Conan Gray is serving heartbreak with a splash of queer longing in his brand-new single, “Vodka Cranberry.”
Released today via Republic Records and Universal Music Canada, the track marks the second single from his upcoming album Wishbone, out August 15. Teaming up once again with acclaimed producer Dan Nigro, Gray crafts a delicate and devastating portrait of love lost, with vocals that drip with sorrow and songwriting sharp enough to cut glass.
“Vodka Cranberry” isn’t just a song, it’s a slow burn of emotion that builds until it bursts, capturing the ache of a breakup that refuses to fully break.
A Love Story Told in Film Grain
The song’s emotional weight is amplified by a cinematic music video that continues the story introduced in “This Song.” Directed by Danica Kleinknecht (Mk.gee) and shot on Kodak 35mm film in Gray’s home state of Texas, the video co-stars Girl Meets World actor Corey Fogelmanis in a quietly powerful queer romance.
Gray plays one-half of a couple, Wilson and Brandon, embarking on a road trip across the American Southwest. From gas station snack runs to playful lake swims and intimate tent cuddles, the video paints a dreamy, Brokeback Mountain-esque picture of two boys in love beneath endless skies.
But as the trip unfolds, the tension simmers. In a dimly lit dive bar, Conan’s character reaches for his partner’s hand, only to be met with silence and retreat. The music swells as we watch a montage of their happiest moments together, including a tender kiss in the lake. Then, in a gut-punch of a twist, the video flashes forward. As Gray’s character sleeps, his lover quietly slips away, eyes full of regret and tears. The keys jingle, the door opens, and just like that, he’s gone.
Fans Are Feeling It…Hard
Conan’s fans wasted no time flooding social media with emotional reactions.
“album of the year already…” one user posted on X.
Another wrote, “this mv completely destroyed me. i love you conan gray.”
Many praised the video’s authenticity, emotional resonance, and commitment to telling queer stories with tenderness and truth. And yes, a few admitted they’ve already added “Vodka Cranberry” to their “cry in the shower” playlists.
Wishbone on the Horizon
With Wishbone on the way this August, Gray seems to be leaning even further into cinematic storytelling, emotional vulnerability, and lush queer imagery. If “Vodka Cranberry” is any indication, the full album is shaping up to be both a sonic and visual heartbreaker—in the best way possible.
When fame and curiosity collide, pop culture furnishes some of its most memorable moments. From Broadway’s bright lights to stadium stages, celebrities have responded to intrusive questions about their sexuality with grace, wit and a touch of sass. Here’s a refreshed roundup of stand‑out responses, free from the original structure and full of new flavor.
1. “Maybe I do…” Lady Gaga on Genital Gossip (2011)
In a behind‑the‑scenes clip from 60 Minutes Overtime, Anderson Cooper posed an eyebrow‑raising rumor: did Lady Gaga have a “male appendage”? Gaga cheekily replied, “Maybe I do. Would it be so terrible?” before dismissing the fuss entirely, “Why the hell am I going to waste my time… My fans don’t care and neither do I.” It was less a deflection than a mic drop moment, setting an early example in celebrity “transvestigation” defenses. Gaga later told Bill Gates she didn’t want to lend legitimacy to harmful rumors, and that refusing to answer was a compassionate move for vulnerable fans shamed by falsehoods.
2. Broadway Truth Bombs: Harvey Fierstein Schools Barbara Walters (1983)
When Walters asked Fierstein, “What’s it like to be a homosexual?”, the actor-songwriter-drag trailblazer delivered a theatrical masterclass: “I don’t know. I’m just a person… I assume that everyone is gay unless I’m told otherwise. You assume everyone’s straight unless you’re told otherwise.” Fierstein punctured stigma by equating love and commitment for gay people with universal human experiences. He even quipped, “Monogamy is as prevalent a disease in homosexuality as it is in heterosexuality.” Though Walters’ tone reflected an era of ignorance, Fierstein’s cool, human-centered clarification has aged like fine wine, and is still frequently shared online.
https://www.youtube.com/watch?v=tp-ZTzvTEyI
3. “Why are you gay?” Ugandan Host Regrets an Awkward Moment
A decade-old exchange resurfaced when Ugandan radio host Simon Kaggwa Njala asked LGBTQ activist Pepe Julian Onzima, “Why are you gay?” The awkward question led to shock and silence, and later regret. Njala confessed, “I sounded silly… I was too naive.” He reflected that his question was ill-timed and stemmed from ignorance. Though involuntary, his apology serves as reminder: not every platform suits delicate subjects, and reflection matters.
4. Nick Offerman Fights Fake Hate with Fiction
When a doctored video of Ron Swanson tossing a Pride flag went viral, “Parks and Recreation” star Nick Offerman didn’t hesitate. He fired back: “He was best man at a gay wedding, you dumb f‑ck.” Offerman’s response wasn’t just a defense of Swanson—it was a direct shoutout to LGBTQ fans and a bold call-out against falsified bigotry. The clip reminded everyone: sometimes the simplest clap‑back—backed by facts—is best.
Nick Offerman has hit back at homophobic comments made about an episode of #thelastofus in a fiery Independent Spirit Awards speech. The actor played Bill, a reclusive, closeted survivalist trying to survive the cordyceps outbreak in the third episode of the post-apocalyptic series. When fellow survivor Frank stumbles upon Bill’s house, the latter reluctantly takes him in – which ends up being a night of passion for the pair. #LGBTQ#Queer#pinknews
On The Breakfast Club, host Charlemagne asked Azealia Banks if she makes music “for the gays.” Banks paused, then delivered the mic-drop question: “I do. What’s wrong with that? So… what now?” Without turning hostile, she laid claim to her audience and stance in under five words. It was a moment of quiet defiance, an intentional refusal to submit to expectations.
6. George Michael on Oprah: “I’m not interested in selling records to homophobes.”
During a landmark interview with Oprah Winfrey in 2004, George Michael got candid about his sexuality after his 1998 arrest. When Oprah asked if he worried U.S. fans would reject him as a “gay artist,” he said, “I’m not interested in selling records to people who are homophobic.” The statement was straightforward, proud, and entirely unforgettable. It wasn’t just about marketing; it was about staying true to himself.
7. Tom Hardy: “Why?” Calling out Inappropriate Timing
At the 2015 Toronto International Film Festival, an LGBTQ reporter attempted to ask Tom Hardy about sexual identity, mid-press conference. Hardy replied with one precise word: “Why?” and exited the line. Later he explained to Entertainment Weekly that while he’s open to dialogue, timing and context matter. The exchange underscored the notion that celebrities’ private identities aren’t random public curiosities.
8. Ricky Martin and Barbara Walters: a regretful interrogation (2000)
Perhaps history’s most infamous moment of pressure? In 2000, Barbara Walters probed Ricky Martin: “You could say yes, say no, or leave it ambiguous.” After awkward silence, Walters admitted later it was the career moment she regretted most. Martin called it a violation; Walters reflected it “destroyed his career” prematurely. It remains a cautionary tale about overstepping boundaries in pursuit of a scoop.
9. Heath Ledger Quietly Shut Down Brokeback Backlash
When Brokeback Mountain premiered in 2005, it marked a major shift in queer representation on the big screen. The story of two men in love, played by Heath Ledger and Jake Gyllenhaal, wasn’t just a romance, it was a cinematic milestone. But not everyone was ready for it.
During a press conference, Ledger was asked how he responded to those calling the film “disgusting.” His response was calm but pointed:
“It’s an incredible shame that people go out of their way to voice disgust about how two people choose to love each other. At least voice your opinions about hate or violence. Isn’t that more important?”
Ledger went on to reject the idea that Brokeback should be reduced to labels. “It transcends that. It’s a human story. Two souls in love. Get over the fact it’s two men.”
His message was clear: if audiences couldn’t understand that, they didn’t have to see the film. But the love story wasn’t going anywhere.
Years later, the clip continues to circulate online, a reminder that Ledger stood firm in defending queer love.even when it wasn’t the popular thing to do.
Heath ledger shutting down homophobia during the ‘Brokeback Mountain’ press run pic.twitter.com/IiQ1PEnhmr
— 🖤 Physical Media Forever 🖤 (@VHSDVDBLURAY4K) June 21, 2025
Why These Moments Matter
These celebrity comebacks aren’t just damning rejoinders, they’re cultural ripples. When high-profile figures challenge invasive or ignorant queries, they shift the narrative, reminding audiences of shared humanity, setting healthy boundaries, and affirming queer and curious people everywhere.
Saddle up, gays. This cinematic love story isn’t riding off into the sunset just yet.
Focus Features is celebrating 20 years of Brokeback Mountain with a limited theatrical re-release on June 22 and 25. The two-night-only event will feature the original film in all its sweeping, heartbreaking glory, plus a brand-new poster and promises of fresh merchandise. Yeehaw, but make it gay.
Directed by Ang Lee and starring Heath Ledger, Jake Gyllenhaal, Anne Hathaway and Michelle Williams, the film broke box office expectations and cultural barriers when it premiered in 2005. It went on to gross more than $178 million worldwide and earned eight Academy Award nominations – winning three, including Best Director and Best Adapted Screenplay.
Photo: Focus Features
Photo: Focus Features
Photo: Focus Features
Photo: Focus Features
The Costume Fittings We Can’t Stop Staring At
Sure, we’re excited to see Brokeback in theaters again, but what’s really got the gays buzzing? The newly released behind-the-scenes and costume fitting photos. These rare gems show the cast in early wardrobe tests, serving peak Western realness and quiet intimacy before the cameras even started rolling.
Jake Gyllenhaal’s cowboy hat and tan button-downs? Heath Ledger’s corduroy and wool-inlined winter jacket? Brokeback Mountain definitely knew how to channel that cowboy couture in a way that left queer fans intrigued and yearning for more. These looks weren’t just outfits, they were character blueprints, layered in emotional nuance and, yes, pure gay fantasy.
Photo: Focus Features
Photo: Focus Features
Photo: Focus Features
Photo: Focus Features
The photos aren’t just a fashion moment, they’re a time capsule. You can almost feel the tension, the tenderness, the sheer weight of what was about to unfold onscreen.
A Love Story That Changed Cinema
If you’ve somehow never seen it, Brokeback Mountain follows Ennis Del Mar (Ledger) and Jack Twist (Gyllenhaal), two Wyoming ranch hands whose summer job in 1963 sparks a complex, decades-long love story. Adapted from Annie Proulx’s award-winning short story, the film is a masterclass in restrained passion, gut-punch heartbreak, and tender masculinity.
With a haunting score by Gustavo Santaolalla and songs from Willie Nelson and Rufus Wainwright, the film quickly became a touchstone for LGBTQ+ audiences, and a cinematic breakthrough that helped bring queer stories to the mainstream without compromise.
Why It Still Matters
Two decades later, Brokeback Mountain still hits hard. It was never just about cowboys, it was about shame, secrecy, longing, and love that refuses to be erased. And with these newly unearthed images, we’re reminded of just how much care and chemistry went into telling that story.
Whether you’re returning to Brokeback or riding into it for the first time, this anniversary re-release is more than just a movie, it’s a moment. Don’t miss it.
In film and television, the most powerful queer moments often arrive quietly tucked inside tender glances, aching monologues, or backyard gardens where strawberries taste sweeter than they should. They don’t always shout, but they leave a mark. Whether through landmark coming-out scenes or unexpected gestures of love and truth, these moments helped rewrite how LGBTQ+ people see themselves and how the world sees them.
Here are eight unforgettable scenes that cracked our hearts open and let the light in.
“I cry so much sometimes I feel like ima just turn into drops.” — Moonlight (2016)
In Moonlight, one of the film’s most unforgettable moments happens not with big declarations, but in the quiet honesty between two teens on a beach. Chiron, reserved and often closed off, finds an unexpected softness with Kevin, a friend who’s long been part of his life, but never this close.
The scene unfolds slowly, tenderly. Kevin, hesitant at first, denies crying but says that the view makes him want to though. Chiron listens and opens up in a moment of beautiful vulnerability saying “I cry so much sometimes I feel like ima just into drops.” The conversation, fragile and real, builds toward their first kiss: a small act with massive emotional weight. For Chiron, it’s not just about physical touch, but about being seen, understood, and accepted, maybe for the first time. The moment doesn’t just shift their relationship, it’s a pivotal moment of queer awakening for Chiron, who has spent much of his life grappling with his identity and emotional isolation.
“I wish I knew how to quit you.” — Brokeback Mountain (2005)
Ang Lee’s Brokeback Mountain didn’t just shift the conversation, it broke it wide open. In a time when queer love stories were still largely hidden or coded, this sweeping tale of two cowboys in Wyoming made tenderness and longing unmistakably visible.
Jake Gyllenhaal’s Jack Twist delivers the now-iconic line to Heath Ledger’s Ennis Del Mar with raw hurt, knowing they’re trapped between what they feel and what they fear. It’s not just a breakup; it’s a plea to be free of a love the world refuses to understand. Ledger’s restraint speaks volumes, making the moment hurt even more. A classic that still echoes in our cultural memory.
“Maybe I am learning from my brave son.” — Sex Education (2019)
When Eric’s dad drops him off at the school dance, he hesitates, then steps out of the car to confront his son about his outfit. What follows is a raw and heartfelt exchange that cuts deep. After his dad admits he’s scared for him, Eric replies, “Your fear doesn’t help me, Dad. It makes me feel weak.” His dad tries to explain, “I don’t want you to be hurt,” but Eric meets him with quiet strength: “Look, I’ll be hurt either way. Isn’t it better to be who I am?”
Then comes the gut punch. His dad, visibly shaken, says, “Maybe I’m learning from my brave son.” It’s a turning point—one of those rare moments where you see a parent start to understand, really understand, the courage it takes to live openly. A true tearjerker.
A taste of freedom — The Last of Us (2023)
In a show defined by fungal zombies and survivalist grit, the most human moment of The Last of Us came in a gentle garden scene. Bill and Frank—played with layered warmth by Nick Offerman and Murray Bartlett—share a meal of freshly grown strawberries in a post-apocalyptic world.
It’s a detour from the video game’s plot, but a welcome one. In this moment, queerness isn’t tragic or tokenized; it’s revolutionary in its normalcy. As Frank bites into a berry, his laughter feels like rebellion against a world that collapsed under intolerance. The scene quietly reminds us: love, even in ruin, can bloom.
A mother’s blessing — Love, Simon (2018)
Love, Simon may have been packaged like a glossy teen rom-com, but it carried weight. As the first major studio film to center on a gay teenage love story, it gave representation a seat at the high school cafeteria table.
The film’s emotional core comes when Simon (Nick Robinson) receives unconditional love from his mom, played by Jennifer Garner. Her soft, tearful encouragement to “finally exhale” resonated deeply with LGBTQ+ audiences who’ve longed for that same parental grace. Corny? Maybe. But necessary? Absolutely.
“You’re the heart.” — Stranger Things (2016–)
You might lose track of Stranger Things plot lines between seasons, but one thing no one forgets: Will Byers crying in the passenger seat. As he tries to tell Mike how he really feels—without actually saying it—Noah Schnapp delivers a performance full of bottled-up ache and quiet bravery.
It’s one of the most watched, meme’d, and dissected scenes in recent queer TV history. And yet, it’s delicate, a slow-burn confession that captures the fear of being vulnerable with someone who might not feel the same. If the series closes with a fully realized Will, it could cement one of the most meaningful queer arcs in mainstream sci-fi.
A father’s quiet grace — Call Me By Your Name (2017)
While Call Me By Your Name is not without controversy, especially when revisited today, one scene remains untouchable: the conversation between Elio (Timothée Chalamet) and his father (Michael Stuhlbarg) after his first heartbreak.
With emotional intelligence rarely afforded to male characters—let alone fathers—Mr. Perlman offers gentle wisdom that validates not just Elio’s love, but his right to feel deeply. It’s a masterclass in queer empathy, and a reminder that support doesn’t always come with fireworks—it often arrives with understanding.
“Susan, I’m gay.” — Ellen (1997)
It was the sitcom line that shook America. Ellen DeGeneres came out both on and off screen, with her character Ellen Morgan declaring her truth in a packed airport terminal. The world heard it loud and clear.
It was risky. Advertisers pulled out. Conservative watchdogs panicked. But Ellen’s honesty changed television, showing queer people that their identities weren’t just side plots—they could be center stage.
“I see clearly now.” — Grey’s Anatomy (2006)
Dr. Erica Hahn’s speech about “putting on glasses” after sleeping with Callie Torres (Sara Ramirez) gave lesbian audiences a rare ‘aha’ moment in primetime. “I can see everything clearly now,” she says, comparing love to a pair of lenses that finally fit.
It wasn’t subtle, but that was the point. For many viewers, her words reflected the exhilarating (and terrifying) clarity that comes with accepting your queerness for the first time.
“I like the wine, not the label.” — Schitt’s Creek (2018)
In a show full of iconic lines, David Rose’s wine analogy explaining his pansexuality stands as Schitt’s Creek’s most beautifully understated moment. “I like the wine, not the label,” he tells Stevie, redefining queerness not as confusion, but as expansion.
The scene is smart, simple, and perfectly “David.” It’s also one of the most accessible explanations of pansexuality to ever air on television. With a metaphor as smooth as merlot, it opened minds and hearts alike.
Focus Features is celebrating the 20th anniversary of Ang Lee’s groundbreaking film Brokeback Mountain with a limited theatrical re-release.The film will return to select theaters nationwide on June 22 and 25, 2025, offering audiences a chance to experience the poignant love story on the big screen once again Focus Features.
Brokeback Mountain, released in 2005, stars Heath Ledger and Jake Gyllenhaal as Ennis Del Mar and Jack Twist, two young men who form a complex romantic relationship while working together on Brokeback Mountain in the 1960s.The film explores themes of love, identity, and societal expectations, set against the backdrop of the American West.
Directed by Ang Lee, the film was adapted from Annie Proulx’s 1997 short story by Larry McMurtry and Diana Ossana.It received widespread critical acclaim for its storytelling, direction, and performances, particularly those of Ledger and Gyllenhaal.The film grossed over $178 million worldwide and won three Academy Awards: Best Director for Lee, Best Adapted Screenplay for McMurtry and Ossana, and Best Original Score for Gustavo Santaolalla.
In addition to its box office success and critical acclaim, Brokeback Mountain had a significant cultural impact.It was hailed as a landmark in LGBTQ+ cinema, contributing to broader acceptance and visibility of LGBTQ+ relationships in mainstream media.The film challenged stereotypes and opened up conversations about the complexities of love and identity.In 2018, it was selected for preservation in the United States National Film Registry by the Library of Congress for being “culturally, historically, or aesthetically significant.”
To commemorate the film’s 20th anniversary, Focus Features is offering special screenings in select theaters.Tickets for these limited engagements are now available through Focus Features and participating theater chains.Additionally, the studio has released a new commemorative trailer and poster to accompany the re-release, allowing fans to relive the emotional journey of Ennis and Jack.
This re-release provides both longtime fans and new viewers an opportunity to experience Brokeback Mountain in theaters once again.Whether revisiting the film or discovering it for the first time, audiences can expect a powerful and moving cinematic experience that continues to resonate two decades after its original release.
It’s been nearly two decades since Brokeback Mountain changed the landscape of LGBTQ+ cinema forever. Released in 2005, the film follows the forbidden love between ranchers Ennis Del Mar (Heath Ledger) and Jack Twist (Jake Gyllenhaal) in the rugged Wyoming wilderness. Directed by Ang Lee, Brokeback Mountain was not just a film; it was a cultural moment, sparking discussions about love, identity, and the challenges of queer representation in mainstream media.
A Film that Shaped Queer Cinema
Back in 2005, Brokeback Mountain arrived at a time when LGBTQ+ representation in Hollywood was sparse and often sidelined. Yet, the film’s raw portrayal of a romantic relationship between two men in a conservative environment resonated with audiences worldwide. Despite some conservative backlash, it became both a critical and commercial hit, solidifying its place as one of the most important queer films in history.
When the 78th Academy Awards came around, Brokeback Mountain was the frontrunner for Best Picture, with nominations across eight categories. But in a shocking upset, the film lost the top award to Crash, a divisive ensemble drama about race and prejudice that has since been regarded by many as one of the most controversial and regrettable Best Picture winners in Oscar history. For many queer viewers, this was a moment of heartbreak and disbelief—a massive snub for a film that not only told a powerful queer love story but also challenged societal norms.
Michelle Williams Gets Real About “Crash” and the Oscars Snub
This year marks 20 years since Brokeback Mountain’s release, and Watch What Happens Live host Andy Cohen couldn’t resist bringing up the infamous Oscars loss when Brokeback star Michelle Williams appeared on the show to promote her new role in Dying for Sex. Cohen, who is no stranger to passionate opinions about queer cinema, shared his disappointment with the outcome of that year’s Best Picture category.
Williams, ever the icon, didn’t hold back when asked about the snub. “I mean, what was Crash?” she responded with a mix of feigned innocence and cutting shade, immediately sending waves of laughter through the audience. Cohen, fully agreeing with her, quipped, “Who’s talking about Crash right now?” It was a moment of pure brilliance that felt like the movie equivalent of saying, “You’re not even worth my time.”
Brokeback Mountain vs. Crash: The Stats Don’t Lie
As the years have gone by, Brokeback Mountain has continued to stand the test of time, while Crash has all but faded from public consciousness. Critics and audiences alike continue to praise Brokeback Mountain for its moving performances, stunning cinematography, and poignant exploration of forbidden love. The film remains a beloved classic with an 88% “Fresh” rating on Rotten Tomatoes.
In comparison, Crash has a respectable but less impressive 72% rating, and its box office performance was modest at best. Brokeback grossed $178 million worldwide, while Crash made just $98 million. Even at the Oscars, Brokeback Mountain received more nominations and was seen as the more deserving film, yet Crash walked away with the top honor.
The Lasting Legacy of Brokeback Mountain
Fast forward to today, and Brokeback Mountain is more than just a relic of the past; it’s a cultural touchstone. The film was added to the U.S. National Film Registry by the Library of Congress and continues to inspire filmmakers and audiences alike. It even made its way to the stage in 2023 with a critically acclaimed adaptation starring Lucas Hedges and Mike Faist.
In contrast, Crash is mostly remembered for Sandra Bullock’s character’s cringe-worthy bigoted remarks and the less-than-dramatic fall she takes down a set of stairs.
So, in the immortal words of Michelle Williams, “What was Crash?” Twenty years later, Brokeback Mountain continues to reign supreme, and Crash remains little more than an embarrassing footnote in Oscars history.
Michelle Willams in ‘Brokeback Mountain.’ Photo: Focus Features
Sony Pictures Classics’ upcoming film On Swift Horses is set to make waves in the queer cinema world. Starring Daisy Edgar-Jones, Jacob Elordi, Will Poulter, Diego Calva, Sasha Calle, and Kat Cunning, the 1950s-set film explores the challenges and complexities of queer relationships during a time of societal repression. With its tender portrayal of forbidden love and personal discovery, On Swift Horses is poised to join the ranks of iconic queer films.
A Unique Love Story Set in a Repressive Era
The film follows Muriel (Edgar-Jones), who has settled into a seemingly heteronormative life with her husband Lee (Poulter). However, her world is turned upside down by Lee’s chaotic, gambler brother, Julius (Elordi), who introduces Muriel to a life full of risk, passion, and forbidden desires. The film touches on the theme of constant uncertainty, as one character in the trailer states, “It’s all luck, isn’t it? We’re all just a hair’s breadth from losing everything all the time.”
The story is not only a love triangle but also a poignant exploration of the internal and external struggles queer individuals faced in the 1950s. The film’s official description highlights Muriel’s journey, stating that when she and Lee move to California, Muriel is drawn into “a secret life of her own, gambling on racehorses and exploring a love she never dreamed possible.”
Director and Cast Discuss the Film’s Impact
On March 27, Out attended a special screening of On Swift Horses, followed by a panel featuring the director and several key cast members. Director Daniel Minahan shared his excitement about the unique relationship between Muriel and Julius. “They say romantic stories are only as good as the things that are keeping them apart, and this had such a unique drive to it,” he said, emphasizing the film’s unconventional approach to storytelling.
Producer Peter Spears also expressed his admiration for the film’s portrayal of queer relationships. “I’ve never seen a story that looked at queer relationships in quite this way,” he remarked. Spears singled out a “bulletin board scene” in the film as particularly striking, noting that it stayed with him for weeks after reading the script.
Screenwriter Bryan Kass reflected on the scene’s cinematic potential. “That’s a good clue that [it is] something that could be very cinematic,” he said, underscoring the visual and emotional depth of the narrative.
Nonbinary Actor Kat Cunning Reflects on the Film
Kat Cunning, who portrays Gail in the film, shared their personal connection to the story, especially as a non-binary actor. “I think everyone in this story is living in an era where it’s not totally okay to be who you are, and the fact is, regardless, people are who they are,” Cunning said. They pointed to a moment in the film where Muriel, played by Edgar-Jones, briefly explores her gender identity, which Cunning described as a “fleeting moment” that “got me” due to its emotional honesty.
Cunning further elaborated on what drew them to the film. “As progressive as we are in film these days, we still are kind of stuck in tropes of what a queer person looks like, and what they do,” they said. “The script really felt like it lived between those lines while having the restriction of the era.” Cunning’s remarks underscore the film’s nuanced take on queer identity, focusing on self-discovery in a time when such exploration was fraught with societal risks.
A Refreshing Take on Queerness in Film
Minahan highlighted one of the most refreshing aspects of On Swift Horses—its departure from the typical “victim story” often associated with queer narratives. Instead, the film emphasizes hope and personal freedom. “Each of these characters is pursuing this different life. Normally in this narrative, the queer people are tragic and it ends badly for them. In this one, it ends in hope,” he said. “I thought that was really refreshing.”
The film’s focus on hope, self-determination, and exploring love in an oppressive time offers a contrast to many traditional queer films that often end in tragedy. On Swift Horses provides a hopeful narrative, emphasizing that queer identities are not only valid but capable of flourishing, even in the most restrictive environments.
A Tale of High-Stakes Desire and Gambling
Another compelling aspect of the film is the parallel between queerness and the dangerous world of gambling. On Swift Horses intertwines the thrills of racehorse betting with the risks of embracing one’s sexual identity in a repressive society. The high-stakes nature of gambling mirrors the emotional gambles these characters take as they navigate their desires and relationships. This connection between queerness and risk resonates not only within the 1950s context but continues to strike a chord today.
A New Queer Classic?
On Swift Horses draws comparisons to past queer cinematic classics such as Carol and Brokeback Mountain, but its nuanced portrayal of love and identity sets it apart. The film doesn’t just focus on men or women—it delves into the messy, often confusing space where attraction and desire defy easy labels, making it a refreshing take on bisexuality and queerness. Without revealing too much, the film promises to explore chaotic and complex aspects of love, identity, and sexual orientation in ways that feel both timeless and contemporary.
What are the top gay movies of all time, and what makes them so memorable? We’ve curated a list of 12 incredible LGBTQ+ movies, ranging from the sweetly heartfelt to the campy and proud. Whether you’re looking for a fluffy rom-com or an arty flick, we have something to add to your watch queue.
We’ve come a long way since the days of Hollywood censorship. Today, LGBTQ+ voices have more opportunities to represent the community in incredible movies, sharing our experiences with bigger audiences. Once hampered by stereotypes and tired plots, LGBTQ+ films now come in a wide range of genres. Queer people are now beginning to see and tell a rich variety of stories on the silver screen.
In this satirical teen film, Natasha Lyonne plays Megan, a high school cheerleader who gets sent by her parents to the conversion therapy camp True Direction in the hopes of “curing” her lesbianism. During her stay in the camp, she acknowledges that she’s a lesbian. Because of her religious upbringing and rejection of her identity, Megan tries her best to “be heterosexual”.
Throughout her stay, she falls in love with Graham, another girl at camp. Megan eventually becomes more comfortable with her sexuality, even in the face of her parents’ resistance, and the film ends on a light and hilarious note. Wickedly campy, But I’m A Cheerleader is considered a classic lesbian film and is a popular pick for Pride movies.
Brokeback Mountain (2005)
Considered a must-watch gay film, Brokeback Mountain stars Jake Gyllenhaal and Heath Ledger as two cowboys named Jack and Ennis who develop feelings for each other. Though the two try to dismiss their emotions, their relationship quickly becomes romantic and sexual. They both marry women and struggle with their desires to be together, leading to devastating consequences.
Few lines have expressed conflicted gay yearning quite as powerfully as “I wish I knew how to quit you.” This is just an example of the powerful writing that made Brokeback Mountain such a rich romance and one of the greatest gay movies. Fair warning: have the tissue ready because this one’s a major tear-jerker.
Portrait Of A Lady On Fire (2019)
When it comes to showing the complexity and conflict of sapphic love, few films do it as artfully as Portrait Of A Lady On Fire. Set in the 1800s, this French historical romance is directed by Celine Sciamma and follows Marianne, a painter, who is commissioned to do a portrait of the aristocratic Heloise. Heloise is set to be married off to a member of the gentry, and her mother is intent on getting this painting before her wedding.
As Heloise refuses to pose for portraits, Marianne poses as her hired companion so she can covertly paint her. The pair take daily walks along the coastline, which Marianne first takes as an opportunity to memorize Heloise’s features. But, eventually, the two fall in love and have a lesbian affair. The impossibility of their romance and their defiant love despite the odds make this film a heart-wrenching watch.
Paris Is Burning (1990)
Warm, vivacious, and intimate, Paris Is Burning is an inside peek into New York’s drag community during the 1980s. An invaluable documentary, it showcases ball culture and the Black and Latinx communities that celebrated their identity through the period’s flamboyant pageants. It also explores questions of race, poverty, homophobia and AIDS, showing what its members do to survive and thrive in a rich white man’s world.
In these competitions, contestants are judged by the elegance of their fashion, drag, and dancing. The film’s footage shows the sheer talent that goes into the balls, alongside interviews of prominent members of the ball scene like Angie Xtravaganza and Pepper LaBeija. There’s an incredible diversity of gender presentations in this documentary, as well as an amazing glimpse into the roots of “voguing”.
Love, Simon (2018)
Sometimes all we need is something light and comedic to brighten up the weekend, and Love, Simon delivers that refreshing tenderness in spades. This rom-com film stars Nick Robinson as a closeted teen named Simon Spier, who starts exchanging emails with another closeted teen in his school. Both use pseudonyms, with Simon calling himself “Jacques” as he communicates with the mysterious “Blue”.
Simon is intent on finding out who Blue is as the two bond over their online messages, and much of the movie centers on his quest to uncover Blue’s identity. However, he also gets entangled in the love lives of his friends and wrestles with the fear of being outed. All of these conflicts are carefully written and unraveled charmingly, making this a funny, timeless film to rewatch for instant feels.
The Handmaiden (2016)
Adapted from Sarah Waters’ sapphic historical crime novel Fingersmith, The Handmaiden is an action-packed film set in Japan-occupied Korea instead of Victorian England. This psychological thriller is centered on a con man’s plan to steal an heiress’ vast fortune with the help of Sook-hee, a pickpocket.
Sook-hee poses as her maid and is set to urge the heiress to marry the con man posing as “Count Fujiwara”, but she and the heiress fall in love to devastating results. The story’s unexpected twists and turns will leave you guessing until the end. Visually sumptuous, erotic, and dramatic, it’s an absorbing watch that never devolves into a sexual cliche.
Happy Together (1997)
A study of codependence and regret, Wong Kar Wai’s Happy Together was groundbreaking at the time. Particularly for touching on themes of homosexuality. Ho Po-Wing and Lai Yiu-Fai, played by Leslie Cheung and Tony Leung Chiu-Wai respectively, have a tempestuous relationship. Their trip to Argentina is marred by jealousy.
Though the couple attempt to reconcile, their love can’t overcome suspicion and mutual restlessness. The film is a great exploration of youthful longing and intimacy, beautifully framed with Wong Kar Wai’s trademark stylism. It’s widely considered one of the best gay movies and foreign-language films of all time. Give it a watch if you’re in the mood for a romantic drama.
Carol (2015)
Based on the romance novel The Price of Salt, Carol tells the story of a star-crossed lesbian romance between young photographer Therese and Carol, an older woman in the middle of a divorce. Therese has a steady boyfriend, but she seems uncertain about sharing a future with him and becomes drawn to glamorous Carol.
Therese is not Carol’s first female lover, as she’s shown to have had an affair years ago with one of her friends. However, she’s conflicted about her own feelings for Therese, knowing that the latter will have to fight for custody of her daughter.
Critics have praised the deft direction of this film and the sensitive, powerful performances of Cate Blanchett and Rooney Mara. It’s a triumphant film about love at first sight and the defiance that keeps this forbidden romance alive in the 1950s.
Moonlight (2016)
One of the most critically acclaimed gay films in recent years, Moonlight is the ultimate coming-of-age story. The film is based on an unpublished play by Tarell Alvin McCraney. This semi-autobiographical movie examines the life of the protagonist Chiron in three different stages. It explores his childhood, his teen years, and his early adulthood.
Throughout the film, Chiron struggles to accept his sexuality. He frequently represses his identity to avoid homophobia and the scrutiny of his peers as he grows up. He also wrestles with his painful history of physical and emotional abuse as well as struggles with intimacy and his journey into drug dealing. It’s a touching portrait of Black masculinity and vulnerability – one that will resonate with many in the community who are still trying to find themselves. For this reason and so many more, Moonlight is easily one of the top gay movies of all time.
A Single Man (2009)
A Single Man is easily one of the best gay movies on Netflix now. This Oscar-nominated film starring Colin Firth is a tender exploration of coming to terms with heartbreak. Firth portrays George, a professor who is still dealing with the death of his longtime partner. Grief-stricken George plans to end his life and starts putting his affairs in order before his intended suicide.
In the film, his friend Charley reminisces and seeks a deeper relationship with him. George also forms an unexpected connection with his student Kenny. This stylish, beautiful film is Tom Ford’s directorial debut. It’s an affecting glimpse into a man trying to hold himself together for his last few days.
Fire Island (2022)
A relatively new entry, Fire Island embraces the beloved rom-com format to share the unapologetic happiness of the LGBTQ+ community. This reimagining of Pride and Prejudice starts with a group of friends having a fun, gay vacation in the sun.
Joel Kim Booster plays Noah, who develops feelings for the rich, aloof lawyer Will played by Conrad Rocamora. The film does an excellent job of fleshing out Asian gay and lesbian characters. It also discusses issues of class and ethnicity within the community. It’s one of the most heartfelt gay movies you can catch now. Pop some corn and save it for weekend watching!
Hedwig And The Angry Inch (2001)
While it’s unsurprising for a Broadway musical to go to film, this particular adaptation is a standout. John Cameron portrays the titular Hedwig, an East Berlin glam rocker. Hedwig is left with an “angry inch” after a botched gender reassignment operation.
Campy and charismatic, Hedwig falls in love with Tommy and becomes his mentor. Tommy, in turn, steals Hedwig’s songs to become a rock star. This leads the spurned musician and her band to shadow his tour. The film explores loneliness, individuality, and learning to own one’s heartbreak. It’s also full of electric performances, making it one of the best LGBTQ+ movies of all time.
Explore Queer Experiences In These Amazing LGBTQ+ Movies
The LGBTQ+ experience is a varied, incredible spectrum that intersects with racial, social, and economic lines. Though Hollywood still has some way to go in terms of representation and queer storytelling, much ground has been broken by these top gay movies.
Watch these films to laugh, cry, and feel closer to the community. There’s much to celebrate and plenty to learn from these different perspectives!
