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David Archuleta is stepping into a new era—one filled with confidence, community, and a whole lot of EDM beats. The American Idol alum has been on a transformative journey since coming out, and now he’s embracing every part of himself—including a flirty, sensual side that’s making its way into his music.
“I just announced a new song today,” Archuleta shared. “It’s called Crème Brûlée, and it’s just a more fun, flirty, sensual part of me that I’m excited to share.” Inspired by his love for food (because who doesn’t love a tasty treat?), the track is a glimpse into the self-acceptance he’s been working toward. “I’m learning how to just become more confident in who I am, in my body, and owning it.”
And that ownership extends beyond his music—Archuleta has also found a new love: raves.
From Choir Boy to Rave King
For someone who grew up in the structured world of church and American Idol, raving might seem like a surprising turn. But for Archuleta, it’s been a revelation. “It feels freeing. It feels liberating,” he said. “I feel like when you go to a rave, it’s not about checking everybody out—it’s about admiring how people just go all out.”
From anime-inspired outfits to neon fairy wings, the rave scene is all about self-expression, something Archuleta has come to appreciate on a whole new level. “Everyone’s just so loving, giving each other kandi, and embracing PLUR culture—peace, love, unity, respect.”
Now, he’s not just attending raves—he’s hosting his own. This May, he’ll be throwing a full-on rave night at The Bellwether, featuring his own performance followed by an EDM-fueled afterparty. “I’m going to have some DJs just play house, maybe some headbanging tracks. I just want to create that space where everyone feels welcome.”
Building a New Kind of Community
Coming out meant stepping away from the religious community he grew up in, but Archuleta has found belonging in unexpected places. “Growing up a church boy, I love community and I miss that aspect,” he admitted. “I don’t go to church anymore, but raves have been kind of like my way of finding community again.”
Between dropping new music, planning future tours, and hitting up Pride events in 2025, Archuleta is embracing every bit of this new chapter. And with Crème Brûlée serving as just the first taste, fans can expect even more layers to be revealed.
So, if you’re looking for David Archuleta in 2025, don’t check the pews—check the dance floor.
Singer-songwriter Mike Maimone released ‘On My Way,’ the lead single from his upcoming album Guess What? I Love You, on March 7. The feel-good track holds deep personal meaning for Maimone, as it was originally written as a voicemail to his late husband, celebrated public relations expert Howard Bragman, during their long-distance relationship.
Maimone’s latest album ‘Guess What? I Love You.’
Maimone reflects on the creation of the song, recalling how he was eager to see Bragman during their courtship. “We were always hopping planes to see each other,” he says. “Just before one trip, I called him with guitar in hand and sang this little ditty that was running through my head about how excited I was to see him. He didn’t pick up, so I left it as a voicemail. He told me it was fun and catchy and encouraged me to turn it into a full song.”
The track is a key part of Maimone’s deeply personal album Guess What? I Love You, which documents his love story with Bragman and his subsequent journey through grief and healing. Tragically, Maimone held Bragman as he passed away the day after their wedding. Over the following two years, Maimone poured his emotions into the album, which tells the story of their relationship and Maimone’s path toward healing.
“Side A is about finding love, and Side B explores loss,” Maimone explains about the album’s structure.
As he worked on the album, Maimone revisited old voicemails exchanged between the couple, using them as inspiration to shape his story. The catchy hook in “On My Way” was born from one of these voice memos.
“It felt like Howard was nudging me to keep going,” Maimone says of revisiting those recordings during the creative process.
Photo: YouTube
Maimone, who grew up in Ohio, initially pursued a career in business and accounting before transitioning to music full-time. He had a brief but notable basketball career, even facing off against LeBron James. Since turning to music, his raw and emotional songwriting has garnered comparisons to renowned artists like Randy Newman, Leon Russell, Tom Waits, and Warren Zevon.
Now, as Maimone prepares to share Guess What? I Love You with the world, he sees “On My Way” as the perfect introduction to the album’s emotional journey.
“This song went from being a voicemail I had discarded to the lead single on my most emotional and profound album in two decades of music-making,” he says. “Howard saw something in it that I didn’t at the time, and now I get to share that with everyone.”
The release of “On My Way” marks the first step toward the full album’s debut, set to showcase Maimone’s deeply personal experiences of love, loss, and healing. With its mix of heart and emotion, Guess What? I Love You promises to be a heartfelt tribute to both Maimone’s late husband and his journey through grief.
Tamar Braxton is expanding her television career with an exciting new project, partnering with her mother, Evelyn Braxton, for a cooking show titled Cooking Sessions: with Tamar and Ms. E. The weekly series is set to debut on Cleo TV on Wednesday, March 28, and promises to offer viewers “fabulous looks and delicious dishes” as the Braxton duo showcases their culinary talents.
Reflecting on the special collaboration with Out, Tamar Braxton shared how meaningful the project is to her. “It’s so special for me. Number one, it’s a dream of hers, and for me to help her fulfill that dream is a dream come true,” she said. The show has been a long time in the making, with Tamar revealing it has taken a decade of hard work to bring the project to life. She called the upcoming debut a “blessing.”
In addition to co-hosting, Tamar serves as an Executive Producer for Cooking Sessions through her own production company, Tamar Braxton Productions. She credited television and music executive Phil Thornton for encouraging her entrepreneurial spirit, noting, “Thanks to Mr. Phil Thornton, who’s helped me become the businesswoman that I am today.”
Tamar Braxton’s Advocacy for the LGBTQ+ Community
Beyond her cooking series, Tamar Braxton remains a vocal advocate for the LGBTQ+ community. Last year, she received the ICON Award at the 12th Annual Pure Heat Community Festival in Atlanta. During her acceptance speech, Tamar shared a heartfelt message to her LGBTQ+ fans: “Be who you are. People who accept you will accept you, and those who don’t, stay away from them. I’ve always been an advocate for the LGBTQ community since the fourth grade.”
Tamar also hosts the Life, Love & Beyond podcast, where she engages in deep conversations on themes of healing, relationships, and life with a variety of celebrity guests. The show is co-hosted by medium and life coach Taz Singh, alongside James Wright Chanel, a viral sensation and openly gay man who is also Tamar’s best friend. Tamar emphasized the importance of LGBTQ+ representation, saying, “My whole staff is LGBTQ. It’s important for me to stay grounded and true to myself while valuing the opinions of people who matter to me. Having James there not only gives a voice to the LGBTQ community but also provides me with a voice of reason as my best friend.”
Tamar’s Upcoming Tour: The October Nights: Calling All Lovers Tour
In addition to her television and advocacy work, Tamar is preparing for The October Nights: Calling All Lovers Tour, set to kick off on April 15 in Norfolk, Virginia. The tour, featuring R&B artist October London, is an exciting return to the stage for Tamar. She expressed her gratitude for the upcoming tour, saying, “I’m so grateful to be able to tour every year. After my last tour, Love and War 10, I wasn’t sure if I wanted to tour with anyone else because it was so much fun being in a room full of Tamartian fans—we speak the same language and truly understand each other.”
While she enjoys her time on the road, Tamar admitted that cooking while touring is a challenge. “I don’t get a chance to cook that much on the road, and I really miss home cooking. I try to avoid fast food because you can get addicted to it very quickly,” she shared.
Survival, trauma, and cannibalism may fuel Yellowjackets, but let’s be real—so does its LGBTQ+ representation. From the show’s deeply queer-coded friendships to its openly LGBTQ+ characters, Yellowjackets has become a staple for sapphics, horror lovers, and anyone who enjoys a little (or a lot of) chaos. But the queerness doesn’t stop on-screen. Many of the actors themselves are part of the LGBTQ+ community or have a long history of playing queer roles and supporting the community. Let’s dive into the show’s gloriously queer cast—both in Yellowjackets and beyond.
The Queer Icons of Yellowjackets
Tawny Cypress (Taissa Turner)
Taissa Turner isn’t just one of the most compelling (and terrifying) characters in Yellowjackets—she’s also canonically queer. Played by Tawny Cypress, Taissa is a politician in a messy, fractured marriage with her wife, Simone.
But Taissa’s queerness isn’t just on-screen; Cypress herself is part of the LGBTQ+ community and has spoken openly about what the representation in Yellowjackets means to her.
In an interview with Gayety, Cypress reflected on growing up without seeing characters like Taissa and Van, saying:
“Oh, as somebody who stands under the LGBTQ plus umbrella, being a kid in the nineties, it’s everything. I wish I had representation like this. I wish I saw characters that looked like me that made loving women.”
She also emphasized how much she wants fans to connect with the relationship between Taissa and Van, adding:
“Oh, I want you guys to fall in love. The way I fell in love with her. I want you guys to see the love story that we tried so hard to honor that Jasmin and Liv created to begin with.”
Beyond that, Cypress acknowledged how rare it is to see older queer couples on TV, saying:
“It’s amazing. I mean, honestly, what we had growing up and who I saw, who I could relate to is nothing like what the new generation has to relate to. And I’m so happy for the new generation. We still have a long way to go, I know that obviously, but so happy that this new generation has a lot more representation to identify with and see themselves in.”
Between her powerful performance and her real-life advocacy, Cypress is making sure queer audiences—especially those who didn’t grow up with this kind of representation—finally get to see themselves on screen.
Liv Hewson (Van Palmer)
Liv Hewson, who plays the resilient and endlessly lovable Van, is nonbinary and uses they/them pronouns. In addition to being a vocal advocate for trans and nonbinary rights, Hewson has starred in multiple queer projects, including Santa Clarita Diet and Let It Snow. In 2023, they made headlines for pulling out of the Emmys’ gendered acting categories, calling for more inclusive options.
Jasmin Savoy Brown (Teen Taissa Turner)
Jasmin Savoy Brown is a force in queer media. Not only does she play young Taissa, but she’s also an out-and-proud lesbian, bringing personal experience to the role. Brown is no stranger to LGBTQ+ storytelling—she also played queer final girl Mindy Meeks-Martin in Scream (2022) and Scream VI, and starred in The Leftovers, which had its share of queer representation. Brown has spoken openly about the importance of seeing Black queer characters on screen, saying in an interview, “There’s something really powerful about seeing yourself represented authentically.”
Sammi Hanratty (Teen Misty Quigley)
Sammi Hanratty might play the delightfully unhinged Misty Quigley, but off-screen, she’s a proud bisexual woman and a vocal LGBTQ+ ally. While Misty herself isn’t explicitly queer (yet), Hanratty has been part of plenty of queer-coded moments in the series. But beyond that, Yellowjackets has played a deeply personal role in her own journey.
In an interview with Gayety, Hanratty opened up about how the show helped her embrace her identity, revealing:
“Oh my gosh, it means so much. It honestly means more than I think I knew signing onto the project. I didn’t know how this show was going to affect me the way it has, and I came out myself during season one as bisexual, and so it was just creating a space that I felt comfortable to do that, and also being okay to question parts of who I was and who I am, and that’s okay to do and it’s okay to not know too. And I think that this show is a great representation of just accepting yourself of where you’re at, and we support female rights and wrongs here.”
Hanratty’s journey reflects what makes Yellowjackets so special—it’s not just about survival in the wilderness; it’s about survival in your own skin, in your own truth. And in true Misty fashion, we do support female rights and wrongs.
Certified Allies with a History of Queer Roles
Christina Ricci (Misty Quigley)
Christina Ricci is a longtime LGBTQ+ ally who has played her fair share of queer roles. From her sapphic turn in Monster (opposite Charlize Theron) to The Matrix Resurrections, Ricci has long been a favorite among queer audiences.
Melanie Lynskey (Adult Shauna Shipman)
Melanie Lynskey has consistently championed LGBTQ+ representation, both in her work and off-screen. She played lesbian characters in But I’m a Cheerleader and I Don’t Feel at Home in This World Anymore and has been a vocal supporter of LGBTQ+ rights. Lynskey has also spoken about the deep love and friendship between Shauna and Jackie (RIP), acknowledging the queer undertones in their dynamic.
Juliette Lewis (Natalie Scatorccio)
Juliette Lewis has been a queer favorite for years, from Whip It to her sapphic role in The Evening Star, but she took things up a notch in the Queer as Folk reboot. Playing Judy—the ultimate LGBTQ+ ally and mother to nonbinary drag performer Mingus (Fin Argus)—Lewis embodied the chaotic, loving, and sometimes too openhearted mom every queer kid deserves.
Lewis has spoken about how much the role meant to her, saying, “Everybody needs a Judy.” She also praised her young queer co-stars, particularly Argus, calling their performance “a whole enchilada of transformation, showmanship, and raw expression.” Whether on-screen or in real life, Lewis is the definition of a ride-or-die ally.
Sophie Nélisse (Teen Shauna Shipman)
While Sophie Nélisse hasn’t played many overtly queer roles, she’s expressed admiration for the LGBTQ+ community. And let’s be real, young Shauna’s complicated relationship with Jackie had a lot of queer undertones.
Sarah Desjardins (Callie Sadecki)
Sarah Desjardins has already played a lesbian character before Yellowjackets. She starred as Jenna Hope in Impulse, where her character struggled with her sexuality while navigating the complexities of being a teleporter. While Callie hasn’t been confirmed as queer (yet), we’ll be keeping an eye on her storyline.
Why Yellowjackets Is So Queer
Beyond its cast, Yellowjackets leans into queerness in its storytelling. The show features multiple canonically LGBTQ+ characters, explores themes of identity and survival, and thrives on the tension of intense, sometimes romantic, female friendships. It captures the chaos, longing, and dark desires that often accompany queer coming-of-age stories—just with an extra layer of cannibalism.
Yellowjackets is undeniably for the gays. And we wouldn’t have it any other way. Watch our interviews with the cast below.
In a powerful call to action, GLAAD board members Frankie Grande and Peppermint have joined forces with several high-profile figures from the LGBTQ+ community to urge casting directors, producers, and creatives behind reality TV to take a bold step toward authentic inclusivity. Their message calls for fair, accurate, and diverse representation of LGBTQ+ people on reality television, urging the industry to move past outdated and tokenized portrayals.
In a letter signed by a host of LGBTQ+ celebrities, including Nicole Byer, Michelle Buteau, Bob The Drag Queen, Jazz Jennings, Elliot Page, Monét X Change, and many others, Grande and Peppermint ask for a shift toward more substantial representation of LGBTQ+ lives across reality TV. Their message emphasizes that reality shows should no longer rely on a single LGBTQ+ cast member or storyline to represent the community. Instead, they advocate for a diverse range of LGBTQ+ experiences to be reflected on screen.
Grande, an outspoken advocate for LGBTQ+ rights, expressed the need for change in a statement, saying, “It’s the responsibility of casting directors and producers to ensure that there is inclusivity within our community represented on the show. Otherwise, we’re a monolith. Otherwise, I am representing the entire queer community.” He continued, “There is a formula that has been in place for decades that is no longer working for our community. It is no longer representing the world and the people that are watching your shows.”
Peppermint, who appeared in season two of The Traitors and made headlines after her early elimination, also underscored the urgency of inclusive representation. After her departure from the show, Peppermint called for industry-wide change, emphasizing the need to showcase the relationships and experiences of trans people in reality television. “I wanted so desperately to be able to show the rest of the world that trans people are just like anybody else,” Peppermint shared. “It’s all about managing relationships, and trans people deserve to be a part of the story. The world needs to see that, and I think reality TV is a great place to do it.”
Addressing the Gaps in Representation
Despite the progress made in LGBTQ+ visibility over the years, GLAAD’s research shows that representation in reality television remains stagnant. Too many shows continue to cast a single LGBTQ+ individual or rely on one-dimensional storylines, leading to the outdated and incomplete portrayal of the diverse queer community.
In their letter, the signatories stress that the current formula no longer resonates with today’s audiences. According to the latest data from Gallup, 9.3% of U.S. adults identify as LGBTQ+, with the largest portion of this group identifying as bisexual. Among Gen Z, a generation known for its diversity and openness, 23% report identifying as LGBTQ+. As these younger viewers become the primary demographic for new TV shows, it is clear that their demand for inclusive content is more pressing than ever.
The letter points out that reality TV has the power to shape perceptions and ignite conversations. However, to live up to its potential, the industry must reflect the true diversity of society, including the LGBTQ+ community. Representation in reality TV is not only about numbers but also about telling the unique stories and perspectives of LGBTQ+ individuals in an authentic way.
Representation Matters for Empathy and Change
GLAAD’s research highlights the significant impact that LGBTQ+ representation in media has on viewers. The organization found that non-LGBTQ+ viewers who see LGBTQ+ people on screen are 50% more likely to feel familiar with the community and 35% more likely to be comfortable interacting with LGBTQ+ individuals in real life. This highlights the importance of visibility in fostering understanding and empathy, especially as anti-LGBTQ+ rhetoric and legislation continue to rise.
The signatories of the letter emphasize that when viewers see LGBTQ+ people living their truth — forming relationships, facing challenges, and celebrating victories — it dismantles stereotypes and promotes acceptance. Reality TV, with its relatable and emotional storytelling, has a unique ability to break down barriers and create meaningful connections.
By increasing LGBTQ+ visibility, reality television has the potential to combat misinformation, hate, and even violence. The signatories believe that showcasing authentic LGBTQ+ experiences on screen not only entertains but also contributes to a broader societal shift toward inclusivity.
The Need for Action Behind the Scenes
While the letter advocates for more LGBTQ+ representation on screen, it also calls for action behind the scenes. The signatories urge producers, casting directors, and creatives to ensure that LGBTQ+ cast members receive the necessary support both during and after production. They emphasize that the risks of isolation and tokenization for LGBTQ+ individuals on reality shows can be detrimental, especially for transgender and gender-nonconforming participants.
“When one person’s queerness or transness is placed at the center of the show, it places an undue burden on that cast member,” the letter notes. “The experience of being the sole representative for an entire community can be isolating, leaving that person vulnerable to online and real-world harassment.”
The signatories also urge that transgender people, in particular, be portrayed in ways that go beyond stereotypes. This means casting multiple transgender individuals on shows, allowing them to tell their own unique stories, and avoiding the harmful practice of making one individual’s experience representative of the entire community. For nonbinary and transgender people of color, the challenges of navigating gendered and binary casting are even more pronounced, further highlighting the need for more inclusive and thoughtful casting.
The Power of Reality TV to Lead Change
The letter concludes by urging the reality TV industry to embrace a more inclusive future, one that moves beyond tokenism and reflects the true diversity of the LGBTQ+ community. Shows like RuPaul’s Drag Race, Queer Eye, and Selling Sunset have already demonstrated the value of LGBTQ+ representation, with their success proving that diverse stories resonate with audiences.
“Let’s move beyond tokenism and commit to casting LGBTQ+ people in numbers that truly reflect our community,” the letter states. “Let’s use the power of reality TV to make the world a more accepting, understanding, and real place.”
With industry-wide education and action, the signatories believe that reality TV can play a key role in shaping a more inclusive future. They call on the producers, casting directors, and creatives behind these shows to take bold steps toward a more diverse and authentic representation of LGBTQ+ lives on television.
For a full list of signatories and more information on GLAAD’s efforts to support LGBTQ+ visibility in media, visit their official website.
I’ll be honest—I walked into The Electric State screening with some hesitation. It wasn’t just the dystopian setting or the adventure-filled chaos that had me nervous. It was the robots (especially underwater ones, but that’s a whole other story). Jokes aside, the film is a wild ride that had me feeling all the emotions—thanks to a few surprisingly nostalgic robots. But did it live up to the hype?
Directed by Anthony and Joe Russo (Avengers, Captain America), The Electric State takes us into a retro-futuristic 1990s America, where society has crumbled, and robots—once friendly and integrated into human life—have been pushed into exile. Millie Bobby Brown stars as Michelle, a teenager who discovers that her younger brother Christopher, whom she thought was dead, is actually alive and communicating with her through Cosmo, a mysterious, slightly broken-down robot. Determined to find him, she sets off on a cross-country journey with Chris Pratt’s Keats, a smuggler with a sarcastic streak, and his wisecracking robot sidekick, Herman (voiced by Anthony Mackie).
While the film is packed with action and adventure, at its core, it’s about human connection—how we find and hold onto it and, sometimes, how we create it in the most unexpected places.
Before watching the film, I had a feeling that Millie Bobby Brown and Chris Pratt would bring the action and the comedy.
From the moment our interview started, the two were already in sync, bouncing off each other with effortless banter. At one point, I asked them how they managed to create such an emotional bond with their robot co-stars (I’m looking at you Keats and Herman). However, it quickly turned into a chat about curing my phobia of robots.
“Yes. There’s actually something that I’ve just recently heard about called exposure therapy,” Chris said.
Millie, looking at him like he had just discovered fire, responded immediately: “You just heard about exposure therapy? This is life-changing. Exposure therapy is amazing.”
Chris continued: “Yeah, you just do a little bit at a time. So get an underwater robot or something that’s an underwater robot and just… Get close and just gently expose yourself to it until you get to the point that it no longer frightens you.”
Whether or not this cures my phobia, one thing’s for sure—you can catch more of their banter in the film.
For a movie about robots, The Electric State is deeply human. Giancarlo Esposito, who plays a major role in the film, summed it up best:
“Oh, I take so much away from it. I feel like that’s what really resounded for me and got me to do this part in this movie. That’s so much of a journey film about love and loss and loss again, and the courage to move through and the courage also to let go when it’s in the greater good of everyone else. It’s a very, very powerful movie.”
That journey—of moving forward, of finding love in unexpected places—is what makes the film so impactful. The robots in The Electric State aren’t cold, lifeless machines; they have personality, quirks, and at times, more warmth than some of the human characters. It flips the usual narrative on its head—this isn’t about humans fearing robots, it’s about humans needing them.
Director Joe Russo touched on this when I asked him about the balance between spectacle and intimacy in the film:
“Yeah, I mean, just a good conversation with somebody that’s in your life, that’s in a room instead of looking at your phone. It’s interesting because we seem like we’re evolving into creatures that are reliant on interfacing with electronics. And I notice that a lot when I go to dinner and half the tables are looking at their phones or I come home and I’m at fault too and I’m looking at my phone and my kids are looking at their phone. Just taking that conscious moment to put it down and talk to each other I think is really important.”
Finding Comfort in Chaos
At the end of our interview, I asked Millie and Chris what helps ground them in the real world. Their answers were very them.
Millie’s answer? Love Island.
“I think Love Island,” she said without hesitation. “Grounds you. Brings me back. Well, because I think that there’s so much, I do a lot of drama. So when I’m spending eight, nine hours a day being really in intense scenes, there’s nothing wrong with that little like, ‘Babe, can we go for a chat?’”
Chris, on the other hand, finds his peace in a more outdoorsy way.
“Well, actually it’s not a technology thing, but I grew up fishing in a little lake where I lived, and so now when I can and I go out fishing, I just, it just feels so nice. It just reminds me of being a kid and I’m tying the knots even if I don’t catch anything. I have the best time.”
Why Watch The Electric State
Walking into this film, I was expecting action, adventure, and, yes, a few robot companions. What I wasn’t expecting was how deeply it would make me feel. Plus, who doesn’t love seeing Stanley Tucci on your screen? While some critics feel it doesn’t quite capture the depth of Simon Stålenhag’s novel, there’s no denying the film’s stunning visuals and emotional core.
Catch it on Netflix on March 14, 2025—and prepare to feel all the feels. Watch our interview with the cast below.
The Traitorsseason three ended with explosive drama, and the reunion episode delivered everything fans hoped for and more, especially when it came to the clash between Bob The Drag Queen and Real Housewives star Dorinda Medley. And now, Bob The Drag Queen is speaking when it comes to whether or not she will be watching Dorinda’s upcoming Bravo spinoff.
When asked about rewatching the finale of The Traitors, Bob candidly shared their thoughts. “I wish Danielle had won. I can’t believe Brittany did that,” Bob said. Despite the disappointment, Bob found the reunion episode to be a fun experience, adding, “I feel like I showed myself, I looked beautiful, I felt beautiful, and I had a good time. Stunning.”
Dorinda, an early vote out for the series, went home early and made quite the spectacle during the series reunion with the drag queen. When asked at the Queerties if Bob would be tuning in to the Bravo star’s recently announced spin off series after the on air dispute, the drag queen remained honest: “I don’t really watch reality TV shows unless they have competition in them, like Real Housewives or shows with a prize. So, I probably won’t watch it, to be honest.”
Bob’s directness didn’t stop there. Despite not being desperate to talk to the individual in question after the reunion, Bob said, “If she called, I’d answer for sure,” hinting that they were open to a conversation if the situation arose.
The tension was palpable during the reunion as Bob faced off with Dorinda Medley and fellow Real Housewives star Chanel Ayan. What started as a casual exchange quickly turned into a battle of words. Ayan, dressed in a fabulous look, tried to shade Bob as she walked into the room, only for Bob to respond effortlessly with, “a close second.” However, the real drama kicked off when Dorinda attempted to guilt Bob for simply playing the game.
“I was very sad that I got murdered, but the whole thing [you said after] that I was mad, I can promise you I didn’t think about it,” Dorinda expressed, adding that she had even called reunion host Andy Cohen after filming to cry. “I liked you and I really wanted to get to know you. So this negativity after the fact was really unfortunate,” she said, attempting to shame Bob for playing the game unapologetically.
Bob’s response was sharp and unapologetic. “I don’t know any of these people. You’re the only one taking that personally,” Bob said, calling out Dorinda’s attempt to control the narrative. The queen, who has been known for her quick wit, didn’t let Dorinda continue to talk over her. “Are you capable of not talking while I am talking?” Bob asked, prompting Cohen to jump in with a hilarious remark: “She doesn’t like to be on pause,” referencing Medley’s Real Housewives tenure when she was famously “put on pause.”
Bob then delivered a savage blow, saying, “I assure you Dorinda — and this is no shade to anyone here — I have never, ever had to try to make someone else diminish so that I could have stage time or screen time. No shade, I have been a star on every TV show I’ve ever been on.” This remark further solidified Bob’s place at the center of the reunion drama.
Bob The Drag Queen’s Relatable and Unapologetic Confidence
One of the key elements that made Bob’s performance so captivating throughout The Traitors and the reunion was her genuine confidence and unapologetic queerness. In a world where queer visibility is still constantly being threatened, Bob’s refusal to shrink for anyone — not even a Real Housewives legend like Dorinda Medley — was a powerful statement.
In an interview before the season aired, Bob admitted she didn’t know much about the cast when she first arrived on set. “The truth is, I didn’t know who any of them were! I did not know a single one of those people, and I’m not being shady. That’s just me being honest!” she said. Bob’s honesty was refreshing, and it made for one of the most entertaining seasons of The Traitors.
At the reunion, Bob didn’t just stand her ground — she claimed her space. Bob’s message was clear: she wouldn’t allow anyone, not even Medley or Ayan, to overshadow her. When Ayan accused Bob of being jealous, Bob quickly shut it down with her signature humor. “When your comedy special comes out, I’ll be the first one to watch it. I already have two out right now,” she quipped, leaving Ayan speechless.
Looking Forward: What’s Next for Bob The Drag Queen?
With a new book, Harriet Tubman: Live in Concert out now and a future tour ahead, Bob The Drag Queen shows no signs of slowing down. Fans can expect to see more of Bob’s unapologetic brilliance on stage and on screen. Her success on The Traitors and in her career beyond reality TV is a testament to the power of queer artistry, and with her ongoing rise, the world is taking notice.
As for Dorinda, her rivalry with Bob during the reunion only cemented the queen’s status as a drag powerhouse. While the drama might have been uncomfortable for some, it was undeniable that Bob The Drag Queen stole the show, leaving audiences cheering for more.
A new queer dating show is set to shake up screens with its unique twist on the classic dating dynamics.
“You Hauled”, a bold and humorous take on the lesbian stereotype of moving in together after a short dating period, has released its first trailer. Described as the “Ultimate Lesbian Dating Experiment,” the show follows a group of singles who move into a mansion together to test if their relationships can withstand the ultimate challenge: cohabitation.
The official description teases: “Love at first sight? Try love at first lease! You Hauled is a daring dating experiment where singles dive headfirst into love—and possibly each other’s homes! From first connections in a luxurious mansion to the ultimate ‘U-Haul’ decision, the series tests whether these relationships are built to last or will crash and burn before the moving truck even arrives. Will they move in—or move on?”
The show plays off the common lesbian stereotype that relationships often progress quickly, leading to the infamous “U-Haul” moment where partners move in together almost immediately. In You Hauled, that dynamic is put to the test in a high-stakes environment, as the singles navigate budding connections while living together in close quarters.
Although no official release date has been confirmed yet, the series’ social media channels have teased that it is “coming soon” to YouTube. Additionally, a video introducing the singles featured on the show has already been posted, giving fans a glimpse of the contestants and their personalities.
With its mix of romance, humor, and drama, You Hauled promises to offer a fresh take on reality dating shows, particularly within the queer community. Fans are eager to see how the participants navigate love, intimacy, and living together in this daring social experiment.
Roman Mercury, a popular adult film star, has passed away at the age of 45. The news of his death was confirmed by his close friend and fellow adult performer, Greg Dixxon, who shared the heartbreaking information with Out magazine. Dixxon, who had worked alongside Mercury in numerous adult films, also revealed personal details about the talented performer, shedding light on his character and legacy.
Mercury’s passing was first made public on February 27 in an emotional post by Dixxon on social media platform X (formerly Twitter). “With profound sadness, we share the heartbreaking news of the passing of @romanmercury_,” Dixxon wrote. “Roman left us unexpectedly, leaving behind a legacy of passion, talent, and kindness that touched the lives of so many around the world.” He continued, noting that Mercury’s family would spread his ashes in the ocean near his favorite place in Southern California. “Roman, you will always be missed, but never forgotten!” Dixxon added.
Photo: X/@GregDixxon
Due to the informal nature of the announcement and the tragic news of another adult performer’s death that followed shortly after, Mercury’s passing did not receive the immediate attention it deserved in the media. However, Dixxon later spoke in greater detail about his friendship with Mercury, offering a more intimate understanding of the man behind the performer.
Born in São Paulo, Brazil, Mercury had spent many years living and working in the United States. His career in the gay adult film industry flourished as he starred in 89 films for major studios. Over the years, Mercury built a devoted following of fans, amassing over 400,000 followers on X/Twitter, as well as popular pages on platforms like OnlyFans and JustFor.Fans. He was also poised to receive his first-ever GayVN Awards nominations in 2025.
Dixxon, who first met Mercury in 2010, shared fond memories of their time together, both on and off the set. “I was first attracted to him by his signature black arm band; the tall, dark, handsome Brazilian looks; and, after chatting, his charm,” Dixxon recalled. Their first night together, they filmed a scene, but the chemistry between them wasn’t limited to the camera. Afterward, they went to In-N-Out Burger, where they bonded over dinner and got to know each other better. “Roman was married to a man whom he loved dearly, had an interest in music production, and had a gymnastics training background,” Dixxon shared. “I thought to myself, ‘Isn’t this 6’2″ muscle man a bit tall for gymnastics?’”
However, the man behind the captivating performer had also faced personal challenges. Dixxon shared that Mercury’s husband tragically passed away the previous year, a loss that deeply affected him. “Sadly, Roman’s husband passed away last year, leaving him lonely and crushed,” Dixxon explained. “Even in the midst of this loss, Roman was very persistent, intelligent, and organized.”
Dixxon further revealed that Mercury’s cause of death was hypertensive cardiovascular disease, which led to a heart attack. “Although his physical heart had issues, his spiritual heart always shined by helping others,” Dixxon said. “I’d like to believe that he is now in the heavens back with his husband.”
Beyond his work in adult films, Mercury was known for his professionalism and passion for his craft. Dixxon described him as someone who “made a big statement in the adult film industry with his professional studio shoots and collaboration fan-page work.” Mercury was also known for his willingness to learn and grow within the industry. “His goal was to entertain the viewer with something memorable,” Dixxon said. “And being smart, he wasn’t a know-it-all. He was willing to learn and share experiences, which helped other creators.”
One of Dixxon’s most cherished memories with Mercury was during a dinner at a Palm Springs restaurant. After filming the Grabbys-nominated Executive Order with Raging Stallion director Steve Cruz, Dixxon and his partner Bruce Jones took Mercury to their favorite restaurant, The Tropicale. There, Mercury surprised them by speaking Russian to the waitress, revealing that he spoke four languages, including Portuguese, Spanish, and Russian. He had learned Russian while training for gymnastics in Russia.
The last time Dixxon saw Mercury in person was at the AVN Awards in Las Vegas, just weeks before his death. Although they had planned to go out that night, the two never did. In a final text message, Mercury had referred to Dixxon as his “favorite daddy” and expressed excitement about changing the roles in their upcoming shoot. “That was the last time I saw him,” Dixxon recalled, visibly emotional.
Mercury’s death marks a tragic loss for the adult film industry, as well as for the many fans and colleagues who admired him. His legacy will live on not only through his films but through the personal connections he made along the way. As Dixxon concluded, “Roman was so much more than his work in the adult industry. His legacy shall live on.”
Chappell Roan is taking a wardrobe mishap in stride after a cheeky incident at Paris Fashion Week. The singer, known for her hit “Pink Pony Club,” shared a series of photos from her time at the iconic event, describing it as “a dream come true.”
Roan, who attended several shows during Fashion Week, expressed her gratitude on social media, thanking designers Ludovic de Saint Sernin, Vivienne Westwood, and Alexander McQueen for inviting her.
“Thank you @ludovicdesaintsernin + @viviennewestwood @alexandermcqueen for having me,” she wrote in the post.
But among the images was one that gave a little more insight into Roan’s experience than fans might have expected. In the fifth photo of the carousel, Roan is seen looking over her shoulder while a rip in the back of her dress reveals her thong.
Fans quickly took to social media to support the singer, with one user commenting on X, “This dress didn’t break, it evolved.” Another follower added, “This is not a malfunction, this is a masterpiece in the making.”
The wardrobe incident appeared to happen after the Ludovic de Saint Sernin show, but it didn’t seem to dampen Roan’s excitement about the event. In fact, the singer’s positive attitude remained intact, and she continued to enjoy the glamorous atmosphere of Fashion Week.
wait chappell’s dress must’ve already been split here, she shakes her head no when they ask her to turn and seems to indicate she’s just doing the front and then they bring the coat over before she can move away from the wall 😭 pic.twitter.com/ShcAjxeXLH
The designer behind the dress, Ludovic de Saint Sernin, seemed to take the mishap in good humor, leaving a supportive comment on Roan’s post. “I love you SO much, can’t believe I didn’t get to give you a hug backstage, we need a redo!!!” the official Instagram account wrote. “You looked INCREDIBLE.”
In an unexpected twist, rapper Ice Spice, who was seated next to Roan at the Vivienne Westwood show, revealed that she too had experienced a similar wardrobe malfunction. Sharing Roan’s photo on her own Instagram Stories, Ice Spice wrote, “Mine ripped in the same spot.”
Despite the mishap, Roan’s attitude remained upbeat, and the event only added to the fun and excitement of her time at Paris Fashion Week. The singer’s grace and humor in handling the situation have only endeared her to fans further, proving that even a wardrobe malfunction can’t ruin a dream experience at one of the fashion world’s biggest events.
