Tag: the last of us

In film and television, the most powerful queer moments often arrive quietly tucked inside tender glances, aching monologues, or backyard gardens where strawberries taste sweeter than they should. They don’t always shout, but they leave a mark. Whether through landmark coming-out scenes or unexpected gestures of love and truth, these moments helped rewrite how LGBTQ+ people see themselves and how the world sees them.

Here are eight unforgettable scenes that cracked our hearts open and let the light in.

“I cry so much sometimes I feel like ima just turn into drops.” — Moonlight (2016)

In Moonlight, one of the film’s most unforgettable moments happens not with big declarations, but in the quiet honesty between two teens on a beach. Chiron, reserved and often closed off, finds an unexpected softness with Kevin, a friend who’s long been part of his life, but never this close.

The scene unfolds slowly, tenderly. Kevin, hesitant at first, denies crying but says that the view makes him want to though. Chiron listens and opens up in a moment of beautiful vulnerability saying “I cry so much sometimes I feel like ima just into drops.” The conversation, fragile and real, builds toward their first kiss: a small act with massive emotional weight. For Chiron, it’s not just about physical touch, but about being seen, understood, and accepted, maybe for the first time. The moment doesn’t just shift their relationship, it’s a pivotal moment of queer awakening for Chiron, who has spent much of his life grappling with his identity and emotional isolation.

“I wish I knew how to quit you.” — Brokeback Mountain (2005)

Ang Lee’s Brokeback Mountain didn’t just shift the conversation, it broke it wide open. In a time when queer love stories were still largely hidden or coded, this sweeping tale of two cowboys in Wyoming made tenderness and longing unmistakably visible.

Jake Gyllenhaal’s Jack Twist delivers the now-iconic line to Heath Ledger’s Ennis Del Mar with raw hurt, knowing they’re trapped between what they feel and what they fear. It’s not just a breakup; it’s a plea to be free of a love the world refuses to understand. Ledger’s restraint speaks volumes, making the moment hurt even more. A classic that still echoes in our cultural memory.

“Maybe I am learning from my brave son.” — Sex Education (2019)

When Eric’s dad drops him off at the school dance, he hesitates, then steps out of the car to confront his son about his outfit. What follows is a raw and heartfelt exchange that cuts deep. After his dad admits he’s scared for him, Eric replies, “Your fear doesn’t help me, Dad. It makes me feel weak.” His dad tries to explain, “I don’t want you to be hurt,” but Eric meets him with quiet strength: “Look, I’ll be hurt either way. Isn’t it better to be who I am?”

Then comes the gut punch. His dad, visibly shaken, says, “Maybe I’m learning from my brave son.” It’s a turning point—one of those rare moments where you see a parent start to understand, really understand, the courage it takes to live openly. A true tearjerker.

A taste of freedom — The Last of Us (2023)

In a show defined by fungal zombies and survivalist grit, the most human moment of The Last of Us came in a gentle garden scene. Bill and Frank—played with layered warmth by Nick Offerman and Murray Bartlett—share a meal of freshly grown strawberries in a post-apocalyptic world.

It’s a detour from the video game’s plot, but a welcome one. In this moment, queerness isn’t tragic or tokenized; it’s revolutionary in its normalcy. As Frank bites into a berry, his laughter feels like rebellion against a world that collapsed under intolerance. The scene quietly reminds us: love, even in ruin, can bloom.

A mother’s blessing — Love, Simon (2018)

Love, Simon may have been packaged like a glossy teen rom-com, but it carried weight. As the first major studio film to center on a gay teenage love story, it gave representation a seat at the high school cafeteria table.

The film’s emotional core comes when Simon (Nick Robinson) receives unconditional love from his mom, played by Jennifer Garner. Her soft, tearful encouragement to “finally exhale” resonated deeply with LGBTQ+ audiences who’ve longed for that same parental grace. Corny? Maybe. But necessary? Absolutely.

“You’re the heart.” — Stranger Things (2016–)

You might lose track of Stranger Things plot lines between seasons, but one thing no one forgets: Will Byers crying in the passenger seat. As he tries to tell Mike how he really feels—without actually saying it—Noah Schnapp delivers a performance full of bottled-up ache and quiet bravery.

It’s one of the most watched, meme’d, and dissected scenes in recent queer TV history. And yet, it’s delicate, a slow-burn confession that captures the fear of being vulnerable with someone who might not feel the same. If the series closes with a fully realized Will, it could cement one of the most meaningful queer arcs in mainstream sci-fi.

A father’s quiet grace — Call Me By Your Name (2017)

While Call Me By Your Name is not without controversy, especially when revisited today, one scene remains untouchable: the conversation between Elio (Timothée Chalamet) and his father (Michael Stuhlbarg) after his first heartbreak.

With emotional intelligence rarely afforded to male characters—let alone fathers—Mr. Perlman offers gentle wisdom that validates not just Elio’s love, but his right to feel deeply. It’s a masterclass in queer empathy, and a reminder that support doesn’t always come with fireworks—it often arrives with understanding.

“Susan, I’m gay.” — Ellen (1997)

It was the sitcom line that shook America. Ellen DeGeneres came out both on and off screen, with her character Ellen Morgan declaring her truth in a packed airport terminal. The world heard it loud and clear.

It was risky. Advertisers pulled out. Conservative watchdogs panicked. But Ellen’s honesty changed television, showing queer people that their identities weren’t just side plots—they could be center stage.

“I see clearly now.” — Grey’s Anatomy (2006)

Dr. Erica Hahn’s speech about “putting on glasses” after sleeping with Callie Torres (Sara Ramirez) gave lesbian audiences a rare ‘aha’ moment in primetime. “I can see everything clearly now,” she says, comparing love to a pair of lenses that finally fit.

It wasn’t subtle, but that was the point. For many viewers, her words reflected the exhilarating (and terrifying) clarity that comes with accepting your queerness for the first time.

“I like the wine, not the label.” — Schitt’s Creek (2018)

In a show full of iconic lines, David Rose’s wine analogy explaining his pansexuality stands as Schitt’s Creek’s most beautifully understated moment. “I like the wine, not the label,” he tells Stevie, redefining queerness not as confusion, but as expansion.

The scene is smart, simple, and perfectly “David.” It’s also one of the most accessible explanations of pansexuality to ever air on television. With a metaphor as smooth as merlot, it opened minds and hearts alike.