Tag: Britney Spears

  • M3GAN Slays the Red Carpet With Britney Spears Dance at NYC Premiere

    M3GAN Slays the Red Carpet With Britney Spears Dance at NYC Premiere

    At the New York City premiere of M3GAN 2.0, the internet’s favorite homicidal AI doll didn’t just make a comeback, she made it camp. In true pop princess fashion, M3GAN stunned fans with a full-on performance to Britney Spears’ iconic “Oops!…I Did It Again,” complete with multiple dancers dressed in blonde bobs, magenta latex, and mechanical precision.

    These M3GAN-inspired performers brought the house down with fierce, flawlessly synced choreography that had queer fans, Britney stans, and horror heads living. Let’s be honest, the only thing scarier than AI taking over the world is how hard M3GAN can serve on a red carpet. She’s not just a doll, she’s a diva. And based on the crowd’s wild reaction and the clips currently circulating on social media, the premiere may have doubled as a covert drag ball.

    New Sequel, New Threat, Same Icon

    While M3GAN’s moves were lethal in a good way, her new sequel storyline? Considerably darker. In M3GAN 2.0, Allison Williams returns as Gemma, now a bestselling author and staunch advocate for AI regulation. Her peaceful post-trauma life with her niece, Cady (Violet McGraw), is disrupted when they discover a terrifying new threat: M3GAN’s core tech has been stolen and repurposed into a military-grade killing machine named Amelia. Yes, M3GAN has competition, and she’s weaponized.

    As the chaos unfolds, Gemma must make the agonizing decision to bring M3GAN back online to stop Amelia. But if you thought the original AI doll had issues, wait until you meet her military-coded cousin. The sequel promises higher stakes, deeper ethical questions, and yes, even more savage sass from our titanium queen.

    Fans Are Gagged, Gooped, and Glued to Their Screens

    Social media exploded the moment M3GAN-inspired bots hit the red carpet. Clips of the Britney Spears dance routine quickly went viral, with fans exclaiming “M3GAN will be winning the Grammy for Diva of the Year!” TikTok and X (formerly Twitter) were flooded with reactions ranging from pure joy to mild fear, because honestly, no one should look that good doing the robot. One fan commented, “Marketing for the M3gan movies is top tier.”

  • ‘M3GAN 2.0’ Is Here and the Queer Community’s Favorite Killer Doll Is Louder, Prouder, and More Powerful Than Ever

    ‘M3GAN 2.0’ Is Here and the Queer Community’s Favorite Killer Doll Is Louder, Prouder, and More Powerful Than Ever

    In the pantheon of unexpected queer icons, there’s Judy Garland, there’s Lady Gaga, and now, there’s a homicidal AI doll in a pleated khaki dress and a silk bow. That’s right: M3GAN is back. And her return isn’t just a sequel, it’s a totally camp rollercoaster for her loyal fans: the LGBTQ+ community.

    As M3GAN 2.0 gears up for its June 27 release, stars Allison Williams and Violet McGraw are giving full credit where it’s due. “I can retire now,” Williams told Gay Times, referring to the doll’s embrace by drag performers and queer audiences. “There’s just no more creative fanbase to have.”

    The Doll That Slayed and Stayed

    The first M3GAN, released in early 2023, became an internet wildfire the moment its trailer dropped. Camp, coincidence, or calculated brilliance? Whatever it was, gay audiences saw the vision, bought the ticket, and screamed “Mother!” all the way to the box office.

    The horror-comedy raked in $180 million worldwide on a modest $12 million budget, powered largely by queer meme-makers, drag tributes, and an avalanche of TikToks syncing M3GAN’s dance to Britney, Gaga, and Beyoncé.

    @roxthewildstar

    🕺🕺🕺 #m3gan #doll #dance #beyonce #slay #wegoftonight #cuffit #CUFFIT #beyoncé #horror #m3gan #foryou #perte #neiperte #megan

    ♬ CUFF IT – Beyoncé

    @michaelwhitney_legacy

    @M3GAN Dance Scene (JUST DANCE INSTRUMENTAL VERSION) #CapCut #blumhousefilms #blumhouseproductions #blumhousem3gan #blumhousehorror #blumhouse #m3ganedit #m3ganmovie #m3gandoll #m3gan2023 #m3gandance #m3gan #2023 #fyp #fypシ #fypage #fypシ゚viral #fypdongggggggg #fyppppppppppppppppppppppp #fypp #fypdong #cedricreyes

    ♬ Just Dance Instrumentals –

    Trans Rights, but Make It Murderbot

    Far from being a passive ally, M3GAN is actively using her platform (and PR tour) to support the queer community. In an interview with Attitude, she addressed her “beloved Dolls,”trans femmes, with heartfelt affirmation:

    “You are radiant, revolutionary and real. Your existence is not a debate, and I will use my platform to amplify your beauty and power.”

    This isn’t just lip service. Williams put it best: “She would never say she’s an ally. That’s the most annoying thing someone can say. But she’d want you to just know. She loves authenticity. She loves when people live their truth. And she lives for anyone who serves.”

    Translation: M3GAN doesn’t just support trans rights, she programmed them in.

    Why the Gays Gagged for M3GAN

    From the moment she pirouetted into our hearts, M3GAN joined a legacy of female-coded antiheroes that queer fans have long embraced.

    “The setup is very found family,” said screenwriter Akela Cooper. “This little girl loses her parents, then connects with her aunt and a robot. That idea of chosen family is huge for the queer community.”

    And as Heather O. Petrocelli, author of Queer for Fear, adds, horror has long been coded queer: “Straight society called us the monsters, so we took that label and made it fabulous.”

    M3GAN, with her deadpan sass, choreographed menace, and uncanny valley couture, checks every box. She’s fierce. She’s fatal. She’s fabulous.

    What’s Next for Our AI Queen?

    In M3GAN 2.0, we jump two years forward. Gemma (Williams) has become a best-selling author and activist campaigning for AI regulation, while Cady (McGraw), now 14, is dabbling in teenage rebellion.

    But when a defense contractor reverse-engineers M3GAN’s tech to create a military-grade killer robot named AMELIA, it’s time for the original diva droid to reboot, upgrade, and throw down.

    With more power, sharper sass, and an even higher kill count, M3GAN is ready to protect her chosen family, and maybe slay a few uninvited party guests in the process.

    And if you’re wondering whether this movie is a redemption arc, M3GAN herself put it best: “It’s both a redemption story and a course correction for the writers, who clearly couldn’t work out who the hero of the first movie was.”

  • Chappell Roan on ‘Outlaws’: Inside Her Villain Era and Why the Media Treated Her Worse Than Customers

    Chappell Roan on ‘Outlaws’: Inside Her Villain Era and Why the Media Treated Her Worse Than Customers

    Pop rebel Chappell Roan is rewriting the rules of stardom—and she’s doing it in blue eyeshadow and drag queen glam.

    On the latest episode of Outlaws, the iHeartPodcasts original hosted by TS Madison, Roan joined Drag Race royalty Sasha Colby for an intimate, unfiltered conversation about religion, self-image, and why refusing to fit into the traditional mold has become her personal manifesto.

    Show art for TS Madison podcast 'Outlaws'.
    Photo: iHeartMedia

    From the Church Pew to the Gay Club

    Roan opened up about her journey from strict religious upbringing to queer nightlife discovery, painting a vivid picture of her first time in a gay club after leaving the church.

    “I was in shock and I was in awe,” she said. “It was just like, how do I be them, just watching go-go dancers.”

    That spark of inspiration—born from dancers in tiny shorts and glitter—ignited a new understanding of self-expression for Roan, who spent years associating modesty with virtue and sex appeal with shame.

    “There was this weird thing in my head that I thought the more modest you were, the better woman you were,” she said. “The more you will be respected. I just realized everything that I was taught was really disrespected: sex work, gay people, drag queens, BLUE EYESHADOW.”

    Yes, blue eyeshadow. The much-maligned cosmetic quickly became a symbol of rebellion and empowerment for Roan.

    Ban Shame, Not Blue Eyeshadow

    Roan’s embrace of drag aesthetics—long nails, bold makeup, exaggerated performance—wasn’t just about glam. It was political.

    Blue eyeshadow, she explained, was demonized in her youth, tied up in the same stigma reserved for queer performers, sex workers, and anyone who dared to be “too much.”

    But now? She’s owning all of it.

    “I’m a singer and I write songs, but I’m also a drag queen,” she said proudly. “I’m very against what the pop girls are supposed to be doing.”

    Pop Villain Era: Chappell Claps Back

    Roan also opened up about the challenges she’s faced navigating fame on her own terms—and the public backlash that’s come with it.

    “I think I’ve had three villain eras in the last nine months,” she said, referring to moments when fans and media criticized her for asserting boundaries and speaking out.

    Her refusal to shrink herself or play nice has earned her both adoration and condemnation—but Roan is clear: she won’t be bending for anyone.

    “If I don’t stand up for myself, I will quit. Because I cannot bear this,” she said, describing how the industry often punishes women for advocating for themselves.

    She even drew a sharp comparison to the treatment of early 2000s pop icons like Britney Spears, Paris Hilton, and Lindsay Lohan.

    “There’s so much love and apologies for people like Britney,” Roan said. “People were so evil to them, and as a community, we need to apologize. But that behavior is still happening. Do you want me to get to the point where I become agoraphobic? Or too anxious to perform?”

    Her point? Don’t romanticize past wrongs if you’re still enabling them today.

    “I’ve been treated better at my donut shop job than I have on a red carpet,” she added. “People just assume you’re the villain if you don’t accept mistreatment with a smile.”

    A Final Word: Ban It, Bitch

    The episode closed with the fan-favorite “Ban It, Bitch!” segment, where Roan served a list of things she’s over—hot takes, internet critics, and cork shoes included.

    “I don’t care if you’re a publicist—get out of the comments and do your job,” she quipped. “Pop Crave? Ban it. Cork shoes? Ugly. Ban it!”

    Outlaws is available weekly on Tuesdays – you can find all Outspoken shows on the iHeartRadio app, and everywhere podcasts are heard.

    https://open.spotify.com/episode/30zYb2NKBQQ2nwXCmKPBW2?si=538f03b7c49b4c72
  • Robert Irwin Joins ‘Dancing With the Stars’ Season 34 Shirtless, Snake-Wrapped, and Ready to Slay

    Robert Irwin Joins ‘Dancing With the Stars’ Season 34 Shirtless, Snake-Wrapped, and Ready to Slay

    Dancing With the Stars is already heating up ahead of its 34th season, and it’s all thanks to its first official cast reveal: Robert Irwin, Australian wildlife warrior and certified heartthrob, is headed to the ballroom.

    The 21-year-old son of the late Steve Irwin — famously known as the “Crocodile Hunter” — made quite the entrance at Hulu’s Get Real House event on Tuesday, April 22. In true showman style, Irwin appeared shirtless, draped in a live snake, and gave a cheeky nod to two iconic pop culture moments: Britney Spears’ legendary 2001 MTV VMA performance and the cult-favorite 1994 Australian queer film The Adventures of Priscilla, Queen of the Desert.

    Yes, the snake’s name was Priscilla. Yes, Robert Irwin is here to serve looks, nostalgia, and some serious moves.

    DWTS co-hosts Julianne Hough and Alfonso Ribeiro, along with judge Derek Hough, introduced Irwin as the season’s first contestant, much to the crowd’s delight. The announcement quickly spread across social media, thanks to a flurry of Instagram Stories capturing Irwin’s bold entrance and backstage moments.

    Julianne Hough even got in on the slithery fun, wrapping Priscilla the snake around her neck and channeling full Britney Spears fantasy as Irwin stood by, supervising like a true wildlife pro.

    @juleshough

    My kinda boa 🐍 @Robert Irwin welcome to @Dancing with the Stars DWTS

    ♬ original sound – JulesHough

    The moment wasn’t just pure camp — it was a love letter to Irwin’s roots and queer Aussie cinema, with the DWTS crew clearly in on the fun. For fans, it was an announcement that delivered on drama, humor, and undeniable charisma.

    And of course, this isn’t the first time the Irwin family has graced the DWTS stage.

    Robert’s sister, Bindi Irwin, competed in Season 21 back in 2015 and stole the hearts of viewers worldwide. Paired with none other than Derek Hough, Bindi went on to win the coveted Mirrorball Trophy, making her one of the most beloved champions in DWTS history.

    “10 years in the making,” Derek Hough wrote in an Instagram Story featuring throwback clips of him and Bindi dancing their way to the top.

    Robert’s arrival now feels like a full-circle moment for the Irwin family — and for fans who followed Bindi’s emotional journey a decade ago.

    More recently, Robert Irwin has been turning heads with steamy modeling campaigns and a growing presence in the fashion world. But it looks like he’s trading in the billboards and bushland for ballroom glitz and glitter.

    And if his debut appearance is any indication, Irwin is bringing the charm, the cheekbones, and a whole lot of Aussie flair to the dance floor.

    Season 34 of Dancing With the Stars will premiere soon across Disney+, Hulu, and ABC. With Irwin already making waves as the first confirmed contestant, fans can expect a wild — and wildly entertaining — season ahead.

  • Tate McRae Calls Gay Fans Her “Favorite,” Reveals Entire Team is LGBTQ+ in Candid Interview

    Tate McRae Calls Gay Fans Her “Favorite,” Reveals Entire Team is LGBTQ+ in Candid Interview

    Rising pop star Tate McRae is opening up about her strong bond with her LGBTQ+ fans, admitting they are her “favorite” and sharing that her entire team is LGBTQ+. In an interview with Pride on Tuesday, February 25, McRae, 21, expressed how much she values the support from her queer audience, calling them her “number ones.”

    “They’re my favorite. No one beats them. Nobody is better than them,” McRae said. “My whole team is gay! That’s the only opinion I really want when I’m releasing music. I feel lucky to have their advice. We want to do the most and push the boundaries, but it’s also the most brutally honest advice.”

    McRae went on to praise her LGBTQ+ fans for their loyalty and support, saying, “You know that as much as you guys ride for me, I ride for you. I feel very grateful to have you guys in my life and surrounding me.”

    The Canadian singer-songwriter has quickly gained popularity with hits like “Sports Car” and “She’s All I Wanna Be.” Her connection with the LGBTQ+ community has played a significant role in shaping her artistic journey, and she is unapologetically vocal about her appreciation for them.

    Elsewhere in the interview, McRae shared her dream collaboration, revealing she would love to write with Grammy-winning artist SZA. “My dream is to write with SZA. She’s one of the coolest and best writers ever. I love her,” McRae said. When asked about what kind of music their collaboration would produce, she described it as a “mix of pop and R&B.”

    “I’d let her take the charge!” McRae added. “I just want to always keep pushing my comfort zone. I never want to recycle and do the same things. As an artist, I want to be uncomfortable and shock myself sometimes.”

    McRae also reflected on the pressure of being compared to pop legends, including Britney Spears, a comparison she called “flattering and scary.” Her comments come amid the release of her third studio album So Close to What on February 21, which includes the song “I Know Love,” a collaboration with her boyfriend, The Kid LAROI.

    Tate Mcrae & The Kid LAROI Performing 'Without You' at Madison Square Garden. Photo: YouTube
    Tate Mcrae & The Kid LAROI Performing ‘Without You’ at Madison Square Garden. Photo: YouTube

    Discussing the dynamics of working with a romantic partner, McRae shared that the creative process was “a little stressful” but ultimately rewarding. “It was a really funny process because me and Laroi have never really taken each other seriously,” she said. “You know when you’re in a relationship, and you sing around each other, you don’t really sing. So, it’s a little stressful being in the studio, singing and writing in front of him, but it was a cool experience to watch him in his process.”

    As her music continues to gain traction, McRae’s openness about her LGBTQ+ fandom and her creative aspirations are making her one of the most relatable stars in pop music today.

  • All About Britney Spears Tell-All Memoir: Title, Release Date, and More

    All About Britney Spears Tell-All Memoir: Title, Release Date, and More

    Britney Spears is ready to tell her side of the story. The full story. (more…)

  • A Complete History Of Justin Timberlake’s Controversies

    A Complete History Of Justin Timberlake’s Controversies

    Justin Timberlake found himself in hot water again as a video of him performing with Kylie Minogue at the 2003 BRIT awards in London has resurfaced on Instagram. In the video, Timberlake is seen grabbing the pop star’s behind.

    According to reports, Timberlake had asked Minogue for permission before the performance but she refused. Later on, Timberlake even bragged about “representing America to the fullest” by “copping a feel”.

    This is hardly the first time Timberlake has been embroiled in a controversy involving a female pop star. In recent years, the once seemingly untouchable “President of Pop” has been going through a reckoning of sorts. Timberlake has been the subject of many a think piece about the double standards women face in the music industry.

    But what exactly has Timberlake done to deserve the ire of the internet? Here’s a recap of some of the moments that have led fans to dub Justin Timberlake problematic.

    Related | Janet Jackson Announces Brand-New Las Vegas Residency

    2002: His Un-Justified Jabs At Britney

    From 1999 to 2002, Justin Timberlake and Britney Spears were a royal couple of pop. At the time, the two artists were rising stars. Spears was enjoying immense success with her record-breaking debut studio album …Baby One More Time and its follow-up Oops!… I Did It Again, while Timberlake was a member of the hugely popular boy band NSYNC.

    Their love story was, to many teen fans, a fairytale come true. They were spotted together everywhere and even walked the 2001 AMA red carpet in a now iconic all-denim matching look.

    But by 2002, the same year Timberlake released his debut solo album Justified, their relationship had soured. Rumors began swirling that Spears had cheated, and Timberlake did little to refute those claims.

    Cry Me A River

    Instead, he released a music video for his single “Cry Me A River.” The video featured a blonde woman bearing a striking resemblance to his ex-girlfriend. In the video, the woman is portrayed as a cheater while Timberlake plays a jilted lover on a quest to exact his revenge.

    To make matters worse, during album promotions, Timberlake also went on a radio station interview to drop a major bombshell. On The Star & Buc Wild Morning Show, Timberlake was asked by host Troi “Star” Torain if he “fucked Britney Spears”.

    Though hesitant at first, Timberlake laughed and replied, “Oh man. OK, I did it!” This statement came as a shock to fans. as Spears had previously gone on record to say that she had intended to wait until marriage.

    “I Don’t Judge Anybody”

    In the same year, Timberlake appeared in an interview for ABC’s 20/20. When host Barbara Walters asked whether there was an incident in which Spears “did something very bad” to hurt Timberlake, he responded vaguely by saying, “We’re not perfect. I don’t judge anybody”.

    In the next clip, Timberlake took to his piano to perform an unreleased track called “Horrible Woman”, with the lyrics, “So you had your chance to be my lover, and there’s really something more undercover”.

    Later on in the interview, when Walters prodded Timberlake about whether the former couple lived up to Spears’ desire to wait to have sex until after marriage, Timberlake laughed and, with a wry smile said, “Sure”.

    2004: NippleGate At The Super Bowl Halftime Show

    Perhaps the biggest blunder of Timberlake’s career happened during the 2004 Super Bowl Halftime Show. Though, at the time, it wasn’t Timberlake’s career that suffered from the incident but Janet Jackson’s.
    To close off the show, the two performed “Rock Your Body”. All was well until the very last second when Timberlake ripped off a part of Janet’s top and revealed her breast on live television. The incident, dubbed “NippleGate” by the press, became the most searched event in internet history.

    But while Timberlake pulled the proverbial trigger, all the blame was placed on Jackson. Not only was she subjected to countless interviews and repeatedly asked whether she had “planned” the reveal, but she was also blacklisted from major TV channels and radio stations. In the pre-streaming era, this was an artist’s bread and butter.

    Jackson’s Grammy Awards appearance was also canceled that year. Meanwhile, Timberlake was not only allowed to perform at the awards show, but he also won two awards. He did take the opportunity to apologize for the incident in his speech but made no mention of his stage partner.

    17 Years Too Late

    It wasn’t until 2021 – 17 years after the event – that Timberlake finally went on the record to acknowledge how his past actions (or rather inaction) hurt Jackson. In an Instagram post, he wrote:

    “I’ve seen the messages, tags, comments, and concerns and I want to respond. I am deeply sorry for the times in my life where my actions contributed to the problem, where I spoke out of turn, or did not speak up for what was right.” Timberlake continued, saying he understands that he “fell short in these moments and in many others and benefited from a system that condones misogyny and racism.”

    “I specifically want to apologize to Britney Spears and Janet Jackson both individually, because I care for and respect these women and I know I failed.” Finally, Timberlake said he felt “compelled to respond, in part, because everyone involved deserves better.” He then called it “a larger conversation” that he “wholeheartedly” wants to be part of and grow from.

    The post came after the release of the documentary Framing Britney Spears, which sparked conversations about Timberlake’s role in Spears’ downfall – particularly by suggesting that she did cheat on him during their relationship. However, long-time fans of Spears and Jackson believed that Timberlake’s apology was too little, too late.

     

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    A post shared by Justin Timberlake (@justintimberlake)

    2016: Accusations Of Cultural Appropriation And Tone-Deaf Responses

    While accepting a Humanitarian Award at the 2016 BET Awards, social justice activist and star of Grey’s Anatomy, Jesse Williams gave a stirring speech about racism and cultural appropriation in media and entertainment.

    He spoke about how “the invention of whiteness uses and abuses” Black people. “Ghettoizing and demeaning our creations then stealing them, gentrifying our genius and then trying us on like costumes before discarding our bodies like rinds of strange fruit”.

    While millions of people shared and applauded Williams’ speech on Twitter, Timberlake joined in. The star tweeted a seemingly innocuous “@iJesseWilliams tho… #Inspired”.

    This didn’t sit well with a lot of Black people. Many claimed that Timberlake had been appropriating Black culture for years in his music and his public persona. Indeed, Timberlake’s discography draws heavily from R&B, hip-hop, soul, and funk, and the inspiration behind some of his fashion choices is pretty hard to miss.

    “So does this mean you’re going to stop appropriating our music and culture? And apologize to Janet too,” replied journalist Ernest Owens.

    A Tone Deaf Response

    Unfortunately, Timberlake responded in a rather tone-deaf, condescending, and dismissive way, calling Owens a “sweet soul” and telling him, “the more you realize that we are the same, the more we can have a conversation. Bye.”

    As Owens pointed out in a piece for the Daily Beast, Timberlake’s “all-lives-matter response followed by a ‘bye’ made it clear to me that he had no time to engage in a fair conversation about racism in the music industry”.

    Timberlake did delete his tweet and fired off a few clarifications, saying he “responded to a specific tweet that wasn’t meant to be a general response” and that “we are all one…one human race”.

    This sparked discussions online on white privilege and how white celebrities can pick and choose elements of Black culture that are beneficial to them while experiencing none of the consequences of being actually Black. Case in point: Timberlake completely dodged any repercussions for the Super Bowl wardrobe malfunction while Jackson, a Black woman, was demonized for it for years.

     

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    A post shared by Justin Timberlake (@justintimberlake)

    Other Controversies

    Aside from the aforementioned issues, Timberlake has also been called out for being a hypocrite. He wore a Time’s Up pin to the 2018 Golden Globes despite having worked with Woody Allen in the past.

    Timberlake was also caught holding hands and flirting with Alicia Wainwright in what he called a “strong lapse in judgment”. He later made a public statement, again, via Instagram. Timberlake apologized to his “amazing wife and family” for putting them through an embarrassing situation.

     

    View this post on Instagram

     

    A post shared by Velvey (@velvetcoke)

    The Bottom Line

    In the end, Timberlake’s biggest transgression is his knack for retreating when the situation calls for him to speak up. He didn’t challenge rumors to keep his ex-girlfriend’s reputation clean. Timberlake didn’t own up to causing perhaps the greatest wardrobe malfunction of the century. He hasn’t admitted that he benefitted from a culture that he failed to give back to in any tangible way. In many ways, Timberlake skates by just as most straight white men have been able to for centuries.

    Related | Elton John and ‘Hold Me Closer’ Producer Praise Britney Spears’ Vocals

  • Are Britney Spears and Elton John Releasing a Duet?

    Are Britney Spears and Elton John Releasing a Duet?

    Watch out, this might be the new song of the summer!

    (more…)

  • Britney Spears Threatens Jamie Lynn With Legal Action

    Britney Spears Threatens Jamie Lynn With Legal Action

    It looks like the tension between Britney Spears and her sister Jamie Lynn could be heading to the courtroom.

    (more…)