Gayety

Category: Music

At Gayety, we celebrate the rich tapestry of LGBTQ+ music by spotlighting both iconic and emerging queer artists. Our coverage includes in-depth profiles of openly gay musicians, festivals, performances, and more.

  • Chappell Roan Teases ‘The Subway’ with Breakup Bangs, Beards and NYC Posters

    Chappell Roan Teases ‘The Subway’ with Breakup Bangs, Beards and NYC Posters

    Chappell Roan may not be a subway regular, but she’s certainly taking over New York’s streets in the lead-up to what looks like the long-awaited release of her next single, “The Subway.” After months of fan buzz and live performances of the song, Roan has launched a teaser campaign across Manhattan that’s as theatrical and offbeat as she is.

    “The Subway” Is (Finally) Leaving the Station

    First debuted during her Statue of Liberty-clad performance at last year’s Governors Ball, “The Subway” has become a staple in Roan’s live shows. It’s raw, catchy, and soaked in that signature heartbreak-meets-camp vibe Roan fans love. But while the artist has kept the studio version under wraps, until now, recent signs suggest we won’t be waiting much longer.

    Across New York City, posters have begun popping up featuring Roan in two eccentric looks: one with lopsided, self-inflicted bangs and another where she sports a long wig and beard. The tagline? “Going through a breakup? Get Bangs!” A closer look reveals a clue tucked in her hair, a bread tag reading “Best before August 1st.” Fans are taking that as a not-so-subtle hint that “The Subway” drops on that date.

    From Street Art to Saskatchewan?

    Roan isn’t stopping at cryptic posters. A sneak peek of the track has landed on her official YouTube channel, complete with what looks like cover art and the same rough-edged glamor that’s become her calling card. To top it all off, she’s also been spotted filming in New York this month, prompting speculation that a full music video is incoming.

    One of the most eyebrow-raising teasers? A video clip of Roan driving away in a truck with a Saskatchewan license plate. While the Canadian reference remains delightfully unexplained, it’s only added fuel to the fan frenzy, and memes, online.

    All Aboard the “Subway” Hype Train

    As the presumed August 1 release date approaches, all signs suggest that “The Subway” will be Roan’s next big pop moment. Her last release, “The Giver,” followed a similarly artsy breadcrumb trail that culminated in a triumphant drop. If history repeats, fans are in for something bold, theatrical, and a little unhinged, just how Roan likes it.

    Until then, fans are on high alert for more clues, content, or possibly even Chappell Roan herself prowling NYC in another wig. Whether you’re in the depths of heartbreak or just along for the ride, “The Subway” promises a trip worth taking.

  • Confidence Man and JADE’s ‘Gossip’ Is a Sexy, Chaotic Summer Anthem

    Confidence Man and JADE’s ‘Gossip’ Is a Sexy, Chaotic Summer Anthem

    What happens when two genre-bending pop provocateurs team up? Pure, unfiltered dance floor chaos. Confidence Man and JADE’s new collaboration “Gossip” isn’t just a song, it’s a theatrical, synth-drenched fever dream designed to hypnotize your hips and hijack your summer playlists. And if you’re looking for sultry vocals, twisted visuals, and a dash of dance floor destruction, look no further.

    A Soundtrack for the Flirtatious and the Ferocious

    “Gossip” oozes attitude from the very first breathy lyric. Built around a grungy, bass-heavy rhythm with seductive talk-singing from both Confidence Man and JADE, the track is a slow-burning, pulsating ride through the underbelly of nightlife. The vocals? Sultry and unapologetic. The energy? Equal parts unhinged and irresistible.

    Lyrically, it’s all about drama and deception, exactly the kind of messy fun you want playing while you stir up trouble on a steamy night out. “It’s important, get it right, put yourself in my shoes, maybe tell a simple lie, but it’s partly true,” JADE sings, before launching into a chorus that chants “Gossip, oh my god, alright, alright, alright” like a spiritual mantra drenched in addictive guitar strums.

    A Dive Bar Descent Into Madness

    If the song is a banger, the music video is an operatic breakdown in a smoky dive bar. We open on a mysterious man playing a dangerous knife game, until he stabs himself. Meanwhile, Confidence Man’s frontwoman croons on a payphone as JADE smolders nearby. When the beat drops, the two descend into synchronized dance moves that feel like a cross between a seance and a pop concert in the seventh circle of hell (and we mean that as a compliment).

    Each visual moment is a statement, head bops, robotic thrusts, and sensual strutting. The second verse dives deeper into the chaos: “You only get what you deserve, you only reap what you sow. Every detail is a blur, broken bones, sticks and stones,” they chant, as bodies move with mechanical precision.

    Russian Roulette and Resurrected Revelry

    Just when you think things can’t get more chaotic, the duo finds themselves seated at a table with masked strangers passing around a gun. Yep, Russian Roulette. As JADE and Confidence Man exchange whispery gossip, the tension builds until someone pulls the trigger.

    What follows is cinematic insanity: a bullet POV careens through the bar, ricocheting and making its way out the window but not without bringing down every person inside. But in true dance floor resurrection fashion, no one stays down for long.

    The outro kicks in, “And the girls go, and the boys go…”—and suddenly everyone is gyrating on the floor, bumping and grinding to every entrancing beat of the outro. It’s provocative, gorgeous, and totally iconic.

    “Gossip” isn’t just the song of the summer, it’s the drama, the danger, and the dance all in one. Watch the video, learn the moves, and spread the word. After all, what’s summer without a little scandal?

  • Mariah Carey Announces New Album ‘Here For It All’ – And She’s Really Serving

    Mariah Carey Announces New Album ‘Here For It All’ – And She’s Really Serving

    Darlings, get ready to clutch your butterflies – Mariah Carey is back.

    The undisputed queen of high notes, heartbreak anthems, and holiday chart domination announced her highly anticipated 16th studio album, Here For It All, dropping September 26 via independent music company Gamma. It’s been a long seven years since her last studio release, but if the first taste is any indication, Mimi is in full diva mode – and she’s doing it for the lambs.

    Carey revealed the news Monday morning across her social media platforms with a video that was pure Mariah: strutting down a hall in towering stilettos, dripping in glam, before singing a brief but goosebump-inducing snippet of the album’s title track. The post sent fans – especially her massive LGBTQ+ following – into immediate celebration mode.

     
     
     
     
     
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    A post shared by Mariah Carey (@mariahcarey)

    A Title That Says It All

    Let’s be honest: Here For It All isn’t just a title – it’s a mood, a mantra, and maybe even a mission statement.

    For a gay audience that has long embraced Carey as a camp icon and queer inspiration, the phrase resonates on a spiritual level. Whether you’re showing up to the club, coming out to your family, or simply surviving a Tuesday, “here for it all” is the kind of affirming energy that Mariah has always embodied.

    She’s not just offering new music – she’s extending an invitation. To feel everything. To sparkle despite the chaos. And to remember that sometimes, a whistle note is the best form of therapy.

    Mariah and the Gays: A Timeless Love Affair

    Mariah Carey’s connection to the LGBTQ+ community spans decades and runs deep. From the moment she emerged in the early ’90s with her melismatic vocals and flawless curls, queer fans saw a kindred spirit—someone who felt deeply, loved fiercely, and wasn’t afraid to be extra.

    She’s given us club remixes, drag show staples, and lyrics that sound like gay Twitter manifestos long before Twitter existed. She’s honored queer fans at Pride events, collaborated with LGBTQ+ artists, and delivered speeches about inclusion and love with the kind of sincerity that only Mimi can pull off in a glittering gown.

    In return, the LGBTQ+ community has elevated Carey to icon status, right up there with Cher, Madonna, and Beyoncé. She’s not just a singer; she’s a safe space.

    And now, with Here For It All, she’s coming back to remind us all that she’s still that girl – and she never left.

    A Tease with Type Dangerous

    Carey kicked off this new era back in June with the release of “Type Dangerous,” a sultry, throwback jam that featured a sample from Eric B. & Rakim’s “Eric B. Is President.” The song, co-written and co-produced with Anderson .Paak, was an instant reminder that Carey knows her strengths – and her audience.

    In the video, Carey served sensual, smoky visuals alongside a surprise cameo from YouTuber and philanthropist MrBeast (because of course). The song exudes that signature Mariah blend of vulnerability and confidence, and the beat practically begs for a remix to be played at every Pride party from WeHo to Fire Island.

    Rumor has it Anderson .Paak may serve as the executive producer for the full album – a pairing that’s both unexpected and intriguing.

    Carey has hinted that the second single might be titled “Sugar Sweet,” though no release date has been confirmed. Judging by the title, it sounds like another bop that could effortlessly slide into your summer playlist – preferably next to Donna Summer and Kylie Minogue.

    A New Label, a New Era

    Here For It All will be Carey’s first release under Gamma, the independent label launched in 2023 by veteran music executive Larry Jackson. The move marks a major shift for Carey, who spent most of her career signed to major labels like Sony and Epic.

    But make no mistake – this isn’t a downgrade. If anything, it’s a power play.

    According to Forbes, legendary producer and music mogul L.A. Reid will executive produce the album under his new company Mega. Reid described Carey’s decision to join Gamma as “a game-changing moment.”

    “It’s one of our premier stars who has made a decision to join forces with an independent, self-contained company that is not associated with any of the major labels,” Reid told Forbes. “It’s a game changer for both Gamma and Mariah.”

    Translation? Mariah’s doing it her way, and we are absolutely here for that.

    What We Know (and What We’re Waiting For)

    While Carey has kept much of the tracklist under wraps, she’s teased for over a year that this new project would showcase fresh songwriting and emotional storytelling.

    In a 2024 interview with Variety, she said, “I’ve written some new songs. I have to figure out which ones I’m going to do and which songs I’m not going to do. But I think I’m very excited about it.”

    That excitement is shared by her fans—especially her LGBTQ+ base, who have supported her through label changes, personal ups and downs, and even meme-worthy moments (we’re looking at you, “I don’t know her”).

    With Here For It All, Carey seems poised to deliver music that reflects her legendary career while still pushing into new territory. Whether it’s full diva ballads, club-ready bangers, or whispery R&B, she’s got the range—and we’ll be listening on repeat.

    Lambs, Assemble

    If you’re part of the Lambily (Carey’s devoted fan base), you already know that a new Mariah Carey album isn’t just an album—it’s an event. Gay clubs will be hosting listening parties. Drag queens will be performing the lead single. And somewhere, someone will be buying a butterfly necklace “for the vibes.”

    From her five-octave range to her bedazzled mic stands, Carey has always been a symbol of resilience, transformation, and glamor. And with Here For It All, she’s reminding us that she’s not just a pop star—she’s a movement.

    September 26 can’t come soon enough.

  • Rock Icon Ozzy Osbourne Dies at 76, Remembered as an LGBTQ+ Ally and Cultural Legend

    Rock Icon Ozzy Osbourne Dies at 76, Remembered as an LGBTQ+ Ally and Cultural Legend

    Ozzy Osbourne, the legendary frontman of Black Sabbath and one of rock music’s most influential and controversial figures, has died at the age of 76.

    The announcement was confirmed by his family in a statement issued Monday morning.

    “It is with more sadness than mere words can convey that we have to report that our beloved Ozzy Osbourne has passed away this morning,” the statement read. “He was with his family and surrounded by love. We ask everyone to respect our family’s privacy at this time.”

    Osbourne’s death comes just weeks after a surprise final performance in his hometown of Birmingham, England, where he joined his former bandmates on stage in what many fans are now calling a fitting farewell.

    Known around the world as the “Prince of Darkness,” Osbourne redefined what it meant to be a rock star. From his pioneering work with Black Sabbath in the 1970s to his outrageous solo career and reality TV fame, Osbourne remained an unpredictable force in music, pop culture, and, notably, activism.

    While much of the public remembers him for wild stunts – including infamously biting the head off a bat during a 1982 concert in Des Moines, Iowa – Osbourne was also a staunch ally to the LGBTQ+ community, standing up for queer rights during times when it was far from popular to do so.

    An Unexpected Ally in Rock

    Throughout his five-decade career, Osbourne was more than just a heavy metal icon – he was an unexpected but vocal supporter of LGBTQ+ rights.

    In the 1980s, during the height of the AIDS crisis – a time when much of the world turned its back on the queer community – Osbourne took a firm and public stance. After one of his guitarists made a homophobic comment during a concert, Osbourne responded not with silence, but with action.

    According to the Los Angeles Times, Osbourne made donations to AIDS Long Beach and other LGBTQ+ organizations in the wake of the incident. His support was not performative; it was financial, public, and deeply appreciated by queer fans who often felt unwelcome in rock spaces.

    Decades later, Osbourne continued to speak out. In 2010, he publicly condemned the hate group Westboro Baptist Church after they used his song “Crazy Train” during one of their anti-gay protests.

    “I am sickened and disgusted by the use of ‘Crazy Train’ to promote messages of hate and evil by a church,” Osbourne said in a statement at the time. “I do not condone or support any form of discrimination, especially the sort being propagated by the WBC.”

    At a time when many of his peers stayed silent, Osbourne’s stance as a visible and consistent ally set him apart in the world of rock music.

    A Complicated, Legendary Life

    John Michael “Ozzy” Osbourne was born on December 3, 1948, in Birmingham, England. He rose to fame as the frontman of Black Sabbath, often cited as one of the originators of heavy metal. The band’s doomy, distorted sound and dark lyrical themes introduced a new kind of music – one that gave voice to alienation, anger, and rebellion.

    Osbourne’s haunting vocals helped define songs like “Paranoid,” “Iron Man,” and “War Pigs.” But his time with the band was turbulent. He was fired in 1979 due to substance abuse and erratic behavior, only to go on to have a wildly successful solo career.

    His solo debut, Blizzard of Ozz, was a commercial hit and introduced classics like “Crazy Train” and “Mr. Crowley.” Over the years, Osbourne became known as much for his controversies as his music. Alongside unforgettable music, there were hotel-trashing incidents, public feuds, and the notorious bat incident – which he later claimed happened because he believed the bat was rubber.

    Despite the chaos, Osbourne always returned to the music. He released over a dozen studio albums, headlined countless tours, and helped launch Ozzfest, a heavy metal festival that became a cornerstone of rock culture in the late ’90s and early 2000s.

    In 2002, a new generation was introduced to him through the MTV reality series The Osbournes, which starred Ozzy, his wife Sharon, and two of their children. The show was a massive hit, showing a softer, more humorous side of the rock legend and making him a household name far beyond the music world.

    Health Battles and Final Performances

    In 2019, Osbourne revealed that he had been diagnosed with Parkinson’s disease, a progressive neurological disorder. Over the years, his health continued to decline, leading him to cancel several tours and public appearances.

    Still, he remained determined to perform, even announcing his retirement multiple times only to return for surprise shows.

    His final performance took place earlier this summer in Birmingham, where he joined Black Sabbath for a one-night-only set. Fans described the moment as “electric,” with many calling it a long-overdue homecoming for the group that changed music forever.

    A Legacy That Transcends Music

    Ozzy Osbourne’s legacy is one of contradictions: chaos and compassion, darkness and defiance. To queer fans and communities, he wasn’t just a metal icon – he was a rare rock star who extended his platform in defense of LGBTQ+ lives.

    At a time when many artists avoided engaging with LGBTQ+ issues, Osbourne stood his ground, refusing to let bigotry go unchallenged — whether it came from fellow musicians or extremist groups.

    He once said in an interview, “I’m not a hero. I’m a survivor.” And perhaps that’s what made him so beloved. Osbourne didn’t present himself as perfect, but his actions – especially those in support of marginalized communities – revealed a heart that beat loudly beneath the leather and eyeliner.

  • Demi Lovato Teases Sultry New Single ‘Fast’ – The First Solo Release in Three Years

    Demi Lovato Teases Sultry New Single ‘Fast’ – The First Solo Release in Three Years

    Demi Lovato is back – and she’s coming in fast.

    The multi-talented pop star and LGBTQ+ icon has officially launched her return to solo music with a steamy preview of her new single, aptly titled “Fast.” The track marks Lovato’s first solo release in three years, and judging by the tease she dropped this week, it’s a high-energy, sensual anthem that’s ready to dominate summer playlists – and dance floors – everywhere.

    Lovato, 32, sparked fan frenzy last week by wiping her Instagram feed, a telltale sign in today’s pop world that something big is coming. She followed it up with a series of provocative images and audio snippets that culminated on Tuesday, July 15, with a tantalizing taste of “Fast,” which blends house-inspired beats with seductive, love-drenched lyrics.

    “’Cause baby, honestly, I just wanna feel your hands all over me (over and over) / Right where they wanna be / Even if it’s only for tonight,” she sings on the track, delivering the lines with sultry intensity against a pulsating electronic backdrop.

     
     
     
     
     
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    A post shared by Demi Lovato (@ddlovato)

    The accompanying video teaser shows Lovato walking alone through a moody, moonlit cityscape, her hands trailing over her chest as she moves confidently and sensually – a visual that’s as bold as the lyrics themselves.

    A Visual and Sonic Reinvention

    Lovato’s return is more than just a song – it’s a full-on aesthetic reawakening. Her Instagram “reboot” began with a sultry image of her sprawled on the floor in a backless black dress and signature red-bottom Louboutins, staring seductively over her shoulder. “I’m not so sure I’ve ever felt like this before,” she captioned the post – lyrics, as it turns out, from the upcoming single.

     

    In the days that followed, Lovato shared additional visuals, including a video of herself singing over a bubbling electronic beat and a snapshot of her wearing an oversized gray suit jacket – a nod to the gender-fluid fashion statements she’s been known for in recent years. Another caption teased, “I can’t deny, it feels so right.”

    The carefully curated rollout signals a bold new chapter for Lovato, whose artistic identity has evolved in tandem with her personal life and advocacy work.

    From Rock Rebel to Dance Floor Diva

    Lovato’s last studio album, Holy Fvck, released in 2022, saw the singer embracing a grittier rock sound as she navigated themes of religious trauma, substance recovery, and sexual freedom. That album debuted at No. 7 on the Billboard 200 and was widely praised for its raw honesty and sonic edge.

    But now, she’s switching gears – and leaning into something more sensual and celebratory.

    In a 2024 interview on The Tonight Show Starring Jimmy Fallon, Lovato hinted at her evolving sound, telling Fallon she was working on “love songs and sexy songs.” At the time, she was preparing to marry musician and longtime partner Jordan “Jutes” Lutes. The couple tied the knot in May 2025 in a private ceremony in California.

    “I’m kind of figuring out my sound right now,” she said at the time. “But I’m definitely in a very happy place — and you’ll hear that in the music.”

    Queer, Confident, and Unapologetic

    Lovato’s identity as a queer, nonbinary artist has played a major role in shaping both her public persona and her music. In 2021, she came out as nonbinary and began using they/them pronouns, later clarifying in 2022 that she also felt comfortable using she/her pronouns.

     
     
     
     
     
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    A post shared by Demi Lovato (@ddlovato)

    Throughout her career, Lovato has used her platform to advocate for LGBTQ+ rights, mental health awareness, and addiction recovery — often sharing her own story in the hopes of helping others.

    “Fast” seems to channel a different kind of empowerment: one rooted in desire, confidence, and the freedom to explore sensuality without apology. For Lovato, who has never shied away from being candid about her journey, the track’s sultry energy feels both earned and exhilarating.

    Love in the Air – and in the Studio

    Lovato’s new era comes with support from someone who knows her best – her husband, Jutes. The Canadian singer-songwriter co-wrote several tracks on Holy Fvck and has remained a creative collaborator throughout their relationship.

    While it’s unclear whether he had a hand in “Fast,” the themes of longing and intimacy certainly feel personal. Fans have speculated that the new song may be inspired by Lovato’s real-life romance, which has been anything but low-key.

    The couple frequently share sweet (and steamy) photos from their life together – including recent images from their beachside honeymoon. In June, Lovato posted a carousel of sun-drenched pics captioned simply, “Happily ever after.”

    What’s Next?

    As of press time, no official release date has been announced for “Fast,” and a spokesperson for Lovato has not responded to requests for further comment. It’s also unknown whether the single will be part of a larger project – such as an EP or full album – but fans are already buzzing with anticipation.

    If “Fast” is any indication, Lovato is preparing to launch a new musical chapter that blends euphoria, empowerment, and unapologetic sensuality. It’s a sonic shift that not only reflects her personal growth, but also reaffirms her place as one of pop’s most dynamic – and fearless – queer voices.

    Whether on the dance floor or in front of the camera, Demi Lovato is clearly moving with purpose. And she’s moving fast.

  • K-pop Star Cherry Comes Out as Transgender, Marking a New Chapter in LGBTQ Representation in Korean Pop

    K-pop Star Cherry Comes Out as Transgender, Marking a New Chapter in LGBTQ Representation in Korean Pop

    South Korean K-pop singer Cherry, formerly known as Ryujin, has publicly come out as a transgender woman, making her one of the few openly trans idols in the competitive and often conservative world of Korean pop music.

    The former member of the boy group Jwiiver shared the personal news with fans during an Instagram Live broadcast on Saturday, July 19. The candid announcement immediately drew attention and support from fans across the globe, highlighting an important and emotional moment in LGBTQ+ visibility within the K-pop industry.

    “This isn’t a hobby, it’s my life. I’m trans. Because I wasn’t an ordinary person, I couldn’t reveal everything from the start. My goal was to take it slow. I’m just going with my goal.”

    Cherry first gained public recognition through her appearance on the 2016 South Korean reality competition Boys24, which led to her debut in Jwiiver, a boy group under Starweave Entertainment. Even in the early years of her career, fans speculated about her gender identity and self-expression, which was often seen as fluid and bold in the traditionally rigid world of K-pop.

    Although Cherry has previously addressed questions about her gender and pronouns by stating she was comfortable being referred to as “he,” “she,” or “they,” Saturday’s Instagram Live marked the first time she explicitly affirmed her identity as a transgender woman.

    A Historic Moment for LGBTQ+ Representation in K-pop

    Cherry’s announcement is already being celebrated as a major milestone by fans and LGBTQ+ advocates, especially within the K-pop fandom where representation remains limited and often stigmatized.

    Within hours of the announcement, the hashtag #ProudOfCherry began trending across Korean and international social media platforms, with fans around the world commending her courage, authenticity, and openness.

    In an industry known for its tightly controlled image standards, gender norms, and often heteronormative narratives, Cherry’s coming out not only breaks ground – it opens doors.

    While South Korea has seen growing conversations about gender and sexuality, LGBTQ+ individuals continue to face discrimination, societal pressure, and limited legal protections. Public figures, especially those in the entertainment industry, have historically faced backlash or career setbacks for expressing non-normative identities.

    Cherry’s bold decision to speak her truth, especially in such a public and vulnerable way, adds to a growing wave of artists in the region who are beginning to live more openly.

    A Growing Trend of Queer Visibility in Asian Pop Music

    Cherry’s announcement is the latest in a series of public coming-outs by K-pop and Asian music idols in recent months.

    In April, Bain – a member of the boy group Just B – shared that he is “proud to be part of the LGBTQ+ community,” becoming one of the few openly queer male idols in the scene.

    Just weeks later, Pimnara Rumruaymunkong, better known as Latin from the Thai girl group CGM48, came out via her Instagram Story, confirming that she identifies as WLW (women loving women). When asked if she was WLW or bisexual, she answered directly: “100 percent WLW,” embracing a label often used by lesbian, bisexual, and pansexual women who are attracted to other women.

    The momentum didn’t stop there.

    In June, Megan, a member of the global girl group Katseye – formed on the survival series The Debut: Dream Academy – revealed that she is bisexual. The announcement came shortly after fellow bandmate Lara disclosed her own queer identity in a playful post saying she was “half a fruit cake,” a tongue-in-cheek phrase she had used since coming out to her family at age 14.

    These moments, while personal, are beginning to shape a broader cultural shift in K-pop and its surrounding fandoms, which are increasingly diverse, global, and LGBTQ+-affirming.

    Why Cherry’s Announcement Matters

    For fans, especially those who are transgender or gender nonconforming, Cherry’s visibility offers hope and validation.

    In an industry that prizes perfection, often discouraging deviation from binary gender roles, Cherry’s bravery resonates deeply. She is not just reclaiming her own narrative; she’s giving voice to those who still feel unseen.

    While K-pop continues to evolve with the influence of international markets and younger, more socially aware fanbases, artists like Cherry are helping to redefine what is possible – not just in music, but in society.

    Her announcement also comes at a time when trans rights are under threat in many parts of the world, including the United States, where hundreds of bills targeting transgender individuals have been introduced in recent years.

    In this climate, visibility isn’t just powerful – it’s political.

    Cherry’s decision to live authentically, in front of millions, sends a powerful message to fans and fellow artists alike: that being true to yourself is more than enough.

    As of now, Cherry has not confirmed whether she plans to continue releasing music or pursue other artistic ventures under her new identity. However, fans are already showing overwhelming support for whatever comes next.

    Whether she returns to the stage or continues to build her platform online, Cherry’s journey is one that will likely inspire a new generation of K-pop fans and queer youth alike.

    One thing is clear: Cherry isn’t just rewriting her own story – she’s helping reshape an industry.

  • Maren Morris Drops ‘Welcome to the End’ for LGBTQ+ Charity Album

    Maren Morris Drops ‘Welcome to the End’ for LGBTQ+ Charity Album

    All Things Go just dropped major music news — and it’s for a cause close to our hearts.

    The indie music festival and cultural tastemaker is releasing a charity compilation this fall benefitting The Ally Coalition, the nonprofit founded by Jack Antonoff and his sister Rachel to support LGBTQ+ youth. The project features a stacked lineup of queer icons, allies, and genre-bending stars including Maren Morris, Kesha, Orville Peck, Joy Oladokun, Medium Build, Allison Ponthier, Maude Latour, EMEI, Tayla Parx, and more.

    And yes, Antonoff is producing.

    Maren Morris leads with “Welcome to the End”

    The second official single off the compilation, “Welcome to the End”, is a powerful collaboration between GRAMMY winner Maren Morris and Antonoff. The emotionally raw anthem explores the mental toll of chasing your dreams — and the resilience it takes to keep going.

    “It’s not a straight or pretty path to get there, but your own resilience can surprise you,” Morris said in a statement. “I’m so happy we can devote its release and message to The Ally Coalition.”

    The song follows the first release, “Jesus and John Wayne” — a poignant and bold track by Googly Eyes, Joy Oladokun, and Allison Ponthier, which reclaims spirituality for those marginalized by religious institutions. Inspired by the bestselling book of the same name, it’s already gone viral online.

    10 Years of All Things Go

    This compilation celebrates a decade of All Things Go, known for curating festivals centered on female, queer, and non-binary artists. Past performers have included MUNA, Maggie Rogers, boygenius, Lana Del Rey, and Billie Eilish. This year’s editions will hit Maryland and New York in September, with the first-ever Toronto edition set for October 4-5, headlined by Reneé Rapp, Kacey Musgraves, Remi Wolf, and Role Model.

    The compilation will be available digitally and on limited-edition vinyl, with a full tracklist and preorder details coming soon.

    The Ally Coalition: Music with a Mission

    The Ally Coalition (TAC) works with artists and festivals to provide resources, visibility, and direct support to organizations serving LGBTQ+ youth across the U.S. They’ve partnered with major tours from Joy Oladokun, Remi Wolf, Trixie Mattel, and Lauren Mayberry, among others.

    By pairing powerful music with real-world impact, this upcoming compilation marks another step in All Things Go and TAC’s mission to uplift and amplify queer voices.

  • Nicki Minaj Unleashes Scathing Takedown of SZA, Hints at Drama with Drake and Beyoncé

    Nicki Minaj Unleashes Scathing Takedown of SZA, Hints at Drama with Drake and Beyoncé

    Nicki Minaj and SZA’s simmering tension has erupted into a full-scale feud, with Minaj taking to social media to air out grievances, drop unfiltered accusations, and name-drop some of the biggest names in music. In a fiery post shared late Tuesday, the rapper called out SZA directly, and didn’t stop there, also looping in longtime collaborators Drake, Beyoncé, and music executive Gee Roberson.

    The feud, which began with subtle shade and cryptic tweets, has officially entered its messiest chapter yet.

    Nicki Claims She Passed on “Rich Baby Daddy” Track

    Minaj started her late-night rant by revealing she had declined a feature on “Rich Baby Daddy,” the chart-topping collaboration between Drake and Sexyy Red. The song had previously been linked to SZA as a rumored remix contributor.

    “He wanted me and Sexy on it. I still have the version of just Drake and Sexy,” Minaj wrote, adding that she turned it down to prioritize creative control over her Pink Friday 2 era.

    She explained, “I wanted my next collab with Drake to be something meaningful, not a club record. Meanwhile, Miss Thing is still out here doing her best for him daily.”

    The pointed comments, though marked by sarcasm and some NSFW insinuations, set the internet ablaze. Within minutes, the hashtag #Dricki, a mashup of Drake and Nicki, was trending on X (formerly Twitter).

    Minaj Mocks SZA’s Beyoncé Writing Claims

    Next, Minaj shifted gears to challenge SZA’s repeated insinuations that she played a behind-the-scenes role in writing for Beyoncé.

    “This woman wants a Grammy just for hinting she touched a Google Doc Beyoncé opened,” Minaj quipped. She specifically referenced their 2015 joint track “Feeling Myself,” claiming Beyoncé’s vocals were already in place before Minaj recorded her verses.

    According to Minaj, the two artists debated over who should sing the now-iconic line “Cooking up the bass, looking like a kilo.”

    “Bey was like, ‘You sing it.’ I said, ‘Nooo, you sing it!’” Minaj recalled, adding, “Then she said in her calm Texas voice, ‘Yes, you can.’”

    “These Girls Have No Identity”: Nicki’s Final Blow

    Minaj ended her post with a sweeping criticism of unnamed “industry girls” who she believes lack originality, a statement many interpreted as another jab at SZA.

    “She needed two whole days to be coached on how to respond,” Minaj wrote. “They can’t freestyle a tweet, let alone a track.”

    It was a clear sign the gloves were off and that this feud had moved well beyond mere subtweets.

    SZA Responds with Receipts and Resilience

    The blowout follows SZA’s subtle response to a previous Minaj comment, where the singer told fans, “Don’t take the bait lol silly goose.” That seemingly light remark clearly hit a nerve with Minaj, who spiraled into a flurry of tweets questioning SZA’s artistry, appearance, and career longevity.

    At one point, Minaj even questioned the impact of SZA’s chart-topping album SOS, tweeting: “If every song she ever made vanished, the music industry wouldn’t miss her.”

    SZA fired back by posting what she claims were text receipts of Minaj asking for collaborations, twice. “Nicki, you know my music. You’ve quoted it. You’ve requested features. Stop pretending,” she wrote.

    She also addressed the harsh treatment she receives online, saying, “I get bullied by millions daily then step out into sold-out stadiums. That’s real love. My parents are healthy. I’m thriving.”

    A Celebrity Clash for the Ages?

    While neither Beyoncé nor Drake has commented on the fallout, fan theories and stan wars are raging across platforms. Whether this feud will cool off or continue to heat up remains to be seen, but one thing’s clear: the pop girl detente is officially over.

  • Lady Gaga Adds New Songs for U.S. Kickoff of Her Mayhem Ball Tour in Las Vegas

    Lady Gaga Adds New Songs for U.S. Kickoff of Her Mayhem Ball Tour in Las Vegas

    Lady Gaga launched her highly anticipated Mayhem Ball tour Wednesday night in Las Vegas, and true to its name, it delivered glitter, grit and glorious chaos.

    Taking over the T-Mobile Arena, Gaga gave fans a high-octane mix of career-defining hits, new tracks from her Mayhem album, and just enough theatrical flair to make you wonder if Broadway had relocated to the Strip.

    A Familiar Blueprint With Fresh Twists

    The tour’s opening night closely mirrored the structure of her headline-making Coachella sets from earlier this year, but with several major shakeups in the second half. Longtime fan favorites “Just Dance,” “Applause,” and the deep cut “Summerboy” made triumphant returns to the stage. “Summerboy,” a track from The Fame, hadn’t been performed in 18 years, making it one of the night’s rarest gems.

    Gaga also debuted the Mayhem track “Kill for Love” live for the first time, adding to the evolving mythology of her latest era.

    @el0g_01

    my dream finally came true!!! Wanna relive this forever 🙂 #ladygaga #gaga #vanishintoyou #lasvegas#mayhem#mayhemtour

    ♬ original sound – Liammm

    Gondolas, Grit, and a Gothic Encore

    Never one to play it safe, Gaga gave her Oscar-winning ballad “Shallow” a complete visual makeover, performing the song mid-air from a Venetian gondola suspended above the crowd. (Because why not?)

    Her live version of “Die With a Smile,” the fan-favorite Bruno Mars collab, was also reimagined, stripped of its past polish and injected with moody new energy.

    And just when audiences thought the spectacle had ended, after the dramatic crescendo of “Bad Romance” and faux end credits rolled, Gaga pulled a Marvel-style twist. The lights stayed down, the big screens lit up with backstage footage, and the pop powerhouse returned in a Cramps t-shirt for a gritty encore of “How Bad Do U Want Me.” Though it had popped up in previous performances this year, this was the track’s debut as a surprise closer.

    @tomasmier

    Lady Gaga performs Shallow during Mayhem Ball opening night in Las Vegas #ladygaga #mayhemball #mayhemballvegas #ladygagaconcert #shallowladygaga @ladygaga

    ♬ Shallow – Lady Gaga & Bradley Cooper

    A Compact But Power-Packed Tour

    While her 2025 U.S. run is limited to just six cities, Gaga is making each stop count. She’ll play multi-night stints in Las Vegas, Seattle, New York, Miami, Toronto and Chicago through September 17 before taking the show overseas to London, Stockholm, Rome, Paris and more. The European leg currently wraps November 20.

    Compared to her previous Chromatica stadium tour, this arena-based trek is a more intimate experience. But given the demand, and the scale of her spectacle, it feels less like an underplay and more like a calculated tease.

    As for what 2026 holds? Gaga hasn’t said. But if the opening night of Mayhem Ball proved anything, it’s that she still knows how to keep fans guessing, and gasping.

    Full Las Vegas Setlist:

    Act I

    • Bloody Mary
    • Abracadabra
    • Judas
    • Aura
    • Scheisse
    • Garden of Eden
    • Poker Face

    Act II

    • Perfect Celebrity
    • Disease
    • Paparazzi
    • LoveGame
    • Alejandro
    • The Beast

    Act III

    • Killah
    • Zombieboy
    • Love Drug
    • Applause
    • Just Dance

    Act IV

    • Shadow of a Man
    • Kill for Love
    • Summerboy
    • Born This Way
    • Million Reasons
    • Shallow (Gondola Version)
    • Die With a Smile
    • Vanish Into You

    Finale

    Bad Romance

    Encore

    • How Bad Do U Want Me
    • Artpop
  • Rennie Coleman’s Country Tracks Are for the Gays Who Have Had Enough

    Rennie Coleman’s Country Tracks Are for the Gays Who Have Had Enough

    Rennie Coleman is tired of waiting for country music to catch up — so he’s bringing his own chair to the table, cowboy hat and all.

    The Nashville-raised, Los Angeles-based singer-songwriter recently released “Some Will Say,” a country-rock track about choosing peace over chaos. His latest single, “Only Tonight,” a melancholic ballad about fleeting but powerful connection, dropped June 13.

    Both tracks are produced by Luca Brown (Shaboozey, Karol G, Kali Uchis) and mastered by Grammy winner Emerson Mancini, a trans engineer known for his work with Kendrick Lamar and Paramore. “Having Emerson master these songs was a dream,” Coleman says. “It meant everything to have more queer hands on the project other than my own.”

    Telling the Truth Through Music

    For Coleman, authenticity has always been at the center of his songwriting. “The first good song I wrote was the first time I was honest,” he says. “I wasn’t trying to act a certain way — it was just me.”

    That honesty fuels both singles. “Some Will Say” channels the strength it takes to walk away from a one-sided relationship. “We’ve all been the one who isn’t wanted,” Coleman says. “And I want other people to have enough self love to also to chose themselves and sanity over something crap, like in ‘Some Will Say.’ That usually comes with maturity.

    “And, I think with the song ‘Only Tonight,’ there are a lot of us have checked out, and are exhausted with dating, and gotten stuck in the rotating meaningless sex parade, how amazing it is to be reminded even if, One Night Only, that true connections are still out there.”

    They’re supposed to be a bit of yin and yang. As a Gemini, he adds, “I’m a little of both. Fast and slow. I like to sing to the heavens, and I also like singing down in the dirt.”

    Rennie Coleman by Nick Pratt
    Rennie Coleman by Nick Pratt

    Pride, Politics, and a Pants-less Promo Photo

    Though Coleman describes himself as more of a “chardonnay-on-the-couch gay,” releasing new music during Pride Month was intentional.

    “It’s a celebration of my people and my community,” he says. “And right now, it feels more important than ever for queer artists to share their art and lean on each other.”

    Of course – there was some hesitation from his loved ones, who were nervous about the attention. For example, his mother. “She had a meltdown over one of the first promo pics I posted last month without pants on Instagram,” he says. “I was like, ‘Mom, they’re just thighs. I’m holding a guitar, wearing a shirt, relax.’”

    But he understands her concern. “She’s just worried about my safety. She knows I’ve always been vocal, and considering the current political climate, she’s afraid that certain groups of the population will come for me,” he says. “But I told her I’m not trying to taunt anyone. I just won’t stop expressing myself because of fear.”

    While he’s received a handful of hateful DMs (“Someone called me a meth head — it made me laugh”), the majority of feedback has been positive. “I think people on that side need to lighten up and take some deep breaths. It takes so much more energy to hate everyone all the time, and most of it comes from deep sadness, fear, and jealousy. I don’t have time for it.”

    Finding Community in a Shifting Genre

    Despite the stereotypes, Coleman says country music is more open than some assume — especially among the artists who’ve inspired him.

    “Sure, there are plenty of people in country music who are bigots,” he says. “But then there’s Dolly Parton, Maren Morris, Kacey Musgraves, Natalie Maines and The Chicks, Kelsea Ballerini, Tim and Faith. Those are my people.”

    “Country music is storytelling — all stories — and I have lots and lots to tell. I’m not gonna stop just because the loudest voices are screaming for us not to exist. Nope.”

    The reaction to his music so far has been encouraging. “People keep telling me they don’t even like country, but they love this song,” he says of “Some Will Say.” “That kind of support means everything.”

    Even some past skeptics have changed their tune. “A friend who once told me to give up music and try acting called me after hearing the song and said, ‘I’m so glad you found your people, and I’m so glad you found your sound.’ I was like, that’s right,” he says.

    What Comes Next

    As an independent artist, Coleman hopes the early momentum will help fund a full album. “These two songs are just the warm-up,” he says. “I just finished writing a new one called ‘Daddy,’ so get ready.”

    He’s manifesting more studio time with Luca Brown, new collaborations (“I have a song for Kacey and one for Maren — call me, ladies!”), and maybe even a tour.

    “Don’t Be Scared, Just Do You”

    For younger queer artists considering stepping into traditional genres, Coleman’s advice is simple: show up fully.

    “Trust your gut. Keep your ears open. Let the universe guide you, pay attention, and work your ass off,” he says. “If you can take all the no’s and rejection and use them to fuel your fire, even better.”