace.
“When I first bought those heels in 2013, I could barely find a size 16,” he said. “Now I can shop men’s heels online with ease. Fashion has come so far in just ten years.”
He regularly shops across both the men’s and women’s departments, guided by one principle: if it fits and feels right, wear it.
“Fashion is about expression now. It’s not about boxes or binary,” he said. “I’m inspired by creators and everyday people who are boldly wearing what they want.”
Even athletic wear has shifted. Jardell recalls preparing for The Amazing Race in 2018 and struggling to find colorful workout clothes for men.
“Our team color was purple and we could barely find anything in stores,” he said. “Now, men’s sections are often more colorful than women’s. That kind of inclusivity — even in something as simple as gym shorts — makes a difference.”
Winning The Amazing Race — and Popping the Question
In 2020, Jardell returned to reality television alongside his partner, James Wallington. As a couple, they competed — and won — Season 32 of The Amazing Race, making history as the first openly gay couple to do so.
“We weren’t trying to be anyone’s version of the ‘right’ gay couple,” Jardell said. “We just wanted to have fun and be ourselves.”
Their victory was a milestone for LGBTQ+ representation — but the real heart-stopper came at the finish line, when Jardell proposed.
“I’d been carrying the ring the entire season, waiting for the right moment,” he said. “Phil [Keoghan] pulled us aside afterward and told us how big this moment was. That’s when it hit me.”
The proposal aired on national television — marking the first same-sex engagement in American reality TV history.
“We didn’t do it for that title. We did it for us. But realizing what it meant to others? That was powerful,” he said. “Even now, people come up to us or message us about what that moment meant to them.”
Reality TV Lessons: Resilience, Strategy and Realness
Reality competition isn’t all glamour and prize money. Jardell said his experiences taught him how to stay mentally tough and camera-ready.
“Being on ANTM prepared me for a lot — like how to be filmed constantly, and how to think ahead during interviews,” he said. “But what really helped was understanding the impact of perception. You always wonder how things will look in the edit.”
One thing fans don’t see? The downtime.
“People think The Amazing Race is nonstop action,” he said. “But we spent hours in airports. We brought a deck of cards to play with other teams — partially for bonding, partially for strategy.”
Each hour-long episode boils down days of intense travel, stress, and emotional highs and lows.
“There’s so much that never makes the final cut — things that absolutely change how you interact with other teams or how you compete.”
What’s Next for Will Jardell?
While Jardell is enjoying married life and continuing his advocacy through fashion and media, he hasn’t ruled out a return to TV.
“I’m always down for a new adventure,” he said. “Put me on The Traitors, Big Brother, Survivor — I’m ready.”
More importantly, he remains committed to using his platform for good.
“I want to continue showing people that joy, love and authenticity are worth sharing,” Jardell said. “Visibility matters. Being yourself matters.”
A Decade of Pride
Ten years after he walked into the America’s Next Top Model house as a hopeful, closeted 24-year-old, Will Jardell has become something more: a fierce advocate, a fashion trailblazer and a symbol of queer joy in mainstream media.
“I still ask myself, what if ANTM had never called?” he said. “That one moment launched me into a life I never dreamed possible. I’m so grateful — and I’m proud of what I’ve done with it.”
From heels to history-making proposals, Will Jardell proves that sometimes the boldest thing you can do is simply show up as yourself.
Each June, cities across the world erupt in color as LGBTQ+ communities celebrate Pride Month. Yet, something has subtly shifted in recent years — and not just within the community itself. Increasingly, major brands and institutions once eager to splash rainbows across their logos in June are pulling back, citing criticism of “rainbow washing” or simply wanting to avoid controversy. The once-ubiquitous symbol of queer pride — the rainbow flag — is disappearing from storefronts, marketing campaigns, and social media headers. But rather than seeing this as progress or a natural evolution, it’s time we recognize the rainbow’s enduring relevance — especially for queer youth seeking identity, visibility, and safe spaces.
For years, critiques of rainbow washing were valid and needed. Many companies capitalized on Pride Month for profit without backing it up with meaningful action — donations to LGBTQ+ organizations, inclusive policies, or internal equity efforts. As a result, the rainbow flag started to feel commercialized and, to some, even “cringe.” It became easy to dismiss it as a hollow corporate gesture rather than a radical emblem of community and survival.
But let’s not confuse misuse with uselessness. The rainbow flag, first designed by Gilbert Baker in 1978, was never meant to be a trend or branding gimmick. It was a message. A beacon. A banner that says, “You are not alone.” And in 2025 — amid book bans, anti-LGBTQ+ legislation, and escalating violence against queer and trans individuals — we still need that message.
That’s why exhibits like $3 Bill: Evidence of Queer Lives and Queer Lens: A History of Photography at The Getty are more than just culture — they’re activism. They’re history. And perhaps most importantly, they’re a reminder that queer visibility isn’t optional. It’s vital.
The Getty’s Pride Exhibits: Holding the Rainbow High
This year, the Getty is honoring Pride Month and beyond with a powerful slate of exhibitions and programming that confronts, celebrates, and documents queer lives across time. $3 Bill: Evidence of Queer Lives, running through September 28, 2025, is a compelling showcase of LGBTQ+ artists and their impact over the last century — from early photographic experimentation and identity exploration to modern expressions of gender and sexuality.
Complementing it is Queer Lens: A History of Photography, opening June 17 and running through September 28. Curated by Paul Martineau, the exhibit explores photography as a medium for queer self-representation and cultural resistance. It’s a sweeping narrative from the mid-19th century to now, showing how LGBTQ+ people have used the camera to see — and be seen.
Beyond the exhibits, the Getty is offering a robust calendar of events — including performances, curator-led tours, lectures, and screenings — that further explore the complexity and beauty of queer life.
From 1979–1984, JEB performed The Dyke Show more than 80 times to packed audiences at community spaces and universities across the US and Canada. Originally titled Lesbian Images in Photography: 1850–1984, the pioneering show includes portraits, documentary, and erotic images by historic and contemporary photographers. JEB’s accompanying narration is a unique fusion of art history, activist inspiration, and stand-up comedy.
Wednesdays at 1:30pm (except July 2 and July 9) – Getty Center
This 30-minute curatorial tour of $3 Bill celebrates the contributions of LGBTQ+ artists in the last century. From pioneers who explored sexual and gender identity in the first half of the 20th century, through the liberation movements and the horrors of the HIV/AIDS epidemics, to today’s more inclusive and expansive understanding of gender, $3 Bill presents a journey of resilience, pride, and beauty.
In this presentation in honor of Pride Month, art historian Whitney Davis examines how homoerotic aspects of ancient Greek art began to affect 18th-century artistic uses of classicism. Greek sculpture and vase painting depicting nude men helped define a new concept of “queer beauty” in art and shaped queer people’s identity and subjectivity into the 19th century. Join Davis as he illustrates this trajectory, drawing on representations from Neoclassical painting to Robert Mapplethorpe’s photography.
Join The Getty for a screening of Tongues Untied (Marlon Riggs, 1989, 55 minutes). Originally released on PBS, the film is renowned for its portrayal of the fierce challenges and powerful vibrancy of the Black gay male experience in America. This screening is co-presented by One Institute.
Since the mid-19th century, photography has served as a powerful tool for examining concepts of gender, sexuality, and self-expression. Join curator Paul Martineau to explore the medium’s profound role in shaping and affirming the vibrant tapestry of the LGBTQ+ community.
Sunday, Aug 17, 2025 at 1pm – Getty Center & Online
From 1969 to 1972, Anthony Friedkin created The Gay Essay, a seminal photo series of the burgeoning gay liberation movements of Los Angeles and San Francisco. Through images of nightclubs and the house party scene of the 1980s and ’90s, Reynaldo Rivera intimately captured the Latinx, drag, and transgender communities of East LA and Echo Park. As a photographer emerging in 1990s LA, Catherine Opie documented the built and social environments of queer identities. Curator Ryan Linkof joins these artists in conversation about the vibrant tapestry of queer lives in Southern California. Light refreshments to follow for in-person attendees.
Join us for a screening of The Watermelon Woman (Cheryl Dunye, 1996, 84 minutes). Supported by the National Endowment for the Arts (NEA) and written, directed and edited by Dunye, this romantic comedy explores long-standing constructions of race and sexuality on-screen. Dunye stars as a documentary filmmaker trying to identify an unnamed actress who plays a stereotypical “mammy” character in a 1930s plantation drama, a role that many Black actresses in Hollywood were relegated to at the time.
Sunday, Sep 14, 2025 at 11am and 2pm – Getty Center
Tickets are available July 14, 2025.
Join us for an afternoon of play, glamour, and self-expression with the fabulous Pickle, Drag Laureate of West Hollywood, who will share the joys of reading alongside Bob Baker Marionette Theater puppets!
Join us for a screening of Made in Hollywood (Bruce and Norman Yonemoto, 1990, 56 minutes). Employing the language of advertising, television and mass media, the film is an allegorical satire that explores emotion and identity, reality and fantasy.
Visibility for the Vulnerable
So why is all of this — the rainbow, the exhibits, the programming — still so important?
Because despite progress, LGBTQ+ people remain under threat. In 2025 alone, hundreds of anti-LGBTQ+ bills have been introduced across the U.S., many targeting trans youth and queer families. Online hate continues to rise. And schools and libraries, once safe havens, are facing increasing censorship of queer content. For young LGBTQ+ people navigating this reality, seeing themselves represented in culture, art, and public life can be life-saving.
Mattachine Society “Sip-In” Julius’ Bar, New York. Photo: Fred W. McDarrah / Getty Images
The rainbow flag remains a visual shorthand for “you are safe here.” It helps queer people — especially youth, immigrants, and those newly out — recognize allies and affirming spaces. When a business, institution, or even a coffee shop displays it with sincerity, it sends a clear and courageous message: “We see you. You belong.”
Removing that symbol because it has been misused by others only further erodes visibility. The answer to rainbow washing is not to erase the rainbow. It’s to reclaim it.
Beyond the Rainbow, But Not Without It
As the community evolves and embraces more inclusive symbols — like the Progress Pride Flag or identity-specific flags — the rainbow still serves as an entry point. It connects generations and reminds us of a shared struggle. It’s not the only symbol we need, but it’s one we still do.
The queer community has never been monolithic. Our stories are vast and varied — and so are our symbols. But the rainbow’s strength lies in its simplicity. It doesn’t dilute our complexity; it honors our diversity. Just like the spectrum of light, we are many colors, many identities, many truths.
In a time where many feel under siege, we cannot afford to dim our colors. Art institutions like the Getty are stepping up to ensure that our stories — and our symbols — remain visible, honored, and celebrated. And we, too, must keep flying the rainbow high.
Not because it’s trendy. But because it still saves lives.
Chrissy Chlapecka is living proof that unapologetic authenticity and a little bit of glitter can take you a long way. From viral videos that redefined bimbo feminism to headlining Pride stages across the country, the Chicago native has blossomed into a full-fledged pop star—and she’s doing it entirely on her own, fabulously queer terms.
This June, Chrissy kicked off her first full-scale Pride performance run in West Hollywood, where she now lives, surrounded by the community that’s lifted her from internet personality to pop music provocateur. Speaking exclusively with Gayety at the start of her Pride month shows, Chrissy shared what this moment means to her—and how she stays grounded through the whirlwind of performances, sequins, and self-expression. “It is such an honor to start my Pride run here in West Hollywood, where I’m living,” she said. “It was so much fun. The crowd was amazing and I’m just really grateful to be here and have this experience.”
From TikTok to Touring Artist
Chrissy first broke into public consciousness through TikTok, where her high-camp, hyper-feminine persona, irreverent comedy, and razor-sharp takes on gender and politics earned her a loyal fanbase. Her bimbo-era content didn’t just go viral—it reframed what femininity could look like in the digital age. She fused empowerment with playfulness, flipping old stereotypes on their heads and making space for queer joy in the process.
Now, she’s channeling that same energy into her music. With tracks like “Head Bitch” and the sapphic anthem “Cherry Do You Love Me,” Chrissy is delivering infectious pop music that’s as bold and unfiltered as the person behind it. Her music isn’t just catchy—it’s queer storytelling at its most vivid. “’Head Bitch’ is probably the gayest song I’ve made—it’s self-explanatory,” she laughed. “And then there’s ‘Cherry Do You Love Me,’ which is basically yearning after a girl who may or may not love you back. What else is lesbianism?”
The Pride Performance Ritual
When it comes to getting ready for a Pride show, Chrissy keeps her pre-show ritual delightfully on brand: sweet, bubbly, and centered around community. “On my rider, I ask for chocolate chip cookies,” she said. “And then I like Prosecco before I go on as well. And I just think to myself, ‘Wow, I’m so happy I’m going to be around gay people.’ Because I can’t wear this in front of people who aren’t gay—the gay people get it.”
Whether it’s bedazzled bodysuits or tongue-in-cheek lyrics, Chrissy’s art thrives in spaces where queer people feel seen and celebrated. Pride performances, she says, aren’t just concerts—they’re affirmations.
Managing the High-Energy Chaos
Pride month isn’t a sprint—it’s a marathon. With shows lined up back-to-back across major cities, Chrissy emphasizes the importance of rest and reflection to keep her grounded through the chaos. “I think a lot of it is about taking space for myself afterwards,” she shared. “I meditate on the things I enjoyed in the performance, what I want to work on, all of those things. Then I eat my chocolate chip cookies in my trailer, and go home and hang out with more gay people.”
For Chrissy, community isn’t just a theme—it’s her fuel.
Reflecting on Her Journey
From humble beginnings making content alone in her room to dancing under rainbow lights in front of thousands, Chrissy doesn’t take her journey for granted. The leap from TikTok videos to Pride festival stages isn’t just about scale—it’s about evolution. “I’m beyond grateful for my entire journey online,” she said. “Being able to make so many people laugh meant the world to me. And now, I just hope that through music, I can hit people in the heart in the same way—with my singing and dancing and everything I’ve done since I was a kid. I feel more connected to myself and to my fans now than ever before.”
That connection—real, raw, and irreverently queer—is exactly why Chrissy Chlapecka continues to rise. She isn’t following the industry mold; she’s breaking it in heels, with glitter in her wake. And this Pride season, she’s bringing her entire evolution to the stage: unapologetic, unfiltered, and unquestionably unforgettable.
As Jurassic World Rebirth charges into theaters this July, it’s not just the dinosaurs capturing attention—it’s also the leading man at the film’s helm. Jonathan Bailey, best known for his breakout role as Lord Anthony Bridgerton in Netflix’sBridgerton, is stepping into his biggest role yet as Dr. Loomis in the upcoming summer blockbuster. But for Bailey, this milestone carries more than just box office expectations—it’s a moment loaded with personal and cultural significance.
In a recent cover story for The Hollywood Reporter, Jonathan Bailey opened up about the challenges and weight of being an openly gay actor headlining a major Hollywood franchise. He admitted that while representation has evolved, the pressure to be “excellent” still lingers—particularly when breaking through longstanding industry norms. “There are moments where, yes, you feel like you have to be excellent just to prove you can do it,” Bailey, 37, told THR. “There’s the weight of history, and the many brilliant people who came before who’ve changed how we talk about sexuality.”
Bailey’s comments touch on a wider conversation in Hollywood—how LGBTQ+ actors, particularly gay men, have historically faced obstacles when it comes to landing leading roles, especially those involving straight characters. While the tide has shifted, Bailey notes that the journey is far from over. “Being an out gay actor, historically, meant you wouldn’t be able to play straight—and there weren’t many gay parts to play, either,” he said. “That’s changed massively. But there’s still work to do.”
From Period Dramas to Prehistoric Adventures
Bailey’s transition from corsets and candlelight in Bridgerton to roaring dinosaurs in Jurassic World Rebirth is a testament to his versatility as an actor. In this latest installment of the Jurassic franchise, he stars opposite Scarlett Johansson, playing a paleontologist thrust into chaos when genetically resurrected dinosaurs threaten humanity once again.
Directed by Gareth Edwards, Jurassic World Rebirth is the latest chapter in a billion-dollar franchise that has previously been led by the likes of Sam Neill, Jeff Goldblum, Laura Dern, Chris Pratt, and Bryce Dallas Howard. The 2025 ensemble cast also features Mahershala Ali, Rupert Friend, Manuel Garcia-Rulfo, and Luna Blaise.
Bailey’s Dr. Loomis is a grounded, intellectually curious figure—a far cry from some of the franchise’s more rugged action heroes. But his inclusion in the central role signals something more important: that LGBTQ+ actors can carry genre-defining, mass-appeal films without compromise.
Bechir Sylvain, Jonathan Bailey, and Scarlett Johansson. Photo: Universal Pictures
The Quiet Power of Queer Leadership
Bailey’s role isn’t just significant because of his character, but because of the real-world implications of his casting. LGBTQ+ actors have long been relegated to supporting roles, particularly in action and adventure films. His casting, alongside established stars like Johansson and Ali, sends a clear message that queerness is not a limitation—it’s part of the modern leading man.
In interviews and past conversations, Bailey has consistently spoken about the paradox of queer visibility in Hollywood. In a 2021 Attitude magazine feature, he reflected on being discouraged from coming out by others in the industry—many of them gay men themselves. “The most conservative conversations I’ve had about being honest about my sexuality came from other gay men in the industry,” he said at the time. “They’d say, ‘Don’t come out—you’ll limit your career.’”
That fear is one Bailey chose not to abide by. Instead, he’s built a post-Bridgerton resume that includes high-profile projects like Showtime’s Fellow Travelers, where he starred opposite Matt Bomer in a sweeping historical gay romance, and the upcoming Wicked film adaptation, where he plays Prince Fiyero alongside Cynthia Erivo and Ariana Grande.
For Bailey, the most powerful response to any lingering prejudice is simply showing up and doing the work. “Any sort of prejudice against sexuality is something to fight against,” he told THR. “And what better way to do that than to go play any kind of character—gay or straight, hero or villain.”
When Representation Becomes Commodity
While Bailey celebrates the strides made in recent years, he’s also acutely aware of the commercialization of queer identity in entertainment. He points to the emerging trend of studios seeking gay actors explicitly for LGBTQ+ roles—as both a positive step and a cautionary tale. “It’s great that we’re no longer encouraging people to hide who they are,” Bailey said. “But it’s also telling that sexuality is becoming a commodity. That we still have to make sure it’s authentic, not just a checkbox.”
It’s a nuanced perspective that cuts through the rainbow-colored marketing of Pride Month and gets to the heart of what real inclusivity looks like: casting LGBTQ+ actors not just in LGBTQ+ roles, but in any role—because they’re right for the part.
A Blockbuster with a Message
Jurassic World Rebirth may be a spectacle-driven thriller on the surface, but its casting choices—and the conversations they spark—add an extra layer of meaning. At a time when queer rights and representation are under scrutiny across the globe, Bailey’s presence in the film is both powerful and political.
He’s not just running from raptors—he’s running toward a future where actors like him don’t need to justify their place at the top of the call sheet. “There are people now—just like I was—using the internet or cinema to figure out who they are,” Bailey said. “We owe it to them to make sure they see people like them on screen. People who are strong. People who matter.”
Jurassic World Rebirth stomps into theaters July 2.
When Squid Game first hit Netflix in 2021, it wasn’t just a chilling survival drama—it was a cultural phenomenon. Hailing from South Korea, the series tackled economic inequality, social desperation, and moral ambiguity through a bloody and brutal competition that felt both dystopian and alarmingly familiar. But beyond the carnage, creator Hwang Dong-hyuk ensured that each character stood for something more.
Season 3 takes that a step further, introducing one of the series’ most important characters yet: Hyun-ju, a transgender woman portrayed by actor Park Sung-hoon. In a franchise known for elevating underrepresented voices, Hyun-ju’s inclusion isn’t just symbolic—it’s a turning point for LGBTQ+ representation on a global stage.
A Transgender Character at the Center of the Narrative
Hyun-ju isn’t a background figure or a stereotype. She’s a central part of the narrative—a strong, complex woman who faces prejudice, earns respect, and protects others amid the chaos of the game. Her arc echoes real-life trans experiences of resilience, survival, and the long road to social acceptance.
“She had to fight against a lot of bias and prejudice,” Park said during an exclusive interview with Gayety. “Geum-ja didn’t like her at first, but then she warms up to her and brings her into the fold. That’s what I hope for viewers, too—that they start to see people like Hyun-ju differently.”
The Actor Behind the Role: Park Sung-hoon’s Commitment
Portraying a transgender character as a cisgender man is not a choice without controversy. Park was aware of the weight of the role and the conversations it would stir. But rather than shy away from it, he embraced the responsibility with thoughtfulness and care.
“I knew there would be questions about a cis man playing this role, and that’s valid,” Park said. “That’s why I made sure to meet with transgender individuals, to get their advice and listen to their stories. I wanted to understand their experiences deeply and avoid reducing this character to a caricature.”
Park Sung Hoon in Squid Game Season 2. Photo: Netflix
His preparation involved not just reading scripts or watching portrayals on screen, but engaging in heartfelt conversations with members of the transgender community. Park’s goal wasn’t just to “act” the role of Hyun-ju—it was to honor the emotional, social, and cultural realities of trans women, especially those in Korea, where representation is still painfully rare.
Why This Matters in South Korean Media
South Korea remains a deeply conservative society when it comes to gender identity and LGBTQ+ issues. While younger generations are increasingly pushing for inclusivity, institutional and societal barriers remain significant. The tragic death of a transgender soldier, Byun Hee-soo, in 2021 sparked national and international outrage after she was dismissed from the military and died by suicide. Her story became a rallying cry for trans rights in South Korea—and a stark reminder of the country’s systemic issues.
Creator Hwang Dong-hyuk acknowledged this in his decision to include Hyun-ju. “In Season 1, I highlighted characters like Ali, a migrant worker, and Sae-byeok, a North Korean defector—people marginalized in Korean society,” he said. “For Season 3, I felt it was time to spotlight the trans community, who are often among the most marginalized.”
For Hwang, creating Hyun-ju wasn’t about tokenism. It was about shifting public perception through powerful, empathetic storytelling.
A Partnership Built on Trust and Respect
Hyun-ju forms one of the most moving relationships of the season with fellow player Geum-ja, portrayed by veteran actress Kang Ae-sim. The characters develop a bond that reflects mutual respect and emotional depth—a rarity for trans representation in mainstream media.
“He portrayed Hyun-ju so flawlessly,” Kang said. “I could see in his eyes how sincere the character was. It came naturally for me to trust her, and we became a strong team.”
Their partnership in the game echoes the importance of solidarity—something often seen in real-life queer communities, especially among those fighting for safety and dignity.
Challenging Tropes and Expanding Representation
Trans characters in global media, especially in East Asia, have long been subject to misrepresentation—if they appear at all. Often portrayed as comic relief, victims, or social outcasts, they’re rarely granted the complexity and dignity of their cisgender counterparts. Park’s performance and Hyun-ju’s narrative push back on these tired tropes.
“We tend to see a lot of transgender characters reduced to caricatures,” Park said. “We don’t want that anymore. We want nuanced, layered transgender characters—because all people are layered and deserve respect.”
This sentiment reflects a growing demand for authenticity in storytelling—one where trans lives are not merely represented, but celebrated in all their complexity.
A Message for Viewers Around the World
In many ways, Hyun-ju’s character operates on multiple levels. She’s a compelling player in the game, a fierce protector of others, and a mirror to the biases and growth of the characters around her. But more than anything, she’s a symbol of possibility—for greater empathy, more inclusive narratives, and ultimately, more visibility for transgender people in entertainment.
Park hopes that viewers come away from the show changed. “If someone sees the show and feels like Geum-ja did at first—hesitant, skeptical—I hope they, too, can grow to see Hyun-ju for who she really is. That’s how change starts.”
Jo Yu-ri, who plays Jun-hee, a mother fighting to protect her child within the brutal game, shared her personal reflections on Hyun-ju’s impact. In both her performance and personal view, she chose not to focus on Hyun-ju’s gender identity, but on her strength and compassion. “None of that crossed my mind in how I approached her character,” Yu-ri said. “To me, she was simply a protector—someone I felt gratitude and love toward.” Her sentiment reflects one of the season’s most powerful themes: that trans women, often portrayed as outsiders, are equally capable of heroism, love, and leadership. In portraying Hyun-ju as a central figure of protection and solidarity, Squid Game flips the script on how trans identities are often framed in mainstream media.
The Power of Storytelling in a Global Franchise
It’s worth emphasizing that Squid Game is not just a Korean show—it’s a global phenomenon. With millions of viewers across the world, its messages about inequality, morality, and human connection reach far and wide. Including a transgender character at the heart of such a widely watched series is not just a creative decision—it’s a political and cultural one.
Netflix has increasingly invested in diversity, but shows like Squid Game demonstrate how that diversity can go beyond token gestures. By embedding meaningful representation into the very structure of the story, the series makes it harder to ignore or dismiss the lived realities of marginalized groups.
As the season concludes, the emotional toll on both characters and audiences is undeniable. Kang Ae-sim reflected on the intense scenes and the supportive environment that allowed her to tap into those emotions. “There were moments I worried I couldn’t pull it off,” she said. “But the atmosphere on set, especially thanks to Director Hwang, was so calming. That helped us all go deeper emotionally.”
For Park Sung-hoon, the takeaway is clear: representation should never be an afterthought. It should be central to storytelling—an opportunity to reflect the world as it is, and the world we want to build.
“I hope we continue to see more trans characters,” he said. “Not just in survival games or tragic arcs, but in love stories, comedies, everything. We all deserve to be seen.”
Pop sensation Kesha is truly living up to the title of her latest single, “Boy Crazy,” with a deliciously provocative and wildly entertaining new music video. Released Tuesday, the visual spectacle offers a tantalizing preview of her upcoming album, “Period,” which is set to drop in a few weeks. Directed by Kesha herself alongside Brett Loudermilk and Zain Curtis, the video is a vibrant, no-holds-barred journey into the whimsical depths of desire.
The “Boy Crazy” video is a feast for the eyes, immediately immersing viewers in a scene that evokes a modern, cheeky “Last Supper” tableau. Kesha presides at the head of a sprawling table, encircled by a diverse and captivating array of men, each exuding their own unique allure and energy. As she belts out the track’s playfully unhinged lyrics, the visual narrative takes delightfully absurd turns. In one memorable shot, the pop star perches playfully on a man’s back, wielding a fishing rod from which a single, pink panty dangles provocatively.
The visual feast continues with Kesha exuding an air of cool nonchalance, elegantly puffing on a long cigarette holder from the confines of a classic car, once again surrounded by a throng of male admirers. Another frame captures her with a wonderfully blank stare, unperturbed as a man comically presents his derriere inches from her face – a testament to the video’s commitment to irreverent humor. The lyrics, “Gimme, gimme, gimme all the boys / I just need a little love tonight / I can’t help it, baby, I’m on fire,” serve as the playful mantra for this unbridled celebration of infatuation.
The video culminates in an unrestrained, playfully NSFW montage that leaves little to the imagination. Men enthusiastically engage in make-out sessions, are joyfully doused with a hose, and strike uninhibited nude poses, cleverly censored with pixelation. The final, lingering shot is pure Kesha: a knowing smirk gracing her lips as she cradles a man in her arms, tenderly feeding him from her breast – a provocative, yet oddly tender, inversion of traditional imagery.
The “Boy Crazy” video features an eclectic and vibrant cast, showcasing Kesha’s knack for collaboration and her embrace of diverse talent. Notable models, porn stars, dancers, and fixtures of the Los Angeles nightlife scene lend their unique charisma to the visual narrative. Among them are the charismatic Horsegurl3000, the electrifying Bonavega, the compelling Mark Daftari, the dynamic Brooks Ginnan, the magnetic D’Mahdnes Lavaughn, and the captivating Steffon Palmer. Each brings a distinct flair, contributing to the video’s overall atmosphere of playful anarchy and inclusive desire.
This latest visual offering is a significant precursor to Kesha’s highly anticipated album, “Period,” slated for release on July 4. The album follows a string of successful singles that have already given fans a taste of her new musical direction. These include the vibrant “Joyride,” the catchy collaboration “Yippe-Ki-Yay” featuring T-Pain, and the introspective “Delusional.”
“Period” holds particular significance as it marks a new chapter in Kesha’s career, being released under Kesha Records. This independent label, which she boldly launched in 2024, operates with distribution through Warner Music Group’s independent distribution arm, ADA Worldwide. This move signifies a powerful reclamation of her artistic autonomy and a clear statement about her control over her creative future.
Kesha has been vocal about her intentions behind this independent venture. Last year, she articulated her vision for Kesha Records, emphasizing the core values that will define her new musical home. “My name has become synonymous with transparency, integrity, and safety, and I want to ensure that these values are upheld for myself and any future artists signed to my label,” Kesha stated. This commitment to ethical and supportive practices within the music industry highlights her dedication to fostering a healthier environment for artists.
She further elaborated on her motivation, underscoring the broader impact she hopes to achieve through her music and her label. “Music has the power to connect the world, and I aspire for my work to be a beacon of light and goodness. I am excited to take control of my narrative and rewrite my story in the music business.” This powerful declaration underscores a desire not only for personal artistic freedom but also for her work to contribute positively to the cultural landscape.
The “Boy Crazy” music video is more than just a promotional tool; it’s a bold artistic statement that perfectly encapsulates Kesha’s uninhibited spirit and her unwavering commitment to authenticity. Its themes of playful desire, gender fluidity, and unapologetic self-expression resonate deeply with Gayety.com’s readership, making it a must-watch for anyone celebrating individuality and queer joy. As “Period” approaches its release, fans can anticipate an album that continues to push boundaries and explore the multifaceted layers of Kesha’s evolving artistry under her newly forged independent banner. This video is a thrilling indication that Kesha’s “Period” is truly her statement.
