Author: Josh Azevedo

  • Sydney Sweeney’s American Eagle Campaign Sparks Backlash Over ‘Great Genes’ Tagline

    Sydney Sweeney’s American Eagle Campaign Sparks Backlash Over ‘Great Genes’ Tagline

    Sydney Sweeney is facing social media backlash after the debut of her new denim campaign with American Eagle, which some critics have accused of invoking racially insensitive messaging.

    The fall 2025 campaign, which launched last week, features the Euphoria and White Lotus star posing in American Eagle’s latest denim line. The central tagline? “Sydney Sweeney has great jeans.” But the cheeky pun, playing off “great genes,” hasn’t landed well with everyone.

    The Wordplay That Sparked Controversy

    In one clip posted to American Eagle’s Instagram, Sweeney stands in front of a sign reading “Sydney Sweeney has great genes,” with “genes” crossed out and replaced by “jeans.” Another video shows Sweeney explaining, “Genes are passed down from parents to offspring, often determining traits like hair color, personality, and even eye color.” The camera then zooms in on her own blue eyes. She finishes with, “My jeans are blue.”

    While the wordplay may have been intended as clever and lighthearted, many online users didn’t see it that way. Across TikTok, Threads, and X (formerly Twitter), some commenters accused the brand of leaning into messaging that echoes eugenics or white supremacist ideology, especially in its framing of inherited beauty traits.

    Sweeney and American Eagle Stay Silent

    As of Tuesday morning, neither American Eagle nor Sweeney has responded publicly to the controversy. A representative for the actress declined to comment, and American Eagle has not issued a statement despite mounting criticism.

    Still, the campaign has continued to roll out across AE’s platforms and in stores, with no visible changes.

    Behind the Denim: The Sydney Jean

    Controversy aside, the campaign is tied to a philanthropic effort. The centerpiece is a limited-edition denim jacket and “The Sydney Jean,” designed in collaboration with Sweeney herself. The jeans feature a butterfly embroidery, meant to symbolize growth, transformation, and domestic violence awareness, a cause close to Sweeney, who has previously spoken about supporting mental health resources.

    All proceeds from the jeans will benefit Crisis Text Line, a nonprofit providing 24/7 text-based mental health support.

    “Sweeney’s girl-next-door charm and main character energy, paired with her ability to not take herself too seriously, is the hallmark of this bold, playful campaign,” American Eagle wrote in a press release.

    Stock Up, Comments Down

    While the comments section has filled with critiques, American Eagle’s stock is experiencing the opposite effect. Since the campaign launched, shares of the company have jumped by 21%, suggesting that the backlash hasn’t hurt business, at least not yet.

    The Internet Remains Divided

    On one side, critics are calling for more accountability from the brand and questioning how the messaging made it past multiple rounds of approval. On the other, some fans argue the campaign was meant to be playful and has been misinterpreted.

    Regardless of intent, the moment highlights how a single word, especially one with loaded historical implications, can derail even the most fashion-forward marketing efforts.

    Whether the brand chooses to respond or let the conversation die down naturally, one thing’s for certain: this campaign is being talked about far beyond the dressing room.

  • Beyoncé Reunites Destiny’s Child in Surprise Las Vegas Finale of ‘Cowboy Carter’ Tour

    Beyoncé Reunites Destiny’s Child in Surprise Las Vegas Finale of ‘Cowboy Carter’ Tour

    Beyoncé saved her biggest surprise for last. As she closed out her Cowboy Carter Tour in Las Vegas on Saturday, July 26, fans at Allegiant Stadium were treated to a long-awaited reunion, Destiny’s Child returned to the stage in full force.

    A Glorious Gold Comeback

    In a moment that sent shockwaves through the BeyHive and beyond, Beyoncé was joined onstage by Kelly Rowland and Michelle Williams for an unexpected, glittering reunion. Decked in coordinated gold ensembles, the iconic trio emerged mid-show to the roaring sound of “Independent Women,” thrilling a crowd that had no idea what was coming.

    “Destiny’s Child, b—!” Beyoncé shouted, strutting across the stage with the same confidence that made them household names two decades ago.

    @bradenstl

    Destiny’s Child Reunites On Last Night of the Cowboy Carter Tour #bradenstl #cowboycarter #cowboycartertour #lasvegas

    ♬ original sound – BradENSTL

    They launched into “Lose My Breath,” a fan favorite from their final studio album, before segueing into Beyoncé’s solo hit “Energy” where they tackled the viral “Mute Challenge” together, proving the chemistry is still undeniable.

    Bootylicious and Then Some

    Of course, no Destiny’s Child reunion would be complete without “Bootylicious.” The trio closed their set with the early 2000s anthem, exchanging smiles and hugs before Beyoncé addressed the crowd: “Give it up for Destiny’s Child!”

    While Beyoncé’s 2018 Coachella set was the last time the trio shared a stage, their off-stage bond has remained strong. Rowland and Williams were both spotted at several Cowboy Carter stops earlier this summer, with Williams attending the Washington, D.C., show and Rowland popping up in Paris.

    A Starry Vegas Send-Off

    The Las Vegas finale wasn’t short on star power. Jay-Z joined his wife for a performance of their classic “Crazy in Love,” while country upstart Shaboozey stepped in to deliver his verse from “Sweet Honey Buckiin’,” their Cowboy Carter collab.

    And just when fans thought it couldn’t get any more personal, 13-year-old Blue Ivy made a heartwarming final appearance, joining her mom onstage one last time, marking the end of a tour that has spanned major cities from Los Angeles to London.

    One Act Ends, Another Awaits

    The Cowboy Carter Tour marks the second chapter in Beyoncé’s ambitious three-act project, which began with 2022’s Renaissance album and tour. With Act II now complete, fans are already speculating what surprises Act III might hold.

    But for one night in Las Vegas, nostalgia, sisterhood, and show-stopping choreography came together under one glittering roof, and Destiny’s Child reminded us all why they remain the blueprint.

  • ‘King of Drag’ Crowns King Molasses as First-Ever Champion in Historic Drag King Series

    ‘King of Drag’ Crowns King Molasses as First-Ever Champion in Historic Drag King Series

    Drag royalty has a new face, and this time, it’s bearded, bold, and breaking boundaries.

    Revry, the world’s first LGBTQ+ streaming platform, has officially crowned King Molasses as the inaugural winner of King of Drag, the first-ever drag king competition series. After six weeks of fierce battles and boundary-pushing performances, King Molasses emerged victorious from a diverse lineup of ten competitors, making herstory as the series’ first reigning monarch.

    A Royal Roster

    The show’s eclectic cast featured standout kings including Alexander the Great, Buck Wylde, Dick Von Dyke, and Tuna Melt, but it was King Molasses who ultimately snatched the crown. The final decision followed weeks of challenges that blended comedy, charisma, and commentary, especially on masculinity in modern drag culture.

    “I want my reign to establish our credibility as artists,” King Molasses told Entertainment Weekly in a post-win interview. “We’re always going to be compared to drag queens, but I want my reign to put to bed the ambiguity about what a drag king is.”

    Hosted by a Legend, Celebrated Around the World

    King of Drag debuted on June 22 exclusively on Revry, with comedian and LGBTQ+ trailblazer Murray Hill serving as the series’ host. Hill, beloved for their roles in Somebody Somewhere and Drag Me to Dinner, guided the competition with wit, wisdom, and a whole lot of attitude.

    The premiere sparked over 200 global watch parties, including enthusiastic turnouts in Brazil, South Africa, and Taiwan. It’s clear the hunger for drag king visibility spans far beyond U.S. borders.

    The Judges’ Court and Star-Studded Guests

    Each episode saw King Molasses perform for a panel known as The Kings Court, made up of drag luminaries including Tenderoni, Gottmik, Sasha Velour, Wang Newton, and Revry CEO Damian Pelliccione.

    Celebrity guest judges added some serious sparkle to the runway, from Bridesmaids director Paul Feig to Drag Latina star Carmen Carrera, Somebody Somewhere stars Bridget Everett and Jeff Hiller, and actress Lisa Rinna.

    A Cultural Reset for Drag Kings

    Co-created by Revry co-founders Damian Pelliccione and Christopher J. Rodriguez, and co-produced by The Silo (the team behind The International Vogue League), King of Drag is being hailed as one of Revry’s most ambitious original series to date.

    “King Molasses exemplifies everything we hoped to showcase,” Rodriguez said in a statement. “Their authenticity and artistry were undeniable.”

    Pelliccione echoed the sentiment, adding: “We’re thrilled to crown them as our first-ever King of Drag.”

    Unlike drag queen-centered shows, King of Drag spotlighted the unique art of drag kings, performers who exaggerate masculinity through satire, swagger, and subversion. The cast represented trans masc individuals, nonbinary artists, and cis women, showing the wide spectrum of gender performance within drag.

    Now Streaming: The Revolution Will Be Bearded

    Whether you’re a longtime fan of drag kings or just discovering this electrifying corner of queer culture, now’s your chance to catch every lip sync, laugh, and look. The full first season of King of Drag is available to stream exclusively at Revry.com.

    The series is proudly sponsored by e.l.f. Cosmetics, a brand that champions bold self-expression for every eye, lip, and face.

    In the words of King Molasses: the reign has just begun.

  • The Kid Laroi Says He Doesn’t Trust People Who Don’t Like Ariana Grande

    The Kid Laroi Says He Doesn’t Trust People Who Don’t Like Ariana Grande

    The Kid Laroi is making it clear: if you’re not vibing with Ariana Grande’s music, he’s not sure he can vibe with you.

    The Australian rapper-singer, born Charlton Kenneth Jeffrey Howard, joined YouTuber FaZe Adapt for a laid-back Twitch livestream on July 25, 2025, where the two spent the day hanging out and casually chatting. While cruising around in a car, talk turned to music, and more specifically, dream collaborations.

    Without skipping a beat, Laroi named Ariana Grande as one of his ultimate “dream collabs,” gushing over her talent and throwing in a cheeky warning to any Grande skeptics.

    “Dream Collab. Dream Dream Collab.”

    When FaZe Adapt asked whether Laroi had worked with Grande yet, the 20-year-old hitmaker quickly responded:
    “I would love to. That’s like one of my dream collabs for sure. Dream dream collab. 100%.”

    Laroi didn’t stop there. He doubled down on his admiration for the pop star, praising both her artistry and her undeniable appeal.
    “She is like one of them [top dream collabs] for sure. I think she is so awesome, and like, I kinda don’t trust people who don’t like her music,” he added. “I don’t trust their air.”

    It’s a bold take, but not an unexpected one, especially for a performer whose own genre-hopping music often draws comparisons to Grande’s sleek pop versatility.

    Supporting “Eternal Sunshine”

    The Kid Laroi’s love for Ariana Grande isn’t new. Earlier this year, he gave a public nod to her latest album Eternal Sunshine: brighter days ahead, posting lyrics from the track “Past Life” on his Instagram story in March 2025. The moment didn’t go unnoticed by fans, with screenshots quickly making the rounds on fan pages.

    Grande’s Eternal Sunshine album has resonated across pop and R&B circles alike, and it seems Laroi is firmly in the camp of supporters. Whether or not this mutual appreciation turns into a musical collaboration remains to be seen, but it’s safe to say the fans are ready.

    A Hot Streak Continues

    Outside of Ariana-related commentary, The Kid Laroi is staying busy with his own releases. His latest single, “Hot Girl Problems,” dropped this week via Columbia Records. The accompanying music video, directed by Nick Vernet, features Love Island USA season seven stars Iris Kendall and Hannah Fields and brings yacht-party glamor to the forefront.

    The breezy summer track follows “How Does It Feel,” a soulful collaboration with bass wizard Thundercat. As Laroi continues to carve his path in pop and hip-hop, it’s clear he’s aiming high, both with his current output and his dream list of collaborators.

    And with Ariana Grande at the top of that list? Don’t be surprised if “Past Life” lyrics become a prophetic preview of what’s to come.

  • Sasha Velour Celebrates 10 Years of ‘NightGowns’ With Star-Studded NYC Residency

    Sasha Velour Celebrates 10 Years of ‘NightGowns’ With Star-Studded NYC Residency

    Sasha Velour is bringing the legacy, and the lashes, back to where it all started. The acclaimed drag icon, author, and “RuPaul’s Drag Race” season 9 winner has announced a glittering 10th anniversary residency for her trailblazing drag revue, NightGowns.

    Set to take over New York City’s La MaMa theatre from August 27 through September 1, the “NightGowns 10 Year Anniversary” series will feature seven shows spotlighting some of the most exciting performers in the drag world. Tickets go on sale July 28 at 2 p.m. EST via SashaVelour.com.

    Poster for the 10th Anniversary of 'Nightgowns' featuring Sasha Velour.
    Poster for the 10th Anniversary of ‘Nightgowns’ featuring Sasha Velour. Photo: House of Velour

    A Decade of Drag Disruption

    What began as a scrappy but ambitious monthly night at the now-closed Bizarre Bushwick in 2015 has evolved into one of the most respected and artistically rich drag showcases in the world. NightGowns was created by Velour to uplift queer artistry with no compromise, fierce, theatrical, and radically inclusive from the jump.

    “I am deeply honored to celebrate the audiences and artists who have made NightGowns into the platform and space that it’s become over the last decade,” Velour said in a statement. “When our art form and our people are being criminalized, erased, displaced… just knowing it’s possible to survive is a source of POWER.”

    Velour adds: “Ten years, this is history! And if we made it, anyone can.”

    'Nightgowns' 10th Anniversary featuring Sasha Velour
    Photo: House of Velour
    'Nightgowns' 10th Anniversary featuring Sasha Velour
    Photo: House of Velour
    'Nightgowns' 10th Anniversary featuring Sasha Velour
    Photo: House of Velour
    'Nightgowns' 10th Anniversary featuring Sasha Velour
    Photo: House of Velour

    Who’s Performing?

    Velour, of course, will be front and center at each performance, joined by a fierce mix of NightGowns alumni and new icons. The lineup is split across the run as follows:

    Aug 27 & 28 at 9 p.m.

    • Daphne Always
    • Neon Calypso
    • Glace Chase
    • K. James
    • Miss Malice
    • Elle McQueen
    • Vigor Mortis
    • Untitled Queen
    • Sasha Velour

    Aug 29 at 6 p.m. & 9:30 p.m. | Aug 30 at 9 p.m.

    • Kevin Aviance
    • Sasha Colby
    • The Illustrious Pearl
    • King Molasses
    • Sasha Velour

    Aug 31 & Sept 1 at 9 p.m.

    • Sweaty Eddie
    • Julie J
    • Miz Jade
    • Tenderoni
    • Sasha Velour

    Expect iconic looks, unapologetic artistry, and the kind of performances that linger long after the curtain falls.

    More Than Just a Show

    NightGowns has never been content with just dazzling the crowd, it’s always had a mission. The revue has raised over $80,000 in recent years for organizations supporting LGBTQ+ communities, immigrants, and mutual aid initiatives in Gaza. Velour’s blend of activism and art is part of what’s made NightGowns so vital in the drag landscape.

    What’s Next for Velour?

    Even with this milestone celebration underway, Velour is showing no signs of slowing down. Her latest one-queen theatrical spectacle, The Big Reveal Live Show, has toured internationally to critical acclaim and sold-out venues, including a recent residency at Berkeley Repertory Theatre in June.

    Up next? Velour’s brand-new solo piece, TRAVESTY, will debut in March 2026 at Woolly Mammoth Theatre in Washington, D.C., followed by a European tour.

    From Brooklyn bars to global stages, Velour continues to expand what’s possible in drag, and NightGowns is living proof. This 10th anniversary isn’t just a celebration. It’s a call to action, a love letter to drag, and a vision for what’s still to come.

    For tickets and full details, visit SashaVelour.com.

  • Trixie Mattel Brings Drag Chaos to ‘Chicken Shop Date’ in Hilarious New Interview

    Trixie Mattel Brings Drag Chaos to ‘Chicken Shop Date’ in Hilarious New Interview

    It’s not every day the Chicken Shop gets turned into a queer comedy cabaret, but drag icon Trixie Mattel made sure to do just that on her recent appearance in Amelia Dimoldenberg’s hit YouTube series Chicken Shop Date. With deadpan flirting, drag queen confessions, and one particularly jaw-dropping fan quote, the latest episode delivers chaos in the best way possible.

    Starstruck, Flirty, and a Little Bit Confused

    From the moment Trixie walked in, the vibe was pure queer camp. “I’m actually quite starstruck,” Amelia confessed before nervously adding, “You seem very attracted to me.” Trixie, always quick with a read, teased, “You seem very attracted to me,” prompting Amelia’s classic stammer before sheepishly admitting, “Yes.”

    Amelia then asked if Trixie likes girls, to which Trixie replied: “In any scenario, I prefer there to be more women than men… except in bed. As long as the men outnumber the women in bed, I’m fine.” It’s the kind of outrageous yet dry-witted exchange fans of both queens live for.

    Drag Queen Myths, Hip Replacements, and STIs

    Trixie opened up about the physical demands of drag, or at least, how she avoids them. “I can’t death drop, split, or backflip,” she admitted. “Katya does all that. She had to get a hip replacement by 40.”

    Later, when Amelia asked if there are any misconceptions about drag queens, Trixie shot back with a knowing smirk: “That they’re nice.”

    In one of the more scandalous reveals, Trixie shared that during her first hookup in the UK, the guy she slept with ended up getting gonorrhea. “That’s showbiz, baby!” might as well have been the subtext.

    Amelia’s Accidental Dating History and Midwest Royalty

    “I keep dating gay men by accident,” Amelia said at one point, prompting Trixie’s confused but hilarious reply: “Don’t they know that you’re a woman?”

    When Amelia asked for three things that sum up the Midwest, Trixie praised the region’s “dry sense of humor” and told Amelia, “You’d do very well there. You could be their princess. Oh wait… Chappell Roan is the Midwest princess.”

    A quick shoutout to the Good Luck, Babe! hitmaker never hurts.

    “Chicken! Chicken!” and Rake-Worthy Fan Moments

    Toward the end of the interview, Trixie flipped the script and asked Amelia what fans say to her in public. Her answer? “Chicken! Chicken! Oh my God, chicken!” a surreal but fitting fan encounter for the creator of Chicken Shop Date.

    Trixie responded in kind. “Do you know what people say to me and Katya?” she asked. Amelia bit, and Trixie delivered with perfect timing: “Fk my p*y with a rake.”

    If that isn’t queer internet culture distilled into a single sentence, what is?

    A Perfect Pairing of Icons

    Trixie and Amelia prove that the best interviews are less about hot wings and more about hot takes. From STI oversharing to straight-up nonsense, their episode is a reminder that when queer humor and awkward British charm collide, the results are legendary.

  • Kesha’s ‘Tits Out’ Tour Took Over NYC and the MISTR After Party Was Even Wilder

    Kesha’s ‘Tits Out’ Tour Took Over NYC and the MISTR After Party Was Even Wilder

    Kesha lit up New York City with a magnetic, no-holds-barred performance at Madison Square Garden on July 23, bringing her “Tits Out” Tour to a glitter-drenched climax in support of her sixth studio album, Period.

    The high-energy night was more than just a concert, it was a raucous, rainbow-colored spectacle of resilience, freedom, and sweaty, euphoric dancing. And if fans thought the chaos ended with the encore, they were mistaken: the real showstopper came at the after party.

    An Unforgettable Night at Madison Square Garden

    Kesha’s set was an unrelenting two-hour thrill ride packed with hits, deep cuts, and the kind of theatrical flair that only she can deliver. Backed by support from Scissor Sisters and a surprise appearance by the Vengaboys, Madison Square Garden transformed into a full-blown queer dance rave for one night only.

    With confetti, lasers, and costume changes galore, Kesha belted out fan favorites like “TiK ToK,” “Blow,” and “We R Who We R” alongside raw, new anthems from Period, an album that marks her most personal and creatively liberated work to date. Every track was a declaration of self-love, artistic autonomy, and emotional catharsis.

    A Condom Top and a Cause

    While the MSG show was electric, the after party made headlines of its own. Kesha arrived at the official post-show bash at Madison Square Garden wearing a top made entirely of gold MAGNUM condoms. Yes, really.

     
     
     
     
     
    View this post on Instagram
     
     
     
     
     
     
     
     
     
     
     

    A post shared by MISTR (@heymistr)

    The after party, hosted by MISTR, a leading telehealth platform that offers free access to PrEP, DoxyPEP, and HIV care, was a bold celebration of sexual wellness and queer liberation. Kesha posed with the MISTR Boys in front of oversized PrEP pills and branded band-aids, highlighting injectable PrEP in the most dazzling way possible.

    More than a stunt, the moment doubled as a message. With the support of MISTR CEO Tristan Schukraft, Kesha turned the event into a playful but powerful visual PSA about health, pleasure, and taking control, something that mirrors the themes of Period itself.

    MISTR CEO, Tristan Schukraft, and Kesha at the 'Tits Out' Tour After Party in NYC.
    MISTR CEO, Tristan Schukraft, and Kesha at the ‘Tits Out’ Tour After Party in NYC. Photo: MISTR

    Party With a Purpose

    The “Tits Out” Tour has been lauded for its immersive, chaotic energy and community-driven vibe. Fans don’t just watch the show, they become part of it, singing, sweating, and screaming through every beat. Kesha has created an experience that feels like a liberation ritual, and her NYC stop was a shining example of why this tour is so much more than a nostalgia trip.

    It’s camp. It’s catharsis. It’s condoms and confetti. And at the heart of it all, it’s Kesha, finally in full control, and looking damn good doing it.

  • Paul Mescal and Josh O’Connor Fall in Love Through Music in ‘The History of Sound’

    Paul Mescal and Josh O’Connor Fall in Love Through Music in ‘The History of Sound’

    Get ready to swoon. The first trailer for The History of Sound has officially dropped, and it’s giving brooding stares, folk melodies, and queer longing in sepia tones.

    Starring Paul Mescal (Aftersun) and Josh O’Connor (Challengers), Oliver Hermanus’ latest film is shaping up to be a major awards season contender, and a poetic exploration of a love that echoes across decades.

    A Queer Period Piece with Musical Roots

    Adapted from Ben Shattuck’s short story of the same name, The History of Sound begins in 1917 at the Boston Conservatory, where Lionel (Mescal), a gifted young music student, meets fellow singer David (O’Connor). The two connect over their mutual passion for folk music, sharing voices and glances in equal measure. But just as quickly as their bond begins to deepen, life intervenes, with David heading off to serve in World War I.

    Photo: Vanity Fair
    Josh O’Connor and Paul Mescal in ‘The History of Sound.’ Photo: Vanity Fair

    Years later, the pair reunite and set out on a journey through the forests and coastlines of Maine to collect and preserve traditional American folk songs. Their expedition becomes the backdrop for a quiet yet powerful romance that profoundly shapes both their lives.

    Chris Cooper narrates as an older Lionel, looking back on the season of love that defined him.

    Queer Love, Without the Tropes

    What’s refreshing about The History of Sound is its decision to take a gentler approach to its central romance. There’s no gratuitous intimacy or trauma porn here. Instead, the emotional charge of the film comes from the tender exchanges between two men navigating affection, companionship, and shared artistry.

    Speaking at Cannes, Mescal told IndieWire, “What feels slightly different about this from [other] romantic relationships onscreen… physical touch isn’t the priority. It’s intellectual stimulation, it’s friendship.”

    That doesn’t mean the chemistry is lacking. In fact, early reviews from the film’s Cannes premiere praised the subtlety and restraint in the performances.

    An Awards Season Favorite in the Making

    After a buzzy debut at the 2025 Cannes Film Festival, The History of Sound has already been tipped as one to watch in the upcoming Oscar race. MUBI will release the film in theaters starting September 12, just in time to stir up awards chatter.

    Both Mescal and O’Connor are no strangers to critical acclaim, and here they’re perfectly cast, bringing depth, ache, and nuance to a story that could easily veer into melodrama but never does.

    Folk Songs and First Loves

    The film’s evocative setting, sweeping cinematography, and haunting musical moments only deepen the emotional resonance. As Lionel and David collect forgotten songs in the rural corners of America, they’re also preserving something more fragile, the memory of a love just as fleeting and precious.

    For fans of slow-burn romance, period dramas, and queer stories that dare to be quiet, The History of Sound promises to be a must-watch this fall. And with Mescal and O’Connor at the helm, it might just sing its way into your heart, and maybe even onto the Oscars stage.

    The History of Sound hits theaters September 12 via MUBI. Watch the trailer below.

  • Willam and Mistress Isabelle Brooks Go Head-to-Head in ‘Drag Race’ Drama Showdown

    Willam and Mistress Isabelle Brooks Go Head-to-Head in ‘Drag Race’ Drama Showdown

    What began as subtle shade has spiraled into full-blown digital warfare between RuPaul’s Drag Race royalty Willam and All Stars 10 standout Mistress Isabelle Brooks. The two queens, both known for their unapologetic opinions, razor-sharp wit, and fan-favorite chaos, are embroiled in an increasingly public and deeply personal back-and-forth that’s playing out in real time on YouTube. And trust, the library is wide open.

    Round One: Willam Throws the First Punch

    Willam has never been one to hold back, and in recent months, she’s taken aim at Mistress during podcast episodes, viewing parties, and social media posts. In a viral TikTok, Willam accused Mistress of being “a bully” and claimed she was kicked out of the Drag Race Season 15 group chat, on Christmas, no less. She doubled down, saying Mistress is “duplicitous and shady,” adding, “People want to go see queens that are fun, not glued to their phones backstage.”

    And yet, the usually fiery Mistress kept her lips sealed, until now.

    Round Two: Mistress Delivers a Precision Strike

    Earlier this week, Mistress broke her silence with a jaw-dropping 15-minute YouTube video titled The BEATUP feat Willam (Confronting My Biggest Fan). Not only is it a not-so-subtle parody of Willam’s long-running Beatdown series, it’s a no-holds-barred read of the queen who’s been name-dropping her all year.

    “I didn’t realize the power I had over him until many of you pointed it out,” Mistress begins, before diving into receipts, including alleged text messages and podcast invites from Willam. She accuses Willam of lying on podcasts, begging for collaborations, and misrepresenting their relationship for clout.

    Mistress also drags Willam’s comments about her wardrobe, “frumpadump t-shirts,” in Willam’s words, calling her a desperate attention-seeker with a selective memory. “Willam, you have lied on my name time, after time, after time,” she says, with screenshots from Reddit and tabloid stories in tow.

    Round Three: Willam Fires Back… Harder

    If Mistress thought she’d get the last word, Willam had other plans. In her latest Willam Wednesday upload, the veteran queen responds point-by-point with the kind of brutal honesty and snark that made her a legend.

    Willam claims Mistress has been playing both sides, publicly shading her while privately asking their shared manager for collaboration opportunities. “She wants to act like I’m obsessed with Drag Race,” Willam says, “but she’s the one constantly trying to work with me.”

    Addressing the DragCon rumor that he waited in line for a RuPaul photo, Willam laughs it off. “She’s loud, but that doesn’t mean she’s right. I told her that on the phone, she didn’t like it.”

    Willam goes on to criticize how Mistress treated fellow queen Aja during All Stars, claiming this YouTube dragfest is a strategic smokescreen to deflect from her own behavior. And when it comes to being called a clout chaser? Willam owns it. “I am. And what are you, girl?”

    The Feud Heard ‘Round the Fandom

    Comparisons to the Kendrick Lamar vs. Drake rap beef have already begun, except this time, it’s wigs instead of bars and YouTube thumbnails instead of album covers. But the intensity? Just as real.

    Willam capped her video by saying, “If you can’t take the heat, get out of the kitchen,” accusing Mistress of panicking over her fleeting spotlight. “You’re worried this fame might be going away, so you’re swinging at anyone nearby,” she added. “You’re indisputably, factually a b*tch.”

    No word yet on whether Mistress will respond, but if history (and her heels) are any indication, another video might already be in the works.

    Stay Tuned, Because This Isn’t Over

    In the grand tradition of Drag Race drama, this saga is already one for the herstory books. With both queens armed with receipts, comebacks, and a fierce following, the Willam vs. Mistress feud is more than just a fight it’s appointment viewing.

    So grab your popcorn, charge your phone, and stay subscribed. Because this YouTube beef? It’s far from done.

  • Chappell Roan Brings ‘Visions of Damsels’ Pop-Up Shows to Pasadena This October

    Chappell Roan Brings ‘Visions of Damsels’ Pop-Up Shows to Pasadena This October

    The “Midwest Princess” returns to California for a two-night theatrical celebration of queerness and pop magic

    Pop sensation and queer icon Chappell Roan is heading back to California with two exclusive headline performances at Brookside at the Rose Bowl in Pasadena. The shows, set for Friday, October 10 and Saturday, October 11, 2025, are part of her limited-run “Visions of Damsels & Other Dangerous Things” pop-up tour, hitting just three cities this fall.

    A Love Letter to Her Favorite Cities

    In a statement to fans, Roan shared her excitement:

    “I am sooo excited to bring Visions of Damsels & Other Dangerous Things to New York, Kansas City, and Los Angeles!!! I love these three cities so much and wanted the chance to do something special for them this year.”

    Roan is prioritizing accessibility with these performances, using Fair AXS registration to help fans avoid inflated resale prices. Ticket registration is now open through Sunday, July 27 at 8:59 p.m. PT, with selected fans receiving purchase access between August 5–7.

    Each ticket sold also includes a $1 donation to organizations supporting trans youth, a cause close to Roan’s heart.

    “It is so important that I give back to the trans community as they have given me so much throughout my career,” she said.

     
     
     
     
     
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    A post shared by ・゚: *✧ Chappell Roan ✧*:・゚ (@chappellroan)

    A Year of Milestones and Bold Moves

    Roan’s announcement follows a landmark year. She won the GRAMMY for Best New Artist, her breakout hit “Pink Pony Club” topped pop radio on its five-year anniversary, and her latest single, the queer country ballad “The Giver,” debuted at No. 1 on Billboard’s Hot Country Songs Chart.

    Her debut of “The Giver” on Saturday Night Live made waves, alongside a hotline teaser, a viral billboard campaign, and collectible vinyls portraying her in kitschy alter egos like a sultry plumber and brooding private eye. NPR named her SNL performance the #1 moment from the show’s 50th anniversary season.

    What to Expect From the Pasadena Shows

    If her Midwest Princess Tour is any indication, these pop-up shows will be less concert, more camp cabaret. With Roan’s drag-inspired fashion, theatrical sets, and community-centered energy, each performance is a full-blown party. Expect glitter, choreography, heartfelt ballads, and probably a few wigs on rotation.

    And yes, if you’re a Cash App Visa cardholder, you’re in luck: a 15% cashback offer is available at checkout, credited directly back to your balance. Details at cash.app/exclusives/chappellroan.

    Ticket Details and More

    To access tickets, fans must register in advance at axs.com/chappellroan2025. Registration does not guarantee a ticket, but it’s the only way in. For more about the Pasadena event specifically, head to chappellroanpasadena.com.

    In addition to the upcoming Pasadena shows, Chappell Roan will be bringing her larger-than-life pop spectacle to a few other cities this fall:

    • September 20–24 – Forest Hills, NY @ Forest Hills Stadium (four-night run)
    • October 3–4 – Kansas City, MO @ Museum and Memorial Park
    • October 10–11 – Pasadena, CA @ Brookside at the Rose Bowl