Tag: Beyonce

  • Beyoncé Makes History Again as Cowboy Carter Tour Becomes Highest-Grossing Country Tour of All Time

    Beyoncé Makes History Again as Cowboy Carter Tour Becomes Highest-Grossing Country Tour of All Time

    Beyoncé has once again proven why she reigns supreme in the music world. Her Cowboy Carter Tour has officially shattered records, becoming the highest-grossing country tour in history — and doing it in record time.

    According to Billboard, the 35-time Grammy Award winner grossed a staggering $407.6 million across just 32 shows in nine cities, with more than 1.6 million tickets sold. This landmark accomplishment cements Cowboy Carter not only as a musical triumph but also as a cultural movement redefining country music’s boundaries.

    The tour, which launched earlier this year in support of Beyoncé’s genre-blending 2024 country album Cowboy Carter, is now the shortest tour in history to gross over $400 million. In an industry where high tour revenues usually rely on long global runs, Beyoncé has again broken the mold — and the ceiling.

    Beyoncé kicked off her Cowboy Carter tour in Paris on Juneteenth with a surprise duet with Miley Cyrus. Here’s everything that went down.
    Beyoncé kicked off her Cowboy Carter tour in Paris on Juneteenth with a surprise duet with Miley Cyrus.

    A Tour Like No Other

    The Cowboy Carter Tour hit major cities across North America, including Los Angeles, New York City, Chicago, Houston, Washington, D.C., Dallas, and Atlanta, before heading to Europe for sold-out shows in London and Paris. Beyoncé wrapped the tour with a powerful final performance in Las Vegas on July 26, which included a surprise Destiny’s Child reunion that sent fans into a frenzy.

    Her three-hour set featured over 40 songs and included appearances from some of the biggest names in music and pop culture. Special guests throughout the tour included her husband Jay-Z, Miley Cyrus, Nigerian-American country star Shaboozey, and international dance troupe The Mayyas. Her daughters, Blue Ivy and Rumi Carter, also made heartwarming cameos, bringing a family touch to the glittering spectacle.

    Stage design included dazzling visuals: a towering red horseshoe, a gleaming mechanical gold horse, and even a lowrider convertible that Beyoncé used to command the stage with effortless Southern flair.

    More Than a Concert — A Statement

    While the tour broke financial records, Beyoncé’s Cowboy Carter era has always been about more than numbers. The album, released in March 2024, was born out of an experience in which the singer felt rejected by the country music industry. Rather than stepping back, she leaned in — diving deep into the genre’s roots and crafting a body of work that highlighted the Black influence on country music, historically and currently.

    “It was very clear that I wasn’t welcomed,” Beyoncé wrote on Instagram at the time of the album’s release. “But because of that experience, I did a deeper dive into the history of country music and studied our rich musical archive.”

    She continued, “It feels good to see how music can unite so many people around the world, while also amplifying the voices of some of the people who have dedicated so much of their lives educating on our musical history.”

    Beyoncé also credited the criticism she received as fuel for creative expansion: “The criticisms I faced when I first entered this genre forced me to propel past the limitations that were put on me. act ii is a result of challenging myself, and taking my time to bend and blend genres together to create this body of work.”

    A Grammy Milestone — and a Nod to the Past

    That bold creative risk paid off. At the 2025 Grammy Awards, Cowboy Carter took home three awards, including the coveted Album of the Year — a long-overdue win for Beyoncé, who had been nominated for the title four previous times.

    In her emotional acceptance speech, Beyoncé thanked her team, collaborators, and fans, dedicating the win to Linda Martell, the first Black woman to chart in country music and a contributor to Cowboy Carter.

    “Opening doors. God bless y’all. Thank you so much,” she said, looking visibly moved.

    Martell, a pioneer whose impact was largely forgotten by the mainstream industry, was reintroduced to a new generation through Beyoncé’s platform — a testament to the singer’s ongoing commitment to honoring overlooked Black contributions in American music.

    Beyonce at the Grammys

    Emmy Season Showdown: Bey vs. Jay

    Up next for Beyoncé is another major awards night. She’s nominated at the 2025 Emmy Awards in the Outstanding Variety Special (Live) category for her Netflix Christmas Day halftime show, where she debuted live performances from Cowboy Carter. She’ll be going head-to-head with her husband Jay-Z, who is nominated for producing Kendrick Lamar’s Apple Music Super Bowl Halftime Show.

    The Emmy nod marks yet another recognition of Cowboy Carter’s impact, proving that the project’s reach has transcended music to become a broader cultural and artistic moment.

    A New Era for Country Music?

    Beyoncé’s success with Cowboy Carter has sparked conversations across the music industry, particularly within the country genre. Long criticized for its exclusionary practices, country music has slowly begun to diversify — but Beyoncé’s commanding entry into the space has forced a reckoning.

    Her chart-topping success, critical acclaim, and record-breaking tour stand as a challenge to the genre’s gatekeepers, reminding both fans and institutions that country music’s future can — and should — be more inclusive.

    As her golden horse rode across stages from Texas to the UK, Beyoncé wasn’t just making history — she was rewriting it.

  • Nicki Minaj Unleashes Scathing Takedown of SZA, Hints at Drama with Drake and Beyoncé

    Nicki Minaj Unleashes Scathing Takedown of SZA, Hints at Drama with Drake and Beyoncé

    Nicki Minaj and SZA’s simmering tension has erupted into a full-scale feud, with Minaj taking to social media to air out grievances, drop unfiltered accusations, and name-drop some of the biggest names in music. In a fiery post shared late Tuesday, the rapper called out SZA directly, and didn’t stop there, also looping in longtime collaborators Drake, Beyoncé, and music executive Gee Roberson.

    The feud, which began with subtle shade and cryptic tweets, has officially entered its messiest chapter yet.

    Nicki Claims She Passed on “Rich Baby Daddy” Track

    Minaj started her late-night rant by revealing she had declined a feature on “Rich Baby Daddy,” the chart-topping collaboration between Drake and Sexyy Red. The song had previously been linked to SZA as a rumored remix contributor.

    “He wanted me and Sexy on it. I still have the version of just Drake and Sexy,” Minaj wrote, adding that she turned it down to prioritize creative control over her Pink Friday 2 era.

    She explained, “I wanted my next collab with Drake to be something meaningful, not a club record. Meanwhile, Miss Thing is still out here doing her best for him daily.”

    The pointed comments, though marked by sarcasm and some NSFW insinuations, set the internet ablaze. Within minutes, the hashtag #Dricki, a mashup of Drake and Nicki, was trending on X (formerly Twitter).

    Minaj Mocks SZA’s Beyoncé Writing Claims

    Next, Minaj shifted gears to challenge SZA’s repeated insinuations that she played a behind-the-scenes role in writing for Beyoncé.

    “This woman wants a Grammy just for hinting she touched a Google Doc Beyoncé opened,” Minaj quipped. She specifically referenced their 2015 joint track “Feeling Myself,” claiming Beyoncé’s vocals were already in place before Minaj recorded her verses.

    According to Minaj, the two artists debated over who should sing the now-iconic line “Cooking up the bass, looking like a kilo.”

    “Bey was like, ‘You sing it.’ I said, ‘Nooo, you sing it!’” Minaj recalled, adding, “Then she said in her calm Texas voice, ‘Yes, you can.’”

    “These Girls Have No Identity”: Nicki’s Final Blow

    Minaj ended her post with a sweeping criticism of unnamed “industry girls” who she believes lack originality, a statement many interpreted as another jab at SZA.

    “She needed two whole days to be coached on how to respond,” Minaj wrote. “They can’t freestyle a tweet, let alone a track.”

    It was a clear sign the gloves were off and that this feud had moved well beyond mere subtweets.

    SZA Responds with Receipts and Resilience

    The blowout follows SZA’s subtle response to a previous Minaj comment, where the singer told fans, “Don’t take the bait lol silly goose.” That seemingly light remark clearly hit a nerve with Minaj, who spiraled into a flurry of tweets questioning SZA’s artistry, appearance, and career longevity.

    At one point, Minaj even questioned the impact of SZA’s chart-topping album SOS, tweeting: “If every song she ever made vanished, the music industry wouldn’t miss her.”

    SZA fired back by posting what she claims were text receipts of Minaj asking for collaborations, twice. “Nicki, you know my music. You’ve quoted it. You’ve requested features. Stop pretending,” she wrote.

    She also addressed the harsh treatment she receives online, saying, “I get bullied by millions daily then step out into sold-out stadiums. That’s real love. My parents are healthy. I’m thriving.”

    A Celebrity Clash for the Ages?

    While neither Beyoncé nor Drake has commented on the fallout, fan theories and stan wars are raging across platforms. Whether this feud will cool off or continue to heat up remains to be seen, but one thing’s clear: the pop girl detente is officially over.