Venus, the newly crowned winner of Canada’s Drag Race Season 4, is still basking in the post-victory glow—but make no mistake, she’s already looking ahead. And yes, that glow is literally enhanced by body glitter.
“I forgot underwear, so maybe that,” Venus quipped when asked what she packed for her trip to Puerto Vallarta. “Sunscreen is always good, I love Maui Babe, and a little glitter. Glitter always. I like to shine.”
Shine, she certainly does. Venus spoke with us during the grand opening of The Tryst in PV, a growing LGBTQ+ hospitality brand she called “inclusive” and “welcoming,” praising it for helping queer people “make more connections around the world.”
Venus and Tristan Schukraft attend the Grand Opening Weekend at The Tryst Puerto Vallarta: Opening Night Party at The Tryst Puerto Vallarta on April 25, 2025 in Puerto Vallarta, Mexico. (Photo by Presley Ann/Getty Images)
One Woman, One Show, Big Plans
Venus may have snatched the crown, but she’s not resting on it.
“Right now, I’m working on my one-woman show,” she revealed. “And I have a very special campaign coming July 1st that involves Canada, the U.S., and Mexico. That’s our first official teaser!”
While she kept the details under wraps, Venus made it clear that she’s stepping into a global spotlight—and loving every second of it.
Lessons from the Werk Room
Despite the confetti and applause, Venus isn’t looking back. Literally.
“I have not looked back. I don’t want to look back,” she said of her Drag Race experience. “All I know is that I have been leveling up, which is what we want.”
Venus shared that one of her biggest takeaways was learning to stop underestimating herself.
“Once I stopped doing that, I just flew over my own expectations,” she said. “You can’t worry about what might happen—you just have to go for it. Once I did that, I won.”
Simple? Maybe. But powerful? Absolutely.
The Power of “Let Them”
As 2025 rolls on, Venus is embracing a new mantra.
“It’s 2025. Let them,” she said, laughing exuberantly. It’s a phrase that doubles as both a boundary and a battle cry—fitting for a queen who’s done playing small.
And as for those dazzling nails that caught our eye?
“Thank you,” Venus said, flashing her fingers with flair. “They’re part of the whole shine.”
With glitter in her bag, a crown on her head, and a fierce solo show in the works, Venus isn’t just riding the wave—she’s making her own tide.
Season 2 of The Last of Us has already delivered emotional punches, none more resonant than those in Episode 4. Directed by Loki alum Kate Herron, the episode marks a significant turning point for the HBO series, not only in narrative but in the emotional and relational stakes for its central characters.
Fans are still processing the early loss of Joel (Pedro Pascal), but the story has quickly pivoted to focus on Ellie (Bella Ramsey), Dina (Isabela Merced), and newcomer Isaac Dixon (Jeffrey Wright). This episode forces each character to confront choices that could alter the course of their lives—and in the case of Dina, a surprise pregnancy reveals new emotional territory.
Herron spoke with Out about crafting this deeply personal chapter, which explores queer love, identity, and found family in the midst of a violent and uncertain world. Her direction brings a sense of intimacy and emotional nuance rarely seen in apocalyptic storytelling.
A Story of Survival and Identity
Episode 4 opens with a young soldier forced by Isaac to choose a side. Herron says that moment establishes the tone for the entire episode.
“For me, it was all about grounding the story emotionally,” Herron said. “Whether it’s the military pressure, Ellie and Dina’s romance, or the trauma these characters carry, it was crucial to track the emotional arcs and make the audience feel like they’re right there with them.”
The character of Isaac, introduced for the first time this season, adds thematic weight to the episode. While Herron deferred to series co-creator Craig Mazin on Isaac’s broader role, she emphasized that showing human threats—beyond the infected—was essential.
“In Seattle, people are as dangerous, if not more so, than the infected,” she said. “That sets the stage for what’s coming.”
Queer Love in a Genre Landscape
Known for bringing queer representation into mainstream genre television, Herron believes that science fiction and horror offer unique avenues to explore universal themes.
“The best genre stories make us feel something real,” she said. “Ellie and Dina’s love story is so relatable, even in this fantastical setting.”
One of the most poignant scenes occurs when Ellie plays “Take On Me” on guitar—an act of emotional vulnerability that deepens her connection with Dina. Herron worked closely with Ramsey to explore different shades of shyness and confidence.
Ellie playing ‘Take on Me’ in an emotional scene during Season 2, Episode 4. Photo: HBO
“It’s such a human moment—Ellie playing for someone she cares about,” she said. “And of course, there’s a shadow of Joel in that, too, since he taught her guitar.”
Trust, Secrets, and Intimacy
Later in the episode, tension builds as Dina learns of Ellie’s bite. At the same time, Dina is grappling with her own secret—her pregnancy with ex-boyfriend Jesse’s child. Herron used pacing and setting to emphasize emotional stakes.
“It was important that the kiss felt earned,” she said. “We don’t give viewers a moment to catch their breath, which mirrors how the characters feel.”
The morning-after conversation between Ellie and Dina stands as one of the episode’s most intimate moments. When Ellie offers to raise the child as a parent figure, Herron said it was vital to present that moment with authenticity.
Photo: HBO
“It’s a quiet act of radical love,” she explained. “Ellie’s willingness to step into that role shows how deep their bond is. I just wanted the audience to feel like they were witnessing something private and deeply human.”
Reimagining Family in a Harsh World
As queer family structures face increased scrutiny in today’s political climate, Herron believes portraying chosen family onscreen is a powerful form of resistance.
“It’s a grounded conversation that could happen between any two people,” she said. “But because it’s between two queer characters, it challenges what some people think family has to look like.”
Herron credits Mazin and co-creator Neil Druckmann for allowing space to tell that story authentically.
A Future for Ellie and Dina?
Though Herron declined to speculate on where the story is headed, she shared her hope that Ellie and Dina find lasting happiness.
“For one brief moment, they realize the person they love feels the same way,” she said. “That kind of joy is rare in their world—and it’s what makes it so powerful.”
As Herron transitions from Doctor Who and The Last of Us to her next project set in The Sims universe, one theme remains constant in her work: empathy.
“I’m drawn to imperfect characters,” she said. “Storytelling helps us understand people we don’t always agree with—and maybe, along the way, we find a bit more connection.”
Colman Domingo and Marco Calvani deliver standout performances as a married couple in Netflix’s new comedy series, The Four Seasons, which premiered on May 1.This modern reimagining of the 1981 film, co-created by Tina Fey, explores the complexities of long-term friendships and relationships through the lens of three couples who embark on seasonal vacations together.
Domingo portrays Danny, a pragmatic and emotionally reserved character, while Calvani plays Claude, his flamboyant and expressive husband.Their on-screen chemistry has been widely praised, with critics highlighting the authenticity and depth they bring to their roles.The series also stars Steve Carell, Tina Fey, Will Forte, and Kerri Kenney-Silver, among others.
The casting of Calvani was a serendipitous decision.Domingo’s husband, Raul, suggested Calvani for the role after the two couples had become close friends.Domingo recalls, “Raul had the brilliant idea. He said, ‘You know who would be a great candidate for your husband? Marco Calvani!’”Initially hesitant due to Calvani’s background as a director and writer, Domingo was convinced after seeing Calvani’s audition.“Marco just had that special something,” Domingo remarked.
Calvani, who had not acted in over a decade, embraced the opportunity despite initial reservations.He describes the experience as transformative, stating, “I felt like a fish out of water; I didn’t feel like I fully belonged there. But Colman made everything so wonderfully smooth and pleasant.”He also credits Domingo with being a supportive mentor on set.“He was there to root for me, and he’s a great listener,” Calvani added.
The series delves into the dynamics of long-term relationships, highlighting both the joys and challenges that come with them.Domingo appreciates the show’s exploration of these themes, noting, “I get to just laugh and wear cute sweaters.”He values the opportunity to portray a character that is both humorous and emotionally complex.
The Four Seasons has been well-received by audiences and critics alike for its blend of humor and heartfelt moments.The series’ ensemble cast and insightful writing offer a refreshing take on the classic film, providing a nuanced portrayal of modern relationships.
All eight episodes of The Four Seasons are now available for streaming on Netflix.
Colton Haynes has a bold new idea for the small screen—one that would mix high drama, queer visibility, and a whole lot of West Hollywood flair.
In a recent conversation with Gayety at The Tryst Puerto Vallarta opening, the Teen Wolf and Arrow star hinted at his desire to return to television in a fresh and fabulous way. The concept? A queer-centric spinoff of one of TV’s most iconic crime franchises.
“I want to create a show called CSI: West Hollywood,” Haynes said with a laugh. “I’m serious—it’d be fierce. All queer investigators solving fabulous crimes. Give me glitter, high heels, and murder mysteries.”
While the pitch was made with a dose of humor, it’s clear Haynes is thinking creatively about how LGBTQ+ stories can evolve in mainstream entertainment. The actor, who has built a career on genre-defining roles, is ready for his next chapter—and he’s hoping it includes storytelling that puts queer characters at the center of the action.
From Teen Wolf to Hollywood Visionary
Colton Haynes first broke into the spotlight over a decade ago, but he still looks back on Teen Wolf as the launchpad that changed his life.
“It’s crazy to think Teen Wolf was 16 years ago,” Haynes shared. “We even recently did the movie. It’s the show that never dies.”
Now, Haynes is ready to step behind the camera—and maybe into a producing or creative lead role—hoping to shape a series that reflects the vibrancy of the LGBTQ+ community. While CSI: West Hollywood is still just an idea, it taps into a broader movement of queer creatives reclaiming space in crime procedurals, thrillers, and genre TV that has long lacked LGBTQ+ representation.
Colton Haynes attends the Grand Opening Weekend at The Tryst Puerto Vallarta: Opening Night Party at The Tryst Puerto Vallarta on April 25, 2025 in Puerto Vallarta, Mexico. (Photo by Presley Ann/Getty Images for Tryst Hotels)
Crime Drama, but Make It Queer
The idea of a show like CSI: West Hollywood resonates because it blends familiar television tropes with fresh representation. With crime dramas like Law & Order and CSI dominating airwaves for decades, there’s room—and growing demand—for a reinvention that reflects modern queer life.
“People want to see themselves on screen,” Haynes said. “Why not have queer detectives with backstories, relationships, heartbreak, and humor—just like everyone else?”
Haynes’ concept comes at a time when LGBTQ+ representation in media is being reexamined. Despite progress, queer characters—especially in crime and procedural dramas—often remain sidelined or tokenized. A show led by a predominantly queer cast in a campy, dramatic, and genuinely entertaining setting like West Hollywood could be the cultural reset television needs.
Fond Memories and Future Dreams
Haynes also spoke warmly about his previous roles, including his time on American Horror Story, where he formed close friendships and memorable on-set experiences.
“Working with Ryan Murphy was a dream,” he said. “It felt like an instant family. We even went on vacation together—saw Cher in Vegas. It was special.”
That sense of community is something Haynes wants to recreate in his future projects. Whether acting, producing, or both, his vision for the future of queer television includes collaborative, joyful environments—and projects that push boundaries while making viewers feel seen.
What’s Next for Colton Haynes?
While CSI: West Hollywood is still in the idea stage, Haynes has made it clear he’s serious about expanding queer narratives in television. He’s not just looking for another acting gig—he’s looking to tell new stories that reflect the community he belongs to.
As fans eagerly await his next move, Haynes is embracing a creative renaissance—one fueled by a decade of experience, Hollywood wisdom, and a desire to make TV a little more glittery, a little more inclusive, and a lot more fabulous.
“You never know what’s next,” he said with a smile. “But I’m excited to find out.”
BBC Three is turning up the heat this spring with the return of its groundbreaking queer dating show I Kissed a Boy. The second season debuts May 11 on BBC Three and will be available to stream on BBC iPlayer.
Hosted once again by pop icon Dannii Minogue, the show sends a group of single gay men to a stunning Italian masseria—think rustic villa meets summer love island. The twist? They’re matched up before they’ve even said hello. Expect sparks, awkward kisses, and plenty of romantic (and dramatic) detours along the way.
Season 1 launched in 2023 and later streamed on Hulu in the U.S., where it quickly found an international fanbase. No word yet on a global release for Season 2, but we’ll update as soon as the BBC spills the tea.
Ready to meet the new cast of kiss-ready contenders? Say hello to 12 fabulous singles looking for love, lust, or maybe just a really good tan.
Adam
Photo: BBC
Age: 27 | From: Reading | Marketing and Brand Manager
A self-proclaimed “career gal,” Adam lives for the buzz of the beauty industry and East London’s disco scene. “If I could visit another era,” he says, “the ‘70s would be it.”
Aron
Photo: BBC
Age: 27 | From: Croydon | Civil Servant & Cheer Coach
This two-time world champion cheerleader is flipping into the villa and hoping to stick the landing—with a boyfriend this time.
Callum
Photo: BBC
Age: 27 | From: Hastings | Administrator
Chaotic, cheeky, and unfiltered, Callum says he doesn’t follow the rules—especially when it comes to love.
Jack D
Photo: BBC
Age: 26 | From: Glasgow | Hospital Pharmacist
He’s ready to trade solo pastries and pints for someone to share them with. Call him the lovable Glaswegian dater-next-door.
Jack S
Photo: BBC
Age: 22 | From: Wigan | Banking Advisor
Tattooed with his nan’s name and repping his rap alter ego “Jack Maniac,” he’s androgynous, fierce, and here for romance.
Jas
Photo: BBC
Age: 27 | From: Glasgow | Finance Analyst
A proud Scottish Punjabi man, Jas says his family’s support is his superpower—and he’s not afraid to use it.
Jordan B
Photo: BBC
Age: 25 | From: Lake District | Retail Manager
From herding sheep to hunting hearts, Jordan’s ready to swap farm life for fiery flirtation in the masseria.
Jordon R
Photo: BBC
Age: 27 | From: Leeds | Sales Manager
He’s done with emotionally unavailable guys. Can the masseria help him open up and find something real?
Lars
Photo: BBC
Age: 23 | From: Wolverhampton | Hotel Receptionist
Football fan and cheeky chappy Lars has fully embraced his transition—and now he’s chasing the missing puzzle piece: love.
Rory
Photo: BBC
Age: 22 | From: Galway, Ireland | Mental Health Support Worker
He keeps his cool around drama but admits it takes a lot to steal his heart. His celeb crushes? Michael B. Jordan, Joey Essex and Troye Sivan.
Ruben
Photo: BBC
Age: 24 | From: London | Artist & Designer
A soft-spoken creative with a self-confessed fear of vulnerability, Ruben is hoping the Italian sun will warm up his heart.
Get ready for sun-drenched smooches, messy love triangles, and fierce friendships when I Kissed a Boy returns. Could one of these hopefuls kiss—and tell—their way into your heart?
Start your engines—and make room in the werkroom. RuPaul’s Drag Race All Stars is returning for its 10th season on May 9, and this time it’s bigger, queerer, and witchier than ever.
With a star-studded guest judge lineup and the largest cast in All Stars herstory, All Stars 10 promises high-stakes glamour, jaw-dropping performances, and a brand-new “Tournament of All Stars” format that could shake up the franchise forever.
Grande, Erivo, and Roan… Oh My!
In a teaser trailer that sent fans into a glittery meltdown, Wicked stars Cynthia Erivo and Ariana Grande storm the werkroom with the line: “The witches will see you now!” Queens lose it (as they should), and honestly, so did we.
Meanwhile, queer pop icon Chappell Roan makes her entrance in a wig cap and robe, dryly asking the queens, “Do any of you queers have something sexy I can slip into?” Consider the bar for guest judge entrances raised.
Buffy Is Back—and She Brought Ice Spice
The judging panel this season reads like a who’s who of queer icons, Oscar nominees, viral hitmakers, and cult TV legends.
This diverse cast spans fan favorites, controversial queens, early outs, and redemption-seekers—all bringing a mix of charisma, uniqueness, nerve, and talent back to the main stage.
New Format: The Tournament of All Stars
Drag Race All Stars 10 will debut a brand-new structure known as the Tournament of All Stars. According to a press release from Paramount+:
“The queens will be divided into three groups of six, each competing in their own bracket across three episodes. At the end of each bracket, the top three queens with the highest point totals will then advance to the semi-finals.”
From there, it’s a high-stakes dash to the crown. The finalists will face off in an epic Lip Sync Smackdown for the Crown, with one queen ultimately earning a coveted spot in the Drag Race Hall of Fame.
And yes, Untucked will be back too—because if you’re not watching Untucked, you’re only getting half the tea.
How to Watch
RuPaul’s Drag Race All Stars 10 premieres May 9 exclusively on Paramount+ in the U.S. and WOW Presents Plus internationally.
Watch the full trailer now and get ready for the ultimate drag battle royale—glamour, chaos, and glitter bombs included.
Nicole Kidman is back in retreat leader mode, and this time she’s taking her signature brand of spiritual chaos to the Austrian Alps. The first trailer for Nine Perfect Strangers season two has dropped ahead of its May 22 premiere on Prime Video—and it’s packed with familiar faces, fresh queer talent, and plenty of cryptic intensity.
A Return to Healing… or Chaos?
Kidman reprises her role as Masha, the mysterious, zen-meets-zany wellness guru who leads a group of nine strangers through a transformative retreat. According to Prime Video’s official synopsis, the guests are “connected in ways they could never imagine” and are pushed to their limits by Masha over the course of one mind-bending week.
Photo: Prime VideoPhoto: Prime VideoPhoto: Prime Video
“Will they make it? Will she?” the trailer asks, as glimpses of emotional breakthroughs, dramatic showdowns, and possibly supernatural twists flash across the screen. One thing’s clear: healing at this retreat is not for the faint of heart.
Queer Talent Takes Center Stage
This season brings a welcome wave of LGBTQIA+ representation with a dynamic cast that includes:
They’re joined by LGBTQ+ favorites like Henry Golding, who starred in the gay drama Monsoon; Annie Murphy of Schitt’s Creek fame (and “A Little Bit Alexis” glory); and queer icon Christine Baranski, bringing her signature wit and razor-sharp delivery.
In a brief but memorable moment from the trailer, Bartlett, Richardson-Sellers, and King Princess appear to share a vulnerable exchange that hints at the deep emotional layers this season promises.
A Record-Breaking Legacy
Created by David E. Kelley and based on the bestselling novel by Liane Moriarty, the first season of Nine Perfect Strangers premiered in 2021 and became Hulu’s most-watched original series at the time. With its dreamy visuals, psychological twists, and now a more globally diverse and LGBTQIA+ cast, season two looks to expand the series’ impact and reach.
Nine Perfect Strangers Season 2 premieres May 22 on Prime Video. Watch the official trailer now and prepare to question everything you thought you knew about wellness.
Laverne Cox is opening up about the emotional impact of Clean Slate’s cancellation, calling the end of the series “gutting” and a “devastating” loss—not just for her as an actor, but for the fans who embraced the show.
In a candid moment with Gayety at the opening of The Tryst Hotel in Puerto Vallarta, Cox reflected on how she first felt upon hearing the news that Clean Slate, the Freevee comedy starring Cox and George Wallace, would not be moving forward after its first season. Despite the heartbreak, the Emmy-nominated star made it clear that she’s choosing gratitude over regret.
“I was gutted and devastated,” the ‘Orange Is The New Black‘ alum admitted. “But moving forward is the fans—and how we’ve already, with that one season, touched people and made a difference. The love that we gave and put into it, I’ve gotten it back ten times, and I keefep getting it.”
‘Clean Slate’ Promised Representation, Then Vanished
Clean Slate premiered to buzz for its fresh premise: Henry, a conservative Alabama car wash owner, is forced to reconcile with his estranged child Desiree (played by Cox), who returns home as a proud trans woman. The series was praised for tackling themes of identity, family, and generational acceptance with humor and heart.
Laverne Cox for ‘Clean Slate.’
Cox’s casting was hailed as groundbreaking. For many trans viewers, seeing a Black trans woman co-lead a sitcom wasn’t just exciting—it was revolutionary. That’s part of why the cancellation hit so hard.
“Whether it’s one season, six seasons—that relationship between us and the fans is everything,” Cox said. “Thank you to the fans who watched and are continuing to watch and love our show.”
While Freevee and Amazon did not release detailed reasons behind the cancellation, industry insiders cited strategic shifts in programming and viewership data as contributing factors. Still, the sudden end left many questioning what space, if any, streaming platforms are truly making for stories led by and centered on trans characters.
Demi Lovato and Laverne Cox attend the Pool Party during the Grand Opening Weekend at The Tryst Puerto Vallarta on April 26, 2025 in Puerto Vallarta, Mexico. (Photo by Vivien Killilea/Getty Images for Tryst Hotels)
Beyond the Red Carpet
The end of Clean Slate isn’t the only shift in Cox’s professional life. She also recently stepped away from her high-profile red carpet hosting duties at E!, where she served as a dynamic, stylish, and deeply thoughtful interviewer.
“Deep respect to anyone who works the red carpet,” Cox said. “It was so much work. And I always hold myself to a very high standard.”
Known for her sharp questions, affirming energy, and undeniable fashion presence, Cox made a mark on the carpets. But she also revealed how emotionally and mentally taxing the job could be.
“It was so much work, and it was stressful,” she said. “And I’m an artist. I needed to step away.”
“The ratings were through the roof at E! when we were there,” Cox added. “I’m proud of that. I think we elevated the conversation, and we made the artists feel good and the audience feel good.”
What’s Next for Laverne Cox?
Even as she steps away from two major platforms, Cox is far from done. Known for blazing trails and setting new standards in both Hollywood and media, she’s made it clear that she’s ready for the next chapter—whatever it may be.
“I just always want to do my best,” she said, thanking Lalwani and fans for their support. “And now—onto the next thing.”
With Clean Slate behind her, the red carpet in the rearview, and a career that’s always evolving, Cox remains a defining voice in trans visibility, intersectional storytelling, and authentic representation in Hollywood.
For fans still mourning Clean Slate, Cox’s message is simple but powerful: the work mattered—and it still does.
Jon Gries, best known for his role as the scheming Greg Hunt (aka “Gary”) in HBO’s The White Lotus, is turning heads in a way fans didn’t see coming. At 67, the veteran actor has stripped down — literally — for a vibrant and cheeky new fashion campaign by Jacquemus, and let’s just say… he’s giving “daddy” in a way that even Tanya McQuoid might appreciate.
The French label, known for its surrealist flair and viral runway moments, tapped Gries for a campaign that feels like a crossover between high fashion and a quirky daydream. In the photos, Gries is seen shirtless, banana-print boxers peeking out from under his low-rise jeans, topped with a Jacquemus jacket and a bold sunhat. He’s serving laid-back louche meets European vacation dad — and it works.
In another image, he’s seen golfing in loungewear, nibbling on an actual banana, or lounging while fully suited. It’s an unexpected, joyful twist on masculinity, and Gries leans into the moment with a confidence and charm that reminds us: aging is not the enemy — especially not in fashion.
While Greg Hunt may not have officially come out on The White Lotus, queer fans of the show have long speculated about his sexuality — and his motivations. In season two, his relationship with the flamboyant Quentin (played by Tom Hollander) raised more than a few eyebrows. By season three, Greg is reportedly dating a young model named Chloe (played by Charlotte Le Bon) while engaging in voyeuristic fantasies involving other men.
Is Greg queer? The show doesn’t give us a straight answer (no pun intended), but Jon Gries has acknowledged that Greg is complex and morally gray. “He has no interest in having friendships,” Gries said in a previous interview. “Everything was on a contract basis with him. He wants control.”
Queer-coded villain? Repressed bisexual? Emotionally unavailable straight man? Whatever Greg is, he’s messy — and we love that for him.
And while Gries isn’t explicitly discussing sexuality in this campaign, the visual language is deeply queer. Banana motifs? A little skin? Gender play with clothing and presentation? Check, check, and check. In fact, the shoot feels like a wink to queer fans who’ve had their eye on Greg (or at least his motives) since season one.
Jacquemus Knows the Gays Are Watching
Jacquemus, founded by Simon Porte Jacquemus in 2009, has long drawn inspiration from queer culture and art. The label blends high fashion with humor, minimalism with excess, and classic French silhouettes with Mediterranean warmth. Think: camp meets couture. Past campaigns have included same-sex couples, sensuality across the gender spectrum, and a healthy dose of absurdity — so casting Jon Gries? Inspired.
According to Jacquemus’ official brand description, the label “references a French way of life and universal gestures of beauty: from fine art photography to the decorative arts, cinema, painting, and sculpture.” The Gries campaign adds a dose of generational appeal and an “older man chic” energy that’s often missing from mainstream fashion campaigns.
It’s refreshing to see a brand so openly embrace an unconventional muse, especially one who defies the usual standards of youth, abs, and influencer clout. Gries may not be the first person who comes to mind when you think of high fashion — but maybe that’s the point.
Greg Is the Only Constant in ‘The White Lotus’ Universe
Gries remains the only actor to appear in all three seasons of The White Lotus, and his character’s evolution (or, arguably, unraveling) has become one of the show’s juiciest subplots. His first-season arc saw him fall into a whirlwind romance with Tanya McQuoid (Jennifer Coolidge, in her Emmy-winning role). Season two pulled back the curtain to reveal something far more sinister — and possibly queer — beneath the surface.
Season three, which premieres later this year, promises even more twists. Rumor has it Greg is dating a model and exploring a cuckolding kink that involves watching her with other men. Honestly? That’s growth — in a very White Lotus kind of way.
Queer Aging, Reframed
Gries’ campaign arrives at a time when conversations around aging — particularly in queer and fashion spaces — are becoming more visible. There’s often a toxic emphasis on youth in both industries, but campaigns like this one help shift the narrative. You don’t have to be 25 with a six-pack to be sexy, stylish, or subversive.
In fact, Gries’ presence in the campaign challenges outdated standards of desirability. He’s not the punchline — he’s the look. And that, especially for queer audiences who are used to seeing older men erased or mocked, feels radical.
Whether or not Greg Hunt is gay, and whether or not Jon Gries is on your fashion radar, one thing is clear: the man knows how to serve a look. And in the world of Jacquemus, that’s more than enough.
In the words of Tanya McQuoid: “You’re not just a pretty face… but you’re definitely not boring.”
Netflix is turning up the heat this summer with Olympo, its latest Spanish-language series from the team behind Élite. On Monday, the streamer unveiled the first teaser for the highly anticipated young adult drama—and it’s already making waves for its sweaty, shirtless intensity.
I would like to call your attention to OLYMPO, a new Spanish series coming to Netflix this year that’s set at a school for elite athletes
Created by Jan Matheu, Laia Foguet and Ibai Abad, Olympo follows a group of elite young athletes training at the fictional CAR Pirineos, a prestigious high-performance sports center nestled in the mountains. Part drama, part thriller, the series explores the physical, emotional, and moral trials faced by a generation determined to win—no matter the cost.
According to Netflix’s official synopsis, the story centers on Amaia, the captain of Spain’s national artistic swimming team. Driven, disciplined and relentlessly hard on herself, Amaia is shaken when her best friend and teammate, Núria, suddenly outperforms her. As whispers of “inexplicable” improvements spread through the training center, Amaia and her peers are forced to confront the darker side of ambition. The question at the heart of the series: how far will they go to reach the top?
Though Netflix has kept details tightly under wraps since the project’s announcement in July 2024, Monday’s teaser finally gives fans a glimpse into the world of Olympo. The short trailer doesn’t offer dialogue or direct scenes from the series, but instead features the cast—sweaty, intense, and impossibly toned—competing to climb a human pyramid. The imagery is symbolic, seemingly representing the brutal hierarchy and rivalries brewing at CAR Pirineos.
The teaser also hints at some steamy interpersonal drama, setting the stage for the kind of high-stakes, emotionally charged storytelling that Élite fans have come to expect.
The ensemble cast includes rising Spanish stars Clara Galle, Nira Osahia, Agustín Della Corte, Nuno Gallego, María Romanillos, Martí Cordero, Juan Perales, Andy Duato and Najwa Khliwa.
First-look photos released in February sparked excitement online, but the trailer’s release has officially kicked anticipation into overdrive.
Olympo is set to premiere globally on Netflix on June 20, just in time to heat up your summer watchlist.
