Author: Andy Lalwani

  • LGBTQ+ Artists Shine in 2025 Tony Award Nominations, with Cole Escola and Queer Playwrights Leading the Pack

    LGBTQ+ Artists Shine in 2025 Tony Award Nominations, with Cole Escola and Queer Playwrights Leading the Pack

    The 2025 Tony Award nominations were announced this week, and LGBTQ+ talent is taking center stage in one of the most diverse and queer-inclusive lineups in Broadway history.

    Among the biggest standouts is Oh, Mary!, the offbeat historical comedy written by and starring Cole Escola. The play, which imagines Mary Todd Lincoln as a chaotic figure on the edge of emotional collapse, earned five Tony nominations. Escola received dual nods as both the playwright and lead actor, while director Sam Pinkleton and featured actor Conrad Ricamora picked one up as well.

    Escola, who is nonbinary and uses they/them pronouns, is nominated in the category of Best Performance by a Leading Actor in a Play. According to a November 2024 decision by the Tony Awards Administration Committee, Escola was deemed eligible in a male-designated category despite portraying a female character. The decision echoes recent developments around gendered award categories and the growing calls to make room for nonbinary and trans performers.

    If Escola wins, they would become the third nonbinary performer to take home a Tony in a male-designated category, following Shucked‘s Alex Newell and Some Like It Hot‘s J. Harrison Ghee, who made history in 2023. That same year, nonbinary performer Justin David Sullivan withdrew from Tony consideration over the gendered structure of the categories, calling for meaningful change in how the American Theatre Wing recognizes gender-diverse talent.

    Queer Voices Dominate Best Play Category

    This year’s Best Play category is a triumph for queer representation. Alongside Escola, playwrights Branden Jacobs-Jenkins (Purpose) and Kimberly Belflower (John Proctor Is the Villain) received nominations for their groundbreaking works.

    Jacobs-Jenkins’ Purpose explores themes of legacy, identity, and generational tension within a prominent Black family in Chicago. The play earned a total of six nominations, including Best Play and acting nods for Jon Michael Hill and LaTanya Richardson Jackson in the lead roles. Supporting actors Glenn Davis, and Tony Award-winner Kara Young also received nominations.

    Belflower’s John Proctor Is the Villain reimagines Arthur Miller’s The Crucible through the lens of a modern-day high school English class, tackling issues of consent, power, and patriarchy. The production tied for the most nominations of any play this year, earning seven in total. Sadie Sink, known for her role in Netflix’s Stranger Things, was nominated for Best Leading Actress in a Play for her performance in John Proctor. Gabriel Ebert, who previously starred alongside Harvey Fierstein in Gently Down the Stream, also picked up a nomination for his work in the show.

    More Queer and Trans Talent Recognized

    Jonathan Groff, a recent Tony winner and longtime Broadway favorite, is nominated again for his portrayal of singer Bobby Darin in the new jukebox musical Just In Time. Out actor Grey Henson also joins the leading actor category for his performance as Buddy in the revival of Elf the Musical.

    In the featured acting categories, Brooks Ashmanskas was recognized for his comedic work in Smash!, the Broadway adaptation of the NBC series. Francis Jue was nominated for his role in Yellow Face, which revisits the debate around racial representation in casting through a semi-autobiographical lens.

    Audra McDonald Breaks Records

    While not part of the LGBTQ+ community herself, Broadway icon and queer favorite Audra McDonald made history this year by becoming the most Tony-nominated performer of all time. She picked up her 11th nomination for her portrayal of Mama Rose in a bold new production of Gypsy. McDonald will compete in the Lead Actress in a Musical category against other queer fan favorites, including Megan Hilty (Death Becomes Her) and Nicole Scherzinger (Sunset Boulevard).

    Calls for Inclusivity in Awards

    The continued use of gendered acting categories has sparked ongoing debate within the theater industry. Advocates are calling on the American Theatre Wing and Tony Awards producers to reimagine the awards structure in a way that recognizes nonbinary and trans performers without forcing them into binary categories.

    While some progress has been made in allowing nonbinary performers to choose which category they wish to compete in, critics argue this solution still reinforces outdated binaries. For Escola and others, their nominations signal both a celebration and a call to action for a more inclusive future.

    “I’m honored and also very aware of how much further we still need to go,” Escola said in a recent interview. “I want everyone—no matter how they identify—to feel seen, valued, and represented on stage and in recognition.”

    What’s Next

    The 2025 Tony Awards will be broadcast live on Sunday, June 8, on CBS. For a complete list of nominees and ticketing information, visit TonyAwards.com.

    The stage is set, the curtains are drawn, and one thing is clear: the future of Broadway is queer, bold, and unapologetically creative.

    Correction: A previous version of this article did not include Harry Lennix’s nomination, and stated that Michael Urie, Jim Parsons, and Grey Henson received nominations.

  • Florence Pugh Slams Unrealistic Beauty Standards: ‘Being Compared to Runway Models Is So Frustrating’

    Florence Pugh Slams Unrealistic Beauty Standards: ‘Being Compared to Runway Models Is So Frustrating’

    Florence Pugh is pushing back against the fashion-focused expectations placed on actresses in Hollywood, saying the industry often conflates acting with modeling — and unfairly so.

    In a candid new cover story for Who What Wear, the Oscar-nominated actress from “Thunderbolts” opened up about the evolving demands placed on performers, particularly the pressure to look and present like runway models. The Marvel star, who has become one of Hollywood’s most compelling young stars, says the industry’s fixation on physical appearance — especially on red carpets and in photo shoots — distracts from what actors are actually hired to do: act.

    Lewis Pullman, Hannah John-Kamen, Geraldine Viswanathan, Julia Louis-Dreyfus, Florence Pugh, and Jake Schreier attend the New York Special Screening of THUNDERBOLTS hosted by The Cinema Society at iPic Theater on April 30, 2025 in New York City.
    Lewis Pullman, Hannah John-Kamen, Geraldine Viswanathan, Julia Louis-Dreyfus, Florence Pugh, and Jake Schreier attend the New York Special Screening of THUNDERBOLTS hosted by The Cinema Society at iPic Theater on April 30, 2025 in New York City. (Photo by Jamie McCarthy/Getty Images for Disney)

    “It’s so sh*t,” Pugh told Who What Wear. “It’s not the same thing. It’s not the same thing at all. I had this conversation recently with a friend.… It’s just mental that red carpets are even an expectancy of someone that is not…. That’s not even their job.… They don’t model.”

    Pugh, 29, went on to emphasize the emotional depth and vulnerability required in acting — a skillset she believes is being overshadowed by image-based expectations.

    “They are good at being on a camera that is this close with that face, and they know how to show how raw their soul is on the flick of a switch,” she said. “That’s their talent. Their talent isn’t anything beyond that. I mean, it might be, but that’s what they’re getting paid to do, and that’s what we recognize them for.”

    Florence Pugh attends the New York Special Screening of THUNDERBOLTS hosted by The Cinema Society at iPic Theater on April 30, 2025 in New York City.
    Florence Pugh attends the New York Special Screening of THUNDERBOLTS hosted by The Cinema Society at iPic Theater on April 30, 2025 in New York City. (Photo by Jamie McCarthy/Getty Images for Disney)

    The Oppenheimer star said it’s unfair that actors are often compared to professional models, particularly on red carpets. “You’re supposed to be able to be like a runway model, and you’re compared against runway models,” she said. “That’s not our job.”

    A Growing Burden in Modern Hollywood

    Pugh’s comments come amid a broader conversation about how social media, fashion, and celebrity culture intersect in today’s entertainment industry. Increasingly, actors are judged not only by their performances, but by their Instagram presence, red carpet looks, and how well they photograph. This has led to growing concerns that talent is being overlooked in favor of appearance — especially for women in the business.

    Reports in recent years have highlighted how casting decisions can be swayed by an actor’s social media following or visual appeal, even for roles that have little to do with glamour. Pugh acknowledged these shifting dynamics, noting that the expectations for actors have drastically changed over the past decade.

    Learning to Navigate the Spotlight

    While Pugh has become a red carpet regular and a muse for several high-profile designers — including Valentino and Harris Reed — she admits the process hasn’t always been comfortable. When asked whether modeling feels like stepping into a character, the actress was quick to reject the comparison.

    “It’s so exposing because it’s you being beautiful, which is like everybody’s inner hell,” she said. Unlike acting, where she can inhabit someone else’s skin, modeling puts her personal identity and appearance front and center.

    That vulnerability has taught her to advocate for herself, especially when it comes to styling. “Once you do, you know, shoot after shoot after shoot, you get better, and you get more confidence,” she explained. “You see the pictures, and you see the work, and you’re like, ‘Okay, that looks great. I’m going to now make sure that I know how to argue when a certain piece of clothing isn’t working.’”

    Pugh said learning how to stand up for herself on set and during shoots has been a gradual process — one that came with experience and self-awareness.

    Grounded in Her Craft

    Despite her growing fashion credentials, including head-turning appearances at the Venice Film Festival, Met Gala, and most recently London Fashion Week, Pugh remains focused on her primary role: storytelling. With critically acclaimed performances in films like Lady Macbeth, Midsommar, Don’t Worry Darling, Oppenheimer, and Dune: Part Two, she has established herself as a serious and versatile actress.

    But even with such a strong resume, she said the pressure to be aesthetically perfect never quite goes away.

    “If I’m disappointed about how something turned out or looked or if someone’s saying something nasty about the dress that I was wearing or if I was a bit too heavy for the dress or a bit too this or that or whatever sh*t someone wanted to say to me,” she said, “I have to be like, ‘Babe, this is not even why you’re…. This is not your job.’”

    A Message for the Next Generation

    Pugh’s words reflect a growing movement among actresses and public figures who are calling for a reevaluation of how women are perceived and judged in entertainment. In recent years, stars like Jennifer Lawrence, Zendaya, and Emma Stone have also pushed back on body-shaming and image-based commentary, advocating instead for a return to valuing the craft of acting.

    For Pugh, it’s about drawing a clear boundary between performing and being perceived.

    “I’m here to do my job,” she said. “And that job is not modeling.”

    As Hollywood continues to wrestle with issues of representation, body image, and the conflation of fame with beauty, voices like Pugh’s are helping to reshape the conversation — one honest interview at a time.

  • Laverne Cox Opens Up About ‘Clean Slate’ Cancellation And New Path Forward: ‘I Was Gutted and Devastated’ (Exclusive)

    Laverne Cox Opens Up About ‘Clean Slate’ Cancellation And New Path Forward: ‘I Was Gutted and Devastated’ (Exclusive)

    Laverne Cox is opening up about the emotional impact of Clean Slate’s cancellation, calling the end of the series “gutting” and a “devastating” loss—not just for her as an actor, but for the fans who embraced the show.

    In a candid moment with Gayety at the opening of The Tryst Hotel in Puerto Vallarta, Cox reflected on how she first felt upon hearing the news that Clean Slate, the Freevee comedy starring Cox and George Wallace, would not be moving forward after its first season. Despite the heartbreak, the Emmy-nominated star made it clear that she’s choosing gratitude over regret.

    “I was gutted and devastated,” the ‘Orange Is The New Black‘ alum admitted. “But moving forward is the fans—and how we’ve already, with that one season, touched people and made a difference. The love that we gave and put into it, I’ve gotten it back ten times, and I keefep getting it.”

    ‘Clean Slate’ Promised Representation, Then Vanished

    Clean Slate premiered to buzz for its fresh premise: Henry, a conservative Alabama car wash owner, is forced to reconcile with his estranged child Desiree (played by Cox), who returns home as a proud trans woman. The series was praised for tackling themes of identity, family, and generational acceptance with humor and heart.

    Laverne Cox for 'Clean Slate.'
    Laverne Cox for ‘Clean Slate.’

    Cox’s casting was hailed as groundbreaking. For many trans viewers, seeing a Black trans woman co-lead a sitcom wasn’t just exciting—it was revolutionary. That’s part of why the cancellation hit so hard.

    “Whether it’s one season, six seasons—that relationship between us and the fans is everything,” Cox said. “Thank you to the fans who watched and are continuing to watch and love our show.”

    While Freevee and Amazon did not release detailed reasons behind the cancellation, industry insiders cited strategic shifts in programming and viewership data as contributing factors. Still, the sudden end left many questioning what space, if any, streaming platforms are truly making for stories led by and centered on trans characters.

    Demi Lovato and Laverne Cox attend the Pool Party during the Grand Opening Weekend at The Tryst Puerto Vallarta on April 26, 2025 in Puerto Vallarta, Mexico
    Demi Lovato and Laverne Cox attend the Pool Party during the Grand Opening Weekend at The Tryst Puerto Vallarta on April 26, 2025 in Puerto Vallarta, Mexico. (Photo by Vivien Killilea/Getty Images for Tryst Hotels)

    Beyond the Red Carpet

    The end of Clean Slate isn’t the only shift in Cox’s professional life. She also recently stepped away from her high-profile red carpet hosting duties at E!, where she served as a dynamic, stylish, and deeply thoughtful interviewer.

    “Deep respect to anyone who works the red carpet,” Cox said. “It was so much work. And I always hold myself to a very high standard.”

    Known for her sharp questions, affirming energy, and undeniable fashion presence, Cox made a mark on the carpets. But she also revealed how emotionally and mentally taxing the job could be.

    “It was so much work, and it was stressful,” she said. “And I’m an artist. I needed to step away.”

     

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    A post shared by Gayety (@gayety)

    “The ratings were through the roof at E! when we were there,” Cox added. “I’m proud of that. I think we elevated the conversation, and we made the artists feel good and the audience feel good.”

    What’s Next for Laverne Cox?

    Even as she steps away from two major platforms, Cox is far from done. Known for blazing trails and setting new standards in both Hollywood and media, she’s made it clear that she’s ready for the next chapter—whatever it may be.

    “I just always want to do my best,” she said, thanking Lalwani and fans for their support. “And now—onto the next thing.”

    With Clean Slate behind her, the red carpet in the rearview, and a career that’s always evolving, Cox remains a defining voice in trans visibility, intersectional storytelling, and authentic representation in Hollywood.

    For fans still mourning Clean Slate, Cox’s message is simple but powerful: the work mattered—and it still does.

  • ‘White Lotus’ Star Jon Gries Gets Playful — and Shirtless — in New Jacquemus Campaign

    ‘White Lotus’ Star Jon Gries Gets Playful — and Shirtless — in New Jacquemus Campaign

    You’ve never seen Greg from The White Lotus like this.

    Jon Gries, best known for his role as the scheming Greg Hunt (aka “Gary”) in HBO’s The White Lotus, is turning heads in a way fans didn’t see coming. At 67, the veteran actor has stripped down — literally — for a vibrant and cheeky new fashion campaign by Jacquemus, and let’s just say… he’s giving “daddy” in a way that even Tanya McQuoid might appreciate.

    The French label, known for its surrealist flair and viral runway moments, tapped Gries for a campaign that feels like a crossover between high fashion and a quirky daydream. In the photos, Gries is seen shirtless, banana-print boxers peeking out from under his low-rise jeans, topped with a Jacquemus jacket and a bold sunhat. He’s serving laid-back louche meets European vacation dad — and it works.

    In another image, he’s seen golfing in loungewear, nibbling on an actual banana, or lounging while fully suited. It’s an unexpected, joyful twist on masculinity, and Gries leans into the moment with a confidence and charm that reminds us: aging is not the enemy — especially not in fashion.

     

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    A post shared by JACQUEMUS (@jacquemus)

    A Gay Icon in the Making?

    While Greg Hunt may not have officially come out on The White Lotus, queer fans of the show have long speculated about his sexuality — and his motivations. In season two, his relationship with the flamboyant Quentin (played by Tom Hollander) raised more than a few eyebrows. By season three, Greg is reportedly dating a young model named Chloe (played by Charlotte Le Bon) while engaging in voyeuristic fantasies involving other men.

    Is Greg queer? The show doesn’t give us a straight answer (no pun intended), but Jon Gries has acknowledged that Greg is complex and morally gray. “He has no interest in having friendships,” Gries said in a previous interview. “Everything was on a contract basis with him. He wants control.”

    Queer-coded villain? Repressed bisexual? Emotionally unavailable straight man? Whatever Greg is, he’s messy — and we love that for him.

    And while Gries isn’t explicitly discussing sexuality in this campaign, the visual language is deeply queer. Banana motifs? A little skin? Gender play with clothing and presentation? Check, check, and check. In fact, the shoot feels like a wink to queer fans who’ve had their eye on Greg (or at least his motives) since season one.

    Jacquemus Knows the Gays Are Watching

    Jacquemus, founded by Simon Porte Jacquemus in 2009, has long drawn inspiration from queer culture and art. The label blends high fashion with humor, minimalism with excess, and classic French silhouettes with Mediterranean warmth. Think: camp meets couture. Past campaigns have included same-sex couples, sensuality across the gender spectrum, and a healthy dose of absurdity — so casting Jon Gries? Inspired.

    According to Jacquemus’ official brand description, the label “references a French way of life and universal gestures of beauty: from fine art photography to the decorative arts, cinema, painting, and sculpture.” The Gries campaign adds a dose of generational appeal and an “older man chic” energy that’s often missing from mainstream fashion campaigns.

    It’s refreshing to see a brand so openly embrace an unconventional muse, especially one who defies the usual standards of youth, abs, and influencer clout. Gries may not be the first person who comes to mind when you think of high fashion — but maybe that’s the point.

    Greg Is the Only Constant in ‘The White Lotus’ Universe

    Gries remains the only actor to appear in all three seasons of The White Lotus, and his character’s evolution (or, arguably, unraveling) has become one of the show’s juiciest subplots. His first-season arc saw him fall into a whirlwind romance with Tanya McQuoid (Jennifer Coolidge, in her Emmy-winning role). Season two pulled back the curtain to reveal something far more sinister — and possibly queer — beneath the surface.

    Season three, which premieres later this year, promises even more twists. Rumor has it Greg is dating a model and exploring a cuckolding kink that involves watching her with other men. Honestly? That’s growth — in a very White Lotus kind of way.

    Queer Aging, Reframed

    Gries’ campaign arrives at a time when conversations around aging — particularly in queer and fashion spaces — are becoming more visible. There’s often a toxic emphasis on youth in both industries, but campaigns like this one help shift the narrative. You don’t have to be 25 with a six-pack to be sexy, stylish, or subversive.

    In fact, Gries’ presence in the campaign challenges outdated standards of desirability. He’s not the punchline — he’s the look. And that, especially for queer audiences who are used to seeing older men erased or mocked, feels radical.

    Whether or not Greg Hunt is gay, and whether or not Jon Gries is on your fashion radar, one thing is clear: the man knows how to serve a look. And in the world of Jacquemus, that’s more than enough.

    In the words of Tanya McQuoid: “You’re not just a pretty face… but you’re definitely not boring.”

  • Lorde Announces Fourth Studio Album ‘Virgin’ Set for June 27 Release

    Lorde Announces Fourth Studio Album ‘Virgin’ Set for June 27 Release

    Lorde has unveiled the title and release date of her highly anticipated fourth studio album, Virgin, scheduled for release on June 27, 2025. The announcement marks her first full-length project since 2021’s Solar Power.

    In a newsletter to fans, Lorde described Virgin as “100% written in blood,” emphasizing its raw and emotionally transparent nature. She further elaborated on the album’s themes, stating, “The color of the album is clear. Like bathwater, windows, ice, spit. Full transparency. The language is plain and unsentimental. The sounds are the same wherever possible. I was trying to see myself, all the way through. I was trying to make … openhearted, spiritual, masc.”

    Album Details and Collaborations

    The record was written with Grammy producer of the Year Dan Nigro (Chappell Roan/ Olivia Rodrigo), Blood Orange’s Devonté Hynes, Fabiana Palladino, Andrew Aged and Buddy Ross. On Apple Music, the album appears to have 11 tracks, including her latest single, “What Was That.”

    Album Artwork and Symbolism

    The album’s cover art features a blue-tinted X-ray of a pelvis adorned with a zipper, belt buckle, and the outline of an intrauterine device (IUD). This provocative imagery aligns with the album’s themes of transparency and introspection. Lorde described the cover as reflecting the era’s “clear” color, symbolizing the album’s commitment to openness and vulnerability.

    Lead Single: ‘What Was That’

    Released on April 24, 2025, “What Was That” serves as the lead single from Virgin. The track marks a return to the synth-pop style reminiscent of Lorde’s Melodrama era. The accompanying music video, filmed in New York City, features Lorde wandering through the city before culminating in a spontaneous dance performance at Washington Square Park. The impromptu event attracted a large crowd, leading to the song’s early release following its viral reception.

    Anticipation and Future Plans

    The announcement of Virgin follows a period of creative exploration for Lorde. Since the release of Solar Power, she has remained active with various projects, including re-recorded songs in Māori, launching her Sonos Radio station Solarsystym, and collaborating with artists such as Charli XCX and Marlon Williams. Virgin represents a deeply personal creative return for the artist, emphasizing vulnerability and self-expression.

    As fans eagerly await the album’s release, Lorde’s commitment to transparency and emotional honesty continues to resonate, positioning Virgin as a significant chapter in her musical journey.

  • Focus Features Announces 20th Anniversary Theatrical Re-Release of ‘Brokeback Mountain’

    Focus Features Announces 20th Anniversary Theatrical Re-Release of ‘Brokeback Mountain’

    Focus Features is celebrating the 20th anniversary of Ang Lee’s groundbreaking film Brokeback Mountain with a limited theatrical re-release. The film will return to select theaters nationwide on June 22 and 25, 2025, offering audiences a chance to experience the poignant love story on the big screen once again Focus Features.

    Brokeback Mountain, released in 2005, stars Heath Ledger and Jake Gyllenhaal as Ennis Del Mar and Jack Twist, two young men who form a complex romantic relationship while working together on Brokeback Mountain in the 1960s. The film explores themes of love, identity, and societal expectations, set against the backdrop of the American West.

    Directed by Ang Lee, the film was adapted from Annie Proulx’s 1997 short story by Larry McMurtry and Diana Ossana. It received widespread critical acclaim for its storytelling, direction, and performances, particularly those of Ledger and Gyllenhaal. The film grossed over $178 million worldwide and won three Academy Awards: Best Director for Lee, Best Adapted Screenplay for McMurtry and Ossana, and Best Original Score for Gustavo Santaolalla.

    In addition to its box office success and critical acclaim, Brokeback Mountain had a significant cultural impact. It was hailed as a landmark in LGBTQ+ cinema, contributing to broader acceptance and visibility of LGBTQ+ relationships in mainstream media. The film challenged stereotypes and opened up conversations about the complexities of love and identity. In 2018, it was selected for preservation in the United States National Film Registry by the Library of Congress for being “culturally, historically, or aesthetically significant.”

    To commemorate the film’s 20th anniversary, Focus Features is offering special screenings in select theaters. Tickets for these limited engagements are now available through Focus Features and participating theater chains. Additionally, the studio has released a new commemorative trailer and poster to accompany the re-release, allowing fans to relive the emotional journey of Ennis and Jack.

    This re-release provides both longtime fans and new viewers an opportunity to experience Brokeback Mountain in theaters once again. Whether revisiting the film or discovering it for the first time, audiences can expect a powerful and moving cinematic experience that continues to resonate two decades after its original release.

  • Madison Beer Gets Candid About Being Bisexual: ‘I’ve Never Understood Homophobic People’

    Madison Beer Gets Candid About Being Bisexual: ‘I’ve Never Understood Homophobic People’

    Pop artist Madison Beer is ready to speak her truth — and she’s doing it on her own terms. In a recent interview with Cosmopolitan, the 26-year-old singer-songwriter opened up about her bisexuality, her complicated relationship with the music industry, and how she’s approaching the next phase of her career with a renewed sense of authenticity.

    Beer, who first gained public attention at just 12 years old when Justin Bieber shared a video of her singing on YouTube, has long been a favorite in LGBTQ+ spaces. Despite this devoted fan base, she says she’s still surprised by the level of scrutiny her sexuality receives in media interviews.

    “I’m just like, ‘Yeah, I don’t really know why you give a [expletive] that I want to date a girl,’” Beer told Cosmopolitan. “I’ve never understood homophobic people, because I’m just like, ‘Why are you affected by someone else’s sexual preference?’ It doesn’t affect me unless I’m trying to sleep with you and you don’t want to sleep with me.”

    Beer emphasized that her decision to speak openly about her sexuality comes from a place of solidarity and compassion for the queer community.

    “I like to speak about it because I know how much the gay community has been through,” she said. “My grandfather married a woman and had three children with her because he was trying to convert himself. It makes me so upset that we live in this world where you can’t just be who you are.”

    Her comments come amid growing conversations about queer representation in pop culture and the often performative nature of allyship in the entertainment industry. Unlike many of her contemporaries, Beer appears committed to a message of genuine inclusion, rooted in personal and family history.

    Beer’s reflections on her sexuality are deeply intertwined with the pressures she faced growing up in the spotlight. Signed to a major label before she became a teenager, Beer recalled disturbing experiences involving the sexualization and objectification of her image by adult men in the industry.

    “There was a conversation around me when I was 14,” she shared. “I remember people being like, ‘She’s too sexy’ and ‘We can’t sell the sex because she’s so young, so we’d have to wait.’ This was a real conversation — grown men talking about how I was too sexy. I was 14.”

    Beer was eventually dropped from her first label, a move she attributes to the industry’s confusion over how to market her as an artist. But instead of letting it define her, she used the experience as motivation to reclaim her voice and creative direction.

    Now, more than a decade after her discovery, Beer is preparing to release her third studio album, which she says is a culmination of both personal growth and professional evolution.

    “I have the highest goals,” Beer said of the upcoming project, slated for release later this year. “This is hopefully what solidifies everything for me, whatever that means. That’s why it’s been hard to make — there’s a lot of pressure I’m putting on myself. So it’s taking me a second, but it feels exciting.”

    For Beer, authenticity is key. She noted that she doesn’t want success if it comes at the cost of her identity or self-expression.

    “I don’t want to succeed if it means not being who I am,” she said. “I don’t need people to love me. And I don’t want people to listen to my music if it’s not real.”

    Beer’s comments underscore the growing demand for transparency and integrity in the entertainment industry, especially among younger artists navigating fame in the social media age. Her willingness to address issues like homophobia, industry sexism, and personal identity marks her as part of a new generation of pop stars using their platforms to foster connection, not just celebrity.

    With the upcoming album, Beer is hoping to make a lasting impression — not just on the charts, but on fans who value vulnerability and truth.

    “Whatever this next chapter holds,” she said, “I just want it to feel real. I want to look back and say I was proud of what I put out into the world.”

    As she continues to advocate for LGBTQ+ visibility and call out systemic flaws in the music business, Beer remains a compelling voice in both pop culture and queer representation. And if her fans have anything to say about it, the world is finally catching up.

  • Zane Phillips Was Starstruck at First by Nathan Lane While Shooting ‘Mid-Century Modern’ (Exclusive)

    Zane Phillips Was Starstruck at First by Nathan Lane While Shooting ‘Mid-Century Modern’ (Exclusive)

    Actor Zane Phillips reflected on his time as Mason in Hulu’s new sitcom Mid-Century Modern  and even went on to say how he was at first starstruck by his fellow cast mates.

    The series, created by Max Mutchnick and David Kohan—the duo behind Will & Grace—draws inspiration from The Golden Girls, offering a fresh perspective on aging and friendship within the LGBTQ+ community.

    A Star-Studded Ensemble

    Set in Palm Springs, Mid-Century Modern follows three gay men—Bunny (Nathan Lane), Jerry (Matt Bomer), and Arthur (Nathan Lee Graham)—who, after an unexpected death, decide to spend their golden years living together. They share a home with Bunny’s mother, Sybil (Linda Lavin), forming a chosen family that navigates the ups and downs of life, love, and friendship.

    Sybil helps Arthur get a job as a personal shopper, but his condescending boss reminds Arthur he’s no longer in fashion, he’s in sales. At a casino, Jerry tries to get tickets to a Donny Osmond concert, while Bunny negotiates with a pit boss when he feels he lost money unfairly. (Disney/Chris Haston)

    Phillips’ character, Mason, appears in the fifth episode, “Fire Island,” where he meets Jerry during a trip to Fire Island. Their interaction sparks a connection that leads to a deeper exploration of Jerry’s past and present relationships. The episode delves into themes of identity, love, and the complexities of personal history.

     

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    A Memorable First Day on Set

    Speaking to Gayety at the launch of the Tryst Hotel in Puerto Vallarta, Phillips recalls his first day on set, which coincided with election day. He was particularly moved by Linda Lavin’s impromptu piano performance of a song she would later sing in the series. “It was probably the most beautiful thing I’ve ever seen in my life,” Phillips shared. The cast and crew were deeply touched by her performance, which added a poignant moment to the filming day.

    Bunny asks Jerry and Arthur to let Mindy join their pickleball team. Meanwhile, Sybil reconnects with an old friend.
    Bunny asks Jerry and Arthur to let Mindy join their pickleball team. Meanwhile, Sybil reconnects with an old friend. (Disney/Chris Haston)

    Learning from Legends

    Working alongside seasoned actors like Nathan Lane and Linda Lavin was both inspiring and humbling for Phillips and one where he was a bit start struck.

    “It’s really wacky,” the star went to say. “I was on set and I was looking at Nathan Lane and I was like, “You’re Timon.” It’s probably the first movie I’ve ever seen. And so just being in a room with these legends and they were all so kind and so funny.”

    He described the experience as a “master class,” emphasizing the opportunity to learn from their expertise and generosity. “I always want to be surrounded by people who I can learn from and who are kind enough to impart their knowledge and their skills with me,” he said.

    Sybil helps Arthur get a job as a personal shopper, but his condescending boss reminds Arthur he’s no longer in fashion, he’s in sales. At a casino, Jerry tries to get tickets to a Donny Osmond concert, while Bunny negotiates with a pit boss when he feels he lost money unfairly.
    Sybil helps Arthur get a job as a personal shopper, but his condescending boss reminds Arthur he’s no longer in fashion, he’s in sales. At a casino, Jerry tries to get tickets to a Donny Osmond concert, while Bunny negotiates with a pit boss when he feels he lost money unfairly. (Disney/Chris Haston)

    Balancing Gratitude and Professionalism

    Despite the star-studded cast, Phillips maintains a grounded perspective on his role. He acknowledges the importance of both luck and hard work in achieving success. “You have to start telling yourself it wasn’t just luck that I’m in this room,” he explained. By focusing on gratitude and professionalism, Phillips ensures that he remains focused on his craft and the opportunities before him.

    Personal Reflections

    Beyond his professional achievements, Phillips has been reflecting on the significance of family and personal connections. He expressed deep appreciation for his mother and husband, especially during challenging times. “That’s what I do it for, ultimately. It’s my family,” he said, highlighting the importance of support systems in both personal and professional life.​​

  • All WorldPride Events Canceled at Kennedy Center Under Trump-Controlled Leadership

    All WorldPride Events Canceled at Kennedy Center Under Trump-Controlled Leadership

    WorldPride 2025, scheduled to take place in Washington, D.C., from May 17 to June 8, is encountering significant challenges due to recent leadership changes at the John F. Kennedy Center for the Performing Arts. Several LGBTQ+ events, including the Tapestry of Pride series, have been relocated following the center’s leadership overhaul orchestrated by former President Donald Trump.

    Leadership Changes at the Kennedy Center

    In February 2025, President Trump dismissed the Kennedy Center’s president and chairman, replacing them with political allies, including appointing himself as chairman and Richard Grenell as the interim executive director. This restructuring has led to the cancellation of over 20 LGBTQ+ events, including performances by the Gay Men’s Chorus of Washington, D.C., and the International Pride Orchestra. The Kennedy Center cited “financial and scheduling factors” for these cancellations, but many artists and organizers view the decisions as politically motivated.

    Relocation of Events

    In response to the cancellations, the Capital Pride Alliance announced that the Tapestry of Pride series, originally scheduled for June 5–8 at the Kennedy Center, would be relocated to the WorldPride Welcome Center in downtown D.C. This series included displays of the AIDS Memorial Quilt, drag story hours, and performances by the International Pride Orchestra. The relocation aims to ensure inclusivity and maintain the event’s integrity.

    Impact on Sponsors and Artists

    The Kennedy Center’s actions have led to a ripple effect across the arts community. Corporate sponsors, including Booz Allen Hamilton, have withdrawn their support for WorldPride 2025, citing concerns over the center’s new direction and the administration’s stance on diversity, equity, and inclusion initiatives . Artists such as Issa Rae and Low Cut Connie have canceled upcoming performances at the Kennedy Center, and several musicians with the National Symphony Orchestra have authorized a strike vote in protest.

    Concerns for LGBTQ+ Travelers

    The changes at the Kennedy Center coincide with broader concerns regarding the safety and rights of LGBTQ+ individuals, particularly transgender and nonbinary travelers. The Trump administration’s new immigration policies, which require visa applicants to declare their sex assigned at birth and ban X-gender marker passports, have raised alarms among international LGBTQ+ organizations. Countries such as Germany, Ireland, Finland, and the Netherlands have issued travel advisories warning transgender and nonbinary citizens about visiting the United States during WorldPride.​

    WorldPride’s Resilience

    Despite these challenges, WorldPride organizers remain committed to ensuring the event’s success. The Capital Pride Alliance emphasizes that Pride has always been a form of protest and that celebrating in the face of adversity is a powerful statement.

    As WorldPride 2025 approaches, organizers and participants continue to navigate the evolving political landscape. The relocation of events from the Kennedy Center underscores the resilience of the LGBTQ+ community and its commitment to visibility, inclusivity, and celebration. While the challenges are significant, the spirit of Pride remains unyielding, and the community’s determination to celebrate and advocate for equality persists.

  • Jennifer Coolidge Almost ‘Got Lucky’ Hanging Out with the Gays at The Tryst Puerto Vallarta

    Jennifer Coolidge Almost ‘Got Lucky’ Hanging Out with the Gays at The Tryst Puerto Vallarta

    Jennifer Coolidge nearly had a memorable night at the grand opening of The Tryst, Puerto Vallarta’s new luxury boutique hotel catering to LGBTQ+ travelers. The event, held on Friday, April 25, 2025, was a star-studded affair that attracted numerous celebrities, including Coolidge, who shared her experiences and sentiments about the LGBTQ+ community during the festivities.

    A Night of Glamour and Celebration

    The opening night kicked off with a red carpet event hosted by Matt Rogers, setting the tone for an evening of elegance and excitement. Demi Lovato made a surprise appearance, performing her hit song “Cool for the Summer” on the hotel’s rooftop, energizing the crowd as DJ Leland spun tracks into the night. Other notable attendees included Erika Jayne, Cynthia Bailey, Sonja Morgan, Antoni Porowski, Julia Fox, Laverne Cox, Chrishell Stause, Sam Asghari, TS Madison, and Kate del Castillo, among others.

    The Tryst, founded by entrepreneur Tristan Schukraft, aims to provide a space where LGBTQ+ individuals can feel celebrated and accepted. Schukraft emphasized the importance of such inclusive environments, stating that they allow people to be themselves without judgment and to connect with like-minded individuals.

     

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    Jennifer Coolidge’s Reflections on LGBTQ+ Community

    During the event, Jennifer Coolidge took a moment to reflect on her longstanding connection with the LGBTQ+ community. She expressed that her affinity for gay men and women began at a young age, noting that she was naturally drawn to them without being consciously aware of their sexual orientations. Coolidge described these early friendships as a mutual attraction, where she and her LGBTQ+ friends simply enjoyed each other’s company without labels or judgments.

    Coolidge also shared her thoughts on being an ally to the LGBTQ+ community. She emphasized the importance of spending time with LGBTQ+ individuals, enjoying their company, and participating in events that celebrate their identities. Her presence at The Tryst’s opening was a testament to her commitment to supporting and uplifting the community.

     

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    A Lighthearted Moment: “Almost Got Lucky”

    In a playful exchange during the event, Coolidge joked about “almost getting lucky,” sparking laughter among those around her. While she kept the details lighthearted and vague, her comment added a touch of humor to the evening’s festivities. This moment highlighted Coolidge’s ability to connect with others through humor and her genuine enjoyment of the celebration.

     

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    The Tryst: A New Haven for LGBTQ+ Travelers

    The Tryst is more than just a hotel; it’s a sanctuary designed with the LGBTQ+ community in mind. Located in Puerto Vallarta’s Zona Romántica, the hotel offers 55 elegantly designed rooms that blend minimalist elegance with Mexican flair. Each room features private balconies, ultra-soft bedding, intimate mood lighting, Egyptian cotton towels, Grown Alchemist toiletries, and a mini bar stocked with favorites. The hotel also boasts a rooftop pool and bar, providing panoramic views of the city and the Pacific Ocean.

    Beyond its luxurious accommodations, The Tryst fosters a vibrant social scene. Weekly events include the “wettest drag brunch in the world,” hosted by Pelayo in the hotel’s Courtyard, featuring a rotating lineup of drag queens, bottomless mimosas, and an international brunch menu. The rooftop pool and 8th-floor cocktail lounge, Ocho, transform into the ultimate party destination, featuring world-famous DJs, signature cocktails, and iconic Tryst gogo dancers.

    The success of The Tryst’s grand opening marks the beginning of a new chapter in LGBTQ+ luxury travel. Following the Puerto Vallarta location, Schukraft plans to expand The Tryst brand with new properties in San Juan, Puerto Rico, and Fire Island, New York, in 2025. These upcoming hotels aim to offer upscale, inclusive experiences for guests seeking high-end accommodations with a vibrant, social atmosphere.

    For Jennifer Coolidge, her appearance at The Tryst’s opening was more than just a red carpet moment; it was a reflection of her enduring support for the LGBTQ+ community and her appreciation for the joy and authenticity it brings. Her presence and words resonated with many, reinforcing the importance of spaces where individuals can be their true selves without fear of judgment.

    As The Tryst continues to welcome guests and host events that celebrate LGBTQ+ culture, it stands as a testament to the power of inclusivity, community, and the shared human experience.