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Chris Olsen has become a household name thanks to his internet presence, combining charisma, humor, and a flair for fashion—specifically, his famous tight pants. It’s no secret that when Olsen performs or dances, his pants seem to be on a collision course with disaster as of late. Whether it’s an impromptu twirl, an unexpected jump, or a random move on the dance floor, it’s almost inevitable that his pants will meet their untimely demise.
For Olsen, the tight pants aren’t just a fashion choice. They are a statement—a way of blending his larger-than-life personality with his unique sense of style. While they certainly push the boundaries of comfort, especially considering their tendency to rip under pressure, they reflect Olsen’s free-spirited approach to life. The tighter the pants, the more dramatic the outcome when they give way—whether it’s during a performance, an unexpected tumble, or even while making a casual joke.
Sharing videos online, the star let everyone know that his tight pants have ripped quite the handful of times on his recent tour. The beloved internet sensation shared the chaotic moments captured by fans on his social timelines with many including himself laughing at the moments.
As fans and followers know, Olsen’s pants don’t just rip during quiet moments—they rip at the most inopportune times. One second, he’s confidently strutting around or jumping into the latest viral dance craze, and the next, his pants split wide open in a glorious, unplanned spectacle. What could be seen as a mishap by most becomes, for Olsen, an opportunity to showcase his irreverent humor. His willingness to lean into the moment, laughing at himself and often making light of the situation, only adds to his charm.
For Olsen, his pants are a part of the performance. They’re not just about the way he looks—they’re about what happens when things go wrong. They’re about embracing imperfection and finding humor in the unpredictable. And through it all, Olsen remains unapologetically himself, even when his pants don’t quite make it through a full performance.
Fans have taken notice of Olsen’s unique fashion choices and his ability to laugh at himself in the face of wardrobe malfunctions. His tight pants have become a symbol of his fearlessness, not just in fashion but in how he approaches his life and career. “I think the pants are a reflection of who I am—bold, a little unpredictable, and always ready for whatever comes next,” Olsen explains. It’s this unapologetic confidence that has endeared him to thousands of followers, and the more his pants rip, the more they seem to solidify his place as an internet sensation.
Lady Gaga sparked a whirlwind of excitement in the LGBTQ+ community last week with the release of her highly anticipated seventh album, Mayhem. However, during a recent interview with Bowen Yang and Matt Rogers on their popular podcast Las Culturistas, the pop icon had an unexpected emotional moment that revealed her true feelings about the intense attention surrounding her.
The interview took a dramatic turn toward the end when Gaga was asked to participate in the podcast’s signature game, “I Don’t Think So Honey,” where guests have 60 seconds to rant about something in pop culture. But Gaga wasn’t quite prepared for the pressure of ranting on command.
“Basically, I don’t think so, honey, that you guys are putting me on the spot to do this,” she began, expressing her discomfort. “I hate ranting. I hate confronting people, I feel super uncomfortable.”
As the hosts laughed, trying to get her to engage in the game, Gaga opened up about her desire to avoid confrontation altogether. “I would love to just, like, go on stage and sing and change my outfits and pick my wigs and write songs and make albums and go on tours. But I do not want to rant about anything.”
With the clock ticking down and the pressure mounting, Gaga became visibly emotional, admitting that being put on the spot was overwhelming. “I’m not just gonna do whatever you say, whenever you ask me to do it,” she said, clearly frustrated. “When you tell me to do things, it makes me wanna cry! It makes me insane!”
Yang, realizing the moment had taken an emotional turn, quickly responded, “We shouldn’t have done this,” leading to a lighthearted end to the segment.
While the game didn’t go as planned, there was no hard feelings between Gaga and the Las Culturistas hosts. In a more vulnerable moment, Yang shared how Gaga’s anthem “Born This Way” helped him come to terms with his own identity during his college years, cementing the powerful bond between the singer and her LGBTQ+ fans.
In another humorous moment from the interview, Yang stumbled over his words while discussing Gaga’s incredible talents, inadvertently calling her a “b*tch.” After quickly apologizing, Gaga, ever the professional, responded with her signature coolness: “Don’t apologize. Thank you!”
Lady Gaga thanks Bowen Yang and tells him not to apologize after he jokingly called her “a bitch”.
Gaga also reflected on her long-time relationship with the LGBTQ+ community, recalling her high school years when she found her first gay friends. “I went to an all-girls school, which means that when school was over, I used to walk eight blocks away to the boys’ school,” she shared. “They weren’t out yet, but we were friends, and we would do the musicals together, and I found my people.”
As Gaga’s career progressed, she grew even more connected to the LGBTQ+ community. “I was like, ‘Oh, this is the community that loved me when I was a child, and this is the community that I’m meant to be a part of now,’” she said, underscoring the deep, symbiotic relationship that has been central to her success.
Gaga also teased some behind-the-scenes moments from the making of Mayhem, including a song she almost didn’t include on the album, and spoke about the future of her music and life with her fiancé.
Fans can watch the full interview on Las Culturistas, where Gaga opens up about her experiences, her journey with her LGBTQ+ fanbase, and her emotional responses to the overwhelming demands of fame.
Benito Skinner, widely recognized for his viral internet persona as Benny Drama, is stepping into the world of television with his new semi-autobiographical comedy series, Overcompensating. In an a first look, Skinner, who created, wrote, and executive produced the series, shares a story of self-discovery, friendship, and the complexities of college life through the eyes of his character, Benny.
The series is set in a college environment and follows Benny, a closeted former football player and homecoming king, as he navigates his way through the ups and downs of student life. The show dives deep into the trials of trying to fit into different social circles, all while struggling with his own identity. Benny forms an unexpected and fast friendship with Carmen, a fellow student played by Wally Baram, who is an outsider desperately trying to fit in at any cost. Together, they tackle the messiness of college life, with its “horrible hookups, flavored vodka, and fake IDs,” all while attempting to find themselves in the process.
According to Skinner, Overcompensating is more than just a comedy about college—it is a dramedy that delves into the lengths people go to overcompensate for their insecurities while on the path of self-discovery. “I think we all have moments in our lives where we try to pretend to be someone we’re not, especially in college,” Skinner said. “This series explores the tension between the image we want to project and the person we’re really trying to figure out how to be.”
Skinner portrays Benny in the series, and his personal experiences as a college student are reflected in the character. Benny’s journey of navigating the complexities of identity and acceptance will resonate with viewers who have experienced the pressures of fitting into certain social molds or reconciling their public persona with their true selves.
The show is also notable for its star-studded cast, which includes both seasoned actors and rising talents. Overcompensating features Kyle MacLachlan and Connie Britton as Benny’s on-screen parents, adding star power to the show’s dynamic. Both actors, known for their iconic roles in Twin Peaks and Friday Night Lights, respectively, bring depth and nuance to their roles. MacLachlan’s character, John, and Britton’s character, Kathryn, serve as loving yet flawed figures in Benny’s life who offer guidance, but also embody the pressures and expectations that many college students feel from their families.
Rish Shah, a series regular, plays Benny’s best friend, Miles, who helps him navigate the chaotic world of college. Miles and Benny’s friendship is at the heart of the show, with both characters offering each other support as they try to figure out who they are in the face of societal expectations. The bond between Benny and Carmen, as well as Benny’s relationship with his older sister (played by Mary Beth Barone of Black Mirror), will also be central to the show’s exploration of identity and self-acceptance.
Joining the ensemble cast in guest roles are Kaia Gerber, Owen Thiele, and Grammy-winning pop star Charli XCX, who also serves as the executive music producer for the series. Charli XCX’s involvement adds a unique layer to the project, bringing her pop expertise to the music-driven moments within Overcompensating. As an executive music producer, she is helping to shape the show’s musical landscape and elevate the emotional beats with a carefully curated soundtrack that speaks to the themes of the show.
The collaboration between Skinner and Charli XCX isn’t the only exciting partnership for the project. Overcompensating is being produced by A24, a production company known for its work on critically acclaimed projects such as Lady Bird and Euphoria. In addition, Jonah Hill serves as an executive producer through his production company, Strong Baby, further elevating the show’s pedigree.
Skinner’s rise to fame through his Benny Drama persona on social media has allowed him to develop a unique voice in the entertainment industry. His viral celebrity impressions and satirical skits, which often parody popular culture and Hollywood figures, garnered widespread attention and caught the eye of the stars he mimicked. Skinner’s collaborations with A-list celebrities, such as Drew Barrymore, Kourtney Kardashian, and Jennifer Aniston, have made him a household name. With Overcompensating, Skinner transitions from internet sensation to a full-fledged television creator, drawing from his own experiences while creating an entertaining narrative about self-exploration and the awkwardness of adolescence.
Skinner has expressed excitement about bringing Overcompensating to a wider audience, stating, “It’s a dream come true to be able to create a show that combines my love for humor, personal storytelling, and the awkwardness of growing up. College is such a weird, confusing time, and I’m excited to share a piece of that experience with people.”
All episodes of Overcompensating are set to drop on Prime Video on May 15, giving audiences the chance to binge-watch the entire season in one go. Fans can expect a mix of humor, heart, and authentic moments that tackle real-life issues with a comedic lens. The show promises to explore the absurdity of college culture while simultaneously offering a relatable, heartfelt exploration of identity and self-acceptance.
With its unique blend of comedy, drama, and musical elements, Overcompensating is shaping up to be a must-watch for fans of Skinner’s work, as well as those who enjoy coming-of-age stories with an edgy twist. The series is sure to resonate with anyone who has ever struggled with fitting in, overcompensated in the face of insecurity, or tried to find themselves amidst the chaos of college life.
As the countdown to its May release begins, Overcompensating is already generating buzz as one of the most anticipated shows of 2025. With a talented cast, a unique premise, and a creative team led by Benito Skinner, the series is poised to be a breakout hit when it premieres on Prime Video.
Television and radio personality Wendy Williams made a strong statement on March 14 during a phone appearance on The View, urging both her guardian, Sabrina Morrissey, and the judge who declared her “legally incapacitated” to “get off my neck.” Williams also declared, “I need a new guardian,” in what marks her most direct public plea to end her court-appointed guardianship, which she entered in 2022.
Williams’ guardianship has been a subject of controversy, and her recent remarks come amid reports of her being moved from an assisted living facility to a hospital earlier this month. During the View segment, Williams explained that her hospitalization was not a sign of any further cognitive decline, but rather, a need for medical attention.
“I was having a little agita,” she told the show’s hosts, referring to her brief hospitalization. “And you know, to go to the hospital… look, where I live, at that memory unit on this floor, you know, I just needed a breath of fresh air. I needed to see the doctors. So that’s why I went to the hospital.”
Williams’ words on The View highlighted her frustration with the treatment she has received under her guardianship. She made it clear that she does not agree with the diagnosis of “incapacitation” and insists that she is fully aware of her condition. “It was my choice to get an independent evaluation on my incapacitation, which I don’t have it. How dare they say I have incapacitation? I do not,” Williams said.
Her criticisms extend to the environment she’s currently living in, describing it as restrictive and not conducive to her well-being. “I am not permitted to do anything but stay on this floor. The memory unit floor, where the people are 90 and 80 and 70… why am I here? You know what I’m saying? Where people don’t remember anything. So I stay in the bedroom the majority of the time. I never go out to eat. I stay in the bedroom,” Williams explained.
Sunny Hostin, a co-host of The View, read a statement from Williams’ guardian’s lawyer, which defended the arrangement. The statement pointed out that the guardianship was issued by a judge after Williams was diagnosed with frontotemporal dementia (FTD), a condition that can affect behavior and cognitive abilities. The lawyer also noted that Williams was receiving excellent medical care and that she had not been kept from her family.
In response, Williams fired back during the broadcast, telling her critics, “I need them to get off my neck.”
This marked the highest-profile return for Williams to the television spotlight since the conclusion of her long-running talk show, The Wendy Williams Show, in June 2022. The show had been a staple of daytime television since its debut in 2008, but Williams stepped away from hosting in 2021 after taking a leave of absence for medical reasons. Williams was dealing with complications from lymphedema and Graves’ disease at the time, both of which affected her health and ultimately led to her exit from the show.
Williams’ health struggles continued into 2024 when her team disclosed that she had been diagnosed with aphasia and FTD. Aphasia is a language disorder that impairs the ability to communicate, while frontotemporal dementia is a degenerative condition that affects personality, behavior, and cognitive function.
The court-appointed guardianship began in 2022, following concerns over Williams’ health. However, she has publicly opposed the arrangement for some time. In a January interview on The Breakfast Club, Williams said, “I feel I’m in a prison,” and described her guardian, Sabrina E. Morrissey, as “that person that you talk about who is holding me hostage.”
Earlier this week, reports surfaced that Williams had been transferred from her assisted living facility to a hospital on March 10. During a separate interview with Good Day New York, Williams denied claims that she was cognitively impaired, stating that she had passed mental competency tests with “flying colors.” Her caretaker, Gina Monterrosa, supported Williams’ assertion, saying that Williams had been “deemed she is not incapacitated.”
The ongoing saga surrounding Wendy Williams has drawn significant attention, particularly as it raises important questions about autonomy, guardianship, and the management of medical conditions. Williams’ outspokenness about her guardianship has sparked debate, with some expressing concern over her wellbeing, while others believe she should have more control over her own life and decisions.
As of now, it remains unclear what steps Williams will take next in her fight to regain control over her affairs. The issue of her guardianship is expected to continue to be a subject of legal scrutiny, as Williams seeks to regain her independence while navigating the challenges posed by her health conditions.
In the meantime, Williams’ fans and the public continue to watch closely as she takes steps to challenge the arrangement that has kept her under the supervision of a court-appointed guardian for the past few years. Whether she will succeed in regaining her autonomy remains to be seen, but her recent comments suggest she is determined to assert her rights and seek a change in her current circumstances.
A new chapter is unfolding in the RuPaul’s Drag Race universe as the show expands with a groundbreaking spin-off, Drag Race Philippines: Slaysian Royale. This all-Asian edition of the Drag Race franchise promises to shine a spotlight on the vibrant and diverse world of Asian drag, bringing together queens from various Drag Race franchises for an exciting battle for the crown.
The spin-off, which builds on the existing Drag Race vs. The World format, will feature Asian queens from RuPaul’s Drag Race international franchises competing against each other in a unique, high-stakes competition. Set to air on streaming platform WOW Presents Plus in 2025, Slaysian Royale will be hosted in the Philippines, where Drag Race Philippines has quickly become a fan favorite. The show has seen tremendous success, with its third season airing last summer. Although comedian and drag star Paolo Ballesteros, known as Mamwa Pao, currently hosts Drag Race Philippines, it remains to be seen whether Ballesteros will return for Slaysian Royale.
In a statement, Fenton Bailey and Randy Barbato, founders of the production company World of Wonder, expressed excitement over the new format. “This new version of Drag Race shines a spotlight on Asian drag as never before, celebrating its culture, its history and creativity in a unique battle royale,” they said.
The cast for Drag Race Philippines: Slaysian Royale has yet to be revealed, but Drag Race fans are already buzzing with anticipation. The Drag Race franchise has long been a platform for celebrating Asian talent, with standout queens representing a variety of countries and backgrounds. In the past few seasons, Asian queens have made significant marks on the competition, both as fan favorites and winners.
Nymphia Wind made history as the first Taiwanese queen to win RuPaul’s Drag Race on season 16. In the previous season, Sasha Colby, a transgender performer of Asian American Pacific Islander descent, claimed the title on Drag Race season 15. Other iconic Asian queens from the Drag Race franchise include South Korean star Kim Chi, season eight finalist and Vietnam-born Plastique Tiara, Filipino drag legend Manila Luzon, and Chinese-Canadian queen Aurora Matrix, who reached the finale of Canada’s Drag Race.
Nymphia Wind, the first Taiwanese queen to win RuPaul’s Drag Race. Photo: Jama Willis
Other beloved queens such as River Medway, Le Fil, Sum Ting Wong, and Zahirah Zapanta have become fan favorites on Drag Race UK. Thai-American queen Jujubee, who has competed four times in the Drag Race franchise—on season two, All Stars 1, All Stars 5, and Drag Race UK vs. The World—remains one of the most beloved contestants in the series’ history. Jujubee, who recently confirmed she will not return to compete again, is known for her consistent strong performances, making it to the final in every season she participated in.
The excitement surrounding Slaysian Royale has already sparked waves of support from the global Drag Race community. Drag Race alumni have taken to social media to express their enthusiasm. “How freaking epic!!!” wrote Drag Race UK vs. The World star Hannah Conda. Canada’s Drag Race contestant Luna Dubois shared: “Oh this is so fierce!” Ongina, the first-ever Asian American contestant on RuPaul’s Drag Race (season one, 2009), tweeted: “INCREDIBLE!!”
Drag Race fans are eagerly awaiting the new spin-off, which is sure to elevate the visibility of Asian queens within the Drag Race universe. As the franchise continues to expand, Slaysian Royale will bring an exciting and culturally significant addition to the ever-growing global Drag Race family.
In the meantime, RuPaul’s Drag Race season 17 is currently airing on Fridays on MTV in the U.S. and WOW Presents Plus internationally.
Lightning Strikes Twice in the Long-Awaited Sequel
It’s finally happening! After more than two decades, Lindsay Lohan and Jamie Lee Curtis are back for another body-swapping adventure in Freakier Friday, the highly anticipated sequel to Disney’s 2003 classic, Freaky Friday. The first teaser trailer dropped on March 14, sending nostalgic fans into a frenzy. And in a perfect twist, the trailer is set to the music of pop sensation Chappell Roan, making it all the more iconic.
Where Are They Now?
Directed by Nisha Ganatra, Freakier Friday picks up years after Tess Coleman (Curtis) and Anna Coleman (Lohan) endured their unforgettable identity crisis. But this time, the chaos isn’t just between mother and daughter—Anna now has a daughter and a soon-to-be stepdaughter. As their blended family faces the inevitable growing pains, Tess and Anna realize that the universe might just have another body-swapping lesson in store for them.
Julia Butlers as Harper Coleman, Lindsay Lohan as Anna Coleman, Jamie Lee Curtis as Tess Coleman and Sophia Hammons as Lily Davies in Disney’s FREAKIER FRIDAY. Photo by Glen Wilson/Disney
The Reunion We’ve Been Waiting For
After years of speculation, Disney confirmed the sequel was in production last June. Lohan and Curtis have both expressed their excitement about revisiting their iconic roles. In an emotional Instagram post on August 19, Lohan reflected on wrapping production: “It’s our last Monday on the set of #FreakierFriday and my heart is so full. The wonderful cast, crew, and everyone from @disneystudios have invested so much time and love into making this movie!”
Curtis also shared her enthusiasm, calling Lohan her “dear friend” and praising their experience on set together.
Is That Chad Michael Murray?
Lindsay Lohan as Anna Coleman in Disney’s FREAKIER FRIDAY. Photo by Glen Wilson/DisneyChad Michael Murray as Jake in Disney’s FREAKIER FRIDAY. Photo by Glen Wilson/Disney
In addition to Lohan and Curtis, Freakier Friday is bringing back several familiar faces from the original film, including heartthrob Chad Michael Murray, Mark Harmon, Christina Vidal Mitchell, Haley Hudson, Lucille Soong, Stephen Tobolowsky, and Rosalind Chao.
But the sequel also introduces fresh faces to the chaos. The new additions include Vanessa Bayer, Julia Butters, Manny Jacinto, Maitreyi Ramakrishnan, and Sophia Hammons. And in a fun twist, Lohan revealed that Jacinto, known for The Good Place, will play her husband in the film.
If the sneak peek is any indication, this sequel is bringing all the camp, chaos, and comedy we could ask for.
Lindsay Lohan as Anna Coleman and Jamie Lee Curtis as Tess Coleman in Disney’s FREAKIER FRIDAY. Photo by Glen Wilson/Disney
When Can You Watch?
Ready to relive the magic? The countdown to Freakier Friday is officially on! Freakier Friday hits theaters on August 8.
Multi-talented performer Frankie Grande has officially launched his debut single, “Rhythm of Love,” alongside an electrifying music video that promises to redefine the dance floor. Released under the esteemed labels Casablanca Records and Republic Records, the song marks a thrilling new chapter in Grande’s career as a singer, songwriter, actor, and activist. “Rhythm of Love” is not just a catchy pop anthem—it’s a deeply personal reflection of Grande’s journey, from his struggles with addiction to finding solace and healing through music and dance.
A Dance Anthem with a Powerful Message
“Rhythm of Love” is a celebration of life, resilience, and the powerful connection music has to the human spirit. The song captures the joy and empowerment of overcoming challenges and embracing the rhythm that life offers, no matter how difficult the journey. Co-written by Grande, Alex Chapman (known for his work with Kim Petras, Charli XCX, and Troye Sivan), NOVDOR (Troye Sivan, Charli XCX), Neil Ormandy (James Arthur), and Molly Irvine, with production by Prince Fox and NOVDOR, the track blends dark inspiration with an infectious, uplifting beat.
Despite its roots in struggles, the song radiates optimism. The lyrics reflect a message of hope, encapsulated in the irresistibly catchy chorus: “It’s your rhythm of love that’s lifting me up deep into the night.” The production is shimmering, with layered synths, strong vocals, and an undeniably danceable beat that is bound to ignite Pride celebrations and dance floors worldwide.
Grande has already garnered significant attention for the song, with its bold and meaningful release capturing the hearts of both his devoted fans and the LGBTQ+ community. As he explains, “In times of struggle, whether they come from the outside world or inner battles, I’ve always found comfort in the dance floor.” His powerful lyrics are a nod to the ongoing challenges faced by the LGBTQ+ community, as well as his own personal battles with addiction.
The Music Video: A Visual Journey of Self-Discovery
The official music video for “Rhythm of Love” takes viewers on an exhilarating journey through the New York City nightlife scene. Filmed at the iconic club, The Box, the video showcases Grande’s energetic performance, jaw-dropping choreography, and cutting-edge fashion, all of which capture the song’s lively spirit. Directed by Austin Nunes, whose past work includes collaborations with Troye Sivan, the video is a visual feast for the eyes, creating a perfect blend of art, performance, and storytelling.
The concept behind the video is deeply personal for Grande. The star opened up about the emotional significance of his sobriety to Gayety at the Queerties and how the video tells the story of his struggle with addiction. “I was friends with Salina and we were both in the club scene. At the time, I wasn’t ready to get sober, but I saw it in others, like her. I wasn’t ready, but when I was, I made the decision to get sober.” This raw reflection on his past is brought to life in the video through a storyline that metaphorically represents addiction as a man.
Grande describes his vision for the video as a powerful expression of his journey and his healing process. “It was important to me to have Salina in the video because she’s someone who helped me realize there was another way to live,” he says. “When I was struggling, she didn’t judge me. She just let me know that when I was ready, I could make that choice.” The powerful imagery of a beautiful yet dangerous man representing addiction was an idea that came from Grande’s best friend and art director, Chad McMillan.
Star-Studded Guest Appearances
The music video also includes surprise appearances from various figures within the LGBTQ+ and sober communities, making it even more significant. Notably, Salina makes an appearance in the video, solidifying the deep personal connection between the two stars. “We wanted to return to the scene of the crime,” Grande says, referring to The Box, where he once struggled with addiction. The video features several other familiar faces, including members of New York City’s club scene, a nod to the tight-knit group that has supported him throughout his journey.
Grande’s journey to sobriety and his choice to return to The Box, a place where he once indulged in his struggles, speaks volumes about his resilience and transformation. “The video brings together people from all walks of life, and it celebrates the power of love, community, and dancing through the toughest times,” Grande reflects. “It’s a way to escape, heal, and embrace the rhythm that lifts us up.”
A New Beginning: Grande’s Upcoming Album
“Rhythm of Love” is the first taste of Grande’s highly anticipated debut album, set to release in Summer 2025. Although he remains tight-lipped about the details of the album, Grande has already teased more music to come. He is thrilled with how the project has turned out, saying, “I didn’t know I had it in me. I didn’t know it was possible.” His excitement is palpable, and fans can expect more tracks that follow in the same vein as “Rhythm of Love,” with a balance of upbeat tunes and deeper, introspective tracks.
Grande’s signing to Republic Records was a defining moment in his career. Republic Records President and Chief Creative Officer Wendy Goldstein was so impressed with his music that she signed him on the spot after hearing just a handful of songs. “It was a magical moment,” Grande says, looking back on the meeting. “I just remember playing the songs for Wendy in the studio and being like, ‘What is happening?’” Grande’s incredible vocals, songwriting skills, and infectious energy are all showcased in his debut single, and his forthcoming album promises to deliver even more.
Embracing His Identity: Activism and Music
For Grande, music is more than just a career—it’s a platform to amplify his activism and support for the LGBTQ+ community. As an advocate for mental health, sobriety, and self-expression, he hopes that his music will inspire others to find strength in their struggles and embrace who they truly are. “Rhythm of Love” serves as an anthem of hope, not only for those struggling with addiction but also for anyone navigating the complexities of life.
The song is also a celebration of the LGBTQ+ community, which has long been at the heart of the New York City nightlife and club scenes. Through his music and video, Grande pays tribute to the resilience, creativity, and beauty of this vibrant community. “It’s about using music to bring people together, to share a message of strength and unity,” he says.
A Bright Future Ahead
With the release of “Rhythm of Love,” Frankie Grande is proving that he is a force to be reckoned with in the music industry. His debut single is just the beginning, and fans can expect much more from him in the coming months, including new music and exciting surprises. As he prepares to release his full-length album, Grande is focused on continuing to push boundaries and create art that speaks to both the soul and the body.
Chappell Roan is making waves in country music with her highly anticipated new single, The Giver. After months of teasing, the Grammy Award-winning singer-songwriter is ready to release the track, which promises to become a powerful anthem for the LGBTQ+ community, particularly lesbians.
Originally performed on Saturday Night Live in November, The Giver quickly captured the attention of fans, racking up hundreds of thousands of views. However, the song remained unreleased until now, with Roan dropping it officially on March 13 at 8 p.m. ET.
With The Giver, Roan is unapologetically carving out space for LGBTQ+ voices within country music—a genre historically dominated by heteronormative themes. The song’s lyrics offer a humorous, bold declaration of Roan’s sapphic identity, with themes of dominance and pleasure.
The Giver references the concept of being a “giver” in lesbian relationships—a term often associated with those who take a dominant or active role in sexual encounters. Roan embraces this role in the song while poking fun at men who claim to know how to please women but fail to live up to their boasts.
“Ain’t got antlers on the walls, but I sure know mating calls from the stalls in the bars on a Friday night,” Roan sings in the first verse, mocking taxidermy as a typically masculine hobby while suggesting her instincts are put to better use in other ways. She continues to critique men’s lack of understanding about women’s anatomy, stating, “And other boys may need a map, but I can close my eyes and have you wrapped around my fingers like that.”
The chorus boldly affirms her confidence and expertise: “So, baby when you need the job done, you can call me, baby.” Roan suggests that women—particularly lesbians—can fulfill each other’s needs better than men who claim to understand how to pleasure women. The single’s rollout further highlights this theme, with Roan posing in outfits associated with traditionally male professions like builder and plumber.
The song’s chorus continues, “’Cause you ain’t got to tell me, it’s just in my nature. So take it like a taker, ’cause, baby, I’m a giver. Ain’t no need to hurry, ’cause, baby, I deliver. Ain’t no country boy quitter, I get the job done.” This powerful declaration of sexual confidence reflects not only Roan’s personal identity but also the broader message of sexual empowerment among queer women.
Roan takes aim at stereotypically masculine traits in the second verse, rejecting the need for a “lifted truck” or flashy wealth to impress women. Instead, she asserts that her touch alone can captivate. She also references the Rhinestone Cowboy in a playful nod to queer women, emphasizing the reverse cowgirl sex position and placing lesbian relationships at the forefront of the narrative.
The bridge drives home the message of lesbian empowerment: “All you country boys saying you know how to treat a woman right… well, only a woman knows how to treat a woman right!”
Chappell Roan Performing ‘The Giver’ on SNL. Photo: NBC
In an interview with Apple Music’s Today’s Country Radio, Roan reflected on the creation of The Giver, explaining that she wanted to write a country song that was both fun and campy. She recalled her upbringing in southwest Missouri, where she was surrounded by country music and Christian influences. Despite her love for country music, Roan also discovered pop and LGBTQ+ icons like Lady Gaga, which has influenced her approach to blending genres.
Roan’s new music, she says, is about making songs that bring her joy. “I am just here to twirl and do a little gay yodel for y’all,” she said, reflecting her carefree approach to blending her country roots with her love for pop and LGBTQ+ expression.
As Roan continues to make a name for herself in the music world, The Giver marks a significant moment for both her career and LGBTQ+ visibility in country music. Fans are already celebrating the track, which will undoubtedly resonate with lesbians and queer women everywhere.
Chappell Roan’s The Giver is available for streaming now, and it’s clear that the singer-songwriter’s unique blend of country music and queer empowerment is just getting started.
In a candid conversation with Katya Zamolodchickova, actress and comedian Megan Stalter opened up about her journey through comedy, her role in Hacks, and the trials of navigating both personal and professional relationships in the entertainment world.
When asked about her favorite comedian on Grindr’s Who’s The A**hole podcast, Stalter’s enthusiasm was palpable. She mentioned Maria Bamford, a personal favorite, along with the dynamic duo of John Early and Kate Berlant, who she admires not just for their talent but also as close friends.
She shared, “I was fans of them before becoming friends,” admitting that it’s always a bit surreal when people you admire become successful. However, the relationship isn’t without its complexities, as Stalter reflected, “Isn’t it weird when your friends become really successful?”
The conversation soon shifted to Hacks, the popular HBO series where Stalter plays Kayla, a character who has captured the hearts of viewers for her quirky energy. Katya, a self-proclaimed Hacks superfan, praised the chemistry between Stalter’s character and Jimmy, played by Paul W. Downs. “Jimmy and Kayla’s dynamic is one of the most charming, lovely, funny relationships on TV in history,” Katya said. Stalter, with a laugh, responded, “That’s so nice,” but didn’t shy away from offering her thoughts on the fictional relationship, suggesting that Kayla, despite her affection for Jimmy, never sees him in a sexual light. Instead, “She’s hungry for his attention,” Stalter quipped, encapsulating the odd, almost sibling-like tension that defines their relationship.
The excitement surrounding the show’s upcoming season was palpable during their conversation. While Stalter couldn’t spill too many details, she teased, “It’s a wild, unpredictable time.” When asked about her character’s appearance, she mentioned that Kayla would have a more “mature” look, though she added with a laugh, “I sound like I got a boob job or something.” Fans of the show can expect surprises, though Stalter kept the specifics under wraps.
Stalter’s reflections on Hacks weren’t just about her character’s evolution but also about the joy of performing. “I think a dream job is just being on stage because I like to live perform a lot,” Stalter shared. The thrill of a live audience, she noted, is unparalleled. Despite her success on television, Stalter remains deeply passionate about live performance, admitting that nothing compares to the energy of being in front of an audience.
However, not all her experiences in entertainment have been glamorous. Stalter revealed that she had once auditioned for Saturday Night Live but didn’t make the cut. While she confessed that it would have been a dream to be a part of the iconic show, she jokingly added that today, she might hesitate, especially if the pressure was as intense as Katya’s hypothetical scenario: “Gun to my head?” Stalter quipped, showing her comedic sensibility even in the face of challenging questions.
The topic of celebrity relationships took an unexpected turn when Katya asked about the dynamics between Hacks’ showrunners. Stalter shared that the three creators, Paul W. Downs, Jen Statsky, and Lucia Aniello, are a married couple. “They’re a power couple,” she said, adding with humor that they kept their romance professional on set, though “I’ve probably seen them kiss at a party.”
Beyond her role in Hacks, Stalter has made waves with her candid, often provocative insights into social behavior. She and Katya discussed everything from bi representation to the ethics of using weight-loss drugs like Ozempic. Stalter, who is known for her no-nonsense approach, spoke critically about people using Ozempic to lose weight without acknowledging the consequences, such as the side effect of frequent bathroom trips. “I would rather be 500 pounds than shitting all day,” Stalter remarked, illustrating her disapproval of such quick fixes. The conversation veered into a humorous yet serious discussion about body image and societal expectations, as Stalter questioned why anyone would sacrifice comfort for a smaller body.
In a more playful segment, Katya and Stalter played a game of “asshole or not asshole,” in which they debated various behaviors. Stalter shared her perspective on everything from sexual behavior to career priorities, revealing her values when it comes to relationships and work-life balance. “Life is about people,” Stalter said when discussing the importance of prioritizing loved ones over career achievements. “If you don’t prioritize the people around you, then what will you do, have your tapes to watch?”
While her role in Hacks has catapulted her into the spotlight, Stalter’s humor and frankness about the entertainment industry, celebrity culture, and personal dynamics make her a refreshing voice. Her honesty about the struggles of fame, navigating friendships, and finding joy in live performance adds a personal touch to her career achievements, proving that Stalter’s success is as much about her authenticity as her talent.
As Stalter continues to shine on Hacks, she remains grounded in her commitment to both the craft and the people who matter most. Whether discussing the unpredictable world of television, the complexities of relationships, or the trials of living in the public eye, Stalter proves she’s more than just a rising star—she’s a comedian unafraid to speak her truth.
Antoni Porowski, the celebrated Queer Eye food expert and beloved public figure, is embarking on a new adventure in his latest project, No Taste Like Home, a travel and food documentary series streaming on Nat Geo. The series takes Porowski beyond the makeover realm of Queer Eye, delving into his passion for food, culture, and human connections across the globe. Alongside famous guests such as James Marsden, Awkwafina, Florence Pugh, and Issa Rae, Porowski explores culinary traditions, ancestral histories, and the shared bonds of food. This venture also serves as a personal journey for Porowski as he reflects on his own family heritage and the power of food in connecting people from all walks of life.
From Historical Fashion to Timeless Comfort
While his culinary expertise takes center stage in No Taste Like Home, Porowski’s personal style remains a key component of his public persona. For his recent Out digital cover, Porowski opened up about the fashion principles he follows, which he learned early on from stylist Chloe Hartstein. Two key guidelines inform his approach to dressing: reference and timeless comfort.
The first guideline is all about historical references. “If you give me a historical reference, I fully get excited,” Porowski admits speaking to Out. He fondly recalls an outfit inspired by Seinfeld‘s Kramer — a bold-striped knit polo paired with an avocado cardigan that he wore to an event celebrating the anniversary of the moon landing, hosted by Omega. The look reflected both his love for playful fashion and his penchant for incorporating elements of nostalgia into his wardrobe.
The second rule of thumb is “timeless comfort,” a style ethos that focuses on wearing clothing that transcends trends. “Whatever you’re wearing, try to picture it framed in your house,” he says. “In 10 years from now, when you look back on it, how are you gonna feel?” For Porowski, the key to comfortable style lies in balancing aesthetics with practicality. He also credits the power of tailoring and accessories, particularly belts, which help to give structure and proportion to his frame.
For his Out fashion shoot, styled by Marcus Allen, Porowski embraced 90s nostalgia. He referenced how his sisters’ fashion choices influenced him growing up, mixing vintage pieces with contemporary designers like Willy Chavarria and Ralph Lauren. The shoot was a nostalgic trip back in time, featuring accessories like a CD player and an N64 controller — items he was never allowed to have as a child. Porowski was not permitted to play video games as a youngster because his parents thought they were too violent, but now he enjoys living out those childhood dreams, using fashion as a form of playful self-expression.
Antoni Poroswki for Out. Photo: Matt Monath
A Journey Back to the Past — and the Present
While Porowski’s style may reflect his personal history, it’s his new docuseries, No Taste Like Home, that offers viewers a deeper dive into the concept of home, family, and tradition. The show focuses on exploring the culinary roots of his celebrity guests as they trace their ancestry and reconnect with their heritage. Throughout the series, guests like Marsden, Awkwafina, and Pugh visit their ancestral homelands to discover long-lost recipes and uncover family secrets tied to food.
For Porowski, the show is a chance to take his love for food and travel to new heights, combining his deep appreciation for culture with his talent for storytelling. “I’ve always loved travel,” Porowski shares. “Queer Eye afforded me the life beyond my wildest dreams, and I get to connect with other people and just tell human stories using food as a vehicle.” As the host of No Taste Like Home, he takes guests on an emotional journey that blends food, genealogy, human migration, and history. “To quote my therapist,” he adds, “diversity exposure is probably one of the most important things that we can all benefit from.”
One of the central themes of No Taste Like Home is hiraeth, a Welsh term that Porowski encountered while watching Nothing Left Unsaid, a documentary about Anderson Cooper and Gloria Vanderbilt. Hiraeth doesn’t have a direct translation in English but represents a feeling of longing for a place that may never have been, a nostalgia for a home that exists in memory or dreams rather than reality. In many ways, the series taps into this concept as celebrity guests connect with their ancestral pasts, unlocking memories and emotions tied to food and family.
As he guides his guests on their ancestral explorations, Porowski also reflects on his own family history. A Montreal native with Polish roots, Porowski learned the value of food preservation from his grandparents, two Polish survivors of concentration camps. They instilled in their family the importance of never wasting food, a value that deeply influences Porowski’s culinary philosophy today.
For him, food is more than just nourishment — it’s a bridge to the past, a link to generations that came before him. One of the foods that reminds him of home is borscht, the classic Polish soup. “What tastes like home to me is a clear borscht paired with uszka — tiny Polish dumplings filled with wild mushrooms that my family forages,” he says. “But because it’s me, I would add a dollop of full-fat sour cream and chives, not dill. I know I’m Polish. I don’t like dill — except in pickles or if it’s cooked in a stew.”
Exploring the World and Embracing Diversity
Through his travels on No Taste Like Home, Porowski has had some eye-opening experiences, sampling local dishes from various cultures. He recalls eating wild eggplant in the jungles of Borneo, savoring incredible fish on the Senegalese coastline, and waking up to the sounds of Islamic chants in the morning. These experiences have helped shape his views on cultural exchange and diversity. He believes that exposure to different ways of life is critical to understanding the world, especially in a time when distrust and division are on the rise.
“If you really get to know someone personally,” Porowski notes, “I guarantee it’s gonna make you so much harder to pass any preconceived notions or judgments or have any negative stereotypes.” This principle is especially important to Porowski as he continues his work as part of the Queer Eye Fab Five. In his travels, he emphasizes that these personal stories allow people to connect on a deeper level, fostering empathy and understanding.
Antoni Poroswki for Out. Photo: Matt Monath
Porowski sees the power of these connections firsthand, particularly among the LGBTQ+ community. He often encounters families at airports who share that they watch Queer Eye together, giving him the chance to engage with others and challenge stereotypes. “It’s an opportunity, again, to learn about us as individuals,” he says.
Personal Reflections and Future Dreams
Despite his ambitious career, Porowski is also looking ahead to a simpler, quieter life. “I really want to have a farm,” he says. “I want a place that I can escape to on the weekends and just breathe and put my phone down. Simplicity is a lot more attractive to me than ever before.” He adds that he hopes to share this dream with someone special, and even envisions having children someday. “I’m a relationship guy through and through,” he admits. “I love meeting the family, the friends, getting to know each other, learning the conflict points, and how to meld.”
As Porowski continues to embrace his role as a public figure, he’s excited for people to see more of who he truly is outside of Queer Eye. He’s eager to show fans his love for travel, language, and cultural exploration. “I just think, for me, that’s what brings me the most joy,” he says.
No Taste Like Home is now streaming on Hulu and Disney+, offering a compelling journey through food, culture, and personal history. As Porowski’s fans get to know him on a deeper level, they can look forward to more moments of joy, discovery, and human connection.
Julia Butlers as Harper Coleman, Lindsay Lohan as Anna Coleman, Jamie Lee Curtis as Tess Coleman and Sophia Hammons as Lily Davies in Disney’s FREAKIER FRIDAY. Photo by Glen Wilson/Disney 
Lindsay Lohan as Anna Coleman and Jamie Lee Curtis as Tess Coleman in Disney’s FREAKIER FRIDAY. Photo by Glen Wilson/Disney
