Gayety

Author: Andy Lalwani

  • Joel Kim Booster Opens Up About Engagement to John-Michael Sudsina: We Were Very Much ‘Let’s Just be Boyfriends for 40 Years’

    Joel Kim Booster Opens Up About Engagement to John-Michael Sudsina: We Were Very Much ‘Let’s Just be Boyfriends for 40 Years’

    Comedian Joel Kim Booster, fresh off a successful stand-up tour, sat down with drag icon Katya Zamolodchikova for a candid conversation that spanned the complexities of modern relationships, the nuances of friendship, and the ever-evolving landscape of personal boundaries. Their discussion, peppered with humor and sharp observations, offered a glimpse into their perspectives on love, marriage, and the often-murky waters of social etiquette.

    Speaking on Grindr’s Who’s The A**hole podcast, Booster, reflecting on his recent tour, noted the shifting political climate and its impact on his comedy. “I remember after 2016, me and a lot of comics were like, ‘I’m going to get up there and speak truth to power, and boy, am I going to drag him to hell and all these things,’” he said. “And this time around I’m like, I’ve said everything I have to say about this man. And I find that the audience appetite to hear a Cheeto joke has so diminished at this point.”

    The conversation then turned to the rigors of touring life. “It is a grind,” Booster admitted. “I mean, I’m gone five days out of the week probably, and then it’s usually a new city for five days in a row, and then I’m back for a couple of days and I get to reset. But it still feels like a grind because when you’re only back for two days, it’s like, what can you do?”

    “Laundry basically,” Katya quipped.

    The actor, 36, recently got engaged to his partner John-Michael Sudsina while vacationing in Jeju Island, South Korea and opened up about where they stand in life.

    “We were very much ‘let’s just be boyfriends for 40 years,’” he explained. “But then, what do you call your 40-year-old boyfriend? ‘Partner’ felt too business-like, and ‘fiancé’ was just too much French.”

    They brainstormed alternatives: “Future property,” Booster suggested. “Or ‘your sex,’” Katya quipped. The timeline for the wedding, Booster revealed, was flexible, likely a year or two out. “The main reason we decided to get engaged was that I want to throw a party, a production,” he said. “And I’m lucky enough to be in a place where I can make it happen.”

    Joel Kim Booster and Katya ZamolodchikovaAmerican drag queen for the Grindr 'Who's The A**hole' podcast
    Joel Kim Booster and Katya Zamolodchikova
    American drag queen
    for the Grindr ‘Who’s The A**hole’ podcast

    The wedding, he revealed, would be a “gay guys” affair, featuring disco house music and a focus on creating an unforgettable experience. “I don’t want it to feel like a sacrifice,” he said. “I want it to be the best f—– weekend of your life.”

    When asked about the timeline for the wedding, Booster revealed, “I think it’s probably going to be one or two years, probably only because of the nature of my work. It’s very hard to plan in advance for something.” He clarified that the decision to get engaged stemmed from a desire to celebrate their relationship with a grand party. “I want to throw a party. And yes, I could throw any kind of party I want, and it doesn’t have to be connected to the wedding, but I do want it to be a production,” he said.

    Booster shared a poignant moment that solidified his decision to propose. “We talked one night and we realized that in the three years that we’ve been together, both of us have changed in a lot of different ways,” he said. “And what I realized and what both of us realized is that I’m so excited to fall in love with the next iteration of him as well, and I’m convinced and I’m confident that I will be. And then the iteration after that.”

    “I think once we realized that it wasn’t about stasis, it was about making a commitment to grow together and putting into work to make sure that we maintain that, I think it was like, well, why not just pull the trigger and make these promises in front of our friends,” Booster added.

    The discussion between Booster and Katya offered a humorous and insightful exploration of modern relationships and the complexities of human interaction. Their candid exchanges and shared perspectives provided a refreshing take on love, commitment, and the ever-evolving social landscape.

  • Trevor Project Launches Campaign to Support LGBTQ+ Youth in Rural Areas

    Trevor Project Launches Campaign to Support LGBTQ+ Youth in Rural Areas

    The Trevor Project has unveiled a new public awareness campaign aimed at addressing the critical issue of suicide among LGBTQ+ youth living in rural communities. The campaign, which launched Tuesday, features a poignant documentary short film highlighting the experiences of a mother and daughter in Iowa.

    The 10-minute film, part of The Trevor Project’s “Learn with Love” series, tells the story of Angie, a Methodist pastor, and her 19-year-old daughter, Jubilee, who identifies as bisexual. The documentary explores themes of identity, faith, and parental acceptance, offering a glimpse into the challenges faced by LGBTQ+ individuals and their families in rural settings.

    The campaign is supported by a $5 million grant from The Leona M. and Harry B. Helmsley Charitable Trust and is part of a three-year multimedia effort to raise awareness about the mental health crisis affecting LGBTQ+ youth in rural areas. The initiative targets nine states served by Helmsley’s Rural Healthcare program: Hawaii, Iowa, Minnesota, Montana, Nebraska, Nevada, North Dakota, South Dakota, and Wyoming.

    “No one should feel isolated simply because of who they are, yet the LGBTQ+ community is too often met with hostility,” said Walter Panzirer, Trustee of the Helmsley Charitable Trust. “We know that LGBTQ+ youth in rural states have higher rates of suicidal thoughts, anxiety and depression. It’s essential that they know they’re not alone. The Trevor Project is helping to spread awareness of the serious challenges LGBTQ+ youth face and let them know resources are available to help them thrive.”

    Data from The Trevor Project underscores the urgency of the campaign. LGBTQ+ young people are more than four times as likely to attempt suicide compared to their heterosexual peers. The organization estimates that over 1.8 million LGBTQ+ youth, ages 13-24, seriously consider suicide each year in the United States, with an attempt occurring approximately every 45 seconds.

    Recent research has revealed that LGBTQ+ youth in rural areas experience even higher rates of suicidal ideation and attempts, coupled with reduced access to mental health care. The Trevor Project aims to bridge this gap by providing resources and support to those in need.

    “Storytelling is such a necessary tool to support The Trevor Project’s mission of ending suicide among LGBTQ+ young people, and it is critical for reducing stigma associated with LGBTQ+ families,” said Jaymes Black, CEO of The Trevor Project. “The ability to hear from real, everyday Americans like Angie and Jubilee allows people in every corner of the country to say, ‘Hey, they’re not so different from my family.’”

    The campaign will utilize targeted digital advertising across platforms such as Facebook, Instagram, TikTok, Snapchat, YouTube, and Connected TV (CTV) services, including Disney+, Peacock, Paramount+, Max, WBD, NBC, and Discovery+. The documentary and accompanying trailers will also be made available for broadcast on digital and traditional platforms.

    The Trevor Project emphasized the importance of parental acceptance in supporting LGBTQ+ youth. In the film, Angie highlights the risks of rejecting a child’s identity. “From my perspective, the risks of not accepting your child are at best deeply, deeply wounding them and at worst, burying them,” she says. “At the end of the day, what I kept coming back to was, it’s okay to have some fears to question, to struggle for a little bit. But it’s also okay to love them, and to support them 100 percent. In fact, the second part really is non-negotiable. You have to love them. And, and I’m going to do it as best I possibly can.”

    The Trevor Project, a leading suicide prevention and crisis intervention organization for LGBTQ+ young people, provides 24/7 crisis services and operates research, advocacy, education, and peer support programs. The Helmsley Charitable Trust, which supports initiatives in health and place-based programs, has committed over $4.5 billion to charitable causes since 2008.

    The campaign’s focus on rural communities addresses a critical need, as these areas often lack the resources and support available in urban centers. By sharing relatable stories and providing access to mental health resources, The Trevor Project and the Helmsley Charitable Trust hope to create a more inclusive and supportive environment for LGBTQ+ youth across the United States.

  • Jonathan Van Ness Rebrands Podcast to New ‘Getting Better’ Title to Focus to Personal Growth

    Jonathan Van Ness Rebrands Podcast to New ‘Getting Better’ Title to Focus to Personal Growth

    Jonathan Van Ness, known for their role on “Queer Eye” and their long-running podcast, “Getting Curious,” has announced a significant evolution of the show. The podcast, which has explored a wide range of topics since its inception in 2015, is now rebranded as “Getting Better with JVN,” with a renewed focus on personal development.

    Van Ness shared the news via Instagram, stating, “After 9+ years Getting Curious is evolving into something new. I’m still getting curious, but in new ways. Introducing… Getting Better with JVN, a new chapter of Getting Curious. While the old Getting Curious was learning about the world around me, Getting Better is using curiosity as a tool for personal growth.”

     

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    The rebranded podcast will feature experts, friends, and leaders who will join Van Ness each week to facilitate growth and learning. Notably, “Getting Better with JVN” will now include video content available on YouTube, in addition to its audio format.

    “Experts in their fields, friends, and leaders will come on every week and help us grow, learn about ourselves, access some joy, and one more thing.. we now have video! It will all be on YouTube! And also still everywhere you listen,” Van Ness wrote.

    The evolution of the podcast marks a new chapter for Van Ness, who has built a diverse career spanning television, writing, and activism. “This has been my baby for almost a decade and this is just the next chapter. Please come along with me, we’re in this together,” they shared.

    “Getting Curious” debuted in 2015 with an episode examining Sunni and Shia Muslim relations. Over the years, the podcast has covered a wide array of topics, from social justice issues to pop culture phenomena. Van Ness’s career trajectory has paralleled the podcast’s growth, with their rise to fame on Netflix’s “Queer Eye,” followed by a memoir, children’s book, and essay collection.

    Van Ness has also engaged in advocacy work, lobbying for LGBTQ+ rights in Washington D.C., and has been open about their identity as non-binary and HIV-positive. They have also launched a haircare line and toured a live show that blends comedy and gymnastics.

    Despite their multifaceted career, Van Ness has remained committed to their podcast, which recently reached its 300th episode. “I’m just so curious about us in the United States, how things got this way, and how we became who we became,” Van Ness said. “I feel like I’ve grown up with the show, and so much of what I know about life, I’ve learned while recording this podcast.”

    In a previous interview, Van Ness highlighted several pivotal “Getting Curious” episodes, offering insight into their wide-ranging interests and commitment to education. Topics included:

    • Techno-chauvinism: An episode featuring data journalist Meredith Broussard explored algorithmic bias and the limitations of technology.
    • Hair variation: Evolutionary biologist Tina Lasisi discussed the science of hair, debunking myths and addressing the historical misuse of hair science in criminal investigations.
    • Fatphobia: Sociology professor Sabrina Strings discussed the historical roots of fatphobia and the problematic origins of the body mass index (BMI).
    • Data collection and privacy: Broussard returned to discuss data collection and the importance of privacy legislation.
    • Queer animal kingdom and mycology: Episodes explored the diversity of sexual expression in the animal kingdom and the complex reproductive systems of mushrooms.
    • Reproductive justice: An episode examined the history of reproductive rights and the impact of white supremacy on reproductive justice.
    • Child welfare system: Van Ness explored the complexities of the child welfare system and the financial incentives that can perpetuate family separation.
    • Ice in Hawaii: An episode delved into the cultural and historical significance of ice in Hawaii, tracing its roots to colonialism.

    The transition to “Getting Better with JVN” reflects Van Ness’s evolving focus on personal growth and using their platform to empower listeners. The inclusion of video content on YouTube will further enhance the podcast’s reach, allowing viewers to engage with Van Ness and their guests in a more immersive way.

  • The Mean Gays Admit They Were Quite Nervous Getting on Stage for Their First Ever Live Tour

    The Mean Gays Admit They Were Quite Nervous Getting on Stage for Their First Ever Live Tour

    What began as a series of short, satirical videos online has propelled comedians Jake Jonez and Aaron Goldenberg, known for their “Mean Gays” persona, into a burgeoning comedy empire, complete with sold-out live tours and burgeoning television careers.

    Speaking to Gayety at the Queerties, The duo, whose online skits capture the essence of passive-aggressive interactions, recently reflected on their unexpected rise to fame. “It’s bizarre,” Jonez said, describing the snowball effect of their videos. “I think the snowball of the videos becoming something is the biggest joke of it all. Aside from the jokes in the videos, it’s just bizarre people watch.”

    Goldenberg echoed the sentiment, expressing gratitude for the platforms that have allowed their content to reach a wide audience. “I am just so glad that I think we’re in a day where these platforms exist and find their audience,” he said. “I mean, I’ve made YouTube and Facebook videos forever ago that nobody f***** saw. So it’s so nice to have something like TikTok and Instagram that has actually decided to show it to people and that they enjoy it.”

    The comedians’ “Mean Gays” skits, characterized by exaggerated expressions and biting social commentary, have resonated with viewers who recognize the familiar awkwardness of everyday interactions. The duo’s ability to tap into universal experiences of passive aggression has fueled their online popularity.

    “For me, it’s been a blast,” Jonez said of the audience reactions. “Even if it’s a negative reaction or they think we’re the actual characters, I still get a huge kick out of it because kind of beautiful. I think people just relate with this passive aggressive bullshit that we’re spitting out.”

    While some viewers initially mistook the characters for real people, Goldenberg believes that most of their audience understands the satirical nature of their work. “I think sometimes, I think majority of the internet audience is more intelligent than that,” he said. “Especially if they see 10 videos, they’re like, oh, this is a—”

    The duo’s move from online videos to live performances has provided a new dimension to their comedy. Goldenberg described the transition as a pivotal moment in their careers.

    “I think the best transition has been going from the internet to our live tour and actually hearing and seeing our fans react to things in person,” he said. “Like Jake and I, when we first performed in Boston, we had not performed the show for anybody.” Jake went on to even admit “it was my first time on stage” noting that there were some nerves for the performance.

    Goldenberg, who admitted to stage fright, recounted the anxiety leading up to their first live show. “We were quite nervous and didn’t know how the show was going to be received, but I think in the first five minutes we were like, oh, every joke is hitting, and then we could just breathe for the rest of the time and it was so fun. We, it’s amazing.”

    The live performances have allowed Jonez and Goldenberg to connect with their audience on a more personal level, solidifying their fan base and demonstrating the enduring appeal of their comedic style. Their ability to translate the humor of their short online videos into a full-length live show has proved successful.

    Jonez and Goldenberg’s journey from online creators to touring comedians underscores the evolving landscape of entertainment. Their ability to leverage social media platforms to build an audience and then translate that success into live performances highlights the power of digital content in today’s entertainment industry. The duo’s relatable humor and engaging personalities have resonated with viewers, positioning them for continued success in both the digital and traditional entertainment realms.

  • Sam Rockwell’s Viral ‘White Lotus’ Monologue Still Has People Speaking Out Online

    Sam Rockwell’s Viral ‘White Lotus’ Monologue Still Has People Speaking Out Online

    The fifth episode of HBO’s “The White Lotus” season three, which aired March 16, has ignited a firestorm of online reactions, largely due to a startling monologue delivered by guest star Sam Rockwell. The episode, already packed with bizarre twists and turns, including naked Russian men, a sibling kiss, and a giant lizard, reached a fever pitch with Rockwell’s unexpected revelation.

    The episode sees Rick, played by Walton Goggins, meeting an old friend in Bangkok. Rick, who has left the titular hotel to confront his father’s alleged killer, is taken aback when his friend, portrayed by Rockwell, orders tea instead of an alcoholic beverage. The friend reveals he has been sober for nearly a year and has embraced Buddhism, setting the stage for the now-viral monologue.   

    Rockwell’s character details his move to Thailand, initially driven by a self-described “thing for Asian girls.” He recounts a period of intense sexual activity, which eventually led to a profound existential crisis. “Maybe what I really want is to be one of these Asian girls,” he muses.

    The monologue takes a sharp turn as he describes experimenting with his gender identity. He recounts engaging in sexual encounters with “ladyboys” and then hiring white men who resembled him, while he cross-dressed. “Are we our forms? Am I a middle-aged white guy on the inside too? Or inside, could I be an Asian girl?” he questions. “I don’t know. Guess I was trying to fuck my way to the answer.”

    He then explains his turn to Buddhism, citing it as a path to “detaching from self, getting off the never ending carousel of lust and suffering.” The monologue, delivered with a mix of earnestness and unsettling candor, provided a stark contrast to the episode’s other chaotic scenes.   

    The internet quickly erupted with reactions, with social media platforms flooded with memes and GIFs capturing viewers’ stunned expressions. Many users shared their own reactions, mirroring the wide-eyed disbelief displayed by Goggins’ character, Rick, during the monologue. Goggins’ reactions became a meme in themselves, with users praising his facial expressions that so perfectly summed up the collective viewer shock.

    Adding to the intrigue, some fans noted Rockwell’s long-term relationship with Leslie Bibb, who also stars in the current season of “The White Lotus.” The connection added a layer of familial complexity to the already provocative episode.

    The monologue’s exploration of identity and spirituality has sparked discussions about the show’s themes and Rockwell’s performance. Many viewers expressed astonishment at the sheer audacity of the dialogue, while others commended the actor’s ability to deliver such a complex and unsettling narrative.

    The episode’s success in generating online buzz underscores the show’s ability to push boundaries and provoke thought. “The White Lotus,” known for its satirical examination of privilege and human behavior, continues to captivate audiences with its unpredictable storylines and compelling characters.

    The online frenzy surrounding the episode highlights the power of social media in shaping contemporary television discourse. Reaction images and short video clips spread rapidly, amplifying the episode’s impact and ensuring its place in the pop culture zeitgeist. The shared experience of watching and reacting to such a shocking moment has created a communal viewing experience, further solidifying the show’s popularity.

    The enduring popularity of “The White Lotus” stems from its ability to blend dark humor, social commentary, and compelling storytelling. The show’s willingness to tackle complex and often uncomfortable themes has resonated with audiences, making it a critical and commercial success. The latest episode’s monologue is a testament to the show’s commitment to pushing creative boundaries and sparking conversations.

  • World of Wonder and The Op Games Announce Release of CLUE®: ‘RuPaul’s Drag Race’ Edition

    World of Wonder and The Op Games Announce Release of CLUE®: ‘RuPaul’s Drag Race’ Edition

    Global multi-platform media company World of Wonder, in collaboration with The Op Games, is bringing a fabulous new twist to the classic board game CLUE®. The newly released CLUE®: RuPaul’s Drag Race Edition, based on the Emmy Award-winning reality competition franchise, is now available for fans to enjoy.

    The game, which is licensed by Hasbro, combines the iconic mystery-solving mechanics of CLUE® with the glam and glitz of RuPaul’s Drag Race. In this dazzling version, players will work to uncover the mystery of a missing crown in the high-energy world of drag. As the queens compete for the ultimate title, one of them has made off with the coveted crown—and it’s up to players to figure out who did it, where they did it, and with what fabulous item they made their escape.

    Fans of RuPaul’s Drag Race will instantly recognize key locations and items that have become staples of the series, making this new version of CLUE® a must-have for die-hard drag race enthusiasts. Players will explore locations like the main stage, the untucked lounge, and even the ladies’ room as they try to gather clues and interview the queens in their quest to solve the mystery.

    “CLUE® has been a beloved game for decades, and we’re thrilled to put our own fierce spin on it with RuPaul’s Drag Race,” said World of Wonder co-founder Randy Barbato. “This game offers fans a chance to engage with the world of drag in a whole new way, and we can’t wait for them to experience the fun and excitement of solving a glamorous mystery alongside their favorite queens.”

    New Characters and Items Bring Drag Race Magic to the Game

    In this fresh take on the classic game, CLUE®: RuPaul’s Drag Race introduces six all-new characters, each embodying the sass, style, and personality fans expect from the world of drag. The new characters are: Madam Mustard, Pepper La Peacock, Crystal White, Sir Lady Scarlet, Marsha P. Plum, and Geraldine Green. Each queen brings her own flair and drama to the game, making for a lively and unpredictable experience.

    In addition to the new characters, the game features themed item tokens that reflect the world of drag. Players will collect unique tokens like a Wig, Corset, Platform Heels, Tucking Tape, Makeup Case, and Drag Fan. These items add an extra level of excitement and style as players piece together the mystery.

    “We’ve been working closely with World of Wonder to ensure that every detail of this game reflects the spirit of RuPaul’s Drag Race,” said The Op Games President, Craig Sief. “From the characters to the items, we’re excited to offer fans an immersive and fun game experience that channels all the campy glamor and drama of the show.”

    How to Play CLUE®: RuPaul’s Drag Race Edition

    Designed for two to six players, CLUE®: RuPaul’s Drag Race Edition offers an exciting gameplay experience for fans ages 14 and up. Just like the classic version of CLUE®, players must solve the mystery by figuring out three key components: Who took the crown, Where it was taken, and What dazzling item was used in the escape.

    Did Madam Mustard use a pair of platform heels to make her getaway, or could it have been Crystal White with her makeup case? Players will need to navigate through the werkroom, collect clues, and interrogate their fellow queens to get closer to solving the case. With unexpected twists and plenty of dramatic moments, CLUE®: RuPaul’s Drag Race Edition guarantees hours of entertainment and surprises.

    The game is now available for purchase on both The Op Games website and the World of Wonder online store. With a retail price of $44.99, it’s a fun and affordable way for fans to bring a little Drag Race flair into their next game night.

    A Successful Partnership Continues

    CLUE®: RuPaul’s Drag Race Edition marks the second collaboration between World of Wonder and The Op Games. Their first project together, MONOPOLY: RuPaul’s Drag Race, debuted in 2023 at RuPaul’s DragCon LA and was met with an overwhelmingly positive response. The success of these two games highlights the ongoing popularity of RuPaul’s Drag Race and its growing presence in the world of entertainment and pop culture.

    “With RuPaul’s Drag Race continuing to captivate audiences worldwide, we’re proud to bring these innovative, drag-inspired editions of classic games to fans,” said Barbato. “It’s thrilling to see how much joy these games are bringing to the Drag Race community.”

    Whether you’re a RuPaul’s Drag Race superfan or simply a lover of classic board games with a twist, CLUE®: RuPaul’s Drag Race Edition is a perfect way to add some glitter and glam to your next game night.

    Availability

    CLUE®: RuPaul’s Drag Race Edition is available now for $44.99 at The Op Games website and the World of Wonder store. With the game’s mix of fun, suspense, and drag magic, it’s sure to be a hit for anyone who loves the world of RuPaul’s Drag Race.

    For more information or to purchase, visit www.TheOp.Games or www.WorldofWonder.com.

  • JoJo Siwa Shares How That Viral Headpiece Came to Be for the iHeartRadio Music Awards Red Carpet

    JoJo Siwa Shares How That Viral Headpiece Came to Be for the iHeartRadio Music Awards Red Carpet

    JoJo Siwa may have moved past her signature bows, but she continues to turn heads with her bold fashion choices. The former Dance Moms star made a striking appearance at the 2025 iHeartRadio Music Awards on March 17, where she showcased an eye-catching hairstyle and a fashion-forward look that stunned fans and the red carpet alike.

    Siwa, 21, rocked a dazzling new hairstyle that featured a bejeweled headpiece. The style included a loop of hair that rose up and ended with a large, bedazzled ball hanging over her head, creating a unique, eye-catching look. The pastel sparkles of her headpiece were complemented by a matching eye mask, and Siwa paired the head-turning accessory with a bedazzled denim jacket and pants. Underneath, she wore a light pink Versace set, further adding to her sophisticated yet playful aesthetic.

    In an exclusive interview with E! News‘ Francesca Amiker on the red carpet, JoJo shared how the idea for the statement headpiece came to life. “I had this vision, and I found this online,” she explained. “I told everyone on my team what I wanted, every piece to the puzzle.”

    Siwa also credited her mother, Jessalyn Siwa, for bringing her vision to reality. “My mom, she made this,” JoJo said. “And she was like, ‘OK, honey, I’ll trust you, but I don’t think it’s gonna work,’ and here we are.” It was clear that the duo’s collaboration paid off, as JoJo’s ensemble was met with praise from fans and fashion critics alike.

    Jojo Siwa. Photo: Phillip Faraone/Getty Images for iHeartRadio
    Jojo Siwa. Photo: Phillip Faraone/Getty Images for iHeartRadio

    JoJo’s decision to constantly push the boundaries of her style and reinvigorate her fashion image reflects her desire to keep her career fresh after more than a decade in the public eye. Despite her young age, Siwa has already spent 12 years in the entertainment industry, from her time on Dance Moms to her rise as a social media sensation and music star.

    Reflecting on her career evolution, JoJo told E! News, “I’m in a phase where I think a lot of people would think I’m burnt out, but I feel like I’m just getting started. I feel like I’m right where I was at age 15 again, and I feel re-inspired. I’m excited for new music. I’m excited for more live performances. I’m just like, the fire’s relit.”

    Siwa’s passion for her craft is evident, and she’s looking ahead to the next chapter of her career. Her latest music is a reflection of this renewed energy. JoJo revealed that she is now fully in control of her sound, something she’s been waiting for years to achieve. “I have been so excited,” she shared. “I finally, after nine years, am in sole control of my voice. And I’ve waited a long time for this one. Even this last year in 2024, I wasn’t in full control, and now I am, and it’s what I want, and it’s how I want, and it’s stuff that is actually genuine to me.”

    This marks a significant moment for JoJo, who has been in the spotlight since she was a child. Her career trajectory has been filled with high points, from her music releases to her appearance on The Masked Singer, and her ability to pivot and adapt to new creative outlets. Now that she has control over her artistic direction, JoJo is excited to share new music that resonates more deeply with her personal journey.

    Fans can expect JoJo’s new music to reflect her evolution as an artist and individual, but she’s also teasing something beyond music that’s set to drop on March 22. “And stay tuned. March 22, I have something that’s bigger than music to talk about,” she hinted, leaving fans eagerly anticipating what’s next in store for the star.

    Siwa’s career continues to evolve as she embraces new opportunities and takes on exciting projects. Her music, fashion, and candid approach to her personal life have made her a role model for many young fans. JoJo’s ability to reinvent herself while staying true to her roots is a testament to her versatility and enduring popularity.

    As Siwa continues to explore new creative avenues, her fans—who she affectionately calls her “Siwanatorz”—remain loyal and excited for every new chapter in her journey. Whether it’s through her bold fashion choices, her music, or her latest ventures, JoJo Siwa is proving that she’s far from done and is just getting started.

    The 2025 iHeartRadio Music Awards featured many notable moments, and JoJo’s appearance was certainly one of them. With her music and fashion continuing to make waves, it’s clear that JoJo Siwa’s star is shining brighter than ever. Fans can look forward to what she has planned in the coming months as she steps into a new era of her career, full of creative freedom and artistic exploration.

  • San Francisco Pride Faces $300,000 Loss as Sponsors Withdraw: ‘The Tone Has Changed’

    San Francisco Pride Faces $300,000 Loss as Sponsors Withdraw: ‘The Tone Has Changed’

    San Francisco Pride, one of the largest and most prominent LGBTQ+ celebrations globally, is seeking alternative funding sources after several longstanding corporate sponsors pulled their support ahead of this year’s event.

    The decision by several sponsors to step back has left a significant gap in funding, with the celebration now facing a $300,000 shortfall of the $1.2 million needed to fund the event. On Saturday, local news station KTVU reported that five major corporate sponsors, including Comcast, Anheuser-Busch, Diageo, and La Crema—owned by Jackson Family Wines—have opted out of supporting the event this year.

    Suzanne Ford, the executive director of SF Pride, expressed concerns over the financial impact of these sponsor withdrawals. She told KTVU that the loss of these partners was a critical blow to the organization, which relies on corporate backing to stage the annual pride festivities. “The tone has changed in this country,” Ford said. “Businesses already hedge their bets, and I think people who, this isn’t their hard-core value of their corporation, maybe they’re rethinking their investment.”

    Ford further suggested that political pressures, particularly from the Trump administration’s stance on Diversity, Equity, and Inclusion (DEI) programs, might have influenced corporate decisions. However, Ford also acknowledged the broader impact of the national political climate on corporate decision-making, especially concerning diversity and inclusion commitments.

    The annual event, which draws thousands of attendees from across the country and around the world, is scheduled to take place on June 28-29. Despite the funding concerns, SF Pride organizers have committed to holding the event. However, the details of what this year’s celebration will look like remain unclear as the nonprofit works to secure new financial backing.

    In response to the reports, La Crema’s parent company, Jackson Family Wines, clarified its position. Janel Lubanski, public relations director for La Crema, issued a statement stressing that the company’s decision was not politically motivated. Lubanski explained that logistical challenges were the primary reason for the reduced involvement. The company, which has supported SF Pride for several years, will not be activating in the same capacity as before, particularly regarding their popular pop-up tasting room.

    “While we won’t be able to participate in the same way we have in the past, we are still hopeful to find a way to partner and contribute to the event,” Lubanski said. “We’re not stepping away from our support of the LGBTQ+ community. However, like many in the wine industry, we’re facing challenges and have had to make tough decisions about where and how we can show up.”

    The withdrawal of key sponsors underscores the increasing financial pressures facing many nonprofits, especially those reliant on corporate sponsorships. The changing political and social climate in the United States, coupled with a difficult economic environment, has left many companies re-evaluating their charitable contributions, especially when it comes to high-profile events like San Francisco Pride.

    Ford acknowledged these financial pressures, stating that while the event will continue as planned, it will require careful planning to ensure that it can still deliver the impactful experience for which it is known. “It’s a critical time for us,” Ford remarked. “We have always relied on these partnerships to help make the event possible. Without that support, we are forced to be more creative and look for alternative ways to fund this celebration of diversity.”

    The situation also highlights a broader trend of companies adjusting their philanthropic efforts in response to a shifting political landscape. Companies that previously supported LGBTQ+ events and causes are now reconsidering their involvement, likely due to concerns about backlash from certain political groups or consumer segments.

    Despite these challenges, SF Pride is committed to making this year’s event a success, with Ford noting that the nonprofit will continue to engage with both new and existing sponsors in an effort to bridge the funding gap. “We are in talks with several potential new partners, and we are confident that we will find the resources we need to make this event happen,” she said.

    San Francisco Pride, which has long been a cornerstone of LGBTQ+ activism and visibility, has become more than just a parade in recent years. It serves as a powerful platform for advocacy, education, and celebration, drawing attention to the ongoing fight for LGBTQ+ rights. The annual gathering is a major cultural event, attracting visitors from across the globe to witness its vibrant celebration of diversity and inclusion.

    As SF Pride navigates these financial challenges, the hope is that it will continue to serve as a beacon for the LGBTQ+ community in the Bay Area and beyond. However, with corporate backing now uncertain, the organizers must act swiftly to ensure the event’s success.

    While it remains to be seen how SF Pride will adapt, the dedication of its organizers to preserve the event is clear. With support from both longtime allies and new partners, San Francisco Pride is poised to continue its legacy as one of the world’s largest and most influential LGBTQ+ celebrations.

  • Max Cancels ‘The Sex Lives of College Girls’ After Three Seasons, but a New Home Could Be on the Horizon

    Max Cancels ‘The Sex Lives of College Girls’ After Three Seasons, but a New Home Could Be on the Horizon

    The Sex Lives of College Girls, the beloved ensemble comedy co-created by Mindy Kaling and Justin Noble, is officially closing its doors at Max after three seasons. However, all hope is not lost for the show, as its producing studio, Warner Bros. Television, is reportedly seeking ways to revive the series elsewhere. The most talked-about potential home for the show is Netflix, a platform where Kaling has a longstanding relationship. However, the complexities of transferring a series between streaming services, especially one with such a devoted fanbase, make it a challenging, though not impossible, prospect. A representative for Warner Bros. Television declined to comment on the matter.

    A Bumpy Ride for The Sex Lives of College Girls‘ Third Season

    It’s been nearly two months since the third season of The Sex Lives of College Girls wrapped its run on Max, but fans are still reeling from the cancellation. While the decision to cancel the show did not come as a complete surprise, particularly after Season 3 failed to match the critical reception and viewership of the first two seasons, it remains a bittersweet end for a series that built a loyal following. Many believe that the departure of original cast member Reneé Rapp partway through the season may have had an impact on the show’s dynamic, with some fans and critics feeling that the chemistry of the ensemble was never quite the same without her.

    Ratings are believed to be a key factor in Max’s decision to cancel the show. Despite having a strong core audience, the third season’s viewership numbers were not as robust as the first two seasons, contributing to the streaming service’s reluctance to renew it. The show’s cancellation marks another high-profile loss for Max, which has been scaling back on its original content amid shifting business strategies.

    Warner Bros. Television Explores Other Options for the Show

    Even though The Sex Lives of College Girls has been canceled at Max, Warner Bros. Television has not given up on the possibility of continuing the series. In the wake of the cancellation, the studio has reportedly started reaching out to other streaming platforms in an attempt to find a new home for the show. Among the top contenders is Netflix, where Kaling has already found success with two hit series, Never Have I Ever and Running Point. However, a potential move to Netflix is far from straightforward.

    Relocating a show from one streaming service to another is a rare and often difficult process. One notable example of a successful transition was Girls5eva, which moved from Peacock to Netflix after two seasons. Warner Bros. Television also managed to migrate Dead Boy Detectives from Max to Netflix before the show had even premiered. But for every success story, there are also cautionary tales. A separate Warner Bros. series has reportedly been attempting to make the same move to Netflix in recent weeks, but so far, it has not been successful.

    In the case of The Sex Lives of College Girls, the process of moving to another platform is further complicated by the tangled international rights for the series. When the show first premiered in 2021, Max (then known as HBO Max) was expanding its international reach, which meant the series’ global distribution rights were divided among various distributors across different territories. Securing the rights to the show’s existing three seasons would likely involve a complex negotiation between Max and other international distributors, a challenge that could make the transition to a new platform more difficult.

    Max’s Cooperation Could Open a Path for a Move

    On a more optimistic note, Max has been more flexible with its canceled shows in the past. For example, Minx, a Lionsgate TV-produced show that was canceled by Max, found a new home at Starz, with the show’s entire library moving over as part of the deal. In contrast, Netflix has been less open to allowing its canceled shows to migrate, making Max’s willingness to collaborate a potentially key factor in The Sex Lives of College Girls finding a second life.

    While negotiations are still in the early stages, the possibility of the show continuing on another platform is a tantalizing one for its dedicated fanbase, who have been vocal in their support of the show on social media.

    The Show’s Legacy and Future Prospects

    The Sex Lives of College Girls is more than just a comedy series; it’s a cultural touchstone for a generation of young adults navigating the complexities of college life, friendships, and relationships. The ensemble cast, which includes Pauline Chalamet, Amrit Kaur, Alyah Chanelle Scott, Christopher Meyer, Ilia Isorelýs Paulino, and Renika Williams, has been widely praised for its chemistry and strong performances. Season 3 also introduced new series regulars Gracie Lawrence and Mia Rodgers, further expanding the show’s dynamic.

    Although Season 3 was not able to match the earlier seasons in terms of viewership and critical acclaim, it still provided a satisfying conclusion to some ongoing storylines, leaving many fans eager to see what happens next for the characters. The show’s exploration of themes like identity, love, and personal growth resonated with viewers, ensuring its place in the hearts of many.

    For now, the future of The Sex Lives of College Girls remains uncertain, but with Warner Bros. Television actively searching for a new platform and Netflix potentially in the mix, there’s still hope that this beloved series may continue to entertain audiences for years to come.

    Max’s Remaining Original Comedies and Future Plans

    While The Sex Lives of College Girls may be ending its run, Max still has a number of original comedies in its arsenal. Emmy-winning series Hacks is set to return for a fourth season, while And Just Like That…—the Sex and the City reboot—has been renewed for a third season. Additionally, Peacemaker, the DC Comics-based show starring John Cena, is returning for its sophomore season.

    For now, fans of The Sex Lives of College Girls will have to wait and see if the series will find a new home. Until then, they can take comfort in the fact that the show’s legacy remains strong, and there’s always a chance it will return to their screens in the future.

  • Patrick Schwarzenegger and Abby Champion Turn Up the Heat in SKIMS Wedding Campaign

    Patrick Schwarzenegger and Abby Champion Turn Up the Heat in SKIMS Wedding Campaign

    The White Lotus breakout star Patrick Schwarzenegger and Abby Champion are bringing their wedding dreams to life – and they’re doing it in style with a steamy new campaign from SKIMS. The couple, who announced their engagement in December 2023, is featured in the brand’s latest Wedding Shop campaign, which dropped on March 17, ahead of the full collection’s release on March 20.

    The campaign highlights the brand’s new collection of 24 limited-edition pieces, designed to make both brides and grooms feel their best on their big day. In keeping with the SKIMS’ signature style, the collection offers a sultry blend of seductive lingerie and sleek, modern silhouettes, and the photoshoot pushes those boundaries even further. With their undeniable chemistry and red-hot looks, Schwarzenegger and Champion are giving fans a sneak peek of what to expect from their wedding celebrations.

    Sultry Fashion with a Personal Touch

    The campaign features Champion in eye-catching lingerie, including a lacy three-piece set made up of the Scoop Corset, Butterfly Thong, and Hosiery Thigh High Stockings. Meanwhile, Schwarzenegger is seen in a range of outfits – from boxers and suits to some daring shots where he’s fully nude, strategically covered only by a bouquet or his fiancée. In some images, the actor is depicted in a cozy, intimate setting, seemingly naked except for a pair of socks, as he is artfully covered by Champion, who wears a simple cropped cami and shorts.

    Patrick Schwarzenegger and Abby Champion for SKIMS. Photo: SKIMS
    Patrick Schwarzenegger and Abby Champion for SKIMS. Photo: SKIMS

    For Schwarzenegger, the shoot was an experience he’ll never forget. “It was such a fun experience,” he shared in a press release. “The more we shot, the more excited I got for our big day.” Despite the risqué nature of the photos, he praised SKIMS’ thoughtful designs for men, saying, “Grooms are usually expected to just show up, but SKIMS designed with the men in mind also.”

    Champion echoed his sentiments, emphasizing how meaningful this time in their lives is. “This is such an exciting time for me,” she said. “I want to feel my best throughout it all. This collection is definitely going to be a must for our wedding celebrations and honeymoon.”

    A Love Story for the Ages

    This new campaign marks the second wedding-themed release from SKIMS, following the debut of a series with podcast host Alex Cooper and her husband, Matt Kaplan, in March 2024. Kim Kardashian, the chief creative officer and co-founder of SKIMS, has long been a fan of the couple’s dynamic, calling their love “beautiful.” In a statement, Kardashian said, “Patrick and Abby’s love is so beautiful, and it shows in every shot.”

    Patrick Schwarzenegger and Abby Champion for SKIMS. Photo: SKIMS
    Patrick Schwarzenegger and Abby Champion for SKIMS. Photo: SKIMS

    For those who may not know, Schwarzenegger and Champion’s relationship is nothing short of a fairytale. The couple has been together for 10 years, and they continue to grow both personally and professionally. Reflecting on their journey together in an exclusive interview with People for the February digital cover, Schwarzenegger shared how their love has deepened over time.

    “When we first met, there was obviously an attraction — physical attraction — and I thought she was the most beautiful girl I had ever seen,” he recalled. “As we’ve grown older, I’ve continuously fallen more in love with her — not just with her looks, but with the person she is becoming.”

    He also highlighted the importance of growing together, both in their personal lives and careers. “One of the best things we’ve had is growing a lot together,” he said. “It’s been really fun to climb that journey as one.”

    What’s Next for the Couple?

    As the couple prepares for their wedding day, they’re making the most of this exciting chapter. The SKIMS campaign gives fans a glimpse into their shared love story, and it’s clear that both Schwarzenegger and Champion are savoring every moment leading up to their big day.

    In addition to their wedding plans, the couple’s partnership with SKIMS reflects their commitment to both style and comfort. With the new Wedding Shop collection, men and women alike can expect pieces that combine elegance with a touch of daring sensuality.

    The SKIMS Wedding Shop Collection

    The 24-piece collection, which will be available for purchase starting March 20, offers a wide range of styles for brides and grooms. From luxurious loungewear to intimate undergarments, the line is designed to make every couple feel confident and special as they prepare for their wedding day.

    For anyone planning their own wedding, the SKIMS Wedding Shop collection promises to be a game-changer. With a focus on both style and comfort, it’s easy to see why the brand continues to dominate the fashion world.

    As for Patrick Schwarzenegger and Abby Champion, they’ll soon be walking down the aisle, but for now, they’re proving that love – and good style – never goes out of fashion.