Gayety

Category: TV

Stay updated with the latest in LGBTQ+ entertainment through Gayety’s comprehensive coverage of television news and features.

  • Arnold Schwarzenegger Hilariously Reacts to Seeing His Son’s ‘Weenie’ on ‘The White Lotus’

    Arnold Schwarzenegger Hilariously Reacts to Seeing His Son’s ‘Weenie’ on ‘The White Lotus’

    Patrick Schwarzenegger is no stranger to the Hollywood spotlight, but lately, he’s been making waves for reasons that go beyond his famous last name. The son of action legend Arnold Schwarzenegger has long battled the “nepo baby” label, striving to prove his chops  as a serious actor. His latest role in Season 3 of HBO’s The White Lotus may be his most daring yet, including a scene that left viewers, and especially his dad, utterly speechless…

    When Hollywood Royalty Gets Real: Arnold’s Priceless Reaction

    In a recent Variety “Actors on Actors” interview, father and son got candid about everything from nepotism to nudity on screen, and Arnold’s reaction was nothing short of hilarious. The former Terminator star confessed that he was unprepared for the full frontal moment featuring Patrick.

    “I couldn’t believe it,” Arnold shared with a chuckle. “I’m watching your show, and I see your butt sticking out there, and then, all of a sudden, I see the weenie. What is going on here? This is crazy.”

    @varietymagazine

    Arnold Schwarzenegger jokes about seeing Patrick naked on screen: “I saw your weenie!” #ActorsOnActors

    ♬ original sound – Variety – Variety

    I had thought the days of me hearing “weenie” in reference to anything besides a hot dog was long over!

    The moment prompted some self-reflection from Arnold, who jokingly reminded himself he’d done the same in his prime. “Then I said to myself, ‘Well, Arnold, hello. You did the same thing in Conan and Terminator, so don’t complain about it.’”

    Patrick wasn’t going to let his dad off the hook that easily, firing back, “Well, Arnold, hello. You did the same thing, so don’t complain.”

    Arnold laughed, admitting he was genuinely impressed by his son’s performance. “Your acting surprised the hell out of me. Not that I didn’t know you were good. But it was just unbelievable, the kind of stuff you did in the show.”

    Mom’s Take: No Saxon Shenanigans Here

    Patrick’s mom, Maria Shriver, also weighed in during an April 2025 TODAY show interview. She was quick to distinguish her son from the somewhat reckless character he portrays on The White Lotus, Saxon.

    “Patrick is not like Saxon. I just want to clear that up,” she said with a laugh. “Because people say, ‘Is Patrick like Saxon?’ I’m like, ‘Do you think I would have raised a Saxon?’” Shriver added that she’s thrilled her son found his breakout role in the series.

    Patrick Schwarzenegger as Saxton on 'The White Lotus' Season 3
    Patrick Schwarzenegger as Saxton on ‘The White Lotus’ Season 3
    Patrick Schwarzenegger as Saxton on 'The White Lotus' Season 3
    Patrick Schwarzenegger as Saxton on ‘The White Lotus’ Season 3

    Beyond the Name: Patrick’s Rise on His Own Terms

    While Patrick Schwarzenegger’s famous family name undoubtedly opens some doors, the actor is making it clear that he’s here to stay on his own terms. His unapologetic vulnerability in The White Lotus, including that unforgettable nude scene, shows his commitment to fully inhabiting challenging roles and defying expectations.

    For a young actor navigating Hollywood’s tricky waters, stepping out from under Arnold’s huge shadow isn’t easy. But Patrick’s bold choices and heartfelt performances are helping rewrite the narrative around nepotism and legacy.

    Fan Reactions: Cheers, Laughs, and a Little Secondhand Embarrassment

    Fans of the show quickly took to social media to share their reactions to the father-son nudity chat and Patrick’s candid new role.

    One Twitter user quipped, “Arnold’s just being a dad—hilarious and awkward in the best way.“The weenie” comment got me.” Another chimed in, “Patrick out here taking nudity to a whole new level while dad’s over here trying to keep it cool 😂.”

    Others praised Patrick’s dedication: “This is so adorable. Father and son interviewing each other and talking about weenies 😂”

    The lighthearted, funny exchange between Arnold and Patrick has also sparked affectionate jokes about Hollywood dads reacting to their kids’ on-screen choices. Proof that sometimes, even legendary action heroes get caught off guard.

  • 10 Defining Queer TV and Movie Moments That Still Break Us (in the Best Way)

    10 Defining Queer TV and Movie Moments That Still Break Us (in the Best Way)

    In film and television, the most powerful queer moments often arrive quietly tucked inside tender glances, aching monologues, or backyard gardens where strawberries taste sweeter than they should. They don’t always shout, but they leave a mark. Whether through landmark coming-out scenes or unexpected gestures of love and truth, these moments helped rewrite how LGBTQ+ people see themselves and how the world sees them.

    Here are eight unforgettable scenes that cracked our hearts open and let the light in.

    “I cry so much sometimes I feel like ima just turn into drops.” — Moonlight (2016)

    In Moonlight, one of the film’s most unforgettable moments happens not with big declarations, but in the quiet honesty between two teens on a beach. Chiron, reserved and often closed off, finds an unexpected softness with Kevin, a friend who’s long been part of his life, but never this close.

    The scene unfolds slowly, tenderly. Kevin, hesitant at first, denies crying but says that the view makes him want to though. Chiron listens and opens up in a moment of beautiful vulnerability saying “I cry so much sometimes I feel like ima just into drops.” The conversation, fragile and real, builds toward their first kiss: a small act with massive emotional weight. For Chiron, it’s not just about physical touch, but about being seen, understood, and accepted, maybe for the first time. The moment doesn’t just shift their relationship, it’s a pivotal moment of queer awakening for Chiron, who has spent much of his life grappling with his identity and emotional isolation.

     

    “I wish I knew how to quit you.” — Brokeback Mountain (2005)

    Ang Lee’s Brokeback Mountain didn’t just shift the conversation, it broke it wide open. In a time when queer love stories were still largely hidden or coded, this sweeping tale of two cowboys in Wyoming made tenderness and longing unmistakably visible.

    Jake Gyllenhaal’s Jack Twist delivers the now-iconic line to Heath Ledger’s Ennis Del Mar with raw hurt, knowing they’re trapped between what they feel and what they fear. It’s not just a breakup; it’s a plea to be free of a love the world refuses to understand. Ledger’s restraint speaks volumes, making the moment hurt even more. A classic that still echoes in our cultural memory.

    “Maybe I am learning from my brave son.” — Sex Education (2019)

    When Eric’s dad drops him off at the school dance, he hesitates, then steps out of the car to confront his son about his outfit. What follows is a raw and heartfelt exchange that cuts deep. After his dad admits he’s scared for him, Eric replies, “Your fear doesn’t help me, Dad. It makes me feel weak.” His dad tries to explain, “I don’t want you to be hurt,” but Eric meets him with quiet strength: “Look, I’ll be hurt either way. Isn’t it better to be who I am?”

    Then comes the gut punch. His dad, visibly shaken, says, “Maybe I’m learning from my brave son.” It’s a turning point—one of those rare moments where you see a parent start to understand, really understand, the courage it takes to live openly. A true tearjerker.

    A taste of freedom — The Last of Us (2023)

    In a show defined by fungal zombies and survivalist grit, the most human moment of The Last of Us came in a gentle garden scene. Bill and Frank—played with layered warmth by Nick Offerman and Murray Bartlett—share a meal of freshly grown strawberries in a post-apocalyptic world.

    It’s a detour from the video game’s plot, but a welcome one. In this moment, queerness isn’t tragic or tokenized; it’s revolutionary in its normalcy. As Frank bites into a berry, his laughter feels like rebellion against a world that collapsed under intolerance. The scene quietly reminds us: love, even in ruin, can bloom.

    A mother’s blessing — Love, Simon (2018)

    Love, Simon may have been packaged like a glossy teen rom-com, but it carried weight. As the first major studio film to center on a gay teenage love story, it gave representation a seat at the high school cafeteria table.

    The film’s emotional core comes when Simon (Nick Robinson) receives unconditional love from his mom, played by Jennifer Garner. Her soft, tearful encouragement to “finally exhale” resonated deeply with LGBTQ+ audiences who’ve longed for that same parental grace. Corny? Maybe. But necessary? Absolutely.

    “You’re the heart.” — Stranger Things (2016–)

    You might lose track of Stranger Things plot lines between seasons, but one thing no one forgets: Will Byers crying in the passenger seat. As he tries to tell Mike how he really feels—without actually saying it—Noah Schnapp delivers a performance full of bottled-up ache and quiet bravery.

    It’s one of the most watched, meme’d, and dissected scenes in recent queer TV history. And yet, it’s delicate, a slow-burn confession that captures the fear of being vulnerable with someone who might not feel the same. If the series closes with a fully realized Will, it could cement one of the most meaningful queer arcs in mainstream sci-fi.

    A father’s quiet grace — Call Me By Your Name (2017)

    While Call Me By Your Name is not without controversy, especially when revisited today, one scene remains untouchable: the conversation between Elio (Timothée Chalamet) and his father (Michael Stuhlbarg) after his first heartbreak.

    With emotional intelligence rarely afforded to male characters—let alone fathers—Mr. Perlman offers gentle wisdom that validates not just Elio’s love, but his right to feel deeply. It’s a masterclass in queer empathy, and a reminder that support doesn’t always come with fireworks—it often arrives with understanding.

    “Susan, I’m gay.” — Ellen (1997)

    It was the sitcom line that shook America. Ellen DeGeneres came out both on and off screen, with her character Ellen Morgan declaring her truth in a packed airport terminal. The world heard it loud and clear.

    It was risky. Advertisers pulled out. Conservative watchdogs panicked. But Ellen’s honesty changed television, showing queer people that their identities weren’t just side plots—they could be center stage.

    “I see clearly now.” — Grey’s Anatomy (2006)

    Dr. Erica Hahn’s speech about “putting on glasses” after sleeping with Callie Torres (Sara Ramirez) gave lesbian audiences a rare ‘aha’ moment in primetime. “I can see everything clearly now,” she says, comparing love to a pair of lenses that finally fit.

    It wasn’t subtle, but that was the point. For many viewers, her words reflected the exhilarating (and terrifying) clarity that comes with accepting your queerness for the first time.

    “I like the wine, not the label.” — Schitt’s Creek (2018)

    In a show full of iconic lines, David Rose’s wine analogy explaining his pansexuality stands as Schitt’s Creek’s most beautifully understated moment. “I like the wine, not the label,” he tells Stevie, redefining queerness not as confusion, but as expansion.

    The scene is smart, simple, and perfectly “David.” It’s also one of the most accessible explanations of pansexuality to ever air on television. With a metaphor as smooth as merlot, it opened minds and hearts alike.

  • King Princess Tackles Toxic Queer Romance in ‘Nine Perfect Strangers’

    King Princess Tackles Toxic Queer Romance in ‘Nine Perfect Strangers’

    Nicole Kidman is back in the wellness game—this time with a queer twist and a dangerously sharp bob.

    Season 2 of Nine Perfect Strangers premiered May 22 on Prime Video, and it’s bringing more chaos, more drama, and a lot more queerness. Set in the snowy Austrian Alps, this new installment follows nine new guests lured into an exclusive wellness retreat led by the mysterious and mesmerizing Masha (Kidman). Over the course of a week, the strangers are pushed to their emotional limits—healing, unraveling, and possibly hallucinating their way to transformation.

    The cast is stacked—and yes, it’s very gay

    This season’s cast is serving prestige TV with a side of camp. Alongside Kidman, viewers will recognize familiar faces like Murray Bartlett (The White Lotus), Henry Golding (Monsoon), Annie Murphy (Schitt’s Creek), Christine Baranski (The Good Fight), Lena Olin (Alias), Lucas Englander (Transatlantic), Dolly de Leon (Triangle of Sadness), Mark Strong (Cruella), and Aras Aydin (Kiraz Mevsimi).

    The real show-stealers, however, are Maisie Richardson-Sellers and King Princess, who portray Wolfie and Tina—musicians, romantic partners, and walking definitions of “toxic lesbian couple.”

    Wolfie and Tina: A queer couple in crisis

    The second season leans into emotional turmoil, especially through the dynamic between Wolfie and Tina. Tina, a former prodigy, has stepped away from music after hitting a wall of burnout and self-doubt. Wolfie, a professional violinist, wants to reignite her partner’s passion, but instead fuels tension and resentment.

    In an interview with GAY TIMES, Richardson-Sellers described their relationship as “heartbreaking” and “fun” to explore. “There’s no communication or honesty, and they’re butting heads,” they said. King Princess was a little more blunt: “It’s lesbian bed death.”

    Tina and Wolfie’s bond is tightly intertwined with their shared creative identity—a reality that resonates hard for anyone in both love and art. “We not only work together, we have this shared passion,” said King Princess. “Our romantic relationship is basically held together by music.”

    Representation beyond the rainbow

    What makes their dynamic feel refreshing is that it’s not sugar-coated. The show allows queer characters to be messy and human—without making their queerness the focal point of every plot line.

    “Yes, we’re celebrating it—but it’s not their whole personality or identity,” Richardson-Sellers said. “It’s just a dysfunctional relationship, and we happen to be queer.”

    King Princess added that both she and her co-star pulled from their personal lives and community to bring authenticity to the roles: “I live in an incredibly toxic lesbian community. They’re insane!”

    Maisie Richardson-Sellers and King Princess in 'Nine Perfect Strangers.'
    Maisie Richardson-Sellers and King Princess in ‘Nine Perfect Strangers.’

    Creative burnout hits hard—even on TV

    For King Princess, stepping into Tina’s shoes hit close to home—not because of her sexuality, but because of her history with music. Since her debut single “1950” in 2018, she’s dropped two acclaimed albums (Cheap Queen and Hold On Baby), so portraying an artist who’s lost her love for music was an unexpected challenge.

    “We’ve all been there at some point,” she said. “When you have a creative passion, naturally there are moments where you’re like, ‘Do I even like this anymore?’ And then you find your way.”

    Nicole Kidman’s bob is the 10th queer character

    We’d be remiss not to mention the unspoken icon of the season: Nicole Kidman’s haircut. Sleek, short, and aggressively severe, it’s already generating memes and admiration across social media. The cast agrees—it’s art.

    @gaytimes

    Did you just say WIG? Stars of Nine Perfect Strangers, King Princess and Maisie Richardson-Sellers discuss Nicole Kidman’s infamous bob ✂️ #nicolekidman #tvshow #hulu #funnytiktok #bob #wig #kingprincess

    ♬ original sound – GAY TIMES

    Nine episodes. Nine strangers. Infinite drama.

    With bold performances, grounded queer storytelling, and a wild ride of emotional (and psychedelic) breakthroughs, Season 2 of Nine Perfect Strangers is anything but subtle. It’s rich with heart, tension, and a delicious dose of gay drama. Catch new episodes Thursdays on Prime Video.

  • ‘The Ultimatum: Queer Love’ Returns and It’s Messier Than Ever

    ‘The Ultimatum: Queer Love’ Returns and It’s Messier Than Ever

    Netflix’s queerest, most chaotic relationship experiment is back — and no one is safe.

    If you thought season one of The Ultimatum: Queer Love was a rollercoaster, brace yourself. Netflix just dropped the trailer for season two, and it promises higher stakes, deeper heartbreak, and even more explosive drama.

    This time around, five couples are once again putting their relationships to the test. The setup? One partner issues an ultimatum: get engaged or walk away. But first, each person has to date someone new. What could possibly go wrong? (Spoiler: everything.)

    Love on the Line

    The trailer opens with a tearful Pilar, grappling with the very thing she feared most.

    “My worst fear was that I would get to a point where I was ready and you were falling in love with someone else—now it’s happening,” she says.

    It’s an emotional gut punch — and just the beginning.

    Family Pressure and Fractured Bonds

    While some couples struggle with trust, others are navigating external pressures. Magan reveals that her family disapproves of her relationship.

    “My family doesn’t want me to be with a woman,” she confesses.
    “You’re so confident in so many areas of your life,” her partner Dayna responds. “I just want you to be brave.”

    But things quickly unravel. Later, Magan turns to Dayna and declares, “I can’t believe I wanted to marry you.”

    Ouch.

    Cheating Accusations and Explosive Fights

    As the couples date new partners, feelings inevitably develop—and boundaries blur. The result? Jealousy, betrayal, and some major confrontations.

    Marie, who gave partner Mel the ultimatum, confronts her in one of the trailer’s most intense moments:

    “There’s proof,” she snaps, “that you were f–king.”

    Say what you want about reality TV, but The Ultimatum knows how to deliver the drama.

    The Countdown to Forever (or Goodbye)

    Host JoAnna Garcia Swisher lays it all out during the first group meeting:

    “Will you leave here alone? Will you leave here engaged? Or will you leave here with someone new?”

    For many of the contestants, marriage isn’t just a goal—it’s the only acceptable outcome.

    “I don’t want to waste any more time,” Britney says. “You’re it, let’s do this. Either you want to marry me or you don’t.”

    As intense as it sounds, that’s the magic of The Ultimatum: watching people navigate the chaos of love, identity, and commitment—with cameras rolling.

    Mark Your Calendars

    The drama kicks off June 25, when the first half of The Ultimatum: Queer Love season two premieres on Netflix. Whether you’re rooting for love, heartbreak, or just a really good reality binge, this one’s going to be unmissable.

  • Lady Gaga Nearly Joined the Hormone Havoc: ‘Big Mouth’ Creators Reveal Missed Opportunity in Final Season

    Lady Gaga Nearly Joined the Hormone Havoc: ‘Big Mouth’ Creators Reveal Missed Opportunity in Final Season

    As Netflix’s hit animated comedy Big Mouth officially wraps its eighth and final season, fans are saying goodbye to one of television’s boldest, bawdiest explorations of adolescence. But behind the scenes, the creative team revealed one near-miss that left them heartbroken—and it involves none other than pop icon and LGBTQ+ trailblazer Lady Gaga.

    Yes, Big Mouth almost had Lady Gaga.

    While the Grammy and Oscar winner didn’t end up lending her voice or music to the show, the creators tried—hard—to make it happen in the series’ grand finale. As Big Mouth exits the stage with its signature blend of crude humor and heart, the story of Gaga’s almost-involvement gives fans a glimpse into the show’s ambition and the cultural clout it nearly flexed one last time.

    A Coming-of-Age Show That Actually Grew Up

    Launched in 2017, Big Mouth follows a group of middle schoolers—including Nick Birch (voiced by co-creator Nick Kroll), Andrew Glouberman, Jessi Glaser, and Matthew MacDell—as they navigate the terrifying terrain of puberty. What set Big Mouth apart was its commitment to growth—literally. Unlike other animated series where characters remain frozen in time, Big Mouth allowed its cast to age, evolve, and graduate into new phases of life.

    Ayo Edebiri, Nick Kroll, Jessi Klein, Jack McBrayer, Jason Mantzoukas and Richard Kind arrive at the Netflix's "Big Mouth" Season 8 Premiere (The Final Season) at The Egyptian Theatre Hollywood on May 22, 2025 in Los Angeles, California.
    LOS ANGELES, CALIFORNIA – MAY 22: Ayo Edebiri, Nick Kroll, Jessi Klein, Jack McBrayer, Jason Mantzoukas and Richard Kind arrive at the Netflix’s “Big Mouth” Season 8 Premiere (The Final Season) at The Egyptian Theatre Hollywood on May 22, 2025 in Los Angeles, California. (Photo by Steve Granitz/FilmMagic)

    “It is puberty, and we really covered so much of what we set out to do about this journey,” Kroll told The Hollywood Reporter at the show’s Los Angeles premiere. “Most animated shows, they go on forever. People are frozen in whatever time they are in. Our show evolved. The kids evolved, moved through time, grew, and changed—and that was part of the joy of making the show.”

    Co-creator Andrew Goldberg, a Family Guy alum, said he initially assumed Big Mouth would mimic the ageless format of other cartoons. “But my collaborators reminded me: this is a show about changes,” he said. “Puberty is a discrete time in life—it doesn’t go on forever.”

    Ayo Edebiri and Nick Kroll arrives at the Netflix's "Big Mouth" Season 8 Premiere (The Final Season) at The Egyptian Theatre Hollywood on May 22, 2025 in Los Angeles, California.
    LOS ANGELES, CALIFORNIA – MAY 22: Ayo Edebiri and Nick Kroll arrives at the Netflix’s “Big Mouth” Season 8 Premiere (The Final Season) at The Egyptian Theatre Hollywood on May 22, 2025 in Los Angeles, California. (Photo by Steve Granitz/FilmMagic)

    The Guest Star Wish List: Gaga at the Top

    Over its run, Big Mouth welcomed more than 200 guest stars, from Maya Rudolph and Jordan Peele to John Mulaney, Lupita Nyong’o, and David Thewlis. But not every celebrity pitched responded to the call—and a few dream names remained elusive to the very end.

    While celebrating Steve Buscemi’s addition to the final season (voicing a bizarrely lovable feline named Mr. Pink), Kroll revealed they had high hopes for a different kind of superstar.

    “We wanted to get Howard Stern and we couldn’t get him. He did so much in inspiring the show; he’s the best, he’s the king,” Kroll said. “And Lady Gaga—we tried to get as well. Turns out she’s busy.”

    Andrew Goldberg echoed the sentiment: “We really, really wanted Howard Stern to do the show. He doesn’t do anything, and we were no exception.”

    Andrew Rannells arrives at the Netflix's 'Big Mouth' Season 8 Premiere (The Final Season) at The Egyptian Theatre Hollywood on May 22, 2025 in Los Angeles, California Photo: Steve Granitz/FilmMagic.
    Andrew Rannells arrives at the Netflix’s ‘Big Mouth’ Season 8 Premiere (The Final Season) at The Egyptian Theatre Hollywood on May 22, 2025 in Los Angeles, California

    But it was co-creator Mark Levin who revealed the full extent of Gaga’s potential involvement: “We asked Lady Gaga to do a song in the last season and she was too busy. That was sad—but not surprising.”

    Lady Gaga and the Legacy She Almost Cemented

    For LGBTQ+ fans, Gaga’s almost-involvement is especially bittersweet. With a discography full of queer anthems and a decades-long commitment to LGBTQ+ rights and advocacy, Gaga’s presence in Big Mouth would have felt like a full-circle moment. The show, like Gaga herself, has never shied away from embracing queerness in all its complexity.

    Matthew MacDell, voiced by Andrew Rannells, became one of the series’ standout queer characters, navigating identity, love, and self-expression in a way rarely seen in mainstream animation. The idea of Gaga performing a track in Matthew’s orbit—or perhaps as a new fantastical being like a Shame Wizard or Hormone Monster—would have been iconic.

    While the dream didn’t materialize, the fact that the creators envisioned her as part of their final act speaks volumes about her cultural resonance—and about Big Mouth’s deep-rooted connection to the LGBTQ+ community.

    Confronting the Final Monster: The Future

    As Big Mouth comes to a close, the theme of the final season is one that resonates deeply with both teens and adults: fear of the future. According to Levin, “Fear of the future and fear of the unknown is the thing that really jumped out as the biggest monster of all for them to confront.”

    It’s a fitting end for a show that built a universe around metaphorical monsters—Hormone Monsters, Anxiety Mosquitoes, and Depression Kitties—to externalize internal struggles. In a way, Lady Gaga’s near-appearance as a musical guest could have served as a triumphant anthem to overcoming those fears.

    Though Lady Gaga didn’t make it into Big Mouth’s last hurrah, the show’s final season is still packed with emotional revelations, absurd humor, and boundary-pushing storytelling. Its commitment to showcasing queer identity, adolescent awkwardness, and the universality of growing up ensures it will remain a landmark show in animated television history.

    The eighth and final season of Big Mouth is now streaming exclusively on Netflix.

  • Andrew Rannells Admits His Character from ‘Big Mouth’ is Inspired by a Young Kim Cattrall from ‘Sex and The City’

    Andrew Rannells Admits His Character from ‘Big Mouth’ is Inspired by a Young Kim Cattrall from ‘Sex and The City’

    As Netflix’s acclaimed animated series Big Mouth draws to a close with its eighth and final season, fans are reflecting on the show’s bold storytelling and memorable characters. One standout character is Matthew MacDell, the openly gay middle schooler known for his sharp wit and unapologetic confidence. Portrayed by Broadway star Andrew Rannells, Matthew’s voice has captivated audiences since Season 1. In a recent revelation, Rannells shared that his portrayal of Matthew was inspired by none other than Samantha Jones from HBO’s Sex and the City.

    @gayety

    Andrew Rannells claims that his inspiration for his gay character in ‘Big Mouth’ is based off of Kim Cattrall from ‘Sex and The City.’

    ♬ original sound – Gayety

    A Bold Inspiration

    In a candid conversation with Big Mouth co-creator Nick Kroll, Rannells disclosed that when he was first approached to voice Matthew, he envisioned the character as a “gay bully.” Drawing from this concept, Rannells decided to channel the essence of Samantha Jones, famously portrayed by Kim Cattrall, known for her boldness and unapologetic sexuality. Rannells admitted, “I came in with this idea that I was just going to do an impersonation of Kim Cattrall and no one said anything. And then it was eight seasons later.”

    Kroll, who voices several characters on the show, including Nick Birch and Coach Steve, expressed surprise upon learning of Rannells’ inspiration. He remarked, “I only found out last year what your inspiration was for the voice of Matthew.”

    Matthew’s Evolution on Screen

    Since his debut, Matthew has evolved from a secondary character to a fan favorite. His journey has mirrored the show’s broader themes of self-discovery and acceptance. In earlier seasons, Matthew navigated the complexities of adolescence, including coming out to his friends and grappling with his identity. His character provided a refreshing portrayal of a gay teenager who was neither a tragic figure nor a stereotypical flamboyant character, but rather a nuanced individual with depth and authenticity.

    Rannells’ portrayal of Matthew has been lauded for its sincerity and comedic timing. His voice work brought a unique energy to the character, blending sharp humor with moments of vulnerability. This balance resonated with viewers, particularly those seeking representation of LGBTQ+ characters that felt genuine and multifaceted.

    The Impact of ‘Big Mouth’

    Big Mouth has been praised for its candid exploration of puberty, sexuality, and identity. The series, co-created by Nick Kroll, Andrew Goldberg, Mark Levin, and Jennifer Flackett, has tackled topics such as hormone-driven emotions, body image, and the complexities of sexual orientation. By incorporating characters like Matthew, the show has provided a platform for diverse voices and experiences, contributing to broader conversations about representation in media.

    The show’s success is evident in its critical acclaim and longevity. Over its eight-season run, Big Mouth garnered multiple Emmy nominations and wins, solidifying its place in the pantheon of animated series that push boundaries and challenge societal norms. The series also spawned a spin-off, Human Resources, which delved deeper into the anthropomorphized emotions introduced in Big Mouth.

  • ‘Wish You Were Queer’ Hits OUTtv Today With a Hilarious, Heartfelt Road Trip Across Queer America

    ‘Wish You Were Queer’ Hits OUTtv Today With a Hilarious, Heartfelt Road Trip Across Queer America

    Comedians Michael Henry and Tim Murray have already captured hearts (and funny bones) across the internet with their viral queer comedy sketches. But starting today, the duo is taking their act on the road in OUTtv’s brand-new docu-series, Wish You Were Queer, now streaming.

     

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    A post shared by Michael Henry (@michaelhenry915)

    From West Hollywood to the Heartland

    In this six-part series, Henry and Murray leave the safety of their West Hollywood comfort zone and embark on a cross-country journey through cities not typically known for queer comedy. Think Columbus, Louisville, Nashville, Atlanta, Pensacola and New Orleans—each with its own flavor of LGBTQ+ life.

    The pair’s mission? To prove they can make middle America laugh just as hard as the West Coast gays do. And the person they’re trying to impress? None other than drag icon and business mogul Trixie Mattel, who challenges them to step outside the LA bubble. If they succeed, she’ll consider producing their next comedy special.

    Photo: ‘Wish You Were Queer,’ OUTtv
    Photo: ‘Wish You Were Queer,’ OUTtv

    Queer Comedy Meets Road Trip Realness

    Loaded into a fabulous RV camper, Henry and Murray hit the pavement in each city, putting on live comedy shows—but not before pounding the pavement and getting to know the local queer communities. From bar crawls to brunches to deeply personal conversations, the two immerse themselves in what it means to be queer outside of major metropolises.

    What follows is equal parts comedy special and LGBTQ+ travel diary. With humor as their vehicle and community as their destination, each episode offers absurd antics, belly laughs, and emotional moments of reflection.

    Photo: ‘Wish You Were Queer,’ OUTtv
    Photo: ‘Wish You Were Queer,’ OUTtv

    “Middle America gays are wild,” Henry said. “And thankfully, Trixie Mattel also wanted to be a part of this gay mayhem.”

    A Show That’s as Heartfelt as It Is Hilarious

    While Wish You Were Queer is packed with over-the-top humor, it’s also a celebration of queer life across the country. In a press statement, OUTtv COO Philip Webb called the show “a fresh, funny, and touching perspective on LGBTQ+ life in unexpected places.”

    Murray agrees. “Every time we’ve been on the road exploring what’s gay in each city, we’ve said ‘someone should be filming this’—and now they are!”

    The show was produced by D’Marie Productions and executive produced by Mike Kelton and Frank Spadafora. All six episodes of Wish You Were Queer are available to stream now on OUTtv.

  • Closets, Crushes, and Charli XCX: ‘Overcompensating’ Is Prime Video’s Queer Masterpiece

    Closets, Crushes, and Charli XCX: ‘Overcompensating’ Is Prime Video’s Queer Masterpiece

    Benito Skinner is having a moment, and fans can’t get enough of it. The internet sensation—best known as Benny Drama—has officially made the leap from Instagram Reels to streaming royalty with Overcompensating, his raucously queer, painfully relatable college comedy series on Prime Video.

    Released just days ago, the series is already earning glowing reviews, viral praise, and a 94% rating on Rotten Tomatoes. From chaotic frat parties to heart-melting crushes and Charli XCX cameos, Overcompensating is giving viewers a little bit of everything—and a whole lot of gay panic.

    A Queer Coming-of-Age… With Keg Stands

    Skinner stars as a fictionalized version of his college-aged self, Benny, a closeted freshman doing everything he can to mask his queerness—frat parties, chugging beers, and over-the-top bro behavior included. But beneath the football jerseys and shouted greetings lies a boy just trying to figure himself out.

    The plot follows Benny as he forges an intense friendship with Carmen (played by Wally Baram), develops a crush on the effortlessly charming Miles (Rish Shah), and tries desperately to impress his frat bro fantasy, Peter (Adam DiMarco). The result? A beautiful, messy, and painfully familiar portrayal of what it means to perform masculinity while being unsure of where you fit in.

    Social Media Can’t Get Enough

    The response to Overcompensating has been nothing short of euphoric. Social media is flooded with praise, memes, and unfiltered emotion.

    “How f***ing perfect was this scene,” one viewer posted on X alongside a clip of Carmen comforting Benny at a party. “Show of the year.”

    @xcxvoid

    obsessed with this diva | @Benito Skinner | cc sat6rns sc @sky | #overcompensating #overcompensatingedit #overcompensatinghailee #haileeovercompensating #diva #edit #show #foryou

    ♬ original sound – xcxvoid

    Another fan wrote, “Didn’t expect #Overcompensating to eat like this. Came for Charli XCX, stayed for the comedy, chaos & iconic soundtrack. Feels like a love letter to her pop eras wrapped in queer college drama. Funny, real, well-written. I need season 2 like NOW.”

    And one particularly enthusiastic fan declared: “Literally begging everyone to watch the new show Overcompensating. sooo queer and fun and funny. Have been laughing out loud every single episode.”

    Behind the Scenes: Real-Life Shenanigans

    Speaking exclusively to Gayety, Skinner teased his hopes for a second season, admitting there were “so many jokes and one-liners that didn’t make the cut” the first time around. “I’ve already watched the show 200 times,” he laughed. “And every time, I notice something new about these incredible cast members.”

    @gayety

    Benito Skinner says he is ready for a season two after watching season one nearly “200 times” #Overcompensating

    ♬ original sound – Gayety

    What’s Next?

    While Prime Video hasn’t officially announced a second season, the response from fans suggests it’s only a matter of time. With its perfect mix of absurdity, emotional depth, and queer truth, Overcompensating feels like the college comedy we didn’t know we needed—and now can’t live without.

  • Lady Gaga Edges Closer to EGOT Status With Sports Emmy Win

    Lady Gaga Edges Closer to EGOT Status With Sports Emmy Win

    Mother Monster racks up more history-making milestones, including Coachella, Spotify, and a record-breaking tour.

    Lady Gaga is one step closer to achieving EGOT status — and she’s doing it in true Gaga fashion: boldly, iconically, and with just the right amount of sparkle.

    On May 20, the multi-hyphenate superstar added a Sports Emmy to her ever-growing trophy shelf for her emotional performance of Hold My Hand ahead of Super Bowl LIX. The pre-game moment doubled as a tribute to victims of the New Orleans truck attack, California wildfires, and Hurricane Helene — blending Gaga’s signature theatricality with heartfelt advocacy.

    With an Emmy, 14 Grammy Awards, and an Oscar already in the bag, Gaga needs just one Tony Award to enter the exclusive club of EGOT winners, alongside greats like Audrey Hepburn, Elton John, Viola Davis, and Barbra Streisand.

    A Year of Mayhem (Literally)

    The Sports Emmy is just one headline in what may be Gaga’s most electrifying year yet.

    In early 2025, she dropped her seventh studio album Mayhem — a critical and commercial juggernaut. The record earned the biggest debut of the year for a female artist on Spotify, anchored by standout singles like Abracadabra, her highest solo debut to date.

    Not to be outdone, Gaga’s Bruno Mars collab Die With a Smile shattered Spotify records for the longest-running daily No. 1 and picked up a Grammy for Best Pop Duo/Group Performance. In April, she surpassed Ariana Grande to become the most-streamed female artist globally, currently ranking third overall behind Bruno Mars and The Weeknd with more than 116 million monthly listeners.

    Live Shows and Legend Status

    Gaga’s stage dominance continues. She wowed festivalgoers during back-to-back Coachella headlining sets in April, then broke global records with a free Copacabana Beach concert that drew over 2.1 million attendees — the largest audience ever for a female performer.

    In March, she accepted the iHeartRadio Innovator Award, delivering a powerful speech that called out ageism and sexism in the music industry.

    “Even though the world might consider a woman in her late 30s old for a pop star — which is insane — I promise that I’m just getting warmed up,” she said.

    The MAYHEM Ball Is Coming

    Next, Gaga is taking Mayhem on the road. Her MAYHEM Ball Tour kicks off July 16 in Las Vegas and will travel through North America and Europe with stops in New York, Toronto, London, Barcelona and more.

    If one thing’s clear, it’s this: Gaga’s not slowing down. EGOT status may be next, but she’s already a legend in her own right.

  • Manila Luzon Honors Jiggly Caliente With Heartfelt, Hilarious Eulogy on ‘Drag Race’ Sisterhood

    Manila Luzon Honors Jiggly Caliente With Heartfelt, Hilarious Eulogy on ‘Drag Race’ Sisterhood

    Manila Luzon delivered an emotional and comedic tribute to her longtime friend and RuPaul’s Drag Race sister, Jiggly Caliente, following her passing in April at the age of 44. In a eulogy shared via video on X (formerly Twitter) on May 16, Manila remembered her fellow queen with humor, tenderness, and the kind of inside jokes that only 20 years of friendship can create.

    Remembering a Legend

    Jiggly Caliente, born Bianca Castro, died from a severe infection that ultimately led to the loss of her leg. Her passing marked the loss of not only a beloved performer but also a groundbreaking advocate and beacon of representation for both the Filipino and trans communities.

    Manila opened her tribute with warmth and wit: “We supported each other, we helped each other along, we read each other constantly, and we annoyingly dreamed big together.”

    Their friendship started at The Web, a now-defunct gay Asian club in New York City. Jiggly encouraged Manila to compete in her first pageant, Miss Gay Asia America. Manila finished runner-up — “Not the first time,” she quipped, a callback to her Drag Race Season 3 result.

    Glammed Up and Glorious

    The eulogy was filled with stories about Jiggly’s love for glamour, pageantry, and a good laugh. Manila recalled how Jiggly would go full glam just to watch Miss Universe on TV — a true queen move.

    “She even won Miss Universe Latina,” Manila joked. “She wasn’t technically Latina, but she’s Filipino, so there might be some Spanish blood in there… and her last name is Caliente, so it counts.”

    From Apple Store to All Stars

    Manila also shared a hilarious memory of helping Jiggly film her audition tape for Drag Race Season 4 — including scenes in an Apple Store glass elevator. “It was full Beyoncé-level production… even if it gave a little Augustus Gloop in Willy Wonka,” she said to laughter. “But it got her cast!”

    Their sisterhood extended far beyond Drag Race, with collaborations on music, videos, and multiple tours. Manila reflected on the surreal full-circle moment when both returned to the Philippines — Manila to film Drag Den, and Jiggly to judge Drag Race Philippines.

    A Sisterhood That Spanned Generations

    “One night we had dinner, just the two of us, and talked about how far we’d come,” Manila recalled, choking up. “I never knew we’d get to do all of this, Jiggly. I’m so sad we can’t keep dreaming bigger and bigger together.”

    She ended her tribute with words that summed up the legacy of Jiggly Caliente: “I’m so proud of everything you accomplished. I’m so proud of the representation you gave for the Filipino and trans communities. And I’m so proud of the woman you became — and the friendship we shared.”

    A Legacy of Joy and Justice

    Jiggly Caliente first rose to fame on RuPaul’s Drag Race Season 4 in 2012 and returned for All Stars Season 6 in 2021. She came out as a trans woman in 2016 and became known not only for her humor and fashion, but also her fearless advocacy.

    Her family announced her passing on April 27, sharing that she died “surrounded by her loving family and close friends.”

    “A luminous presence in the worlds of entertainment and advocacy,” their statement read, “Jiggly Caliente was celebrated for her infectious energy, fierce wit, and unwavering authenticity.”